I Love SL2000 Tweeters

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  • heiney9
    heiney9 Posts: 25,165
    edited February 2008
    NJPOLKER wrote: »
    Ron,
    I will have a pair of upgraded/updated crossovers for Monitor 10's with-in a few weeks or so, I will burn them in first. If they are a perfect match to swap out in your Monitor 10's will you try them? I will mail them to you at my cost for your evaluation and you can compare them to the "stock" x-over Monitor 10's. I have no question that you will be fair in your evaluation.
    Maybe this is a stretch but I think it could be interesting.
    Drew

    It won't matter, even if he thought they sounded better he'd never admit it because then where would the controversy be. He couldn't be a star anymore. He has no intention of ever trying it, he just wants to tell us all why we shouldn't do it, why it won't work and how dare we go against the initial design which is now pushing 20 years.

    Nice offer, but that isn't the point of why Ron is even posting in this thread.

    H9
    "Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul!
  • dorokusai
    dorokusai Posts: 25,577
    edited February 2008
    I made sweet love to an SL2000 last night and it was glorious.
    CTC BBQ Amplifier, Sonic Frontiers Line3 Pre-Amplifier and Wadia 581 SACD player. Speakers? Always changing but for now, Mission Argonauts I picked up for $50 bucks, mint.
  • NJPOLKER
    NJPOLKER Posts: 3,474
    edited February 2008
    heiney9 wrote: »
    It won't matter, even if he thought they sounded better he'd never admit it because then where would the controversy be. He couldn't be a star anymore. He has no intention of ever trying it, he just wants to tell us all why we shouldn't do it, why it won't work and how dare we go against the initial design which is now pushing 20 years.

    Nice offer, but that isn't the point of why Ron is even posting in this thread.

    H9

    I disagree with you big time!! Ron, don't let me down here.
    I have a pair of 10a x-overs with fuse protected tweeters(1 amp fast blow)
    that I am getting ready to upgrade. I will probably use Solen caps and Mills resistors which seem to be middle of the road in performance. All wires will be labeled/tagged so the will be no problem with hooking them up.
    If I missed anything let me know, I know you will.
    I think it would be interesting to see/hear the results from a "non-believer".
    Drew
  • rskarvan
    rskarvan Posts: 2,374
    edited February 2008
    NJPOLKER wrote: »
    Ron,
    I will have a pair of upgraded/updated crossovers for Monitor 10's with-in a few weeks or so, I will burn them in first. If they are a perfect match to swap out in your Monitor 10's will you try them? I will mail them to you at my cost for your evaluation and you can compare them to the "stock" x-over Monitor 10's. I have no question that you will be fair in your evaluation.
    Maybe this is a stretch but I think it could be interesting.
    Drew

    My monitor 10's are series 2 with the MW6503 drivers and the SL2500 (upgraded to the RDO) tweeter. If it is a match, I'd be interested in trying it.
  • NJPOLKER
    NJPOLKER Posts: 3,474
    edited February 2008
    Well now here we go.
    The only thing we have to be sure of then is if the x-overs I have here are a perfect match for Series 2 monitor 10's
    Each x-over has the following
    2) 12uF caps
    1) 34uF cap
    1) 2.7 resistor
    1)2.5 resistor
    1 amp fast blow exterior fuse protection
    Would the Monitor 10 experts please let us know if this will be a match.
    Thanks Drew
  • heiney9
    heiney9 Posts: 25,165
    edited February 2008
    NJPOLKER wrote: »
    Well now here we go.
    The only thing we have to be sure of then is if the x-overs I have here are a perfect match for Series 2 monitor 10's
    Each x-over has the following
    2) 12uF caps
    1) 34uF cap
    1) 2.7 resistor
    1)2.5 resistor
    1 amp fast blow exterior fuse protection
    Would the Monitor 10 experts please let us know if this will be a match.
    Thanks Drew

    Nope, no fuse (polyswitch) and no 2.5 resistor. Those x-overs probably used the peerless tweeter as well.
    Also has an 16 uF cap in the series II
    "Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul!
  • NJPOLKER
    NJPOLKER Posts: 3,474
    edited February 2008
    Your right I have Peerless tweeters which sound pretty good. Damn, I was thinking this could be interesting. Oh well I tried.
    I better go to bed for I have been Polked out for today!!
    Drew
  • Ricardo
    Ricardo Posts: 10,636
    edited February 2008
    Nice thread.


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  • Marty913
    Marty913 Posts: 760
    edited February 2008
    Ricardo wrote: »
    Nice thread.


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    It would be even better if it ENDED.
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  • ben62670
    ben62670 Posts: 15,969
    edited February 2008
    Some instruments and female voices have significant harmonic energy in the upper frequency ranges.

