Any drivers that are designed to a price/performance point can be improved upon. Even current designs. There have been a couple ways in which the Polk midwoofer and passive radiator performance could and have been improved. Namely dampening the stamped metal baskets and better anchoring the drivers to the cabinet structure either with ring supports or inserts for the screws/bolts. Those material changes were very easy to identify by ear. Both of those had very beneficial results for me.
There was no way I would have kept any Polks with the dead fish eye SL2000 tweeters, so that was another huge area of improvement to correct what came to be perceived as a defect over time.
1. Polk LSiM707, 704C, 703; Dual SVS SB2000 subwoofers; Marantz SR7011 receiver; Parasound A23 amp; Oppo 205; Sony 65" 4K TV; FIOS; PS Audio Power Plant Premier; MIT S2 cables 2. JM Labs Electra 920.1; Sonic Frontiers Line 3 Preamp; Classe Model 25 amp; Sony HAP-Z1ES; Oppo 105D; Music Hall MMF7 and Acoustech phono pre; PS Audio Power Director; MIT S1 Cables 3. Polk LSiM703; Parasound JC2BP and A21; Sony 48" 4K TV; Wyred4Sound DAC 2; Oppo 203; Squeezebox Touch; MIT S3 cables
Any drivers that are designed to a price/performance point can be improved upon. Even current designs. There have been a couple ways in which the Polk midwoofer and passive radiator performance could and have been improved. Namely dampening the stamped metal baskets and better anchoring the drivers to the cabinet structure either with ring supports or inserts for the screws/bolts. Those material changes were very easy to identify by ear. Both of those had very beneficial results for me.
There was no way I would have kept any Polks with the dead fish eye SL2000 tweeters, so that was another huge area of improvement to correct what came to be perceived as a defect over time.
I could swear the SL2000 tweeters aged or sounded worse over time.
I wonder if Polk realized this and the reason for the replacement "newer" style tweeters.
Not just the 12.5 kHz peak but something just sounded off about them.
Any drivers that are designed to a price/performance point can be improved upon. Even current designs. There have been a couple ways in which the Polk midwoofer and passive radiator performance could and have been improved. Namely dampening the stamped metal baskets and better anchoring the drivers to the cabinet structure either with ring supports or inserts for the screws/bolts. Those material changes were very easy to identify by ear. Both of those had very beneficial results for me.
There was no way I would have kept any Polks with the dead fish eye SL2000 tweeters, so that was another huge area of improvement to correct what came to be perceived as a defect over time.
For their time, doped paper cones were among the best regarded driver materials you could get. They were very carefully researched by Polk to do their job, and were selected despite there being several other driver types that were cheaper. They were also built in-house. Back then, this helped keep costs down.
Today, there are drivers that are several orders of magnitude better that the MW65xx, but I do t think any of them would work as well in the older Polk speakers. Also keep in mind that some of the more well regarded audiophile speakers made even today use doped appear cones.
The Gear... Carver "Statement" Mono-blocks, TriangleArt Reference SE with Pass Labs Xono Phono Preamp, Walker Precision Motor Drive, ClearAudio Goldfinger Diamond v2 cartridge and Origin Conquerer Mk3c tonearm, Polk Audio "Signature" Reference Series 1.2TL with complete mods, Pass Labs X0.2 three chassis preamp, PS Audio PerfectWave DAC MkII, Pioneer Elite SC-LX701, Oppo UDP-205 4K Blu-ray player, Sony XBR70x850B 4k, Polk audio AB700/800 "in-wall" surrounds.
Saying that it's "too hard" to pursue your dreams is no different than admitting to yourself that you are too lazy to achieve them.
“If it moves, tax it. If it keeps moving, regulate it. And if it stops moving, subsidize it.”
One is the size of the big ones overloading the room I have my two channel system in while also being picky on requiring placement close to the front wall.
Two things I have never heard better though are the SDA imaging and the way the midwoofers worked with the passive radiators so seamlessly. To me those two factors are what made them so fun to listen to.
I replaced the SDA SRSs (original) in my home theater with LSiM 707s. I did that strictly for aesthetic reasons. I prefer the look of smaller speakers in that room. The 707s produce a smaller front stage than the SRSs, but they produce a more cohesive front stage with the LSiM 706c center.
