What did you do to your stereo rig today?
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nooshinjohn wrote: »Where is this?
The Record Exchange - StL, MOCD Players: Sony CDP-211; Sony DVP-S9000ES; Sony UDP-X800M2 (x2); Cambridge Audio CXC
DACs: Jolida Glass FX Tube DAC III (x2); Denafrips Ares II (x2)
Streamers: ROKU (x3); Bluesound Node 2i and Node N130 w/LHY LPS // Receivers: Yamaha RX-V775BT; Yamaha RX-V777
Preamps: B&K Ref 50; B&K Ref 5 S2; Classe CP-800 MkII; Audio Research SP16L (soon)
Amps: Niles SI-275; B&K ST125.7; B&K ST125.2; Classe CA-2300; Butler Audio TDB-5150
Speakers: Boston Acoustics CR55; Focal Chorus 705v; Wharfedale Diamond 10.2; Monitor Audio Silver-1; Def Tech Mythos One (x4)/Mythos Three Center (x2)/Mythos Two pr.; Martin Logan Electromotion ESL; Legacy Audio Victoria/Silverscreen Center; Gallo Acoustics Reference 3.1; SVS SB-1000 Pro; REL HT-1003; B&W ASW610; HifiMan HE400i
Turntable: Dual 721 Direct-Drive w/Audio Technica AT-VM95e cart
Cables: Tripp-lite 14ga. PCs, Blue Jeans Cable ICs, Philips PXT1000 ICs; Kimber Kable DV30 coaxial ICs; Canare L-4E6S XLR ICs; Kimber Kable 8PR & 8TC speaker cables. -
My only question, what is it sitting on? It has a pioneer logo.
Just an empty Pioneer stereo rack.CD Players: Sony CDP-211; Sony DVP-S9000ES; Sony UDP-X800M2 (x2); Cambridge Audio CXC
DACs: Jolida Glass FX Tube DAC III (x2); Denafrips Ares II (x2)
Streamers: ROKU (x3); Bluesound Node 2i and Node N130 w/LHY LPS // Receivers: Yamaha RX-V775BT; Yamaha RX-V777
Preamps: B&K Ref 50; B&K Ref 5 S2; Classe CP-800 MkII; Audio Research SP16L (soon)
Amps: Niles SI-275; B&K ST125.7; B&K ST125.2; Classe CA-2300; Butler Audio TDB-5150
Speakers: Boston Acoustics CR55; Focal Chorus 705v; Wharfedale Diamond 10.2; Monitor Audio Silver-1; Def Tech Mythos One (x4)/Mythos Three Center (x2)/Mythos Two pr.; Martin Logan Electromotion ESL; Legacy Audio Victoria/Silverscreen Center; Gallo Acoustics Reference 3.1; SVS SB-1000 Pro; REL HT-1003; B&W ASW610; HifiMan HE400i
Turntable: Dual 721 Direct-Drive w/Audio Technica AT-VM95e cart
Cables: Tripp-lite 14ga. PCs, Blue Jeans Cable ICs, Philips PXT1000 ICs; Kimber Kable DV30 coaxial ICs; Canare L-4E6S XLR ICs; Kimber Kable 8PR & 8TC speaker cables. -
I have known people who have "drilled" holes in high-end antiques that didn't have any holes, especially those pieces from Europe."Sometimes you have to look to the past to understand where you are going in the future"Harry / Marietta GA

