Does high quality digital cables matter?

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  • DarqueKnight
    DarqueKnight Posts: 6,765
    edited May 2014
    In the instance of audio, using Philips GoldenEar web site tools as example, the purpose of training is to increase the awareness of what to listen for.

    You self administer and it's blind.

    https://www.goldenears.philips.com/en/introduction.html

    Thanks for the reference. I'll check it out.
    The single blind, which is adequate IMO for audio evaluation, is used to eliminate the effects of bias. You can only remove bias, you can't entirely train it away. The training is to help you with discerning differences that your hearing threshold allows.

    Notice I said that training was for eliminating the effects of bias, not eliminating the bias itself. Notice I said that I have an aesthetic bias against silver colored components, however that bias did not stop me from purchasing such components because I evaluated them on performance.
    What does a car or home purchase have to do with blinded testing?

    A lot. Since people claim that blind testing eliminates bias, why should we stop at insisting it be used for stereo audio. Why shouldn't it be used for more major purchases like cars and homes?
    I'm not testing ZLTFUL's cables. I'm testing his claim to discern the audible difference in the confines of a cable the meets CAT6 spec in a packet switched network.

    Great. I think it's a wonderful experiment. I look forward to your results.
    People make car, house, furniture, paint, carpet decisions because they are items of sight. They are purchased on one of many criteria. Looks being one of the primary. You certainly won't find me challenging anyone because they purchased an Audio Quest $80 Ethernet cable because of it's looks. You like the way it dresses up your system that's great.

    But we are not discussing people who admit that they bought solely on the basis of aesthetics. We are talking about people who claim a sonic benefit and didn't "validate" it with a blind test.
    When you take the dubious step of saying it does X/Y/Z to the sound vs another competent CAT6 cable then I have to take issue since I understand how packet switched networks operate.

    I understand how packet switched networks operate as well. In fact, I did my doctoral research in performance evaluation of packet networks and I have a patent in the field. However, just because I know something about packet networks, I don't assume I know everything.

    With that said, I think it is commendable that you are willing to go to some effort and expense to support your position.
    Proud and loyal citizen of the Digital Domain and Solid State Country!
  • txcoastal1
    txcoastal1 Posts: 13,499
    edited May 2014
    When you take the dubious step of saying it does X/Y/Z to the sound vs another competent CAT6 cable then I have to take issue since I understand how packet switched networks operate.

    If that's the case we would have to incorporate the switch in the realm as we all know not all switches/routers are not created equal and it's not always about the $ value of that switch either
    2-channel: Modwright KWI-200 Integrated, Dynaudio C1-II Signatures
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  • BlueFox
    BlueFox Posts: 15,251
    edited May 2014
    txcoastal1 wrote: »
    If that's the case we would have to incorporate the switch in the realm as we all know not all switches/routers are not created equal and it's not always about the $ value of that switch either

    All this has been pointed out to our resident network genius. You also need to look at the circuitry that changed the binary file into the voltages sent over the cable, and the circuitry that turns those voltages back into the binary file. Music files are time sensitive. Exactly when these transformations take place can introduce jitter, and the cable used can exaggerate the jitter. Just because the CRC is correct doesn't mean the received data is the same as the transmitted data in a musical sense.
    Lumin X1 file player, Westminster Labs interconnect cable
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    Magico S5 MKII Mcast Rose speakers; SPOD spikes

    Shunyata Triton v3/Typhon QR on source, Denali 2000 (2) on amps
    Shunyata Sigma XLR analog ICs, Sigma speaker cables
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  • PSOVLSK
    PSOVLSK Posts: 5,371
    edited May 2014
    WOW, 9 pages of a thread NOT involving the hi jinx of PFB:)
    Things work out best for those who make the best of the way things work out.-John Wooden
  • headrott
    headrott Posts: 5,496
    edited May 2014
    badchad wrote: »
    I would provide the rather boring answer of "simple curiosity." But that is merely my personal opinion. I think human perception is a fascinating thing.

    One could also make the "snake oil" argument that IF these differences provided by audio equipment are NOT detectable when examined free of bias, people are being unfairly swindled and taken advantage of. I don't particularly care for con artists, but on the other hand, I think if you can sell an eskimo a fridge, then go for it. So, I'm kinda torn on this.

    Could it be that those people that cannot/do not hear differences between audio equipment are the ones afraid of being taken by "snake oil con artists"? After all, if you are trained to listen for certain audio aspects; you listen without bias based upon aesthetics and can hear a difference, then there is no "snake oil" inflicted upon the listener. It has already been shown in the studies Ray posted that listener bias can be overcome (along with Ray, myself, and many others on this forum).