Today, there are drivers that are several orders of magnitude better that the MW65xx, but I do t think any of them would work as well in the older Polk speakers. Also keep in mind that some of the more well regarded audiophile speakers made even today use doped appear cones.
Yes, there have been some substantial advancements in motor structure, basket damping, and materials since the original SDA midwoofers debuted. Some years ago I asked Polk's engineering department for recommendations for upgrade replacements for the original drivers. I was told that different drivers would require a different crossover to properly accommodate the electrical parameters of the new drivers. Cabinet modifications might also be required.
"So hot it burnsMice!"~DK
"Polk SDA-SRSs are hopelessly out of date both sonically and technologically... I see no value whatsoever in older SDA speakers."~Audio Asylum Member
"Knowledge, without understanding, is a path to failure."~DK
"Those who irrationally rail against something or someone that is no threat to them, actually desire (or desire to be like) the thing or person they are railing against."~DK
Any drivers that are designed to a price/performance point can be improved upon. Even current designs. There have been a couple ways in which the Polk midwoofer and passive radiator performance could and have been improved. Namely dampening the stamped metal baskets and better anchoring the drivers to the cabinet structure either with ring supports or inserts for the screws/bolts. Those material changes were very easy to identify by ear. Both of those had very beneficial results for me.
There was no way I would have kept any Polks with the dead fish eye SL2000 tweeters, so that was another huge area of improvement to correct what came to be perceived as a defect over time.
I could swear the SL2000 tweeters aged or sounded worse over time.
I wonder if Polk realized this and the reason for the replacement "newer" style tweeters.
Yes I do agree with the bold type.
I will also remind you in the tweeter shoot out Ray @DarqueKnight had compared he also found the SL1000 to be the better of the two. Both had polyamide domes yet i can agree the SL2000 was much harsher tweeter and I found the domes to not age as well as my much older SL1000 tweeters i have stashed. I can also attest to the SL1000 also having magnet glue problems. Several I have had let loose and locked up the voice coil. So you also have that problem.
Polk Audio / Marantz room - another WOW! Polk were showcasing those new top of the line speakers with cross-talk cancelling technology array on top, driven by a full Marantz stack. Amazing power, detail, and clarity, with no audible distortion even at loud SPL. Color me impressed. Polk people advice pretty close placement: 6 to 8 feet apart, depending on the room, and no toe-in - they need to face the room straight, the array is angled to mimic toe-in, so any additional toe-in done by you will actually ruin the main effect of the speakers, i.e. cross-talk elimination.
Political Correctness'.........defined
"A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."
@F1nut thanks for posting that. I was also impressed by them in less than ideal and cramped rooms with noisy neighbors.
I spoke to my dealer this evening, Thursday/Friday this week! I’m excited! Childhood dream comes true, SDA. They aren’t the SDA from stereo magazines with Matthew Polk standing next to them in a lab coat I used to read about when I was little but if the hype is true, these will be wait for it.... Legendary.
Will see how well they play with my amp, or not.
Living Room Music-2.0 Polk Legend L800 | McIntosh C47 | McIntosh MA5200 (Treble) | McIntosh MC452 (Bass) | Denon DP-2500A | Apple Music Laptop via USB Family Room Home Theater-7.2.2 (Atmos) Polk LSiM 707, 706c, Dual DSW microPRO 3000, LSiM 702 F/X [x4], RC65i | Marantz SR7009 | Marantz PM-10 [FL/FR] | Oppo BD-103 (CD/SACD for PM-10) | Sony UBP-X800 4K | Xbox One S 4K | AppleTV 4K | HTPC | Sony 75” XBR X850D 4K Office Home Theater-5.1 Polk RT55, CS400, PSW450, f/x 500 | Onkyo TX-SR705 | AppleTV | Samsung 55” Office Music-2.0 KEF Q100 | Sansui AU-6900 | Topping DX7s | Sansui FR-1080 Master Bedroom Music-2.0 Totem Hawk | Rotel RA-1570 Patio Music-2.0 Polk Atrium8 | AMC 2445 bridged Airplay zones: Family Room (HDMI), Master Bedroom (Optical), Office (HDMI), Living Room (Optical), SR7009 (AVR direct) and Patio (analog). Apple Music multi-stream to any, combo or all. Spares: Polk LSi25, LSiC, CS300, 4pr T15, Martin Logan Motion 40, 50xt, Klipsch RP-600M, Dynamo 500, Rotel RB-1590, Denon AVR-4802R, Onkyo DX-C540, DVP-S500D, PS HX-500, PASS ACA (kit) Class A balanced monoblocks Maintenance: Pro-Ject VC-S Record Cleaning Machine
The L800s, in both finishes, have been available for shipping from Crutchfield for a few days now. They do say low stock. No sign of the L600s yet. All the other speakers in the line are available including the Atmos modules and center channel. That's one big center speaker!