    I absolutely whole heartedly agree with this statement. Allison Kraus is a very good example of this. My experiences with various SL2000's is that most get brittle, and shrill with age. A new pair of SL2000's would IMHO sound very nice. I had a pair of wonderful SL2000's that sounded great even with the occasional spike in the HF spectrum(3 other pairs that really sucked). I have tried the RDO's, and have decided to go with the morel's. If I had a pair of speakers that had nice soft 2000's I would keep them. Am I saying to Polkies keep their SL2000's? Most likely not, but if you are lucky enough to get some nice soft Sl2000's....
    Please. Please contact me a ben62670 @ yahoo.com. Make sure to include who you are, and you are from Polk so I don't delete your email. Also I am now physically unable to work on any projects. If you need help let these guys know. There are many people who will help if you let them know where you are.
    Thanks
    Ben
  • candyliquor35m
    candyliquor35m Posts: 2,267
    edited February 2008
    Let doro loosen them up for you. He's been practicing.
  • F1nut
    F1nut Posts: 50,490
    edited February 2008
    rskarvan wrote: »
    If I could upgrade a Thiel, I'd be a very talented guy.

    It's easy to upgrade from Thiel.
    Political Correctness'.........defined

    "A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."


    President of Club Polk

  • candyliquor35m
    candyliquor35m Posts: 2,267
    edited February 2008
    Some instruments and female voices have significant harmonic energy in the upper frequency ranges.

    I couldn't agree more. You're not just going to lose percussion when you start swapping out tweeters.
  • MarcLazarek78
    MarcLazarek78 Posts: 65
    edited February 2008
    I was told JL uses the best components/materials,back in '95. That was by some guy in the install shop tho =)
    SDA SRS 2
    Kenwood M1D
    Sony DAV-HDX265
  • avguytx
    avguytx Posts: 1,628
    edited February 2008
    We aren't talking Car Audio here I don't think. I sold JL back in '95, too. Nothing to write home about really.
    Richard? Who's your favorite Little Rascal? Alfalfa? Or is it........................Spanky?.................................Sinner.
  • shadowofnight
    shadowofnight Posts: 2,735
    edited February 2008
    I have seen this " The SL200's have a 5 dB spike around 13K " quoted here on the forum more then once as the reason for most not liking the SL2000.

    With Polk using the Progressive Point Source designed crossovers in the larger multiple tweetered SDA's , all you would have to change out is ONE tweeter as all of the others never even go near that high of a frequency.

    This might not be a good idea with the SDA's using the metalized domes ( SL3000 ) ...but I bet you the softer more flexible domed SL2000 and RD0 tweeters would work extremely well together and with only one tweeter to change out it would save you a LOT of coin and you would lose the harsh 13K resonance peak...sure as hell worth a try.


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    The first rule of Fight Club is you don't talk about Fight Club
  • MillerLiteScott
    MillerLiteScott Posts: 2,561
    edited February 2008
    So if I understand this correctly, in my 1C's, I could only change they top tweeter to effectively ( to a degree ) smooth out the top end.

    Is that correct?

    Scott
    I like speakers that are bigger than a small refrigerator but smaller than a big refrigerator:D
  • MarcLazarek78
    MarcLazarek78 Posts: 65
    edited February 2008
    bottom and middle,I believe.

    So in my SRS 2 it woul be just the bottom?
    SDA SRS 2
    Kenwood M1D
    Sony DAV-HDX265
  • shadowofnight
    shadowofnight Posts: 2,735
    edited February 2008
    middle.

    Actually his 1c's only have 2 tweeters...not 3 as shown here....besides I was only mentioning the larger multiple tweetered SDA's ( SRS and 2.3 ) as the manual I am looking at only mentions the Progressive Point Source for those in particular....for any other models you would have to look at schematics.
    The first rule of Fight Club is you don't talk about Fight Club
  • MarcLazarek78
    MarcLazarek78 Posts: 65
    edited February 2008
    if the spike is at 13khz then all would need to be replaced since the drivers produce 2.5khz and up,correct?I thought the spike was at lower khz.
    SDA SRS 2
    Kenwood M1D
    Sony DAV-HDX265
  • F1nut
    F1nut Posts: 50,490
    edited February 2008
    Hang on!

    I tried installing just one new RD0198-1 in each of my 2.3TL's to see if I could hear a difference before spending more money. I did hear a difference, so I went ahead and replaced all of them. There was an obvious improvement when all the tweeters were replaced vs just the one.

    You have to keep in mind that the new tweeters are rubberized silk and are going to present a different sonic signature. You have to do them all.
    Political Correctness'.........defined

    "A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."


    President of Club Polk

  • shadowofnight
    shadowofnight Posts: 2,735
    edited February 2008
    if the spike is at 13khz then all would need to be replaced since the drivers produce 2.5khz and up,correct?I thought the spike was at lower khz.

    No...and again this is ONLY for the PPS engineered crossovers ( I know SRS..1.2...2.3 ARE....others YOU have to do the research ) ....as the frequencies go higher...Polk only wanted ONE tweeter at that frequency ( In this 2.3 instance ) to be a POINT source....not multiple drivers emitting the same higher frequencies.

    If you look at the pictures you see less and less tweeters active as the frequencies increase...until at 8Khz and above only ONE tweeter is actually emitting that frequency range. Pretty easy to grasp....the pictures tell the whole story.
    The first rule of Fight Club is you don't talk about Fight Club
  • shadowofnight
    shadowofnight Posts: 2,735
    edited February 2008
    F1nut wrote: »
    Hang on!

