Emotiva Story.
Comments
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xcapri79 wrote:Let's put all our hands in place and end this singing Kumbaya.
Why in the hell would we want to do that?"Just because youre offended doesnt mean youre right." - Ricky Gervais
"For those who believe, no proof is necessary. For those who don't believe, no proof is possible." - Stuart Chase
"Consistency requires you to be as ignorant today as you were a year ago." - Bernard Berenson -
Yeah the welcoming committee has been wonderful here.:rolleyes:
As an Associate Jr. Member of the Adjunct Welcoming Committee, may I be the first to extend to you the Hand of Friendship !
....okay, I'm aware that that's really not a hand ...... but, ....... uhm .....You obviously don't know jack about me, yet went out of your way to insult me twice.
Well, I guess that the Hand of Friendship ! thing is starting to look a little better after all, isn't it ?
..... okay, I'm entertaining myself again because I'm not entirely sure what this thread is about......Sal Palooza -
But that is neither here nor there. The fact is around here most people believe their ears & not some meaningless test. You are not going to change your mind & we aren't going to change ours on this particular issue so it's best to agree to disagree.
Here is the best analogy I can think of that relates to this: If we only ever relied on our own perception of things the earth would still be considered flat and the sun would rotate around the earth. That is what humans perceived for thousands of years, yet through science we discovered we were completely wrong.
I use my ears, I just like to verify what I'm hearing from time to time with science. -
Here is the best analogy I can think of that relates to this: If we only ever relied on our own perception of things the earth would still be considered flat and the sun would rotate around the earth. That is what humans perceived for thousands of years, yet through science we discovered we were completely wrong.
I use my ears, I just like to verify what I'm hearing from time to time with science.
Here's a quote by Nelson Pass(snagged from Brock's sig...thanks Brock:))"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass
There's a lot of truth in that. You can read all the specs you want, but that still isn't going to tell you very much about how something sounds. It gives you a certain amount of insight as to what you should expect it to sound like, but the numbers can only say so much. There are amps that sound incredible in some peoples rigs, and utterly terrible in others. Does that make it a **** amp? Not at all...the synergy just wasn't on in the second rig like it was in the first.
The specs are still the same no matter what rig you use it in...but the sound could be a night and day difference.
edit-Only 12 more posts to 700!!! The Emotiva Story Lives on!!!The nirvana inducer-
APC H10 Power Conditioner
Marantz UD5005 universal player
Parasound Halo P5 preamp
Parasound HCA-1200II power amp
PolkAudio LSi9's/PolkAudio SDA 2A's/PolkAudio Monitor 7A's
Audioquest Speaker Cables and IC's -
"Sorry, I was a little light-headed when I posted that from all the pixie dust and snake oil present on another forum I was visiting."
Anyone else notice that Matt hasn't denied his comment was directed at CP? More of a side step.
The dance continues.Political Correctness'.........defined
"A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."
President of Club Polk -
Emotiva is operating on a similar model from my observations. If they stick to it, I see great success for them.
Wrong. WRONG!.
Here's an example of a good business model, from which everyone should learn!Sara Lee is examining a sale of its European household and personal-care business as the company seeks to reverse a decline in its stock and focus on its core food and beverage business, the Wall Street Journal reports, citing people familiar with the matter.
The right Business Model: Focus on PIE!!!_________________________________________________
***\\\\\........................... My Audio Journey ............................./////***
2008 & 2010 Football Pool WINNER
SOPAThank God for different opinions. Imagine the world if we all wanted the same woman -
Living room
Speakers: McIntosh XR100 Fronts, LSIM707 Fronts, LSIM 706 Center, LSIM 703 Surrounds, LSi/FX Surround backs.
Player: Oppo 95.
Amps: Bryston 4B SST, B&K Ref 200.7 S2.
Pres: B&K Ref 50 S2, Paraound P5.
Subs: Dual Rythmik F15HP subs.
Man Cave
Speakers: Martin Logan Vistas.
Player: OPPO 105.
Preamp: B&K Ref 50 S2.
Amp: B&K Ref 125.2 S2
Sub: Rythmik F12.
Sub management: SMS-1.
Headphones: HD800, HD380, RS220, SRH-1840. Headphone amp: Woo WA2.
Room treatment: GIK Room Kit #1. -
suprafantx wrote:No, it is about food. CAKE, PIE, and SH$T.