1. Polk LSiM707, 704C, 703; Dual SVS SB2000 subwoofers; Marantz SR7011 receiver; Parasound A23 amp; Oppo 205; Sony 65" 4K TV; FIOS; PS Audio Power Plant Premier; MIT S2 cables 2. JM Labs Electra 920.1; Sonic Frontiers Line 3 Preamp; Classe Model 25 amp; Sony HAP-Z1ES; Oppo 105D; Music Hall MMF7 and Acoustech phono pre; PS Audio Power Director; MIT S1 Cables 3. Polk LSiM703; Parasound JC2BP and A21; Sony 48" 4K TV; Wyred4Sound DAC 2; Oppo 203; Squeezebox Touch; MIT S3 cables
From what I was told they shipped to dealers last Friday. My dealer has them in black but not walnut. Walnut is worth the short wait. Not sure bout online dealers. My dealer will deliver, unbox and setup.
Living Room Music-2.0 Polk Legend L800 | McIntosh C47 | McIntosh MA5200 (Treble) | McIntosh MC452 (Bass) | Denon DP-2500A | Apple Music Laptop via USB Family Room Home Theater-7.2.2 (Atmos) Polk LSiM 707, 706c, Dual DSW microPRO 3000, LSiM 702 F/X [x4], RC65i | Marantz SR7009 | Marantz PM-10 [FL/FR] | Oppo BD-103 (CD/SACD for PM-10) | Sony UBP-X800 4K | Xbox One S 4K | AppleTV 4K | HTPC | Sony 75” XBR X850D 4K Office Home Theater-5.1 Polk RT55, CS400, PSW450, f/x 500 | Onkyo TX-SR705 | AppleTV | Samsung 55” Office Music-2.0 KEF Q100 | Sansui AU-6900 | Topping DX7s | Sansui FR-1080 Master Bedroom Music-2.0 Totem Hawk | Rotel RA-1570 Patio Music-2.0 Polk Atrium8 | AMC 2445 bridged Airplay zones: Family Room (HDMI), Master Bedroom (Optical), Office (HDMI), Living Room (Optical), SR7009 (AVR direct) and Patio (analog). Apple Music multi-stream to any, combo or all. Spares: Polk LSi25, LSiC, CS300, 4pr T15, Martin Logan Motion 40, 50xt, Klipsch RP-600M, Dynamo 500, Rotel RB-1590, Denon AVR-4802R, Onkyo DX-C540, DVP-S500D, PS HX-500, PASS ACA (kit) Class A balanced monoblocks Maintenance: Pro-Ject VC-S Record Cleaning Machine
Heard them at the NY Audio show.
The L800 are definetly among the best SDA speakers made!
SRT For Life; SDA Forever!
The SRT SEISMIC System:
Four main satellite speakers, six powered subs, two dedicated for LFE channel, two center speakers for over/under screen placement and three Control Centers. Amaze your friends, terrorize your neighbors, seize the audio bragging rights for your state. Go ahead, buy it; you only go around once.
