Looking at this one with, a special order with an added shelf. I like the ability to put pieces side by side. Three shelves might be enough, but, I'd rather pay for an extra shelf now and not need it then need it and not have the ability to add one.
I looked at the VTI pieces as well. They make a wide unit labeled a TV stand, but, it's not tall enough. There is an 1/8 inch difference between the audio rack poles and the TV racks, which really sux. Was going to buy one of each and blend them together. I even emailed VTI and they were quick to get back with me letting me know they definitely wouldn't match.
If all I needed was a good basic audio rack I'd hit Doug up for one of the VTI's.
Aside from the spikes on each shelf/section looking cool, what is the real world and/or functional difference between having them or not?
"Electronic music is human sound adapting to indulge technology, and for some, it feels like the signature sound of energy. New and abstract sounds over hypnotic rhythms can conjure vast soundscapes for escape, pleasure, and transcendence."
I’ll sell you a full set of 4 for $9.99, well worth it.
Sorry, cash and carry.......plus shipping of course.
Pio Elete Pro 520
Panamax 5400-EX
Sunfire TGP 5
Micro Seiki DD-40 - Lyra-Dorian and Denon DL-160
PS Audio GCPH phono pre
Sunfire CG 200 X 5
Sunfire CG Sig 405 X 5
OPPO BDP-83 SE
SDA SRS 1.2TL Sonicaps and Mills
Ctr CS1000p
Sur - FX1000 x 4
SUB - SVS PB2-Plus
Workkout room:
Sony Bravia XBR- 32-Inch 1080p
Onkyo TX-DS898
GFA 555
Yamaha DVD-S1800BL/SACD
Ft - SDA 1C
Not being used:
RTi 38's -4
RT55i's - 2
RT25i's -2, using other 2 in shop
LSI 15's
CSi40
PSW 404
I dont't foresee having to change the shelving configuration very often. But if there is another reason for spikes on each section such as better isolation/vibration reduction, then I'd be attracted to that.
Even with an additional shelf, the VTI is still cheaper than the SolidSteel, so there's that.
Go for the VTI shelves. Make payments if you have to. i think you'll be happier seeing how you've gone tubular and mono blocks.
1st class affordable shelving for 1st class audio components.
You can't quickly change shelving without the spikes.
You have 12 quick ways to configure the spiked one I think.
"Electronic music is human sound adapting to indulge technology, and for some, it feels like the signature sound of energy. New and abstract sounds over hypnotic rhythms can conjure vast soundscapes for escape, pleasure, and transcendence."
VTI racks are very solid. You can fill them with lead shot to further dampen the rack as long as you use silicone sealant on the small holes. You have more color options and combinations with the VTI racks as well. Winner winner chicken dinner!
My last VTI rack I used pipe insulation in the tubes. One time I had a cap pop off and had lead shot everywhere on the hardwood floor. With the insulation method, you can also take some plastic pipe cut to correct length, cap one end, fill them with oil or shot and cap the other end to further deaden/add weight. You can apply some strips of sound deadener to the cross braces.
Make yourself necessary to someone. Ralph Waldo Emerson
Salk SoundScape 8's * Audio Research Reference 3 * Bottlehead Eros Phono * Park's Audio Budgie SUT * Krell KSA-250 * Harmonic Technology Pro 9+ & Pro 11+ * Signature Series Sonore Music Server w/Deux PS* Twisted Pear Buffalo III Dual Mono ESS Sabre32 DAC * Heavy Plinth Lenco L75 Idler Drive * AA MG-1 Linear Air Bearing Arm * AT33PTG/II & Denon 103R * Richard Gray 600S * NHT B-12d subs * GIK Acoustic Treatments * Sennheiser HD650 *
With the VTI racks, what is each shelf sitting on? It's not clear to me how the individual shelves are supported.
"Electronic music is human sound adapting to indulge technology, and for some, it feels like the signature sound of energy. New and abstract sounds over hypnotic rhythms can conjure vast soundscapes for escape, pleasure, and transcendence."
"Electronic music is human sound adapting to indulge technology, and for some, it feels like the signature sound of energy. New and abstract sounds over hypnotic rhythms can conjure vast soundscapes for escape, pleasure, and transcendence."
"Electronic music is human sound adapting to indulge technology, and for some, it feels like the signature sound of energy. New and abstract sounds over hypnotic rhythms can conjure vast soundscapes for escape, pleasure, and transcendence."
I love my solid maple rack from Mapleshade. It weighs 500 lbs empty, and is vibration free regardless of the SPL. You can create your own custom design to fit your need.
