The reason why receivers cant work for two channel music reproduction
Comments
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Huh?Main Rig-Realistic AM/FM Record player 8 track boasting 4 WPC
Backup Rig-2 CH-Rogue Audio Zeus w/Factory Special Dark Mods,Joule-Electra 300ME Platinum Preamp,OPPO-105 w/Modwright Tube Mod, Auralic Aries G2.1,Polk 2.3TL,3.1TL's,Dreadnought,RTA-15TL's,1C's All Fully Modded,2xRTA-12c's ,Benchmark DAC3 HGC,Synology NAS,VPI Scout w/Dynavector DV-20XH and Rogue Audio Ares Phono Preamp,Sony PCM-R500 DAT,HHB-850 Pro CDR,Tascam CC-222SLMKII Cassette/CDR,MIT S3.3 Shotgun Cables,Shunyata Hyra-8,Shunyata and Triode Labs Power Cords
I’M OFFENDED!!!! -
Klipsch The Nines, Audioquest Thunderbird Interconnect, Innuos Zen MK3 W4S recovery, Revolution Audio Labs USB & Ethernet, Border Patrol SE-I, Audioquest Niagara 5000 & Thunder, Cullen Crossover II PC's.
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I am wondering if anybody can hear the music over all this arguing?
You call it arguing, I call it discussing. That's why certain people in these threads get all bent out of shape. It's about perspective and if you one looks at it as arguing that's a negative vs. having a discussion which is certainly a more positive way to look at it.
H9"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul! -
[HTML][/HTML]I'm never a big fan of threads where topics of subjectivity are spoken as if they're fact. Expectations and perceptions. It all depends on how deep you want to dig. Some people want good sound, but don't want to spend a ton of money getting there--others want audio to the 'nth degree. There's nothing wrong with either approach.
I think to say that "receivers can't work for 2 channel reproduction" is a silly statement. It all depends on the level of commitment the listener has to the hobby. Not everybody wants to re-create the recording studio, and to ignore this concept tends to exclude the casual listeners.Source: Bluesound Node 2i - Preamp/DAC: Benchmark DAC2 DX - Amp: Parasound Halo A21 - Speakers: MartinLogan Motion 60XTi - Shop Rig: Yamaha A-S501 Integrated - Shop Spkrs: Elac Debut 2.0 B5.2 -
Let me add my 2 cents to this discussion, if it sounds good to you go with it.
I have owned speakers that were perfectly suited for an AVR or receiver and would not have benifited at all with seperates.Speakers: SDA-1C (most all the goodies)
Preamp: Joule Electra LA-150 MKII SE
Amp: Wright WPA 50-50 EAT KT88s
Analog: Marantz TT-15S1 MBS Glider SL| Wright WPP100C Amperex BB 6er5 and 7316 & WPM-100 SUT
Digital: Mac mini 2.3GHz dual-core i5 8g RAM 1.5 TB HDD Music Server Amarra (memory play) - USB - W4S DAC 2
Cables: Mits S3 IC and Spk cables| PS Audio PCs -
These AVRs will most likely give stellar sound. Of course, they cost more than the usual $399, and require an amp.
http://bryston.com/products/digital_audio/SP2.html
http://bryston.com/products/digital_audio/SP3.html
http://www.caryaudio.com/products/cinema/cinema12.htmlLumin X1 file player, Westminster Labs interconnect cable
Sony XA-5400ES SACD; Pass XP-22 pre; X600.5 amps
Magico S5 MKII Mcast Rose speakers; SPOD spikes
Shunyata Triton v3/Typhon QR on source, Denali 2000 (2) on amps
Shunyata Sigma XLR analog ICs, Sigma speaker cables
Shunyata Sigma HC (2), Sigma Analog, Sigma Digital, Z Anaconda (3) power cables
Mapleshade Samson V.3 four shelf solid maple rack, Micropoint brass footers
Three 20 amp circuits. -
Here is an integrated amp (receiver minus the tuner) with the digital bells and whistles of an AVR applied to the two-channel world.
http://www.stereophile.com/content/harman-kardon-hk-990-integrated-amplifierLumin X1 file player, Westminster Labs interconnect cable
Sony XA-5400ES SACD; Pass XP-22 pre; X600.5 amps
Magico S5 MKII Mcast Rose speakers; SPOD spikes
Shunyata Triton v3/Typhon QR on source, Denali 2000 (2) on amps
Shunyata Sigma XLR analog ICs, Sigma speaker cables
Shunyata Sigma HC (2), Sigma Analog, Sigma Digital, Z Anaconda (3) power cables
Mapleshade Samson V.3 four shelf solid maple rack, Micropoint brass footers
Three 20 amp circuits. -
These AVRs will most likely give stellar sound. Of course, they cost more than the usual $399, and require an amp.
http://bryston.com/products/digital_audio/SP2.html
http://bryston.com/products/digital_audio/SP3.html
http://www.caryaudio.com/products/cinema/cinema12.html
If they require an amp, they how can they be all that stellar? I see you mis-posted, these aren't AVR's (audio video receivers) but rather pre-amps with processing capability.