    So, can it be that it is cable naysayers are the ones that are in fact biased and are wanting people who can hear differences in cables to help the naysyaers overcome their bias by "proving" to them that differences exist in equipment? This is called projection; a mental state which someone is exhibiting is expressed upon others, "accusing" them of exhibiting that behavior. This is a coping mechanism.
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    Taken from a recent Audioholics reply regarding "Club Polk" and Polk speakers:
    "I'm yet to hear a Polk speaker that merits more than a sentence and 60 seconds discussion." :\
    My response is: If you need 60 seconds to respond in one sentence, you probably should't be evaluating Polk speakers.....


    "Green leaves reveal the heart spoken Khatru"- Jon Anderson

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  • tonyb
    tonyb Posts: 33,065
    edited May 2014
    Monk,

    Yes, you may know packets and how they work....but do you know how they sound ? If you read any of DK's previous evaluations on cables or gear, he attests himself that in certain instances he can't hear a difference....while in others he can. I have never seen a better more detailed evaluation, even professional reviews, than what he does. Combining both science and sensory to give you everything you need to know.

    Your speaking strictly from a science viewpoint. What about the sensory perception ? Which is all different in each of us as we all know sound is subjective. Who knows, your ears may even be better than most of ours....if you tried different cables.

    It has been my personal experience that the differences in digital coax cables are more slight than analog cables, but still there none the less. I would assume the same applies to Ethernet. Also, the more revealing your system is, the easier it is to pick out these differences. Use a good dac in the mix when evaluating, that should help discern slight differences better imho.

    Lets see, isn't it about time for another post on whether or not cables make a difference ? This topic is about as boring as another PFB thread on shipping. At least his are entertaining.
    HT SYSTEM-
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  • badchad
    badchad Posts: 348
    edited May 2014
    The purpose of consumer training is to eliminate the effects of bias. If the effect of bias is eliminated, what is the basis then for blind tests? You seem to think that consumer bias is an insurmountable obstacle.

    We can agree to disagree here. I think we all have inherent bias, whether we're aware of it or not. These biases are formed from the moment we're born due to our life experiences. This is Psych. 101. You don't have to agree, but if an individual is blind to the treatment conditions, his/her bias is limited. That's the point.

    It takes minimal extra effort to blind a study and it all but ensures bias is completely eliminated. This is why its standard practice across nearly every scientific discipline.
    If that were true, people would need to do blind testing for the major purchases in life, such as homes and vehicles. Curiously, I don't see people advocating that, although blind tests could be adapted for such purchases.

    As a general rule, as the degree of objectivity increases, the need for blinded testing decreases. Home buying involves many PRIMARY objective factors such as price, square footage, taxes, distance to work, # of bathrooms, bedrooms etc. However, in a hypothetical example where all things are equal, I would have little objection to buying a home where particular aspects of the home are reasonably blinded (for example, I wouldn't want to be blinded to the geographic location of the home, as living in California would affect my ability to work in the East coast).

    In the absence of objective data, I don't quite understand why someone would only buy a home "On the west side", or only drive Fords.
    There are biases much stronger than consumer bias, such as racial bias and gender bias, that people have overcome, yet blind test proponents act like visual bias is an insurmountable obstacle. Explain to me how this makes sense.

    Do you honestly believe racial and gender bias has been eliminated? David Sterling wants to speak with you about the difficulty in erasing such things. Returning back on topic, the far simpler (and much more effective) solution to reducing bias is to blind subjects. I'll assume you know that "blinding" doesn't refer to literally, blind-folding subjects, right?


    It was established in the literature many decades ago that home stereo systems were not designed for noobs and other na
    Polk Fronts: RTi A7's
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    Polk Surrounds: FXi A6's
    Polk Rear Surround: RTi4
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    Oppo BDP-103
  • badchad
    badchad Posts: 348
    edited May 2014
    headrott wrote: »
    Could it be that those people that cannot/do not hear differences between audio equipment are the ones afraid of being taken by "snake oil con artists"?

    Absolutely.
    headrott wrote: »
    After all, if you are trained to listen for certain audio aspects; you listen without bias based upon aesthetics and can hear a difference, then there is no "snake oil" inflicted upon the listener. It has already been shown in the studies Ray posted that listener bias can be overcome (along with Ray, myself, and many others on this forum).

    Certainly agree you can train individuals to listen for particular aspects of sound quality. I struggle with how that eliminates bias in the case of a cable comparison. In an actual experiment, you'd train subject to listen for particular nuances and subtleties in a music selection. But then during the comparison phase you would tell a subject:

    "Ok, now that you're training is complete, I'm going to ask you to use your training to evaluate two cables. One cable is a really expensive, high quality cable made from rare metals mined from Asteroids."

    "..The other cable is from Wal-mart".

    I fail to see how that eliminates bias.
    headrott wrote: »
    So, can it be that it is cable naysayers are the ones that are in fact biased and are wanting people who can hear differences in cables to help the naysyaers overcome their bias by "proving" to them that differences exist in equipment? This is called projection; a mental state which someone is exhibiting is expressed upon others, "accusing" them of exhibiting that behavior. This is a coping mechanism.