    I tried installing just one new RD0198-1 in each of my 2.3TL's to see if I could hear a difference before spending more money. I did hear a difference, so I went ahead and replaced all of them. There was an obvious improvement when all the tweeters were replaced vs just the one.

    You have to keep in mind that the new tweeters are rubberized silk and are going to present a different sonic signature. You have to do them all.


    That may very well be Jesse...I had not tried this ...was just looking at new data recently found out by me looking. If the tweeters signature sound are that different this would not work well as you mentioned...it was just something I wanted to try.
    The first rule of Fight Club is you don't talk about Fight Club
  • shadowofnight
    shadowofnight Posts: 2,735
    edited February 2008
    Did you change the 8k and above tweeter ? Just curious ? Wait a second your TL's use the metalized SL3000's...the very ones I said would NOT be a good match to swap out....The SL2000's and the RD0 domes would be a much better match to try.
    This might not be a good idea with the SDA's using the metalized domes ( SL3000 ) ...but I bet you the softer more flexible domed SL2000 and RD0 tweeters would work extremely well together
    The first rule of Fight Club is you don't talk about Fight Club
  • heiney9
    heiney9 Posts: 25,165
    edited February 2008
    So if I understand this correctly, in my 1C's, I could only change they top tweeter to effectively ( to a degree ) smooth out the top end.

    Is that correct?

    Scott

    No, he is hypothesizing. There are other characteristics that cause the sl2000 to have harshness issues, etc. not just the peak. I would never mix tweeters, but I suppose if one wanted to experiment w/their own speakers. I know in the compendium (which is one person POV) it discourages mixing tweeters.

    H9
    "Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul!
  • heiney9
    heiney9 Posts: 25,165
    edited February 2008
    Did you change the 8k and above tweeter ? Just curious ? Wait a second your TL's use the metalized SL3000's...the very ones I said would NOT be a good match to swap out....The SL2000's and the RD0 domes would be a much better match to try.

    Actually both RD0's are much more similar to the sl3000 than they are to the sl2000. You *might* get by mixing sl3000's w/ RD0's but what's the point the sl3000 is a clearly superior tweeter to the sl2000 in every respect. Have you read the technical paper on the sl3000?
    "Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul!
  • shadowofnight
    shadowofnight Posts: 2,735
    edited February 2008
    heiney9 wrote: »
    Actually both RD0's are much more similar to the sl3000 than they are to the sl2000. You *might* get by mixing sl3000's w/ RD0's but what's the point the sl3000 is a clearly superior tweeter to the sl2000 in every respect. Have you read the technical paper on the sl3000?

    Oh yeah, I read the paper...the tri layer deposition on the dome ( Stiffness ..etc ) Is the only reason I was thinking not a good match. This was only a " What the hell , try it " spur of the moment thing as mentioned in my original post....be fun to try is all.

    Then again, a lot of people on the forum don't like the SL3000 tweeter either...or the RD0 wouldnt be so popular with the TL series as well.
    The first rule of Fight Club is you don't talk about Fight Club
  • MarcLazarek78
    MarcLazarek78 Posts: 65
    edited February 2008
    Then the picture is a little misleading. It should state Tweeter 3 2k-3.5k,tweet 2 3.5k-8k,and tweet 1 8k and up. not all 3 2k and up.Or you are incorrect,since it subtracts only one tweeter when the freq output is upped and still leaves 2.Or I'm reading the reply wrong.
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  • Joe08867
    Joe08867 Posts: 3,919
    edited February 2008
    Thinking in the just change a certain tweeter vane.

    When I upgraded my SDA2's I was only able to get one set of RDO's until they got back in stock. And as i am a patient man I immediately changed out the SL dimensional tweeter for the RDO and the change was amazing.

    I have since replaced all four tweeters with the RDO's and haven't been happier.

    rskarvan, don't think of changing parts in the crossover as an upgrade more then an update. Manufacturing processes and build quality aside. Parts wear out over time. And I could have used any old caps in my crossovers but I decided to go up the food chain and get some solens caps. There was a noticable improvement in the sound because the old caps were worn out and not working at there full potential.

    I did not take measurements to prove this theory but I used my own ears and the ears of my wife to tell the difference. I also used the same music for both and the difference was astounding. They sounded deeper, clearer and wider as they did when I first bought them and smoother now that I had the RDO in place of the SL.

    Now I say if you like the SL series tweeters more power to you. My ears prefer the RDO's. Why would polk have adopted them as the replacement if they thought they weren't the equivalent or better then the original????
  • shadowofnight
    shadowofnight Posts: 2,735
    edited February 2008
    Then the picture is a little misleading. I should state Tweeter 3 2k-3.5k,tweet 2 3.5k-8k,and tweet 1 8k and up. not all 3 2k and up.

    The pictures aren't misleading....they make the tweeters disappear in the next picture in the series so you know it is now out of the frequency range.

    You need to see the 3 pics in a series for it to make perfect sense :D
    The first rule of Fight Club is you don't talk about Fight Club
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