You should get the termonology correct because it causes confusion when you start calling pre-amp's AVR's.
H9"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul! -
Even with an amp feed off the avr, I feel the pre amp in that avr colors the sound vs. a pre amp.
Speakers
Carver Amazing Fronts
CS400i Center
RT800i's Rears
Sub Paradigm Servo 15
Electronics
Conrad Johnson PV-5 pre-amp
Parasound Halo A23
Pioneer 84TXSi AVR
Pioneer 79Avi DVD
Sony CX400 CD changer
Panasonic 42-PX60U Plasma
WMC Win7 32bit HD DVR -
disneyjoe7 wrote: »Even with an amp feed off the avr, I feel the pre amp in that avr colors the sound vs. a pre amp.
Exactly, moreso in many instances than a dedicated 2 channel pre whose singular function is to pass the musical signal as unmolested as possible. Using an AVR specifically for this purpose will almost always be a compromise and many times a pretty significant compromise.
Since we have a lot of people on here that jump to conclusions based on misinterpretation and read way TOO much into a response, I took the liberty of highlighting the words that give my response a very specific meaning.
Oh yes, even though it should be assumed for almost all repsonses I'll add, In My Opinion and actual use.
H9"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul! -
I was holding the door open for you.
So, you've graduated from box cutter to doorman, congrats!Political Correctness'.........defined
"A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."
President of Club Polk -
If they require an amp, they how can they be all that stellar? I see you mis-posted, these aren't AVR's (audio video receivers) but rather pre-amps with processing capability.
Yes, and no. This thread is all over the place. The title says receiver, yet most interpret it as about AVRs. The gist of the AVR brouhaha is that it distorts the sound. So far little, if anything, has been said about the AVR amp section. The point being the fault of AVRs appears to be due to their ability to handle multi-channel functionality. Somehow, this ability degrades their two-channel ability. This all takes place in the 'pre-amp' section. So, I listed some pre-amps that have full AVR pre/pro processing ability, and suggested, since I have not heard them, that they sound 'stellar' (I like that word) in stereo. Maybe so, maybe not.Lumin X1 file player, Westminster Labs interconnect cable
Sony XA-5400ES SACD; Pass XP-22 pre; X600.5 amps
Magico S5 MKII Mcast Rose speakers; SPOD spikes
Shunyata Triton v3/Typhon QR on source, Denali 2000 (2) on amps
Shunyata Sigma XLR analog ICs, Sigma speaker cables
Shunyata Sigma HC (2), Sigma Analog, Sigma Digital, Z Anaconda (3) power cables
Mapleshade Samson V.3 four shelf solid maple rack, Micropoint brass footers
Three 20 amp circuits. -
I was listening on Saturday evening to a Marantz 2270 receiver driving a pair of B&O S45-2 speakers. I didn't feel the music or presentation of the music was compromised at all. My enjoyment factor was just as high as when listening to my system with separate pre/amp. I really miss the day when audio was all about buying a BAR (Big A$$ed Receiver), a turntable, and a couple of speakers!DKG999
HT System: LSi9, LSiCx2, LSiFX, LSi7, SVS 20-39 PC+, B&K 507.s2 AVR, B&K Ref 125.2, Tripplite LCR-2400, Cambridge 650BD, Signal Cable PC/SC, BJC IC, Samsung 55" LED
Music System: Magnepan 1.6QR, SVS SB12+, ARC pre, Parasound HCA1500 vertically bi-amped, Jolida CDP, Pro-Ject RM5.1SE TT, Pro-Ject TubeBox SE phono pre, SBT, PS Audio DLIII DAC -
If they require an amp, they how can they be all that stellar?
So now you're saying an amp is a requirement for "stellar" sound, and that pre/pros are inferior to receivers? This is getting crazy.design is where science and art break even. -
So now you're saying an amp is a requirement for "stellar" sound, and that pre/pros are inferior to receivers? This is getting crazy.
That IS NOT what I stated at all. He posted the links stating they were AVR's. I commented, (based on what he wrote) and THEN looked at one of the links and realzied he had mislabeled them as AVR's when they were in fact pre-amps with built in processors.