1. Polk LSiM707, 704C, 703; Dual SVS SB2000 subwoofers; Marantz SR7011 receiver; Parasound A23 amp; Oppo 205; Sony 65" 4K TV; FIOS; PS Audio Power Plant Premier; MIT S2 cables 2. JM Labs Electra 920.1; Sonic Frontiers Line 3 Preamp; Classe Model 25 amp; Sony HAP-Z1ES; Oppo 105D; Music Hall MMF7 and Acoustech phono pre; PS Audio Power Director; MIT S1 Cables 3. Polk LSiM703; Parasound JC2BP and A21; Sony 48" 4K TV; Wyred4Sound DAC 2; Oppo 203; Squeezebox Touch; MIT S3 cables
Lumin X1
Sony XA-5400ES SACD
Pass XP-22 pre, X600.5 amps
Magico S5 MKII Mcast Rose speakers, SPOD spikes
Shunyata Triton v3/Typhon QR on preamp, Denali 2000 (2) on amps
Shunyata Sigma XLR analog ICs, Sigma speaker cables
Shunyata Sigma HC (2), Sigma Analog, Sigma Digital, Z Anaconda (3) power cables
Mapleshade Samson V.3 four shelf solid maple rack, Micropoint brass footers
Three 20 amp circuits.
Yes, but L800 says $6K each, but that means a pair.
Bud - Silicon Valley
Lumin X1
Sony XA-5400ES SACD
Pass XP-22 pre, X600.5 amps
Magico S5 MKII Mcast Rose speakers, SPOD spikes
Shunyata Triton v3/Typhon QR on preamp, Denali 2000 (2) on amps
Shunyata Sigma XLR analog ICs, Sigma speaker cables
Shunyata Sigma HC (2), Sigma Analog, Sigma Digital, Z Anaconda (3) power cables
Mapleshade Samson V.3 four shelf solid maple rack, Micropoint brass footers
Three 20 amp circuits.
I see they have included this recommendation, bravo!
high-current amplification from a quality power amp or integrated amplifier is recommended for best performance
Political Correctness'.........defined
"A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."
Dam,If only there were two i the pic! end of convo...
"Really Looking forward to the reviews from the owners of the L800's soon!
The local west coast hifi shop in the Malaga area here down under in Perth will have L600's for a few days,I'll be there.
Interdyne the suppler for Polk here are only supplying these for a demo to suppliers.
Comments
There was no way I would have kept any Polks with the dead fish eye SL2000 tweeters, so that was another huge area of improvement to correct what came to be perceived as a defect over time.
2. JM Labs Electra 920.1; Sonic Frontiers Line 3 Preamp; Classe Model 25 amp; Sony HAP-Z1ES; Oppo 105D; Music Hall MMF7 and Acoustech phono pre; PS Audio Power Director; MIT S1 Cables
3. Polk LSiM703; Parasound JC2BP and A21; Sony 48" 4K TV; Wyred4Sound DAC 2; Oppo 203; Squeezebox Touch; MIT S3 cables
I could swear the SL2000 tweeters aged or sounded worse over time.
I wonder if Polk realized this and the reason for the replacement "newer" style tweeters.
Not just the 12.5 kHz peak but something just sounded off about them.
B+W-Sold
Electro Voice EV-SIX
Infinity-Sold
Advent-Now gone
Yamaha A-S801
Yamaha RX-V377
Yamaha RX-A860
Yamaha RX-A3060
Harman Kardon Hk-350i
Harman Kardon Hk-........
Harman Kardon PM-665
Harman Kardon HK-775
Pioneer.......Stereo Receiver
For their time, doped paper cones were among the best regarded driver materials you could get. They were very carefully researched by Polk to do their job, and were selected despite there being several other driver types that were cheaper. They were also built in-house. Back then, this helped keep costs down.
Today, there are drivers that are several orders of magnitude better that the MW65xx, but I do t think any of them would work as well in the older Polk speakers. Also keep in mind that some of the more well regarded audiophile speakers made even today use doped appear cones.
Saying that it's "too hard" to pursue your dreams is no different than admitting to yourself that you are too lazy to achieve them.
“If it moves, tax it. If it keeps moving, regulate it. And if it stops moving, subsidize it.”
I replaced the SDA SRSs (original) in my home theater with LSiM 707s. I did that strictly for aesthetic reasons. I prefer the look of smaller speakers in that room. The 707s produce a smaller front stage than the SRSs, but they produce a more cohesive front stage with the LSiM 706c center.
Yes, there have been some substantial advancements in motor structure, basket damping, and materials since the original SDA midwoofers debuted. Some years ago I asked Polk's engineering department for recommendations for upgrade replacements for the original drivers. I was told that different drivers would require a different crossover to properly accommodate the electrical parameters of the new drivers. Cabinet modifications might also be required.