    Yes. This could be the case. However, I think "most" of the "naysayers" would be convinced with objective data. In my opinion, this is the beauty of science. The data are the data. The data do not care about the cables. The data are neutral.
    Polk Fronts: RTi A7's
    Polk Center: CSi A6
    Polk Surrounds: FXi A6's
    Polk Rear Surround: RTi4
    Sub: HSU VTF-3 (MK1)
    AVR: Yamaha RX-A2010
    B&K Reference 200.7
    TV: Sharp LC-70LE847U
    Oppo BDP-103
  • Habanero Monk
    Habanero Monk Posts: 715
    edited May 2014
    BlueFox wrote: »
    All this has been pointed out to our resident network genius. You also need to look at the circuitry that changed the binary file into the voltages sent over the cable, and the circuitry that turns those voltages back into the binary file. Music files are time sensitive. Exactly when these transformations take place can introduce jitter, and the cable used can exaggerate the jitter. Just because the CRC is correct doesn't mean the received data is the same as the transmitted data in a musical sense.

    And all the matters not. If the CRC is correct, if the checksum is correct the data integrity is 100%. If your position is correct then you have a lot to worry about when it comes to financial transactions.

    If Jitter is an anomaly to good sound because of variance of waveform, well the audio wave form is not constructed on the data wire. It's packet data. The data is sent and the waveform is reconstructed at the computer in RAM. If there is missing data either TCP or a manufacturers correction routine higher in the OSI stack is responsible for taking care of this.

    Jitter shouldn't be a problem because a good DAC re-clocks all the data coming in. It's part of most marketing literature. Now if there is demonstrable effect due to Jitter it is the DACs' fault.

    Jitter is also measurable: http://nwavguy.blogspot.com/2011/02/jitter-does-it-matter.html

    I have a Dayton Omni-mic I can bring if it matters that much.
  • Habanero Monk
    Habanero Monk Posts: 715
    edited May 2014
    txcoastal1 wrote: »
    If that's the case we would have to incorporate the switch in the realm as we all know not all switches/routers are not created equal and it's not always about the $ value of that switch either

    Raise of hands:

    How many members here believe (for those that appropriate music this way) that when they download a track from a source like HD Tracks that the SQ is compromised by their home router/switch as it passes through to be saved on their local HD?

    I have a few albums in the 24/192 encoding format that I would swear are hash identical to the one contained at HDtracks server. Bit for Bit.
  • txcoastal1
    txcoastal1 Posts: 13,499
    edited May 2014
    There are some players including streamers and CDP's that have included a buffer before distributing the analog feed. This buffer is used to correct errors and help with the jitter when implemented correctly.
    2-channel: Modwright KWI-200 Integrated, Dynaudio C1-II Signatures
    Desktop rig: LSi7, Polk 110sub, Dayens Ampino amp, W4S DAC/pre, Sonos, JRiver
    Gear on standby: Melody 101 tube pre, Unison Research Simply Italy Integrated
    Gone to new homes: (Matt Polk's)Threshold Stasis SA12e monoblocks, Pass XA30.5 amp, Usher MD2 speakers, Dynaudio C4 platinum speakers, Modwright LS100 (voltz), Simaudio 780D DAC

    erat interfectorem cesar et **** dictatorem dicere a
  • BlueFox
    BlueFox Posts: 15,251
    edited May 2014
    And all the matters not. If the CRC is correct, if the checksum is correct the data integrity is 100%. If your position is correct then you have a lot to worry about when it comes to financial transactions.

    Red herring. While financial data might make you happy, or cry, it is unaffected by jitter.
    If Jitter is an anomaly to good sound because of variance of waveform, well the audio wave form is not constructed on the data wire. It's packet data. The data is sent and the waveform is reconstructed at the computer in RAM. If there is missing data either TCP or a manufacturers correction routine higher in the OSI stack is responsible for taking care of this.

    You know as little about jitter as you do networking.
    Jitter shouldn't be a problem because a good DAC re-clocks all the data coming in. It's part of most marketing literature. Now if there is demonstrable effect due to Jitter it is the DACs' fault.

    Yes, some DACs do reclock data, but like anything else, are not perfect. The better the input then the better the output. I can actually speak from personal experience on this subject where from upgrading a digital cable between the file player and DAC I experienced a major (my major is your non-existent) improvement. This should never have happened if the DAC eliminated jitter.

    Are you kidding me! Did you bother to read that? Or, more likely, you don't understand it. (See below)
    I have a Dayton Omni-mic I can bring if it matters that much.

    Don't bother, since you wouldn't understand how to either properly use the tool, or understand the measurements. You have continually demonstrated that you do not have the slightest idea what you are talking about. At least you have been consistent over time on various topics. Consistently wrong.



    Relevant information from Monk's link above.

