Polk Signature Series Official Discussion
Comments
-
Some of us also have a lower tolerance for "just decent" and higher expectations of what sounds good. That's not meant to sound snobbish at all, it comes from experiences, likes, dislikes, and ultimately what we are willing to accept at the lowest threshold and what we are looking for out of our rigs.
I have friends who are perfectly content to drive a small entry level automobile. Some of us prefer something a little sportier, plusher, quieter, larger, more driver specific traits, etc.
"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul! -
DonnerUndBlitzen wrote: »AVRs have built in amplifiers and their amps need to be matched with compatible speakers. A 60 watt amp just may be challenged to drive very inefficient 4 Ohm speakers, that is as true for separates as it is for AVRs. One size fit all statements about separates are as false as one size fit all statements about receivers. If the front speakers are too much of a load for the AVRs amp, add a separate power amp that is compatible and able to drive those speakers.
I did say that, go back and read. I said it's NOT a one way street.
However I have a 30wpc amp that I have yet to stump or find the upper limits of. In fact it plays into a dead short. 30wpc. Has more scale and dynamics than just about everything I've heard. So really specs mean nothing. On paper this amp looks a bit anemic. It's a power house and is one of the best sounding amps I've ever put ears on.
Ratings are a very loose guide but by no means are they going to tell you anything about how something will sound or perform, nor will they allow comparison.
H9
"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul! -
DonnerUndBlitzen wrote: »AVRs have built in amplifiers and their amps need to be matched with compatible speakers. A 60 watt amp just may be challenged to drive very inefficient 4 Ohm speakers, that is as true for separates as it is for AVRs. One size fit all statements about separates are as false as one size fit all statements about receivers. If the front speakers are too much of a load for the AVRs amp, add a separate power amp that is compatible and able to drive those speakers.
Then the compromise becomes the pre-amp section of the AVR, which is never a strong point. A separate pre in most cases will perform better (if that's what's important to you) AVR's are compromises set to a specific price point.
H9
"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul! -
HI guys,
Been a while. Signatures caught my eye. Looking to build a small 5.1 with the s50,s15 and debating the s35 or s30. What do some of you think of which center?
Also I saw an S15 review on youtube and the reviewer noted the glossy plastic cap is loose toward the bottom. Any owners experience this?
https://www.youtube.com/watch?v=tIdtccD4FUY
Starts at around the 4 minute mark.Polk Rt800i -Fronts
Polk cs400i -Center
Polk fx500i -side surrounds
Polk rc60i -rear surrounds
Onkyo TX-NR 1009 (9.2) receiver
Velodyne cht12
Polk psw111 -
Wow interesting. Thanks for posting. Curious if that also causes in air leaks2-channel: Modwright KWI-200 Integrated, Dynaudio C1-II Signatures
Desktop rig: LSi7, Polk 110sub, Dayens Ampino amp, W4S DAC/pre, Sonos, JRiver
Gear on standby: Melody 101 tube pre, Unison Research Simply Italy Integrated
Gone to new homes: (Matt Polk's)Threshold Stasis SA12e monoblocks, Pass XA30.5 amp, Usher MD2 speakers, Dynaudio C4 platinum speakers, Modwright LS100 (voltz), Simaudio 780D DAC
erat interfectorem cesar et **** dictatorem dicere a -
I've taken the front bezel piece off my S20's, so I can tell you first hand they are not easy to get off. Therefore, I suspect the guy in the video broke his trying to remove them and that's why they are loose now. Mine are not broken, sit tight and don't make the noise that his do.
Ron, there would be no air leaks from that issue he has.Political Correctness'.........defined
"A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."
President of Club Polk -
Alright Jesse - dish.
What'cha got in store for the S20s?
Rebuilt the crossovers yet?I disabled signatures. -
Some of us also have a lower tolerance for "just decent" and higher expectations of what sounds good. That's not meant to sound snobbish at all, it comes from experiences, likes, dislikes, and ultimately what we are willing to accept at the lowest threshold and what we are looking for out of our rigs.
I have friends who are perfectly content to drive a small entry level automobile. Some of us prefer something a little sportier, plusher, quieter, larger, more driver specific traits, etc.
I think in many cases were are arguing "Semantics"
Read the reviews I linked to a few posts up.
They review scores of amps and receivers, but their comments I found most interesting.
-
Package it however you want to justify your POV. I can assure you semantics isn't the issue.