"Polk SDA-SRSs are hopelessly out of date both sonically and technologically... I see no value whatsoever in older SDA speakers."~Audio Asylum Member
"Knowledge, without understanding, is a path to failure."~DK
"Those who irrationally rail against something or someone that is no threat to them, actually desire (or desire to be like) the thing or person they are railing against."~DK
Yes I do agree with the bold type.
I will also remind you in the tweeter shoot out Ray @DarqueKnight had compared he also found the SL1000 to be the better of the two. Both had polyamide domes yet i can agree the SL2000 was much harsher tweeter and I found the domes to not age as well as my much older SL1000 tweeters i have stashed. I can also attest to the SL1000 also having magnet glue problems. Several I have had let loose and locked up the voice coil. So you also have that problem.
"A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."
President of Club Polk
I spoke to my dealer this evening, Thursday/Friday this week! I’m excited! Childhood dream comes true, SDA. They aren’t the SDA from stereo magazines with Matthew Polk standing next to them in a lab coat I used to read about when I was little but if the hype is true, these will be wait for it.... Legendary.
Will see how well they play with my amp, or not.
Family Room Home Theater-7.2.2 (Atmos) Polk LSiM 707, 706c, Dual DSW microPRO 3000, LSiM 702 F/X [x4], RC65i | Marantz SR7009 | Marantz PM-10 [FL/FR] | Oppo BD-103 (CD/SACD for PM-10) | Sony UBP-X800 4K | Xbox One S 4K | AppleTV 4K | HTPC | Sony 75” XBR X850D 4K
Office Home Theater-5.1 Polk RT55, CS400, PSW450, f/x 500 | Onkyo TX-SR705 | AppleTV | Samsung 55”
Office Music-2.0 KEF Q100 | Sansui AU-6900 | Topping DX7s | Sansui FR-1080
Master Bedroom Music-2.0 Totem Hawk | Rotel RA-1570
Patio Music-2.0 Polk Atrium8 | AMC 2445 bridged
Airplay zones: Family Room (HDMI), Master Bedroom (Optical), Office (HDMI), Living Room (Optical), SR7009 (AVR direct) and Patio (analog). Apple Music multi-stream to any, combo or all.
Spares: Polk LSi25, LSiC, CS300, 4pr T15, Martin Logan Motion 40, 50xt, Klipsch RP-600M, Dynamo 500, Rotel RB-1590, Denon AVR-4802R, Onkyo DX-C540, DVP-S500D, PS HX-500, PASS ACA (kit) Class A balanced monoblocks
Maintenance: Pro-Ject VC-S Record Cleaning Machine
HDTV - Sharp AQUOS LC-70LE600U 70" | AVR/Streamer - Onkyo TX-NR3008 | Amp - Parasound HCA-1203A
Blu-Ray/Media/Gaming - Sony PS3-320GB / Microsoft Xbox One | Broadcast - Xfinity X1 Platform
Front Spkrs - Coming...DIY Statement II | Center Spkrs - Coming...DIY Statement II | Rear Spkrs - Artison Portrait LRS
Sub - DIY Stereo Integrity HT 15 | Sub Amp - Dayton Audio SA1000
Wire - Audioquest Type 4, BJC Belden 5000 | HDMI - BJC Belden | Power Cables - Pangea | Surge - Monster
Not I. I meant for ease of setup and enjoyment.
Most people aren't as hard core as we are.