Lumin S1 - X1 power supply
Sony XA-5400ES SACD
Pass XP-22 pre, X600.5 amps
Magico S5 MKII Mcast Rose speakers, SPOD spikes
Shunyata Triton v3/Typhon QR on source, Denali 2000 (2) on amps
Shunyata Sigma XLR analog ICs, Sigma speaker cables
Shunyata Sigma HC (2), Sigma Analog, Sigma Digital, Z Anaconda (3) power cables
Mapleshade Samson V.3 four shelf solid maple rack, Micropoint brass footers
Three 20 amp circuits.
Nice. Their stuff is gorgeous and relatively reasonably priced.
"Electronic music is human sound adapting to indulge technology, and for some, it feels like the signature sound of energy. New and abstract sounds over hypnotic rhythms can conjure vast soundscapes for escape, pleasure, and transcendence."
It's interesting how each company seems to have their own approach for what they think is the best way to support the shelf. For example, Adona seems to like this way:
I wonder if any one particular way is dramatically better than another, in terms of stability.
"Electronic music is human sound adapting to indulge technology, and for some, it feels like the signature sound of energy. New and abstract sounds over hypnotic rhythms can conjure vast soundscapes for escape, pleasure, and transcendence."
The only issue (it seems) none of the manufacturers deal with is standing waves. Don't really know if anything can be done about those. But the points do seem to isolate the Shelf completely as opposed to having the Shelf attached to the supports.
Main Rig:
Krell KAV 250a biamped to mid/highs
Parasound HCA1500A biamped to lows
Nakamichi EC100 Active xover
MIT exp 1 ic's
Perreaux SA33 class A preamp
AQ kingcobra ic's
OPPO 83 CDP
Lehmann audio black cube SE phono pre, Audioquest phono wire (ITA1/1)
Denon DP-1200 TT. AToc9ML MC cart.
Monster HTS 3600 power conditioner
ADS L1590/2 Biamped
MIT exps2 speaker cable
I wonder at which point vibrations from the speakers even come into play. BlueFox mentioned high SPLs. Even when I listen at what I perceive as louder volumes, I can't feel any resonance of vibration leaving my 703s at all, the cabinets themselves and what they are sitting on isn't resonating at all.
My current rack is just physically wobbly from side to side, so I think most of the vibrations it's dealing with would be from me or my wife walking past it or her dancing to a song that she likes when in close proximity to it.
The only issue (it seems) none of the manufacturers deal with is standing waves. Don't really know if anything can be done about those. But the points do seem to isolate the Shelf completely as opposed to having the Shelf attached to the supports.
"Electronic music is human sound adapting to indulge technology, and for some, it feels like the signature sound of energy. New and abstract sounds over hypnotic rhythms can conjure vast soundscapes for escape, pleasure, and transcendence."
I had a TT on a wobbly table and had rumble feedback BAD. Some guys and or gal told me to get a solid table asap. The new solid table eliminated the rumble. I think the SDA-SRS2's were vibrating that table with low soundwaves.
Most people just listen to music and watch movies. I EXPERIENCE them.
I had a TT on a wobbly table and had rumble feedback BAD. Some guys and or gal told me to get a solid table asap. The new solid table eliminated the rumble. I think the SDA-SRS2's were vibrating that table with low soundwaves.
"Electronic music is human sound adapting to indulge technology, and for some, it feels like the signature sound of energy. New and abstract sounds over hypnotic rhythms can conjure vast soundscapes for escape, pleasure, and transcendence."
"Electronic music is human sound adapting to indulge technology, and for some, it feels like the signature sound of energy. New and abstract sounds over hypnotic rhythms can conjure vast soundscapes for escape, pleasure, and transcendence."
I wonder at which point vibrations from the speakers even come into play.
The vibrations on the equipment rack, and on the equipment, come from the speaker sound waves hitting them. Gear is susceptible to the tiniest vibrations, and those vibrations alter the sound. That is why in addition to having a solid, vibration resistant rack, the gear should also be on some type of vibration draining footer. I use Mapleshade Micropoint Brass footers, but there are other vendors and types.
Bud - Silicon Valley
Lumin S1 - X1 power supply
Sony XA-5400ES SACD
Pass XP-22 pre, X600.5 amps
Magico S5 MKII Mcast Rose speakers, SPOD spikes
Shunyata Triton v3/Typhon QR on source, Denali 2000 (2) on amps
Shunyata Sigma XLR analog ICs, Sigma speaker cables
Shunyata Sigma HC (2), Sigma Analog, Sigma Digital, Z Anaconda (3) power cables
Mapleshade Samson V.3 four shelf solid maple rack, Micropoint brass footers
Three 20 amp circuits.