Oh no...it IS about that...AND EMO...and so much more. It is a WORLD CLASS THREAD!"Just because youre offended doesnt mean youre right." - Ricky Gervais
"For those who believe, no proof is necessary. For those who don't believe, no proof is possible." - Stuart Chase
"Consistency requires you to be as ignorant today as you were a year ago." - Bernard Berenson -
You guys are a riot! lol ;)
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What if all of us earthlings (and others) agreed 100% on everything...liked the same things and weren't different....:eek:
Would the world be a better place or just BORING??Pio Elete Pro 520
Panamax 5400-EX
Sunfire TGP 5
Micro Seiki DD-40 - Lyra-Dorian and Denon DL-160
PS Audio GCPH phono pre
Sunfire CG 200 X 5
Sunfire CG Sig 405 X 5
OPPO BDP-83 SE
SDA SRS 1.2TL Sonicaps and Mills
Ctr CS1000p
Sur - FX1000 x 4
SUB - SVS PB2-Plus
Workkout room:
Sony Bravia XBR- 32-Inch 1080p
Onkyo TX-DS898
GFA 555
Yamaha DVD-S1800BL/SACD
Ft - SDA 1C
Not being used:
RTi 38's -4
RT55i's - 2
RT25i's -2, using other 2 in shop
LSI 15's
CSi40
PSW 404 -
Fred has over 30 years experince as a sound engineer...tried these on a whim...first one he turned on blew out......
John, Since you were there---
A copy of an e-mail I just sent -- enjoy
Fred
Dear Dan and Lonnie,
Thanks for the opportunity to try out the XPA-1's. I am in the process of packing all four of them for return. It appears I have the wrong speakers for the amplifiers. Further to our telcons, I have some notes and comments that you may find of value.
As I explained to Dan, who generously offered me good pricing as a return customer, I have been attempting to replace a high-power, high damping factor (over 10000) amplifier that I was driving two parallel Woofers with each of the L and R channels. It has been shipped to Japan and I now realize it was a mistake to have sold it. I was using bridged XPA-2's to drive the HF horns. The speakers weigh 300lbs each not including the separate crossover enclosure.
http://homepage.mac.com/dkoya/audio/k2m9500.html
After reading your XPA-1 description with reference to its superior control and limitless power and comments that it would "laugh at a 2ohm load", I believed that two xpa-1s should easily replace the single Crown Reference 1 that I sold to acquire the XPA-1's. When I unpacked and connected the XPA-1s to the woofer pairs, I was greatly dissappointed that the was intolerably loose, muddy and boomy. I couldn't raise the volume because energy remaining in the circuit was too highly annoying. The motion of the heavy woofers just wouldn't stop quickly and crisply. So I ordered two more, 1 for each woofer and was tri-amping, and beefed up the speaker leads to 4 conductors of 12awg from each amp. The result was an improvement but still far short of the control I experienced with the amp I was replacing. Although only 3 of four were operational, I concluded that four XPA1s still couldn't do it. There was an improvement in the midrange and imaging, but not enough to be convincing. It was obvious that an XPA-1 is definitely not the "control freak" as described in one of the publications.
I then tried other amplifiers. An $800 used Proceed HPA-2 stereo amp made by Levinson with a channel to each woofer sounded better than an HPA-1 on each woofer, but was still lacking in damping factor... Next, A pair of 20-year old Adcom GFA-565 monoblocks were tried because of their high damping factor of 800. The bass was noticibly tighter, almost as good as my original amp, but unfortunately they were rough and muddied the midrange.
Having proven that higher damping factor was key, I remembered that Lonnie once stated told me that damping factor for the XPA-2s was 500, not 200 as stated in the manuals. I then connected an XPA-2 with a channel each to a woofer. The bass tightness improved to a point somewhere between the XPA1's and the Adcoms as might be predicted according to damping factor. Of interest is that some re-equalizing was needed as seen on the spectrum analyzer before they sounded good. A further note is that extensive acoustic work has been done with the approximately 3500 cubic foot room with favorable hgt, width length ratios. so the room should not be considered an issue.
My latest information is that the XPA1-s have an internal resistance of 0.04 ohms with an 8 ohm load that translates to a damping factor of 200. When asked, Lonnie wasn't sure of this, which I found surprising. One of your web pages states the THD of the XPA-1 as 0.001 at full power from 20-20,000. The manual and bench tests implied a much different number. I concluded that is that it is not a good sign if the primary representaives of the company are not sure of either the published or other critical specifications. I had been rationalizing that this information might have been kept unavailable for competitive reasons.