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BlueBirdMusic wrote: »I have known people who have "drilled" holes in high-end antiques that didn't have any holes, especially those pieces from Europe.
Yep, trying to imitate those of the powder post beetle. -
nooshinjohn wrote: »Where is this?
The Record Exchange - StL, MO
Holy crap....I was thinking that all along. I’ve bought a TON of vinyl there over the years...
I plan for the future. - F1Nut -
Yeah, the building used to be a library.
Massive selection of LPs, 45s, CDs, cassettes. Tons of used gear also.CD Players: Sony CDP-211; Sony DVP-S9000ES; Sony UDP-X800M2 (x2); Cambridge Audio CXC
DACs: Jolida Glass FX Tube DAC III (x2); Denafrips Ares II (x2)
Streamers: ROKU (x3); Bluesound Node 2i and Node N130 w/LHY LPS // Receivers: Yamaha RX-V775BT; Yamaha RX-V777
Preamps: B&K Ref 50; B&K Ref 5 S2; Classe CP-800 MkII; Audio Research SP16L (soon)
Amps: Niles SI-275; B&K ST125.7; B&K ST125.2; Classe CA-2300; Butler Audio TDB-5150
Speakers: Boston Acoustics CR55; Focal Chorus 705v; Wharfedale Diamond 10.2; Monitor Audio Silver-1; Def Tech Mythos One (x4)/Mythos Three Center (x2)/Mythos Two pr.; Martin Logan Electromotion ESL; Legacy Audio Victoria/Silverscreen Center; Gallo Acoustics Reference 3.1; SVS SB-1000 Pro; REL HT-1003; B&W ASW610; HifiMan HE400i
Turntable: Dual 721 Direct-Drive w/Audio Technica AT-VM95e cart
Cables: Tripp-lite 14ga. PCs, Blue Jeans Cable ICs, Philips PXT1000 ICs; Kimber Kable DV30 coaxial ICs; Canare L-4E6S XLR ICs; Kimber Kable 8PR & 8TC speaker cables. -
Friend of mine converted a small bedroom. Had the bins built. Also a professional concert photographer



DynaudIo Evoke 30, VPI Prime, Soundsmith Zephyr MKIII, PS audio Stellar phono pre, McCormack DNA 0.5 Gold, ARC LS-17se, Eversolo dmp A8, MIT AVT MA ic’s and speaker cables, ps audio stellar power plant 3 -
^^^^^ I want this! ^^^^^CD Players: Sony CDP-211; Sony DVP-S9000ES; Sony UDP-X800M2 (x2); Cambridge Audio CXC
DACs: Jolida Glass FX Tube DAC III (x2); Denafrips Ares II (x2)
Streamers: ROKU (x3); Bluesound Node 2i and Node N130 w/LHY LPS // Receivers: Yamaha RX-V775BT; Yamaha RX-V777
Preamps: B&K Ref 50; B&K Ref 5 S2; Classe CP-800 MkII; Audio Research SP16L (soon)
Amps: Niles SI-275; B&K ST125.7; B&K ST125.2; Classe CA-2300; Butler Audio TDB-5150
Speakers: Boston Acoustics CR55; Focal Chorus 705v; Wharfedale Diamond 10.2; Monitor Audio Silver-1; Def Tech Mythos One (x4)/Mythos Three Center (x2)/Mythos Two pr.; Martin Logan Electromotion ESL; Legacy Audio Victoria/Silverscreen Center; Gallo Acoustics Reference 3.1; SVS SB-1000 Pro; REL HT-1003; B&W ASW610; HifiMan HE400i
Turntable: Dual 721 Direct-Drive w/Audio Technica AT-VM95e cart
Cables: Tripp-lite 14ga. PCs, Blue Jeans Cable ICs, Philips PXT1000 ICs; Kimber Kable DV30 coaxial ICs; Canare L-4E6S XLR ICs; Kimber Kable 8PR & 8TC speaker cables. -
I see nothing to play them on.
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It's in the next room:

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DividedSky wrote: »