    "CABLE JITTER: Cables can “smear” digital signals by attenuating the highest frequencies. The diagram to the right is an example. The top blue waveform illustrates a perfect digital S/PDIF or AES3 bitstream. The bottom red waveform is what you might get out the other end of a long cable. The hardware receiving the signal uses the “zero crossings”—where the signal transitions an imaginary line drawn horizontally through the middle of the red waveform—to extract the clock. As you can see by the red arrows, that isn’t always correct due to the waveform distortion. The gaps between the red arrows are jitter. The amount of “smearing” depends on the bitstream itself so as the audio signal changes so does the clock timing creating jitter related to the audio itself."
    Lumin X1 file player, Westminster Labs interconnect cable
    Sony XA-5400ES SACD; Pass XP-22 pre; X600.5 amps
    Magico S5 MKII Mcast Rose speakers; SPOD spikes

    Shunyata Triton v3/Typhon QR on source, Denali 2000 (2) on amps
    Shunyata Sigma XLR analog ICs, Sigma speaker cables
    Shunyata Sigma HC (2), Sigma Analog, Sigma Digital, Z Anaconda (3) power cables

    Mapleshade Samson V.3 four shelf solid maple rack, Micropoint brass footers
    Three 20 amp circuits.
  • BlueFox
    BlueFox Posts: 15,251
    edited May 2014
    DSkip wrote: »
    Of everything this thread has brought, this is the most interesting thought I've seen. While I don't see eye to eye with you on just about everything audio related, it is a very intriguing question.

    It is a good thought, but, as usual, not followed through. The received download file needs to be compared to the original file played from a directly attached source. Without a basis of comparison it is impossible to know if any jitter has been introduced during transmission. More than likely, it has, but without hearing the original file one has no idea if the downloaded copy could be better.
    Lumin X1 file player, Westminster Labs interconnect cable
    Sony XA-5400ES SACD; Pass XP-22 pre; X600.5 amps
    Magico S5 MKII Mcast Rose speakers; SPOD spikes

    Shunyata Triton v3/Typhon QR on source, Denali 2000 (2) on amps
    Shunyata Sigma XLR analog ICs, Sigma speaker cables
    Shunyata Sigma HC (2), Sigma Analog, Sigma Digital, Z Anaconda (3) power cables

    Mapleshade Samson V.3 four shelf solid maple rack, Micropoint brass footers
    Three 20 amp circuits.
  • villian
    villian Posts: 412
    edited May 2014
    And all the matters not. If the CRC is correct, if the checksum is correct the data integrity is 100%. If your position is correct then you have a lot to worry about when it comes to financial transactions.

    If Jitter is an anomaly to good sound because of variance of waveform, well the audio wave form is not constructed on the data wire. It's packet data. The data is sent and the waveform is reconstructed at the computer in RAM. If there is missing data either TCP or a manufacturers correction routine higher in the OSI stack is responsible for taking care of this.

    Jitter shouldn't be a problem because a good DAC re-clocks all the data coming in. It's part of most marketing literature. Now if there is demonstrable effect due to Jitter it is the DACs' fault.

    Jitter is also measurable: http://nwavguy.blogspot.com/2011/02/jitter-does-it-matter.html

    I have a Dayton Omni-mic I can bring if it matters that much.
    BlueFox wrote: »
    It is a good thought, but, as usual, not followed through. The received download file needs to be compared to the original file played from a directly attached source. Without a basis of comparison it is impossible to know if any jitter has been introduced during transmission. More than likely, it has, but without hearing the original file one has no idea if the downloaded copy could be better.

    Jitter or not, if the 0's and 1's are the same..bit for bit..then there is no difference. There cannot be any difference. The source equals the playback. Exactly. You can't get Jitter from nothing, and you can't get nothing from nothing..IE: If there's not an 0 or a 1 to support it, then it's NOT there. If you hear something different, then your mind is playing tricks. This is a well documented mental disorder common among ALL humans.
    Too many good quotes to list..waiting for some fresh ammo. :)
  • F1nut
    F1nut Posts: 51,673
    edited May 2014
    However, I think "most" of the "naysayers" would be convinced with objective data.

    You underestimate how firmly rooted they are in their skeptical pile of poo.
    In my opinion, this is the beauty of science.

    Yes, it's amazing how often science gets it wrong.
    Political Correctness'.........defined

    "A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."


    President of Club Polk

  • Habanero Monk
    Habanero Monk Posts: 715
    edited May 2014
    BlueFox wrote: »
    Relevant information from Monk's link above.

    "CABLE JITTER: Cables can “smear” digital signals by attenuating the highest frequencies. The diagram to the right is an example. The top blue waveform illustrates a perfect digital S/PDIF or AES3 bitstream. The bottom red waveform is what you might get out the other end of a long cable. The hardware receiving the signal uses the “zero crossings”—where the signal transitions an imaginary line drawn horizontally through the middle of the red waveform—to extract the clock. As you can see by the red arrows, that isn’t always correct due to the waveform distortion. The gaps between the red arrows are jitter. The amount of “smearing” depends on the bitstream itself so as the audio signal changes so does the clock timing creating jitter related to the audio itself."