My comment you quoted above was because he stated they were AVR's AND needed an amp. But after looking at the links I realized they were pre-pro's. I added add'l comments and when I went back to delete the first sentence (the one you selectively quoted) I couldn't edit any longer.
H9"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul! -
Yes, and no. This thread is all over the place. The title says receiver, yet most interpret it as about AVRs. The gist of the AVR brouhaha is that it distorts the sound. So far little, if anything, has been said about the AVR amp section. The point being the fault of AVRs appears to be due to their ability to handle multi-channel functionality. Somehow, this ability degrades their two-channel ability. This all takes place in the 'pre-amp' section. So, I listed some pre-amps that have full AVR pre/pro processing ability, and suggested, since I have not heard them, that they sound 'stellar' (I like that word) in stereo. Maybe so, maybe not.
Wrong a pre-amp is NOT an AVR and you shouldn't go around using your own labels for things. The links you posted were for pre-amplifiers, not AVR's. They are completely different.
H9"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul! -
The title says receiver, yet most interpret it as about AVRs.
Read the OP's post, he was using a Pioneer AVR, so there was no mis-interpretation, it was stated explicitly by the creater of this thread.
H9"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul! -
All the freaking processing and adjustments and room correction BS is a musical tone sucker...
Listening to music on the Pioneer Elite at the helm is like taking a serrated blade to my ears... and this is even using pure direct settings
Went straight to the Parasound from the Squeezebox and it was night and day - not saying it was awesome but definitely a huge improvement.Wrong a pre-amp is NOT an AVR and you shouldn't go around using your own labels for things. The links you posted were for pre-amplifiers, not AVR's. They are completely different.
H9
Read his first sentence. Processors, adjustments and room correction is BS. Not only does avr's have these but pre pros do also. -
Read the OP's post, he was using a Pioneer AVR, so there was no mis-interpretation, it was stated explicitly by the creater of this trainwreck.
H9
Editted for clarity...
There is nothing inherently wrong with using an AVR as a pre, and the better the AVR, the better the functions of the pre section will be. I always run pure-direct when listening to two channel, and the sound is very good. Is it as good as my Sunfire Stereo Tube pre... no, but it is good enough that I am thinking of selling it for now and getting another pre when I can separate the rigs once again.The Gear... Carver "Statement" Mono-blocks, Mcintosh C2300 Arcam AVR20, Oppo UDP-203 4K Blu-ray player, Sony XBR70x850B 4k, Polk Audio Legend L800 with height modules, L400 Center Channel Polk audio AB800 "in-wall" surrounds. Marantz MM7025 stereo amp. Simaudio Moon 680d DSD
“When once a Republic is corrupted, there is no possibility of remedying any of the growing evils but by removing the corruption and restoring its lost principles; every other correction is either useless or a new evil.”— Thomas Jefferson -
Not only does avr's have these but pre pros do also.
Please quote where I said they didn't? I have no idea what your point is here :question:
My point was Bluefox seems to think an AVR and pre-amp w/processing are the same thing, they aren't. Just like a truck and a car aren't the same thing even though a car can haul stuff.
This whole discussion is getting beyond ridiculous as people push it farther and farther out from it's original intent. It's become quite wacky actually, as people are so desperate for their opinion to be the correct answer.
H9"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul! -
Read his first sentence. Processors, adjustments and room correction is BS. Not only does avr's have these but pre pros do also.
read the second sentence at the end."Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul! -
That IS NOT what I stated at all. He posted the links stating they were AVR's. I commented, (based on what he wrote) and THEN looked at one of the links and realzied he had mislabeled them as AVR's when they were in fact pre-amps with built in processors.
My comment you quoted above was because he stated they were AVR's AND needed an amp. But after looking at the links I realized they were pre-pro's. I added add'l comments and when I went back to delete the first sentence (the one you selectively quoted) I couldn't edit any longer.
H9
I see. that makes sense. continue ondesign is where science and art break even. -
LOL at the convoluted attempts to rationalize.Lumin X1 file player, Westminster Labs interconnect cable
Sony XA-5400ES SACD; Pass XP-22 pre; X600.5 amps
Magico S5 MKII Mcast Rose speakers; SPOD spikes
Shunyata Triton v3/Typhon QR on source, Denali 2000 (2) on amps
Shunyata Sigma XLR analog ICs, Sigma speaker cables
Shunyata Sigma HC (2), Sigma Analog, Sigma Digital, Z Anaconda (3) power cables
Mapleshade Samson V.3 four shelf solid maple rack, Micropoint brass footers
Three 20 amp circuits. -
Must be a real M F'er to know everything, but then, lose track of what's what !