Some quality control issues:
1-A rubber foot came off one unit when sliding it sideways on a shelf. Apply glue?
2-A trigger output failed to activate the next amplifier. Their sequence had to be rearranged. Add series resistor to prevent damage from shorting, in the event someone is reaching behind the unit to feel the opening with the tip of the connector?
3-One of the amplifiers smoked from its rear center when the amplifier was first switched on. Lonnie thought it was from the regulator board. Power on test?
4-A leftmost blue level indicator lamp on one of the three working units stayed on after the others were triggered off. It was erratic because it sometimes did stay off. I thought I noticed it once on one of the other amps. Perhaps it is set too sensitive and noise induction from the speaker wiring activated it.
5-The power cords were 18 gauge as might be found for desk lamps and clock radios. The plastic jackets were so brittle at low temperature that you might need to caution users not to flex them until they get to room temperature. When I saw this, I immediately re-wired for 240vac, as the Proceed amplifier with a similar kva rating had a 14 gauge cord.
6-The power connectors at the rear of the amplifers easily comes loose when the amplifier is shifted. Add a strain-relief outboard fastner that would hold the cord to the chassis? Permanently wire the cord inside, with a strain relief and grommet through the chassis?
There are some qualities that I applaud, such as the automatic ac voltage switching, optical isolation for the trigger inputs and the addition of the trigger outputs for repeating.
I know there are quality control issures with a new product, especially when manufacturing overseas. I appreciate the opportunity to acquire a quality product at an affordable price, as has been my experience so far. Might it be possible to sacrifice some phase alignment and other parameters and do some circuit tweaking to produce a separate model with high negative feedback? A damping factor upwards of say 600 or so, maybe 1000, to drive difficult loads and add some "woofer authority"?
At least you don't have as tough a job as Obama!
Thanks and Regards,
Fred K -
Mas le_________________________________________________
***\\\\\........................... My Audio Journey ............................./////***
2008 & 2010 Football Pool WINNER
SOPAThank God for different opinions. Imagine the world if we all wanted the same woman -
Fred has over 30 years experince as a sound engineer...tried these on a whim...first one he turned on blew out......
John, Since you were there---
A copy of an e-mail I just sent -- enjoy
Fred
Dear Dan and Lonnie,
Thanks for the opportunity to try out the XPA-1's. I am in the process of packing all four of them for return. It appears I have the wrong speakers for the amplifiers. Further to our telcons, I have some notes and comments that you may find of value.
As I explained to Dan, who generously offered me good pricing as a return customer, I have been attempting to replace a high-power, high damping factor (over 10000) amplifier that I was driving two parallel Woofers with each of the L and R channels. It has been shipped to Japan and I now realize it was a mistake to have sold it. I was using bridged XPA-2's to drive the HF horns. The speakers weigh 300lbs each not including the separate crossover enclosure.
http://homepage.mac.com/dkoya/audio/k2m9500.html
After reading your XPA-1 description with reference to its superior control and limitless power and comments that it would "laugh at a 2ohm load", I believed that two xpa-1s should easily replace the single Crown Reference 1 that I sold to acquire the XPA-1's. When I unpacked and connected the XPA-1s to the woofer pairs, I was greatly dissappointed that the was intolerably loose, muddy and boomy. I couldn't raise the volume because energy remaining in the circuit was too highly annoying. The motion of the heavy woofers just wouldn't stop quickly and crisply. So I ordered two more, 1 for each woofer and was tri-amping, and beefed up the speaker leads to 4 conductors of 12awg from each amp. The result was an improvement but still far short of the control I experienced with the amp I was replacing. Although only 3 of four were operational, I concluded that four XPA1s still couldn't do it. There was an improvement in the midrange and imaging, but not enough to be convincing. It was obvious that an XPA-1 is definitely not the "control freak" as described in one of the publications.
I then tried other amplifiers. An $800 used Proceed HPA-2 stereo amp made by Levinson with a channel to each woofer sounded better than an HPA-1 on each woofer, but was still lacking in damping factor... Next, A pair of 20-year old Adcom GFA-565 monoblocks were tried because of their high damping factor of 800. The bass was noticibly tighter, almost as good as my original amp, but unfortunately they were rough and muddied the midrange.