    First off jitter is jitter. Doesn't matter what kind of data is in the signal. Jitter is just a part of signal propagation and timing. So no disagreement from me there.

    I fully understand his results, his methodology. I am even offering as an aside from the testing to take measurements AFTER.

    That is take a measurement from a file local on the HD, then through the CAT Cables.

    So you are posing a supposition that needs to be born out by both measurement and blind testing and it brings me back to my entire point:

    ZLTFUL isn't going to hear the difference with a cable that passes spec. NEXT/FEXT/Skew/BER etc... The certification is going to show the bandwidth properties of the cables.
  • Habanero Monk
    Habanero Monk Posts: 715
    edited May 2014
    BlueFox wrote: »
    It is a good thought, but, as usual, not followed through. The received download file needs to be compared to the original file played from a directly attached source. Without a basis of comparison it is impossible to know if any jitter has been introduced during transmission. More than likely, it has, but without hearing the original file one has no idea if the downloaded copy could be better.

    I only need the HASH. PERIOD. Copying a file it doesn't copy jitter and embed it. Jitter may affect the timing of the Analog carrier (100/250/500Mhz) but the product delivered to the HD of the computer is 100% Jitter free as a file.
  • BlueFox
    BlueFox Posts: 15,251
    edited May 2014
    No problem. A sequence of 1s and 0s can be correct, but have timing errors as to when the rise and fall of the 1s and 0s occurs. For most data this is irrelevant. For example, 01000001 represents the letter 'A'. Where the rise and fall time of each bit occurs doesn't matter, since it will always be 'A' when printed or displayed on the computer screen. There is a small +/- tolerance built into this encoding. As long as the frame is within this tolerance, the letter 'A' results.

    However, for music, data being transformed into an analog signal the rise and fall time are very important. Otherwise, the music is 'off'. In this case the +/- tolerance can result in a slightly different musical signal than what was transmitted. While the digital frame is correct from an Ethernet perspsective, a little distortion results from the timing errors. This is the jitter aspect. Unfortunately, every link in the chain can add, or subtract, these timing errors. This is nothing new, and is well understood. Whether some people want to believe it is another issue.

    Personally, until this better understood and resolved I will stay with direct attached USB storage to my file player. No network music for me.
    Lumin X1 file player, Westminster Labs interconnect cable
    Sony XA-5400ES SACD; Pass XP-22 pre; X600.5 amps
    Magico S5 MKII Mcast Rose speakers; SPOD spikes

    Shunyata Triton v3/Typhon QR on source, Denali 2000 (2) on amps
    Shunyata Sigma XLR analog ICs, Sigma speaker cables
    Shunyata Sigma HC (2), Sigma Analog, Sigma Digital, Z Anaconda (3) power cables

    Mapleshade Samson V.3 four shelf solid maple rack, Micropoint brass footers
    Three 20 amp circuits.
  • tonyb
    tonyb Posts: 33,065
    edited May 2014
    F1nut wrote: »
    Yes, it's amazing how often science gets it wrong.

    A big Amen to that Jess.
    HT SYSTEM-
    Sony 850c 4k
    Pioneer elite vhx 21
    Sony 4k BRP
    SVS SB-2000
    Polk Sig. 20's
    Polk FX500 surrounds

    Cables-
    Acoustic zen Satori speaker cables
    Acoustic zen Matrix 2 IC's
    Wireworld eclipse 7 ic's
    Audio metallurgy ga-o digital cable

    Kitchen

    Sonos zp90
    Grant Fidelity tube dac
    B&k 1420
    lsi 9's
  • tonyb
    tonyb Posts: 33,065
    edited May 2014
    BlueFox wrote: »
    No problem. A sequence of 1s and 0s can be correct, but have timing errors as to when the rise and fall of the 1s and 0s occurs. For most data this is irrelevant. For example, 01000001 represents the letter 'A'. Where the rise and fall time of each bit occurs doesn't matter, since it will always be 'A' when printed or displayed on the computer screen. There is a small +/- tolerance built into this encoding. As long as the frame is within this tolerance, the letter 'A' results.

    However, for music, data being transformed into an analog signal the rise and fall time are very important. Otherwise, the music is 'off'. In this case the +/- tolerance can result in a slightly different musical signal than what was transmitted. While the digital frame is correct from an Ethernet perspsective, a little distortion results from the timing errors. This is the jitter aspect. Unfortunately, every link in the chain can add, or subtract, these timing errors. This is nothing new, and is well understood. Whether some people want to believe it is another issue.