H9"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul! -
This seems like a good time to mention:
1) There is no such thing as "RMS Watts" (FTC 1974 regulations on stereo output power ratings notwithstanding). AC Volts RMS, yes, but "RMS Watts", strictly speaking is an average power measurement, probably better referred to as "Continuous sine wave watts".
https://books.google.com/books?id=L38MrvScG3gC&pg=PA335&lpg=PA335&dq=RMS+watts+is+a+misnomer&source=bl&ots=L7sRwVPdFN&sig=JuZcctDSRtH9dU59sX8CBRFloCQ&hl=en&sa=X&ved=0ahUKEwj12_eysM3UAhWBPT4KHTxzC8Q4ChDoAQgpMAE#v=onepage&q=RMS watts is a misnomer&f=false
2) Music (or most any other audio program material) is not a continuous sine wave (although, of course, by Fourier series any waveform may be "produced" by an appropriate combination of sine waves")
3) Loudspeakers are complex and reactive loads for an amplifier -- and the impedance "curve" of most dynamic (permanent magnet cone or dome drivers) loudspeakers is pretty -- complicated.
4) All in all, "output power" specifications - though easily measured in a reproducible way (which is an important thing, don't get me wrong!) - are pretty meaningless in the real world for listening to real music reproduction using real loudspeakers in a real acoustic environment.
The point is that it is all important: the room, the type of music (or other program material, since the focus is on multichannel A/V reproduction), the loudspeakers and the listening level. Investing lots of time listening to lots of different components in different environments -- building one's own database -- is the best way to make good choices of hardware for oneself.
3-ish watts per channel (two channels in toto) at my house, driving loudspeakers with a sensitivity of ca.102 dB SPL per 2.83 AC volts (RMS) input signal at a distance of 1 meter.
As the folks from Rolls-Royce used to say, when asked about the horsepower specification for their motorcars, "adequate".
-
Hi guys,
Been a while. Signatures caught my eye. Looking to build a small 5.1 with the s50,s15 and debating the s35 or s30. What do some of you think of which center?
Also I saw an S15 review on youtube and the reviewer noted the glossy plastic cap is loose toward the bottom. Any owners experience this?
Starts at around the 4 minute mark.txcoastal1 wrote: »Wow interesting. Thanks for posting. Curious if that also causes in air leaksI've taken the front bezel piece off my S20's, so I can tell you first hand they are not easy to get off. Therefore, I suspect the guy in the video broke his trying to remove them and that's why they are loose now. Mine are not broken, sit tight and don't make the noise that his do.I disabled signatures. -
^^My S60's have no visible gaps but I can get a little slap from one area when tapping on the bottom bezel on both speakers. I going to mark it down as nature of the beast.The best way to predict the future is to invent it.
It is imperative that we recognize that an opinion is not a fact. -
High lounge trumpet and accompaniment sounds amazing on Signature S20s. Seems like it should be painful, but it's not at all. In fact, makes me want deeper immersion in the goodness, like you can't get enough. They seem very lively, but not harsh or edgy.
They seem really good at "space" - is this airiness?
Lushy echo and decay that's taking its time, as if on its own schedule, no rush, nowhere to be.
I've got SOMA FM's Groove Salad going while I strip the vinyl off some Monitor/RTA-11Ts.I disabled signatures. -
Now I just had to go tap on the bezel on all my Signatures... none are loose
For the AVR's. That is all I have owned. Never had a seperate amp before, A friend did let me check out his Emo when I had my 5300ES and it did make a big difference on my RTi8. He was trying to sell it to me, no cash at the time.
One thing I noticed was on my Sony flagship 5700ES @ 135X7 it had a max power input of 430 watts. My Marantz SR5010 has 630 watt input power. Gee and my Marantz sounds better why?
I am thinking of getting an amp http://www.accessories4less.com/make-a-store/item/marmm7025/marantz-mm7025-2-ch-x-140-watts-power-amplifier/1.html It's not the biggest badest amp out there but it would take the load off my receiver. I am shooting for Christmas time frame to get it. Also unless I find a way to get more power to my family room I a limited to a 15A circuit.When I was a kid my parents told me to turn it down. Now I'm an adult and my kids tell me to turn it down.