Having proven that higher damping factor was key, I remembered that Lonnie once stated told me that damping factor for the XPA-2s was 500, not 200 as stated in the manuals. I then connected an XPA-2 with a channel each to a woofer. The bass tightness improved to a point somewhere between the XPA1's and the Adcoms as might be predicted according to damping factor. Of interest is that some re-equalizing was needed as seen on the spectrum analyzer before they sounded good. A further note is that extensive acoustic work has been done with the approximately 3500 cubic foot room with favorable hgt, width length ratios. so the room should not be considered an issue.
My latest information is that the XPA1-s have an internal resistance of 0.04 ohms with an 8 ohm load that translates to a damping factor of 200. When asked, Lonnie wasn't sure of this, which I found surprising. One of your web pages states the THD of the XPA-1 as 0.001 at full power from 20-20,000. The manual and bench tests implied a much different number. I concluded that is that it is not a good sign if the primary representaives of the company are not sure of either the published or other critical specifications. I had been rationalizing that this information might have been kept unavailable for competitive reasons.
Some quality control issues:
1-A rubber foot came off one unit when sliding it sideways on a shelf. Apply glue?
2-A trigger output failed to activate the next amplifier. Their sequence had to be rearranged. Add series resistor to prevent damage from shorting, in the event someone is reaching behind the unit to feel the opening with the tip of the connector?
3-One of the amplifiers smoked from its rear center when the amplifier was first switched on. Lonnie thought it was from the regulator board. Power on test?
4-A leftmost blue level indicator lamp on one of the three working units stayed on after the others were triggered off. It was erratic because it sometimes did stay off. I thought I noticed it once on one of the other amps. Perhaps it is set too sensitive and noise induction from the speaker wiring activated it.
5-The power cords were 18 gauge as might be found for desk lamps and clock radios. The plastic jackets were so brittle at low temperature that you might need to caution users not to flex them until they get to room temperature. When I saw this, I immediately re-wired for 240vac, as the Proceed amplifier with a similar kva rating had a 14 gauge cord.
6-The power connectors at the rear of the amplifers easily comes loose when the amplifier is shifted. Add a strain-relief outboard fastner that would hold the cord to the chassis? Permanently wire the cord inside, with a strain relief and grommet through the chassis?
There are some qualities that I applaud, such as the automatic ac voltage switching, optical isolation for the trigger inputs and the addition of the trigger outputs for repeating.
I know there are quality control issures with a new product, especially when manufacturing overseas. I appreciate the opportunity to acquire a quality product at an affordable price, as has been my experience so far. Might it be possible to sacrifice some phase alignment and other parameters and do some circuit tweaking to produce a separate model with high negative feedback? A damping factor upwards of say 600 or so, maybe 1000, to drive difficult loads and add some "woofer authority"?
At least you don't have as tough a job as Obama!
Thanks and Regards,
Fred K
Yeppers.
H9"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul! -
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We made it to 700!!!!!"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul!
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Another milestone in Club Polk history:
Sal Palooza -
Note to Self: Next time have bee-cat pictures ready.Sal Palooza
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I'm about to hit a milestone in my own personal Club Polk history, with 1,000 posts!
I wonder if i'll get a cookie (or maybe a "PIE")...:D -
mrbigbluelight wrote: »Note to Self: Next time have bee-cat pictures ready.
Sorry Blue, didn't realize you had something ready to go"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul! -
705. The sky is the limit._________________________________________________
***\\\\\........................... My Audio Journey ............................./////***
2008 & 2010 Football Pool WINNER
SOPAThank God for different opinions. Imagine the world if we all wanted the same woman -
And may this thread live on! LOL. What fun.
By the way, my favorite cheesecake is Ricotta, and nobody makes it like an Italian restaurant somewhere in VA. I'll have to ask Mark the name of it.Marantz AV-7705 PrePro, Classé 5 channel 200wpc Amp, Oppo 103 BluRay, Rotel RCD-1072 CDP, Sony XBR-49X800E TV, Polk S60 Main Speakers, Polk ES30 Center Channel, Polk S15 Surround Speakers SVS SB12-NSD x2 -
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Is that more oil on the fire or something? Sorry, but I don't have any culture .