    Personally, until this better understood and resolved I will stay with direct attached USB storage to my file player. No network music for me.

    Good explanation Fox on the differences in the 1's and 0's transferring data on a computer screen vs. data in music...something we hear. We use 2 different sensory perceptions, eyesight and hearing. Transferring packets of data for eyesight, is different than transferring data for hearing such as music files.

    I do like Skips question on the "standard". Is that a standard for computer data ? Is it possible to exceed that standard in musical data for small gains in SQ ? I think so, mainly because when I come across a "standard" in anything it means "good enough", not necessarily the "best".
    HT SYSTEM-
    Sony 850c 4k
    Pioneer elite vhx 21
    Sony 4k BRP
    SVS SB-2000
    Polk Sig. 20's
    Polk FX500 surrounds

    Cables-
    Acoustic zen Satori speaker cables
    Acoustic zen Matrix 2 IC's
    Wireworld eclipse 7 ic's
    Audio metallurgy ga-o digital cable

    Kitchen

    Sonos zp90
    Grant Fidelity tube dac
    B&k 1420
    lsi 9's
  • pitdogg2
    pitdogg2 Posts: 26,924
    edited May 2014
    tonyb wrote: »
    Good explanation Fox on the differences in the 1's and 0's transferring data on a computer screen vs. data in music...something we hear. We use 2 different sensory perceptions, eyesight and hearing. Transferring packets of data for eyesight, is different than transferring data for hearing such as music files.

    Yes I agree on BF description very detailed and brought something to the table here.
    tonyb wrote: »
    I do like Skips question on the "standard". Is that a standard for computer data ? Is it possible to exceed that standard in musical data for small gains in SQ ? I think so, mainly because when I come across a "standard" in anything it means "good enough", not necessarily the "best".

    yes like you Tony I think along the same wave length "Standard" = good enough to get good results 99.99996% of the time. Can we make it better yes but can we do it in a cost efficient way to get better results on return of investment. make sense? Sometimes the cost to get better results diminishes the return on investment.
  • Habanero Monk
    Habanero Monk Posts: 715
    edited May 2014
    BlueFox wrote: »
    No problem. A sequence of 1s and 0s can be correct, but have timing errors as to when the rise and fall of the 1s and 0s occurs. For most data this is irrelevant. For example, 01000001 represents the letter 'A'. Where the rise and fall time of each bit occurs doesn't matter, since it will always be 'A' when printed or displayed on the computer screen. There is a small +/- tolerance built into this encoding. As long as the frame is within this tolerance, the letter 'A' results.

    However, for music, data being transformed into an analog signal the rise and fall time are very important. Otherwise, the music is 'off'. In this case the +/- tolerance can result in a slightly different musical signal than what was transmitted. While the digital frame is correct from an Ethernet perspsective, a little distortion results from the timing errors. This is the jitter aspect. Unfortunately, every link in the chain can add, or subtract, these timing errors. This is nothing new, and is well understood. Whether some people want to believe it is another issue.

    Personally, until this better understood and resolved I will stay with direct attached USB storage to my file player. No network music for me.

    Signal timing variance happens no matter what. USB, Ethernet, Firewire, Optical, 75 Ohm terminated coaxial.

    It's why a good DAC buffers against the input and uses one of the many available clocking methods to get back to 44.1/96/192. The source is always NV Storage of some form then over cable: Ethernet, USB, TOSLINK, AES-EBU, FireWire, Wireless from a feet if not thousands of miles away. Regardless of the transmission line when that stream hits the take, timing variance included a well performing DAC will do it's best (and a lot do a great job) of getting jitter below -110dB (seems to the accepted standard).

    Nothing is jitter free, just jitter suppressed from what I have seen. If there is anything jitter free I would like to see it.

    It's why DAC manufacturers advertise their ability to re-clock data. They aren't relying on an external stream for timing data. Ethernet 802.11x doesn't even carry audio clock data. It's embedded as part of the packet, transmitted to the computer, buffered in RAM, bitstreamed in the case of USB connected audio, RE-CLOCKED at the DAC and played.
  • Habanero Monk
    Habanero Monk Posts: 715
    edited May 2014
    pitdogg2 wrote: »
    yes like you Tony I think along the same wave length "Standard" = good enough to get good results 99.99996% of the time. Can we make it better yes but can we do it in a cost efficient way to get better results on return of investment. make sense? Sometimes the cost to get better results diminishes the return on investment.

    It's still packet data. Order a BJC certified cable, get a $1200 AQ ethernet cable. Take two computers with two GB NIC's and assign static IP's.

    Connect them directly. Going with Tony's analogy you should be able to determine which cable is performing the transfer because after you have transferred say a 2 GB file, 10 times for each cable, the AQ is going to have a faster mean time than the BJC.

    If you have a cable that specs 70% over GB transmission requirements and the other is 50% over you are going to get the same speeds. It's non-sequitur at this point.