Thanks for the insight. You might have better ears than I do. I don't know if I'd be able to discern/detect a sound wave's vibration/impact on the equipment and the associated negative sound quality.
The vibrations on the equipment rack, and on the equipment, come from the speaker sound waves hitting them. Gear is susceptible to the tiniest vibrations, and those vibrations alter the sound. That is why in addition to having a solid, vibration resistant rack, the gear should also be on some type of vibration draining footer. I use Mapleshade Micropoint Brass footers, but there are other vendors and types.
"Electronic music is human sound adapting to indulge technology, and for some, it feels like the signature sound of energy. New and abstract sounds over hypnotic rhythms can conjure vast soundscapes for escape, pleasure, and transcendence."
Thanks for the insight. You might have better ears than I do. I don't know if I'd be able to discern/detect a sound wave's vibration/impact on the equipment and the associated negative sound quality.
The vibrations on the equipment rack, and on the equipment, come from the speaker sound waves hitting them. Gear is susceptible to the tiniest vibrations, and those vibrations alter the sound. That is why in addition to having a solid, vibration resistant rack, the gear should also be on some type of vibration draining footer. I use Mapleshade Micropoint Brass footers, but there are other vendors and types.
Don't ever say that again please. You can hear a difference... everyone can. If your system was at his level those details can greatly alter the sound. You would be intimately familiar with the sound and pick up on it quickly.
I'm not being mean but that type of thinking is deadly to growth in this hobby. It represents a closed mind in a way.
Comments
here's one that's on sale for you.
https://www.audiogon.com/listings/stands-double-width-6-shelf-isolation-rack-2018-01-16-accessories
Preamp: deHavilland Ultraverve 3
Transport/Dac: Cayin Venus cd-100i, Musical Paradise mp-d2 mkI
Speakers: Rosso Fiorentino Volterra
Speaker Cables: Analysis Plus Black Mesh Oval 9, Cerious Technologies Graphene Extreme
Interconnects: Analysis Plus Copper Oval-In Micro, MG Audio Design Planus Cu2,
Cerious Technologies Graphene Extreme
Power Cables by: Cullen Cables, 6sons Audio, Swiss Cables
http://www.standsandmounts.com/vtiblseriesaudiovideorack-bl404sb.aspx?utm_source=bing&utm_medium=cpc&utm_campaign=PLA&scid=scbplp1013&sc_intid=1013
Joule-Electra LA 100 MKIII
Pass Labs Aleph 30, McCormack DNA-125, Parasound A21
Marantz SA-14S1
Usher CP-6311/Tyler Acoustics Taylo Reference Monitor, LSA-1
Dual SVS SB2000
Wireworld Equinox 7 bi-wire, Wireworld Silver Eclipse 7 IC
Secondary Rig:
Parasound P5, Audio Electronics by Cary Constellation
Marsh a200s, Audio Elecrtonics by Cary Hercules
Pioneer Elite DV-45a, Denon DVD-2910
Klipsch Epic CF-1, Vandersteen 3CE sig
Analysus Plus Oval
1st class affordable shelving for 1st class audio components.
You can't quickly change shelving without the spikes.
You have 12 quick ways to configure the spiked one I think.
Sorry, cash and carry.......plus shipping of course.
Panamax 5400-EX
Sunfire TGP 5
Micro Seiki DD-40 - Lyra-Dorian and Denon DL-160
PS Audio GCPH phono pre
Sunfire CG 200 X 5
Sunfire CG Sig 405 X 5
OPPO BDP-83 SE
SDA SRS 1.2TL Sonicaps and Mills
Ctr CS1000p
Sur - FX1000 x 4
SUB - SVS PB2-Plus
Workkout room:
Sony Bravia XBR- 32-Inch 1080p
Onkyo TX-DS898
GFA 555
Yamaha DVD-S1800BL/SACD
Ft - SDA 1C
Not being used:
RTi 38's -4
RT55i's - 2
RT25i's -2, using other 2 in shop
LSI 15's
CSi40
PSW 404
Even with an additional shelf, the VTI is still cheaper than the SolidSteel, so there's that.
