Why Is Audiophile Bashing Such A Grand Sport?

124

Comments

  • WilliamM2
    WilliamM2 Posts: 4,775
    edited September 2008
    ben62670 wrote: »
    Bill I agree to disagree:) I think we have had this discussion before:D
    BTW your statement kinda contradicts itself;)

    You are right, in my haste to make a quick post before leaving work, I stated it backwards. My apologies.

    I meant to say that science can prove what we can hear, it cannot prove what we can't hear.

    After all, to prove what we can hear, all someone has to do is demonstrate it. To prove what we cannot hear, you would have to test every possible sound, on every person on the planet.
  • Face
    Face Posts: 14,340
    edited September 2008
    Yes, it's proved most can't hear below 20Hz and above 20kHz, no argument here. :D
    "He who fights with monsters should look to it that he himself does not become a monster. And when you gaze long into an abyss the abyss also gazes into you." Friedrich Nietzsche
  • Hilbert
    Hilbert Posts: 316
    edited September 2008
    Are we certain that science can prove what we can hear?

    Artificial bones, teeth, hearts etc vastly inferior to original equipment. Artificial eyes, livers nonexistent (I think). I was told years ago that human ears can hear air molecules colliding, of necessity the faintest of all sounds. Is there a gadget equally sensitive?

    Today I received in the mail a CD of Somethin' Else, the old Cannonball Adderly LP, and I compared it with my iTunes Plus version of the same record. The CD was much better---more detail, 3D soundstage etc. This cannot possibly have been my imagination, but what exactly was I hearing and could any machine detect it?

    Not looking for argument; I know essentially nothing about this stuff and am curious. If there's a short answer I'd like to hear it; if it's a long answer I'll probably pass out before finishing it :).

    ps When I say "hear air molecules colliding" I mean something like Brownian motion of molecules in still air.
  • mmadden28
    mmadden28 Posts: 4,283
    edited September 2008
    I wonder what would happen if somebody made a speaker out of diamonds or solid gold.

    I just wonder. I don't really care if somebody made a pair, or if they did would they sell well. I got my **** and my ears ain't getting any better.

    Or a tiny little pair of Carver Amazing loudspeaker diamond earrings. Somebody's wife, or Cathy or Darla could have something like that.

    How about a Solid Gold remote control for $55k
    http://www.cepro.com/slideshow/image/3528/
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  • treitz3
    treitz3 Posts: 19,029
    edited September 2008
    WilliamM2 wrote: »
    You mean this? Did you notice the question mark? This means that I don't agree that all audiophiles believe in one truth. Your reading comprehension is poor.
    Whoops, my bad. I guess I didn't. :o I guess I read too quick and based my response on prior conversations with you. I apologize.
    WilliamM2 wrote: »
    And you don't really "know" ****, because you are afraid to find out for sure. You completely ignore over 100 years on the study of human perception, and how it can influence what we think we, hear and see. It all hogwash to you because it conflicts with your beliefs.

    Yes, you have beliefs, we all do. No one can control the subconscious mind, maybe that's why they call it subconscious? Nah, couldn't be...
    Why do you say that I "believe" what I hear? That's F'n stupid. If I hear bass, does that mean that I "believe' that I'm hearing treble? Um, no. It means I'm hearing bass. Guess what? I know I'm hearing bass. I don't need to "believe" that I'm hearing bass. I don't need science to prove it to me either.

    On a different note, what is it exactly that I'm supposed to be finding out "for sure"?
    ~ In search of accurate reproduction of music. Real sound is my reference and while perfection may not be attainable? If I chase it, I might just catch excellence. ~
  • steveinaz
    steveinaz Posts: 19,538
    edited September 2008
    Some people need science to believe they're actually standing in the room. It's kind of a "reality gridlock" per se.
    Source: Bluesound Node 2i - Preamp/DAC: Benchmark DAC2 DX - Amp: Parasound Halo A21 - Speakers: MartinLogan Motion 60XTi - Shop Rig: Yamaha A-S501 Integrated - Shop Spkrs: Elac Debut 2.0 B5.2
  • zombie boy 2000
    zombie boy 2000 Posts: 6,641
    edited September 2008
    Solopsism comes to mind.
    I never had it like this where I grew up. But I send my kids here because the fact is you go to one of the best schools in the country: Rushmore. Now, for some of you it doesn't matter. You were born rich and you're going to stay rich. But here's my advice to the rest of you: Take dead aim on the rich boys. Get them in the crosshairs and take them down. Just remember, they can buy anything but they can't buy backbone. Don't let them forget it. Thank you.Herman Blume - Rushmore
  • WilliamM2
    WilliamM2 Posts: 4,775
    edited September 2008
    treitz3 wrote: »
    Whoops, my bad. I guess I didn't. :o I guess I read too quick and based my response on prior conversations with you. I apologize.