2. JM Labs Electra 920.1; Sonic Frontiers Line 3 Preamp; Classe Model 25 amp; Sony HAP-Z1ES; Oppo 105D; Music Hall MMF7 and Acoustech phono pre; PS Audio Power Director; MIT S1 Cables
3. Polk LSiM703; Parasound JC2BP and A21; Sony 48" 4K TV; Wyred4Sound DAC 2; Oppo 203; Squeezebox Touch; MIT S3 cables
Family Room Home Theater-7.2.2 (Atmos) Polk LSiM 707, 706c, Dual DSW microPRO 3000, LSiM 702 F/X [x4], RC65i | Marantz SR7009 | Marantz PM-10 [FL/FR] | Oppo BD-103 (CD/SACD for PM-10) | Sony UBP-X800 4K | Xbox One S 4K | AppleTV 4K | HTPC | Sony 75” XBR X850D 4K
Office Home Theater-5.1 Polk RT55, CS400, PSW450, f/x 500 | Onkyo TX-SR705 | AppleTV | Samsung 55”
Office Music-2.0 KEF Q100 | Sansui AU-6900 | Topping DX7s | Sansui FR-1080
Master Bedroom Music-2.0 Totem Hawk | Rotel RA-1570
Patio Music-2.0 Polk Atrium8 | AMC 2445 bridged
Airplay zones: Family Room (HDMI), Master Bedroom (Optical), Office (HDMI), Living Room (Optical), SR7009 (AVR direct) and Patio (analog). Apple Music multi-stream to any, combo or all.
Spares: Polk LSi25, LSiC, CS300, 4pr T15, Martin Logan Motion 40, 50xt, Klipsch RP-600M, Dynamo 500, Rotel RB-1590, Denon AVR-4802R, Onkyo DX-C540, DVP-S500D, PS HX-500, PASS ACA (kit) Class A balanced monoblocks
Maintenance: Pro-Ject VC-S Record Cleaning Machine
The L800 are definetly among the best SDA speakers made!
The SRT SEISMIC System:
Four main satellite speakers, six powered subs, two dedicated for LFE channel, two center speakers for over/under screen placement and three Control Centers. Amaze your friends, terrorize your neighbors, seize the audio bragging rights for your state. Go ahead, buy it; you only go around once.
Would you please expound ?
https://www.crutchfield.com/p_107L600BA/Polk-Audio-Legend-L600-Black-Ash.html
2. JM Labs Electra 920.1; Sonic Frontiers Line 3 Preamp; Classe Model 25 amp; Sony HAP-Z1ES; Oppo 105D; Music Hall MMF7 and Acoustech phono pre; PS Audio Power Director; MIT S1 Cables
3. Polk LSiM703; Parasound JC2BP and A21; Sony 48" 4K TV; Wyred4Sound DAC 2; Oppo 203; Squeezebox Touch; MIT S3 cables
Lumin X1
Sony XA-5400ES SACD
Pass XP-22 pre, X600.5 amps
Magico S5 MKII Mcast Rose speakers, SPOD spikes
Shunyata Triton v3/Typhon QR on preamp, Denali 2000 (2) on amps
Shunyata Sigma XLR analog ICs, Sigma speaker cables
Shunyata Sigma HC (2), Sigma Analog, Sigma Digital, Z Anaconda (3) power cables
Mapleshade Samson V.3 four shelf solid maple rack, Micropoint brass footers
Three 20 amp circuits.
Yes, but L800 says $6K each, but that means a pair.
Lumin X1
Sony XA-5400ES SACD
Pass XP-22 pre, X600.5 amps
Magico S5 MKII Mcast Rose speakers, SPOD spikes
Shunyata Triton v3/Typhon QR on preamp, Denali 2000 (2) on amps
Shunyata Sigma XLR analog ICs, Sigma speaker cables
Shunyata Sigma HC (2), Sigma Analog, Sigma Digital, Z Anaconda (3) power cables
Mapleshade Samson V.3 four shelf solid maple rack, Micropoint brass footers
Three 20 amp circuits.
"A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."
President of Club Polk
Its a bargain but i do beleive you'r dreaming!
"Really Looking forward to the reviews from the owners of the L800's soon!
The local west coast hifi shop in the Malaga area here down under in Perth will have L600's for a few days,I'll be there.
Interdyne the suppler for Polk here are only supplying these for a demo to suppliers.
WOW! But seriously talk to me in 100 hours. These are just FOOTB. Compares well to LSiM 707's which were previously my favorite.
Will pictures soon.