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Wrong a pre-amp is NOT an AVR and you shouldn't go around using your own labels for things. The links you posted were for pre-amplifiers, not AVR's. They are completely different.
H9
You are right that a preamp is not an AVR, but Pre/Pros should not be excluded from the conversation for this reason. First, the title of the thread set the premise: "receivers cant work for two channel music reproduction" and stated that the thread would discuss "the reason why." Then the reason cited in the first post was that "All the freaking processing and adjustments and room correction BS is a musical tone sucker..." which, despite your assertions, is the very heart of the preamp/processor section of the receiver, towhit the AVR. He gave no other reason that they can't be used. Moreover, he said "THE reason," excluding the possibility that any other reason could exist. This establishes the point of contention as the pre/pro section, and by extension, to pre/pros themselves, as " the freaking processing and adjustments and room correction BS" are the heart of the argument.
h9, do you propose HT pre/pros cannot achieve the levels of stereo preamps?design is where science and art break even. -
LOL at the convoluted attempts to rationalize.design is where science and art break even.
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h9, do you propose HT pre/pros cannot achieve the levels of stereo preamps?
First of all, I never said that and the way you phrase the question makes it sound like I did. My comments to Bluefox were based firmly from the perspective that an AVR and pre-amp/processor are NOT the same thing. That's all I said, infer whatever you want.
Compared to an AVR they certainly have a better chance to compete, depends. I'm sure some can and some can't. Pretty broad question. One would have to look at those and compare to whatever 2-ch pre one is running. I think certain higher end pre-pro's can sound as good for 2ch or at least come close enough to satisfy.
Something like a Krell Evolution certainly would do better at 2 channel than the Emotiva UMC-1, see where I'm going here."Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul! -
First of all, I never said that and the way you phrase the question makes it sound like I did. My comments to Bluefox were based firmly from the perspective that an AVR and pre-amp/processor are NOT the same thing. That's all I said, infer whatever you want.Compared to an AVR they certainly have a better chance to compete, depends. I'm sure some can and some can't. Pretty broad question. One would have to look at those and compare to whatever 2-ch pre one is running. I think certain higher end pre-pro's can sound as good for 2ch or at least come close enough to satisfy.
Something like a Krell Evolution certainly would do better at 2 channel than the Emotiva UMC-1, see where I'm going here.
I do, which is a far more reasonable response than saying "receivers cant work for two channel music reproduction," as Trey did, or you stating that better AVRs would not produce better results than what Trey experienced. And so it seems you agree with many of us here in that Treys reasoning for saying receivers cant work for two channel music reproduction is incorrect. As far as AVRs go for great 2 channel performance, I would direct your attention to my previous examples of the Sunfire Ultimate receivers, as well as the B&K 707, and the Pio Elite sc-57.design is where science and art break even. -
or you stating that better AVRs would not produce better results than what Trey experienced.
I don't recall saying that. I can't think of an AVR that would be better than a comparable 2ch pre-amp. I think we have to work on the assumption that the products are comparable on some level even if it's not 100% apples to apples. But I certainly wouldn't expect and Adcom GTP-500 pre-amp to sound better than say the NAD top of the line AVR when used as a pre-amp. I assumed everyone was going to keep things somewhat in perspective and not hitch their argument at the extremes.
Those of you who have hitched your argument to working at the extremes, should know better than that. If I had $1500 to spend on an AVR or 2ch pre-amp for 2channel listening I'd choose a 2 channel pre-amp over the AVR and I am certain I would get better 2 channel performance.
The other caveat that I don't think is worth mentioning because it also a given, is there are exceptions out there that you run across. IMO, not many but it is possible that there is a combo out there of an AVR or 2ch pre that are comparable where the AVR might be preferred by someone.
When I am discussing things you all should know 3 things 1) IMO 2) thing should be comparable and not at either end of the extremes 3) there are always a few exceptions possible. I am not that narrow minded to not figure in numbers 2 and 3. I hope the same goes for the rest of you.
H9"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul! -
I would direct your attention to my previous examples of the Sunfire Ultimate receivers, as well as the B&K 707, and the Pio Elite sc-57.
Those aren't exactly comparable to a VSX-23. Not even in price. Not even close.
I understood what VR3 meant and understand from first hand experience at some of the aspects he experienced. That's not to say that you can't get a better offering for 2-channel enjoyment from an AVR, but did I notice and applaud the change when I went from my AVR as a pre/pro to a dedicated pre-amp? Yes. The Pioneer still sounds better then many other contenders for the price. Now that I've experienced what I have now, I'm hooked.
What a ridiculous thread this turned out to be.