    Why do you say that I "believe" what I hear? That's F'n stupid. If I hear bass, does that mean that I "believe' that I'm hearing treble? Um, no. It means I'm hearing bass. Guess what? I know I'm hearing bass. I don't need to "believe" that I'm hearing bass. I don't need science to prove it to me either.

    On a different note, what is it exactly that I'm supposed to be finding out "for sure"?

    That's not at all what I was talking about. I was refering to things that only audiophiles claim to hear. Things like differences from various tweaks that were mentioned earlier. But of course you knew that. When have I ever claimed you only believe you hear bass or treble?

    Whether the differences exist or not wasn't even the point. He asked why audiophiles get bashed, and the fact that they believe in things that can not be verified in any way is one of the reasons. Like it or not.
  • mmadden28
    mmadden28 Posts: 4,283
    edited September 2008
    WilliamM2 wrote: »
    ...

    Whether the differences exist or not wasn't even the point. He asked why audiophiles get bashed, and the fact that they believe in things that can not be verified in any way is one of the reasons. Like it or not.

    And how is that a fact?
    Who are they? And who said they 'believe'?
    - Sounds like a general stereotyping to me-I think I agree that the term audiophile is misused, and one likely source of that misuse is in marketing, specifically the marketing of the paranormal type (IMHO ;) )tweaks. "Audiophiles everywhere are using it and swear by it...."

    Isn't hearing a form of verifying?

    WilliamM2 wrote: »
    ...I meant to say that science can prove what we can hear, it cannot prove what we can't hear.

    After all, to prove what we can hear, all someone has to do is demonstrate it. To prove what we cannot hear, you would have to test every possible sound, on every person on the planet.

    I know that I can hear some high frequency tones that my wife cannot. I know that several people in my office heard a piezo buzzer alarm, while two did not. Individual people have different hearing capabilities, or should I say deficiencies. Might be a clogged ear, might be a medical problem, might be age, or previous exposure to excessive decibels, race, diet, or perhaps just the way their bodies developed. Or perhaps differences may even be a result of evolution. Hmm Evolution-now that's a concept.

    Are hearing aids really just audiophile tweaks for those that think they are hard of hearing? How is it that science can't prove what we can't hear? How is it that we know that a dog can hear higher frequencies than audible to a human? How is it that we know that bats navigate using ultrasonic inaudible to human frequencies? How is it that ultrasonic measuring devices actually and accurately measure with sound when we humans can't hear that sound? I think science has already proven what the general limits of human hearing is and is not capabale of.
    Science is ever evolving. Remember the general known science of yester years included the facts that the world was flat and that the sun revolved around the earth, etc. Oh yeah and Pluto is a planet- oh wait a minute.
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    Pool: Atrium 60's/45's
  • George Grand
    George Grand Posts: 12,258
    edited September 2008
    Why is audiophile bashing such a grand sport?

    Do the other groups that get bashed post 4 or 5 pages of "Why don't they love us?"

    Who cares?
  • heiney9
    heiney9 Posts: 25,165
    edited September 2008
    See Below |
    \/
    "Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul!
  • cfrizz
    cfrizz Posts: 13,415
    edited September 2008
    :D ROTFLMAO!!!! Ah George I love you!!!!:D ROTFLMAO!!!!
    Why is audiophile bashing such a grand sport?

    Do the other groups that get bashed post 4 or 5 pages of "Why don't they love us?"

    Who cares?
    Marantz AV-7705 PrePro, Classé 5 channel 200wpc Amp, Oppo 103 BluRay, Rotel RCD-1072 CDP, Sony XBR-49X800E TV, Polk S60 Main Speakers, Polk ES30 Center Channel, Polk S15 Surround Speakers SVS SB12-NSD x2
  • 2turbos
    2turbos Posts: 20
    edited September 2008
    Audiophile bashing?
    It's easy, fun, enjoyable and rewarding.