Family Room Home Theater-7.2.2 (Atmos) Polk LSiM 707, 706c, Dual DSW microPRO 3000, LSiM 702 F/X [x4], RC65i | Marantz SR7009 | Marantz PM-10 [FL/FR] | Oppo BD-103 (CD/SACD for PM-10) | Sony UBP-X800 4K | Xbox One S 4K | AppleTV 4K | HTPC | Sony 75” XBR X850D 4K
Office Home Theater-5.1 Polk RT55, CS400, PSW450, f/x 500 | Onkyo TX-SR705 | AppleTV | Samsung 55”
Office Music-2.0 KEF Q100 | Sansui AU-6900 | Topping DX7s | Sansui FR-1080
Master Bedroom Music-2.0 Totem Hawk | Rotel RA-1570
Patio Music-2.0 Polk Atrium8 | AMC 2445 bridged
Airplay zones: Family Room (HDMI), Master Bedroom (Optical), Office (HDMI), Living Room (Optical), SR7009 (AVR direct) and Patio (analog). Apple Music multi-stream to any, combo or all.
Spares: Polk LSi25, LSiC, CS300, 4pr T15, Martin Logan Motion 40, 50xt, Klipsch RP-600M, Dynamo 500, Rotel RB-1590, Denon AVR-4802R, Onkyo DX-C540, DVP-S500D, PS HX-500, PASS ACA (kit) Class A balanced monoblocks
Maintenance: Pro-Ject VC-S Record Cleaning Machine
Congrats on being the first! Looking forward to pics and your impressions!
Office: PC,EAR Acute CD Player,EAR 834L Pre,Northstar Designs Intenso DAC,PASS ACA Monoblocks,Denon UDR-F10 Cassette,Acoustic Technologies Classic FR Speakers,SVS SB12 Plus sub,MIT AVt2 speaker cables,IFI Purifier2,AQ Cinnamon USB cable,Groneberg Quatro Reference IC's
Spare Room: Antique Sound Labs Wave AV-8 Monoblocks,Tisbury Mini Passive Pre,Tjoeb 99 tube CD player (modified Marantz CD-38),Analysis Plus Oval 9's,Zu Jumpers,AudioEngine B1 Streamer,Klipsch RB-61 v2,SVS PB1000 sub,Blue Jeans RCA IC's
Living Room: Peachtree Nova Integrated,Cambridge CXN v2 Streamer,Rotel RCD-1072 CD player,Furman 15PFi Power Conditioner,Polk RT265 In Wall Speakers,Polk DSW Pro 660wi sub
Family Room Home Theater-7.2.2 (Atmos) Polk LSiM 707, 706c, Dual DSW microPRO 3000, LSiM 702 F/X [x4], RC65i | Marantz SR7009 | Marantz PM-10 [FL/FR] | Oppo BD-103 (CD/SACD for PM-10) | Sony UBP-X800 4K | Xbox One S 4K | AppleTV 4K | HTPC | Sony 75” XBR X850D 4K
Office Home Theater-5.1 Polk RT55, CS400, PSW450, f/x 500 | Onkyo TX-SR705 | AppleTV | Samsung 55”
Office Music-2.0 KEF Q100 | Sansui AU-6900 | Topping DX7s | Sansui FR-1080
Master Bedroom Music-2.0 Totem Hawk | Rotel RA-1570
Patio Music-2.0 Polk Atrium8 | AMC 2445 bridged
Airplay zones: Family Room (HDMI), Master Bedroom (Optical), Office (HDMI), Living Room (Optical), SR7009 (AVR direct) and Patio (analog). Apple Music multi-stream to any, combo or all.
Spares: Polk LSi25, LSiC, CS300, 4pr T15, Martin Logan Motion 40, 50xt, Klipsch RP-600M, Dynamo 500, Rotel RB-1590, Denon AVR-4802R, Onkyo DX-C540, DVP-S500D, PS HX-500, PASS ACA (kit) Class A balanced monoblocks
Maintenance: Pro-Ject VC-S Record Cleaning Machine
man-o-man, autocorrect is not your friend!
... meanwhile, back at the ranch.
il n'y a pas de quoi.
Saying that it's "too hard" to pursue your dreams is no different than admitting to yourself that you are too lazy to achieve them.
“If it moves, tax it. If it keeps moving, regulate it. And if it stops moving, subsidize it.”
You must feel like a kid at Christmas...or a kid in a candy store...or a Polkie with new Polk SDAs.
I cannot wait, once you come up for air, to hear your impressions of them.