Family Room:LG QNED80 75", Onkyo RZ50 Emotiva XPA3 GEN3 Oppo BDP-93,Sony UBP-X800BM. Main: Polk LsiM 705Center: Polk LSiM 704CFront High/Rear High In-Ceiling Polk 80F/X RT Surrounds: Polk S15 Sub: HSU VTF3-MK5
Bed Room; Marantz SR5010, BDP-S270Main: Polk Signature S20Center: Polk Signature S35Rear: Polk R15 Sub: SVS SB2000
Working Warehouse; Yamaha A-S301, Sony DVP-NS3100ES for disc Plok TSX550T SVS PB2000 Mini tower PC with 400GB of music -
Package it however you want to justify your POV. I can assure you semantics isn't the issue.
H9
Was giving you an easy out.
Would be interested if you even knew what my "View" was.
-
Correction, you were trying to give yourself an out. It's what you do time and again otherwise known as your MO.Political Correctness'.........defined
"A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."
President of Club Polk -
Perhaps the real question here is have you sat down and tried a few high end amps and if so, which ones? I ask for specifics because you're always so vague. You also talk in circles to avoid answering specific questions, so I'm hoping for something different this time.
I think the real question some of you guys who are so opinionated on this subject might want to consider is that while your "stereotype" of AVRs (no pun intended) is based on older equipment as Tony mentioned, you probably haven't really had the opportunity to evaluate the more modern modern AVRs. AVRs produced after 2010 are different animals than the type we grew up with.
Also, comparing high end amps to lower end (and significantly less expensive AVRs) will always help to reinforce your stereotype but that's about all it accomplishes. On the other hand one could take a modern high-end AVR and blow away a lower end far less-expensive separate amplifier, but that wouldn't really be too surprising either to most people.
Separates won't always outperform an AVR but an advantage that a separate has is that they can offer more flexibility down the road. Also separates tend to be geared more towards the higher-end while AVRs come in all flavors. -
Says the guy with an AVR from 2008.Political Correctness'.........defined
"A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."
President of Club Polk -
Lol, geedee, guys, you're gonna get the Internet closed by Labor Day at this rate.I disabled signatures.
-
Says the guy with an AVR from 2008.
Yeah that's right. The SC-09TX was the AVR that kind of got the ball rolling for the newer class "D" ICE-powered AVRs. -
This content has been removed.
-
Chris Isaak's Blue Spanish Sky on the S20s at reference, no sub - makes me feel like I'm in a movie scene.
Trumpet and loungy, seedy night club jazz stuff sounds absolutely amazing to me on these speakers. Brushes on drums as well - so very comfortably detailed!
What is that when the trumpet is higher pitched? Is that when they're using a mute?
Very fun speakers. A touch fat and muddled, but haven't quite figured out what/where that's going on. It's like some low vocals are pushed up a bit, causing a bit of muddy resonance at times, but I'm just crudely set up with them right now, so take that with a grain. I'll try another day with closer attention to setup, and maybe a sub in the mix to see if it cleans up.
It's turning into one of those late - Okay, just one more... nights. I've been saying that for the past hour.I disabled signatures. -
Reported.
-
Well, I've got an old RX-V2090 that I'm not afraid to hook up to any pair of speakers and crank the volume. It never sounds fatiguing and has always given me a very lush sound. This receiver was released when many said that Yamaha's were bright electronics. This beast defied all of the naysayers.2-channelBelles 22A Pre, Emotiva XPA-2 Gen 2, Marantz SA8005, Pro-Ject RPM-10 Turntable, Pro-Ject Phono Box DS3B, Polk Audio Legend L800's, AudioQuest Cable throughout.
-
Beautiful experience on S20s, both of these tracks. If the S20s are any indication, I imagine S60s must absolutely kill it.
I disabled signatures. -
When I have my after work unwind, I mostly use my main HT downstairs with the S60. just a fantastic speaker. If mother in law is sleeping or someone watching TV I will crank up the bedroom HT with the S20. It's a little less but darn good speakers.
Need mother in law to move out so it will be S60 all the time....Post edited by mrloren onWhen I was a kid my parents told me to turn it down. Now I'm an adult and my kids tell me to turn it down.