Translation is "more wood for the fire"; it's a common idiom in Spanish that means just that. A bump if you will_________________________________________________
***\\\\\........................... My Audio Journey ............................./////***
2008 & 2010 Football Pool WINNER
SOPAThank God for different opinions. Imagine the world if we all wanted the same woman -
:dPio Elete Pro 520
Panamax 5400-EX
Sunfire TGP 5
Micro Seiki DD-40 - Lyra-Dorian and Denon DL-160
PS Audio GCPH phono pre
Sunfire CG 200 X 5
Sunfire CG Sig 405 X 5
OPPO BDP-83 SE
SDA SRS 1.2TL Sonicaps and Mills
Ctr CS1000p
Sur - FX1000 x 4
SUB - SVS PB2-Plus
Workkout room:
Sony Bravia XBR- 32-Inch 1080p
Onkyo TX-DS898
GFA 555
Yamaha DVD-S1800BL/SACD
Ft - SDA 1C
Not being used:
RTi 38's -4
RT55i's - 2
RT25i's -2, using other 2 in shop
LSI 15's
CSi40
PSW 404 -
Lo siento Ricardo, no hablo espaSlowly emerging from the 90's
Fronts: Polk LSi15's
Center: Polk CS350ls
Pre: Sony STRDA555ES
Amp: Rotel RMB-1075
Sub: Velodyne SPL-1000
TV: 46" Sharp Aquos LCD
Dust magnet: Sony PS3 -
It does sound a bit retarded.
Lo siento Ricardo, no hablo espa_________________________________________________
***\\\\\........................... My Audio Journey ............................./////***
2008 & 2010 Football Pool WINNER
SOPAThank God for different opinions. Imagine the world if we all wanted the same woman -
That's your opinion, just don't go throwing it around as fact because objectively in controlled environments it can be proven wrong time and time again. ...I'm not saying your or others are not "perceiving" a difference. Auditioning is fun, but it has been shown time and time again that sighted listening tests are biased by a variety of factors. I suggest reading the following literature to illustrate the exact effects of bias in a sighted listening test.
Toole, Floyd E. Subjective Evaluation: Identifying and Controlling the Variables. J. Audio Engineering Soc., Conference Paper 8-013. May 1990.
Toole, Floyd E.; Olive, Sean E. Hearing is Believing vs. Believing is Hearing: Blind vs. Sighted Listening Tests, and Other Interesting Things. J. Audio Engineering Soc., Conference Paper 3894. November 1994.Oh no ... here we go ... the thread may soon be going back down the tubes ... together with Messrs. Toole, Floyd and Olive.Tsk, tsk, tsk. You all are one mean bunch!...
I am sorry if it was I that offended you, Matt34, but I was somewhat irked by the elitist and dismissive tone you seemed to be taking with poster cnh.
I was having some sincere regrets about what might have been perceived as my harsh tone, especially when I noticed you seem to know both the revered cfrizz and Rt. Hon. Ron Temple (who are both far more "senior" to me here, since I am really mostly still but a lowly newbie) but then you went and ruined my contrite mood with this post:No dancing here numb nuts...I guess I've now been properly introduced to the resident ****. It's ok, every forum has one.
P.S. this really IS the most AMAZING thread, and I thought I was joking when I suggested it was headed for big one triple o!Alea jacta est! -
I am sorry if it was I that offended you, Matt34, but I was somewhat irked by the elitist and dismissive tone you seemed to be taking with poster cnh.
I was having some sincere regrets about what might have been perceived as my harsh tone, especially when I noticed you seem to know both the revered cfrizz and Rt. Hon. Ron Temple (who are both far more "senior" to me here, since I am really mostly still but a lowly newbie) but then you went and ruined my contrite mood with this post:
I do hope you were merely in jest, and attempting to stick with the oft humorous tone of the thread, but sadly, by now you are most probably on F1nut's bozo list, which is not a good place to be, and which, I hasten to add, I am not (or at the very least, was not, when I won his most excellent karma recently). Oh well. Perhaps my initial response was justified after all ... ?
P.S. this really IS the most AMAZING thread, and I thought I was joking when I suggested it was headed for big one triple o!
My mistake was interjecting another point of view which appears is not acceptable here. It was not my intention to come across as "elitist or dismissive", it's hard to potray tone with written text. Howeve, I now realize that it's not welcome and I'm gladly going to move on and away.
My response to F1nut stands and I hope my request to the admins to remove my account is followed through. -
I have oft wondered which would prove victorious in a battle to the death - the valiant sea otter or the kingly lemur.I never had it like this where I grew up. But I send my kids here because the fact is you go to one of the best schools in the country: Rushmore. Now, for some of you it doesn't matter. You were born rich and you're going to stay rich. But here's my advice to the rest of you: Take dead aim on the rich boys. Get them in the crosshairs and take them down. Just remember, they can buy anything but they can't buy backbone. Don't let them forget it. Thank you.Herman Blume - Rushmore