A couple of examples here
Is this wood Ambrosia Maple? If so, I believe the worm holes are part of the package sold to you. If you look at the bottom photo you see a discolored streak in front of and behind the holes. Whatever bored into there brought some minerals with it that, in turn, caused the discolored streak. Many years ago somebody obviously decided that this was marketable and started selling it as Ambrosia Maple. The streaks are not as dramatic on your shelving as the translucent stain tends to hide them. I have a Mapleshade turntable platform, made of Ambrosia Maple with worm holes, and it due to it's clear finish, the streaks are more apparent. I purchased this about 10-12 years ago and I believe Mapleshade's website mentioned the Ambrosia Maple's wormhole/streaking issue . I haven't check to see if it still mentions that, but I believe I knew what I was getting when I ordered my platform. Does it make it more visually attractive. Quite frankly, I could take it or leave it. As the cliche goes, beauty is in the eye of the beholder.Old Name: 55LS70Preamp: Decware CSP3 w/ 1 x Amperex 7308, 2 x Amperex 6922's, 1 x RCA 5R4GY Power Amp: Cary SLA Signature 2 X Mullard GZ32's, 2 X RCA 5691's, 4 X Tung Sol 6550 reissuesAnalog: Rega Planar 3 w/ P2000 motor, Deep Groove sub platter, Incognito tonearm wiring, JA Michell counterweight, Tangospinner feet, Dynavector 10 x 5 cartridge, Parks Audio Budgie Hybrid phono stage w/ 2 x BEL 6922's.Radio: HH Scott 330D tuner with HH Scott Type 335 multiplex. Both modified by Mapleshade.Digital: Marantz ND8006Speaker Cables: Kimber Kable 8TC'sSpeakers: Polk Audio LSIM 703'sInterconnects. Tuner: Audioquest Black Mamba II's, phono stage: Kimber Kable Hero's, PreAmp/Amp and Digital: Audioquest King Cobra"s -
Interesting:
What Causes The Worm Patterns in Ambrosia Maple?
Ambrosia maple gets it's unique grain pattern from impregnated Ambrosia Beetles that burrow into maple trees to deposit larvae. They carry fungi on their feet into the maple wood, which serves as food for the offspring when they hatch. The residue left behind as the beetle digs into the maple tree causes the discoloration and worm holes in the wood. These trails are bluish or green and give the wood a lot of character once it's finished.
Are These A Concern For Finished Pieces?
The wormholes are not a concern for finished pieces. These beetles typically are attracted to wood that has started air drying. Once the wood is kiln dried, they will not reinfest. Just about any lumber you buy at a hardware store is going to be kiln dried, so the bugs should not be an issue.
Also discussed here: https://www.mapleshadestore.com/airdriedambrosiamaple.php -
I see nothing to play them on.
If I could justify storing my vinyl collection in a sperate room from my listening room, I absolutely would do this. I just don't know where we would put it.Analog: Hana ML > VPI Prime Signature 21 > Bob's Devices Sky 20-S > Sutherland 20/20 w/LPS
Digital: Cambridge CXC / Streaming > Cambridge CXN v2
Norma IPA-140 > Rosso Fiorentino Volterra
Hifiman EF600 > Hifiman Arya Stealth
Discogs -
Got some cool lighting going on. Not everyone’s cup of tea but I like it in some moods

2 Channel in my home attic/bar/man cave
2 Channel Focal Kanta 3 I Modwright SWL9.0 Anniversary Pre I Modwright PH9.0X I Modwright KWA-150SE I VPI Prime Signature w/ Soundsmith Zephyr MIMC I Lumin U2 Mini I North Star Designs Intenso DAC I Audience OHNO ICs/Audience Furutech FP-S55N and FP-S032N Power Cables/Acoustic Zen Satori I Isotek Sirius -
I know I'm gonna catch some blow back from this like maybe, "dude, you can't blend timbre", or "what were you thinking??" but I gotta tell you, the sound is pretty friggin awesome.
Back in the day, when popular vote was the RTiA9 was great for theater but not so much for 2ch, I disproved that theory, or opinion as it were (right Ken?). Great detail and imaging, and a bit of an "edgy" feel, they ROCKED.
Then I acquired the 707, great detail and imaging however a bit laid back in comparison, but I dug the intimate detail.
Then, suddenly, I thought, why not marry them?? Got some 12/4 and by golly, wired them together. Two speakers of different timbre share a common channel.