    You are talking about realtime audio waveform timing errors in a 780MB album that has just been transferred in 7 seconds in this case.

    120MB song (16/44.1) at 1411kbps is 1.5 second for ~11 minute song. Even a 20 second buffer is a lifetime on a modern computer.
  • DarqueKnight
    DarqueKnight Posts: 6,765
    edited May 2014
    badchad wrote: »
    We can agree to disagree here. I think we all have inherent bias, whether we're aware of it or not. These biases are formed from the moment we're born due to our life experiences. This is Psych. 101. You don't have to agree, but if an individual is blind to the treatment conditions, his/her bias is limited. That's the point.

    You can also disagree with all the economic researchers in the field of "debiasing consumers" who stand on decades of solid research showing that the effects of consumer bias can be removed with appropriate training. Here are a couple of references from economics journals to get you started:
    The field of consumer research is full of examples of consumer bias being eliminated or the effects of such bias being eliminated through training and education.

    One example is "Consumer Behavioural Biases In Competition-A Case Study", by S. Huck, J. Zhou and C. Duke, Office of Fair Trading, London, U.K., May 2011 (link):

    "This is a survey of studies that examine competition in the presence of behaviourally biased or boundedly rational consumers. It will tackle questions such as: How does competition and pricing change when consumers are biased? Can inefficiencies that arise from consumer behavioural biases be mitigated by lowering barriers to entry? Do biased consumers make rational ones better or worse off? And will biased consumer behaviour be overcome through learning or education? (p. 5)

    This leaves the possibility that third parties, the press, or government agencies could engage in consumer education and, surely, such efforts cannot have adverse effects. However, there is some literature that throws doubt on the effectiveness of de-biasing and education, certainly from a cost-benefit point of view. For example effective education may not be a simple matter (see, for example, Chater, Huck, and Inderst 2010 or Choi, Laibson, and Madrian 2010). (p. 61)

    We also find that firms may sometimes have little incentive to educate consumers. This is particularly severe if educated or sophisticated consumers benefit from the pricing offered by those firms who do not engage in consumer education. However, where learning will eventually eradicate consumer biases, firms may have a clear incentive to establish a reputation for 'fair behaviour' early on. (p. 69)


    Another example from the field of economics is "Shrouded Attributes, Consumer Myopia, and Information Suppression in Competitive Markets", Gabaix, X., and D. Laibson, Quarterly Journal of Economics, 121(2), 505-540, (2006) (link):

    "Firms often shroud the negative attributes of their products, particularly high prices for complementary add-ons.

    A "curse of debiasing" suppresses unshrouding. Debiasing a consumer improves consumer welfare, but no firm can capture or even partially share these benefits. Firms receive lower profits when they interact with debiased consumers. Debiased consumers know how to avoid high-priced items. Moreover, firms cannot drive away such debiased consumers without losing (profitable) myopic consumers as well. Debiased consumers can pretend to be myopes, enabling the debiased consumers to take advantage of the traps that firms set for myopes." (p. 531)


    Therefore, in the field of economics and consumer research, the concept of the "debiased" consumer is well established. "Debiasing" occurs when a biased consumer learns to eliminate, or eliminate the effect of, their biases. The concept of debiasing is also well established in the fields of stereophonic audio and television. It is only within a certain subculture within the stereophonic audio community that the concept of training to remediate biases is not accepted.

    badchad wrote: »
    It takes minimal extra effort to blind a study and it all but ensures bias is completely eliminated. This is why its standard practice across nearly every scientific discipline.

    Then why did the Bell Labs researchers who used blind tests for monophonic telephone audio abandon blind tests when they turned their attention to stereo? Why are so many economics professors advocating consumer training, rather than blinding, for eliminating the effects of bias in consumer decisions? Why does the field of sensory science specify blind tests for na
    Proud and loyal citizen of the Digital Domain and Solid State Country!
  • teekay0007
    teekay0007 Posts: 2,289
    edited May 2014
    I provided two excellent globally accepted sensory science references that explain in detail why different types of tests should be used for trained and untrained subjects (participants). You are also confusing "experience" with "training". They are two different things. One can be experienced at some task and do it improperly. Many people are experienced at listening to stereo systems, yet they are untrained in sound localization and sound characterization techniques.

    DK, you've mentioned several times that there's differences between experienced listeners and trained listeners. Can you explain how someone becomes a trained listener, as opposed to being just an experienced one?
  • DarqueKnight
    DarqueKnight Posts: 6,765
    edited May 2014
    teekay0007 wrote: »
    DK, you've mentioned several times that there's differences between experienced listeners and trained listeners. Can you explain how someone becomes a trained listener, as opposed to being just an experienced one?

    No, I'm not going to explain it again for the 10,001th time since I have already addressed this in this thread and several others.