Family Room:LG QNED80 75", Onkyo RZ50 Emotiva XPA3 GEN3 Oppo BDP-93,Sony UBP-X800BM. Main: Polk LsiM 705Center: Polk LSiM 704CFront High/Rear High In-Ceiling Polk 80F/X RT Surrounds: Polk S15 Sub: HSU VTF3-MK5
Bed Room; Marantz SR5010, BDP-S270Main: Polk Signature S20Center: Polk Signature S35Rear: Polk R15 Sub: SVS SB2000
Working Warehouse; Yamaha A-S301, Sony DVP-NS3100ES for disc Plok TSX550T SVS PB2000 Mini tower PC with 400GB of music -
Alright Jesse - dish.
What'cha got in store for the S20s?
Rebuilt the crossovers yet?
Don't know, they are collecting dust right now.Political Correctness'.........defined
"A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."
President of Club Polk -
Gatecrasher wrote: »Perhaps the real question here is have you sat down and tried a few high end amps and if so, which ones? I ask for specifics because you're always so vague. You also talk in circles to avoid answering specific questions, so I'm hoping for something different this time.
I think the real question some of you guys who are so opinionated on this subject might want to consider is that while your "stereotype" of AVRs (no pun intended) is based on older equipment as Tony mentioned, you probably haven't really had the opportunity to evaluate the more modern modern AVRs. AVRs produced after 2010 are different animals than the type we grew up with.
Also, comparing high end amps to lower end (and significantly less expensive AVRs) will always help to reinforce your stereotype but that's about all it accomplishes. On the other hand one could take a modern high-end AVR and blow away a lower end far less-expensive separate amplifier, but that wouldn't really be too surprising either to most people.
Separates won't always outperform an AVR but an advantage that a separate has is that they can offer more flexibility down the road. Also separates tend to be geared more towards the higher-end while AVRs come in all flavors.
If you don't mind, let me address some of your comments because frankly, you have the wrong impression.
Your first paragraph suggests we have no experience with modern avr's. Couldn't be further from the truth. I've played with many Yamaha Avantage and Pioneer SC series of receivers. Their top of the line receivers are different animals than their mid and lower lines. Same can be said for any brand really. Hence their cost differences too.
Your second paragraph suggests receivers after 2010 are a different animal than the older, again....not exactly true. Many monster receivers older than 2010 could wipe the floor with anything made today. Granted the software is obviously better today with the development of newer surround codecs and atmos. If we are talking just power and sound quality though....b&k avr's would still beat up many today. Denon's flagship 5700, HK made some very robust receivers too that sounded very good.
3RD- We don't compare high end amps to lower end AVR'S. Nobody here ever suggested hooking up a Pass amp to a mid line avr. What is the amps we mostly push ? Parasound and B&k....and we push the used models at around 4-500 bucks. About as far from high end pricing as you can get.
Last-you suggest that separates are geared toward the higher end....do you not pay attention on the forum ? How many have started out with Dared/or the many other cheaper Chinese separates that cost as much as an entry level AVR.
We continue to hold the principles that good sound can be had with any sized wallet, and that everything in the chain matters. We also understand that good sound is subjective and not necessarily a top priority for some over convenience.
We get it....and our suggestions or recommendations usually follow what a poster will give us as far as details and priorities. Some give us little to go on, and suggestions are all over the map, and gets confusing for the poster. Which is why we ask questions, to narrow it down some, not because we wish to berate people, but simply to use our own experiences in helping them achieve their goals while spending the least possible while at the same time avoiding the pitfalls and wasting money.
Mostly the points of contention that happen on the forum comes from the various levels of audio members have experience with. One level is always at odds with another.....don't waste your money/you need to spend big bucks yada yada. Those are extreme examples but it happens all the time.
My suggestion is to listen....listen before typing, listen to what a poster is asking for. Stop typing if the conversation goes outside your area of expertise/experience. Do that, and these trivial arguments would disappear.HT SYSTEM-
Sony 850c 4k
Pioneer elite vhx 21
Sony 4k BRP
SVS SB-2000
Polk Sig. 20's
Polk FX500 surrounds
Cables-
Acoustic zen Satori speaker cables
Acoustic zen Matrix 2 IC's
Wireworld eclipse 7 ic's
Audio metallurgy ga-o digital cable
Kitchen
Sonos zp90
Grant Fidelity tube dac
B&k 1420
lsi 9's -
I would put my Onkyo TX-SR 805, C.2007 up against almost any modern day AVR, for power and sq.
-
Beautiful experience on S20s, both of these tracks. If the S20s are any indication, I imagine S60s must absolutely kill it.
And your S20's aren't broken in yet, are they? Should only get better.
Really making me wish I had some extra cash.