And there you have it. I may lift the A9 a tad to bring the tweeters to even height.
Stop on by anytime to give a listen!!
Marantz AV10-Emotiva ERC3-Denafrips Venus-Panasonic UB820-AudioQuest Power Quest 707-Emotiva DR3, DR2, XPA2, XPA6-Focal Kanta No2, Sopra Center-PolkAudio RTiA9, RTiA3, LSiM 702F/X-Epik Empire-SVS SB5000-11.3 -
I refuse to believe that sounds good/ right but if you love it, that’s all that matters!2 Channel in my home attic/bar/man cave
2 Channel Focal Kanta 3 I Modwright SWL9.0 Anniversary Pre I Modwright PH9.0X I Modwright KWA-150SE I VPI Prime Signature w/ Soundsmith Zephyr MIMC I Lumin U2 Mini I North Star Designs Intenso DAC I Audience OHNO ICs/Audience Furutech FP-S55N and FP-S032N Power Cables/Acoustic Zen Satori I Isotek Sirius -
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It's cool Stangman, but you gotta hear it to know for sure

And by the way, are you there in WA? Our buddy Ken Brydson is south of Seattle and I was recently in Ruston. Back home now in good 'ol San Antone.Marantz AV10-Emotiva ERC3-Denafrips Venus-Panasonic UB820-AudioQuest Power Quest 707-Emotiva DR3, DR2, XPA2, XPA6-Focal Kanta No2, Sopra Center-PolkAudio RTiA9, RTiA3, LSiM 702F/X-Epik Empire-SVS SB5000-11.3 -
Nope, unfortunately i am in the swampy town of Norfolk, VA. You know military and all. I dream of the day I live back in Washington2 Channel in my home attic/bar/man cave
2 Channel Focal Kanta 3 I Modwright SWL9.0 Anniversary Pre I Modwright PH9.0X I Modwright KWA-150SE I VPI Prime Signature w/ Soundsmith Zephyr MIMC I Lumin U2 Mini I North Star Designs Intenso DAC I Audience OHNO ICs/Audience Furutech FP-S55N and FP-S032N Power Cables/Acoustic Zen Satori I Isotek Sirius -
Geoff, when the image shifts (and it will) you are experiencing lobing at an extreme level. The only way to get rid of this is to go back to one speaker.
Tom~ In search of accurate reproduction of music. Real sound is my reference and while perfection may not be attainable? If I chase it, I might just catch excellence. ~ -
2 Channel in my home attic/bar/man cave
2 Channel Focal Kanta 3 I Modwright SWL9.0 Anniversary Pre I Modwright PH9.0X I Modwright KWA-150SE I VPI Prime Signature w/ Soundsmith Zephyr MIMC I Lumin U2 Mini I North Star Designs Intenso DAC I Audience OHNO ICs/Audience Furutech FP-S55N and FP-S032N Power Cables/Acoustic Zen Satori I Isotek Sirius -
Geoff, when the image shifts (and it will) you are experiencing lobing at an extreme level. The only way to get rid of this is to go back to one speaker.
Tom
Thanks Tom. I appreciate the heads up!Marantz AV10-Emotiva ERC3-Denafrips Venus-Panasonic UB820-AudioQuest Power Quest 707-Emotiva DR3, DR2, XPA2, XPA6-Focal Kanta No2, Sopra Center-PolkAudio RTiA9, RTiA3, LSiM 702F/X-Epik Empire-SVS SB5000-11.3 -
stangman67 wrote: »
I'm still laughing!!Marantz AV10-Emotiva ERC3-Denafrips Venus-Panasonic UB820-AudioQuest Power Quest 707-Emotiva DR3, DR2, XPA2, XPA6-Focal Kanta No2, Sopra Center-PolkAudio RTiA9, RTiA3, LSiM 702F/X-Epik Empire-SVS SB5000-11.3 -
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DC, or the state of Washington? Isn't the James River 'delta' swampy, in general?stangman67 wrote: »Nope, unfortunately i am in the swampy town of Norfolk, VA. You know military and all. I dream of the day I live back in Washington"This may not matter to you, but it does to me for various reasons, many of them illogical or irrational, but the vinyl hobby is not really logical or rational..." - member on Vinyl Engine
"Sometimes I do what I want to do. The rest of the time, I do what I have to." - Cicero, in Gladiator
Regarding collectibles: "It's not who gets it. It's who gets stuck with it." - Jimmy Fallon -
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DC, or the state of Washington? Isn't the James River 'delta' swampy, in general?stangman67 wrote: »Nope, unfortunately i am in the swampy town of Norfolk, VA. You know military and all. I dream of the day I live back in Washington
Definitely the state. I’ve lived in DC too, no thank you
2 Channel in my home attic/bar/man cave
2 Channel Focal Kanta 3 I Modwright SWL9.0 Anniversary Pre I Modwright PH9.0X I Modwright KWA-150SE I VPI Prime Signature w/ Soundsmith Zephyr MIMC I Lumin U2 Mini I North Star Designs Intenso DAC I Audience OHNO ICs/Audience Furutech FP-S55N and FP-S032N Power Cables/Acoustic Zen Satori I Isotek Sirius -
DC, or the state of Washington? Isn't the James River 'delta' swampy, in general?stangman67 wrote: »Nope, unfortunately i am in the swampy town of Norfolk, VA. You know military and all. I dream of the day I live back in Washington
The James River in VA
Several years ago, I read this historical account about the size of James River oysters in Colonial times. I will say "James River oysters are very tasty", but I might not eat one that is a foot long.
When Christopher Newport and his exploring party went up the James River in May 1607, one of the foods they were served was freshly boiled mussels, some boys having been sent to dive for them on the visitors’ arrival. The oyster shells in the middens show that for many millennia the Indian practice was to harvest the same locality for several years. The oysters would therefore start off very large—more than a foot long sometimes—because they had been allowed to grow undisturbed for a number of years. But as the harvesting went on year after year, the replacement oysters would be ever younger, decreasing in size until they were not worth bothering with."Sometimes you have to look to the past to understand where you are going in the future"Harry / Marietta GA
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I had some time* -- and some fairly hefty metal strapping-- and a hacksaw...
so...
finally...
today I did a little redneck New Hampshire frugal Yankee style time alignment of the 'super' tweeters on my much-beloved Frankenaltecs. :cool:
Before:
Somebody... somewhere (ASR, IIRC) kinda constructively busted my chops about my, umm, opportunistic tweeter mounting, umm, opportunity, so I've been meaning to do something about it.
After:
You know -- I really am lethargic... so this is, like, a major achievement for me, OK?