Vinyl: Technics SL-Q2 * Grado Prestige1 Red * ART DJ Pre II * Way Excellent II Mat
Video: Panasonic TH-50PZ850U * Panasonic DMP-UB200P-K * ROKU Premiere * Z-line Designs Elektra
Salk SoundScape 8's * Audio Research Reference 3 * Bottlehead Eros Phono * Park's Audio Budgie SUT * Krell KSA-250 * Harmonic Technology Pro 9+ & Pro 11+ * Signature Series Sonore Music Server w/Deux PS* Twisted Pear Buffalo III Dual Mono ESS Sabre32 DAC * Heavy Plinth Lenco L75 Idler Drive * AA MG-1 Linear Air Bearing Arm * AT33PTG/II & Denon 103R * Richard Gray 600S * NHT B-12d subs * GIK Acoustic Treatments * Sennheiser HD650 *
http://www.mapleshadestore.com/samsonracks.php
Lumin S1 - X1 power supply
Sony XA-5400ES SACD
Pass XP-22 pre, X600.5 amps
Magico S5 MKII Mcast Rose speakers, SPOD spikes
Shunyata Triton v3/Typhon QR on source, Denali 2000 (2) on amps
Shunyata Sigma XLR analog ICs, Sigma speaker cables
Shunyata Sigma HC (2), Sigma Analog, Sigma Digital, Z Anaconda (3) power cables
Mapleshade Samson V.3 four shelf solid maple rack, Micropoint brass footers
Three 20 amp circuits.
I wonder if any one particular way is dramatically better than another, in terms of stability.
Krell KAV 250a biamped to mid/highs
Parasound HCA1500A biamped to lows
Nakamichi EC100 Active xover
MIT exp 1 ic's
Perreaux SA33 class A preamp
AQ kingcobra ic's
OPPO 83 CDP
Lehmann audio black cube SE phono pre, Audioquest phono wire (ITA1/1)
Denon DP-1200 TT. AToc9ML MC cart.
Monster HTS 3600 power conditioner
ADS L1590/2 Biamped
MIT exps2 speaker cable
My current rack is just physically wobbly from side to side, so I think most of the vibrations it's dealing with would be from me or my wife walking past it or her dancing to a song that she likes when in close proximity to it.
So that's one benefit of getting a new one, a TT in the bedroom. Win-Win.
GINGKO Audio 'Semi-Cloud' 11.9"x10.5" component Vibration-Control platform/balls
Vinyl: Technics SL-Q2 * Grado Prestige1 Red * ART DJ Pre II * Way Excellent II Mat
Video: Panasonic TH-50PZ850U * Panasonic DMP-UB200P-K * ROKU Premiere * Z-line Designs Elektra
The vibrations on the equipment rack, and on the equipment, come from the speaker sound waves hitting them. Gear is susceptible to the tiniest vibrations, and those vibrations alter the sound. That is why in addition to having a solid, vibration resistant rack, the gear should also be on some type of vibration draining footer. I use Mapleshade Micropoint Brass footers, but there are other vendors and types.
Lumin S1 - X1 power supply
Sony XA-5400ES SACD
Pass XP-22 pre, X600.5 amps
Magico S5 MKII Mcast Rose speakers, SPOD spikes
Shunyata Triton v3/Typhon QR on source, Denali 2000 (2) on amps
Shunyata Sigma XLR analog ICs, Sigma speaker cables
Shunyata Sigma HC (2), Sigma Analog, Sigma Digital, Z Anaconda (3) power cables
Mapleshade Samson V.3 four shelf solid maple rack, Micropoint brass footers
Three 20 amp circuits.
Don't ever say that again please. You can hear a difference... everyone can. If your system was at his level those details can greatly alter the sound. You would be intimately familiar with the sound and pick up on it quickly.
I'm not being mean but that type of thinking is deadly to growth in this hobby. It represents a closed mind in a way.
Speakers: Harbeth: 30.2, SHL5+; Usher: Be-10, T-515; Rosso Fiorentino: Elba, Pienza, Certaldo, Fiesole, Volterra; Polk: T50, Signature S15, RTA 15tl, RTi12; Sonner Audio Allegro Unum, Legato Unum, Legato Semis, Legato Duo; Emerald Physics CS-2.8; Klipsch KLF-20
Preamps: Shuguang S200MK, Dayens Ampino, Parasound P5
Amps: Shuguang S845MK, Dayens Ampino Monoblocks, Parasound A23
Integrateds: Triode Corporation TRV-88SER, MastersounD: BoX, Dueventi, Compact 845, Evolution 845; North Star Design Blue Diamond
Sources: AURALiC Aries, Denon HEOS Link, North Star Design: Magnifico, Supremo, Incanto, Intenso, Venti
Cabling: Wireworld
TV: Sony XBR-75X940C