    Look up the definition of training. Look up the definition of experience. I think most people understand that a policeman can be trained in the use of firearms, yet have no field experience using them. Likewise, a criminal can have years of experience using firearms in committing crimes, yet have no formal training in firearm use and safety. Anyone can pick up a gun and pull a trigger.

    For an answer to your question, I will refer you to the explanation of Bell Labs scientists, who invented home stereo systems, in my "Survey Of Early Stereophonic System Subjective Evaluation" thread.
    Proud and loyal citizen of the Digital Domain and Solid State Country!
  • badchad
    badchad Posts: 348
    edited May 2014
    You can also disagree with all the economic researchers in the field of "debiasing consumers" who stand on decades of solid research showing that the effects of consumer bias can be removed with appropriate training. Here are a couple of references from economics journals to get you started:

    Let me be clear: I don't disagree that you can reduce bias. You can reduce bias.

    My point is that in an experimental (non-consumer) setting, blinding is perhaps easier, and more efficient. How can one be biased, if he/she doesn't know the product that they are listening to?

    Then why did the Bell Labs researchers who used blind tests for monophonic telephone audio abandon blind tests when they turned their attention to stereo?

    Because blinded tests in pursuit of knowledge aren't necessarily representative of a consumer market. The goal of Bell labs is to sell products. Blinded tests are less efficient in achieving that.
    Why are so many economics professors advocating consumer training, rather than blinding, for eliminating the effects of bias in consumer decisions? Why does the field of sensory science specify blind tests for na
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  • teekay0007
    teekay0007 Posts: 2,289
    edited May 2014
    No, I'm not going to explain it again for the 10,001th time since I have already addressed this in this thread and several others.

    Look up the definition of training. Look up the definition of experience. I think most people understand that a policeman can be trained in the use of firearms, yet have no field experience using them. Likewise, a criminal can have years of experience using firearms in committing crimes, yet have no formal training in firearm use and safety. Anyone can pick up a gun and pull a trigger.

    For an answer to your question, I will refer you to the explanation of Bell Labs scientists, who invented home stereo systems, in my "Survey Of Early Stereophonic System Subjective Evaluation" thread.

    My point in asking is that from what I've seen and read, there's an awful lot of people here on this very forum who I believe would put themselves in the "trained category", when by the definition you're using, they'd actually fall somewhere in the "experienced listener" category. In fact, I'd say with considerable confidence, there's only a handful of contributors on this site that I'd personally put into the trained category as it's been described. I'd put myself in the very early stages of being an experienced listener.

    Given this, how are we - those not in the trained listener category - supposed to validly and sufficiently evaluate a new cable, pair of cables or piece of equipment? How can we, short of becoming "trained listeners", know that we aren't making our choices without bias, if not for the use of a blinded trial in our own listening space?
  • DarqueKnight
    DarqueKnight Posts: 6,765
    edited May 2014
    teekay0007 wrote: »
    Given this, how are we - those not in the trained listener category - supposed to validly and sufficiently evaluate a new cable, pair of cables or piece of equipment? How can we, short of becoming "trained listeners", know that we aren't making our choices without bias, if not for the use of a blinded trial in our own listening space?

    Re-read my posts in this thread to find answers to your questions.

    Use blind tests, beads and rattles, Tarot cards or whatever else, if you believe you can't trust your ears.

    I have provided a lot of credible scientific evidence regarding why blind tests are not appropriate test protocols for stereo audio. You and others asking me the same questions over and over again is not going to make that body of scientific knowledge go away, nor will it support and justify your belief that blind tests are good for everything.

    What remains to be done now is to explain why the inventors of home stereo systems, all esteemed Bell Laboratories scientists, were wrong for abandoning blind tests when they moved from monophonic telephone line research to stereophonic system research. This is a question I have been asking for several years. Do you have any credible research documentation to share on that, or do you just expect me to accept your words and opinions without any scientific validation?
    Proud and loyal citizen of the Digital Domain and Solid State Country!
  • tonyb
    tonyb Posts: 33,065
    edited May 2014
    DSkip wrote: »
    I've told people on here before that the best way to learn is to sit down with fellow hobbyists and talk about what you listen for. I've learned so much just from passing guests in rooms at LSAF and sitting down at another Polkie's room while they talk about what they like or don't like, or what now is apparent or has disappeared. Stereophony is hard to train yourself in - even when you think you understand all it has to offer, something else presents itself out of the blue.

    This is true my friend. Just talking about it and observing with others won't hurt your journey. On the other hand, there are times when I just simply want to enjoy the tunes and not pick it apart. We all also listen differently as DK pointed out, which makes the whole cable subject even more convoluted. Thing is, when evaluating cables and gear, I'll use more critical listening skills to determine my choices but after that I somewhat relax that nitpicking and simply enjoy. Anything that's new, including recordings gets the once over in the critical listening stage, maybe even 2 or 3 times, but after that I stop picking it apart.
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