_____________
* see what I did there?
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DividedSky wrote: »


A couple of examples here
Follow up from MapleShade... the Ambrosia Maple has holes in it. Either from a beetle, fungi or possibly both. I will include one section from their email. I'm sure there will be some chuckles regarding mention of the holes resulting in enhancement of sonic performance.
"What is Ambrosia Maple?
Ambrosia Maple is the traditional name for a form of red maple found locally in Maryland and Virginia. It has distinctive long, tapered streaks running with the grain, streaks of a contrasting brownish or slightly purplish-grey hue. This striking coloration is also sometimes called Ghost Maple or Wormy Maple. At the head of each of these beautiful streaks is a pair of tiny holes bored by the adult Ambrosia beetle in which to lay its eggs—and to simultaneously lay down a unique fungus species. The eggs hatch into larvae that are incapable of digesting the maple; instead, they cultivate and feed on the fungus which flourishes by digesting the maple for the larvae, a remarkable example of nature's symbiosis. The tree's sap carries away the “runoff” from each larva's miniature mushroom farm, thus creating the pattern of lovely long stains that characterize this unique form of maple. There are no larvae left after the 3 to 6 years of drying; they all develop into adult beetles and fly away within a couple of months after the eggs are laid in the living tree.
The small holes and their associated streaks appear to varying degrees across all of our maple products. Besides their striking looks, they actually slightly enhance the maple's sonic performance. Because of the inherently variegated grain and patterning of Ambrosia maple, every platform, stand and shelf we manufacture is unique. We show a representative sampling of these natural grain and coloring variations in our Ambrosia Maple With Clear Finish Gallery."
Primary: Doshi V3.0 pre and phonostage, Vandersteen M5-HPA, Vandersteen Quatro CT, AMG viella, Goldfinger Statement, AQ Niagara 5000, AQ IC and power cords, Mapleshade Samson V.5
Secondary: Nakamichi PA7, Nak CA5, Polk LS90, Sota Sapphire, Sumiko MDC800, Van den hul Crimson