    Why is everyone so serious?
  • Hawkeye
    Hawkeye Posts: 1,313
    edited September 2008
    How many angels can dance on the head of a pin?
    2 Channel -
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  • hearingimpared
    hearingimpared Posts: 21,137
    edited September 2008
    Infinite number.
  • DarqueKnight
    DarqueKnight Posts: 6,765
    edited September 2008
    Do the other groups that get bashed post 4 or 5 pages of "Why don't they love us?"

    No. Some groups take more extreme measures, such as suicide bombing, in response to being bashed.:)
    Who cares?

    Probably the folks who participated in writing the 4 or 5 pages. They probably found the topic just a little more interesting than some of the other thread topics around here such as snot, excrement, flatulence, **** **** and "what are you listening to/watching/drinking/eating tonight".;)
    Proud and loyal citizen of the Digital Domain and Solid State Country!
  • Music Joe
    Music Joe Posts: 459
    edited September 2008
    No. Some groups take more extreme measures, such as suicide bombing, in response to being bashed.:)

    AudioFOOLs would set the vest off arguing over wiring techniques and type :)
  • George Grand
    George Grand Posts: 12,258
    edited September 2008
    I think we already had suicide bombers here. Micah banned them when he found out they were stalking him.

    Snake would've suicide bombed you just to ruin your damn day.
  • Kex
    Kex Posts: 5,194
    edited September 2008
    Music Joe wrote: »
    AudioFOOLs would set the vest off arguing over wiring techniques and type :)
    Great! Suicide bombers with Monster Cable :mad:. At least it would get rid of some of it.
    Alea jacta est!
  • rayslifecycle
    rayslifecycle Posts: 511
    edited September 2008
    This is not specific to audiophiles........but it is specific to enthusiasts in every hobby. Know-it-all behavior experiences blowback and enthusiasts, more often then not, come across (unintentionally) as know-it-alls.

    For Example:
    It is hard to talk to the Bose owner about the quality of Bose sound. The Bose owner has been mind controlled into thinking his purchase (not investment) was the best choice. If you bash their purchase, you are insulting their decision making, and you then end up in a hard to win argument over why your insults are justified.

    We all have friends that own the HT in a box. Invite them over for movie or album night, offer them the best seat, and let them experience and decide for themselves if they like the way your system sounds or not.

    If they like it, you have a new friend to discuss audio with.
    If they don't notice, talk about something else.
    If they don't like it........well then you just have to call them stupid and make fun of their HT in a box....hahahahahaha....just kidding........but seriously -
    If they don't like it - asking them some questions will lead you to a more complete understanding of where your system is weak.....ya'learn som'in.

    We live in a possessive and self-centric culture that could benefit greatly from a little humility and community.

    Nice thread
    Rock-On All
  • cfrizz
    cfrizz Posts: 13,415
    edited September 2008
    Great post Clark!
    Marantz AV-7705 PrePro, Classé 5 channel 200wpc Amp, Oppo 103 BluRay, Rotel RCD-1072 CDP, Sony XBR-49X800E TV, Polk S60 Main Speakers, Polk ES30 Center Channel, Polk S15 Surround Speakers SVS SB12-NSD x2
  • DarqueKnight
    DarqueKnight Posts: 6,765
    edited September 2008
    Snake would've suicide bombed you just to ruin your damn day.

    Snake seems like an "interesting fellow" from what I've read of him. Whatever happened to him?
    Proud and loyal citizen of the Digital Domain and Solid State Country!
  • treitz3
    treitz3 Posts: 19,029
    edited September 2008
    It is hard to talk to the Bose owner about the quality of Bose sound. The Bose owner has been mind controlled into thinking his purchase (not investment) was the best choice. If you bash their purchase, you are insulting their decision making, and you then end up in a hard to win argument over why your insults are justified.
    Until they learn that there is a wide amount of frequencies that aren't even there. That might spark a bit of interest. What's that? Some of the music is missing?

    The intelligent Bose owner, I would think, would pay attention to this. It's vaguely important.
    ~ In search of accurate reproduction of music. Real sound is my reference and while perfection may not be attainable? If I chase it, I might just catch excellence. ~
  • George Grand
    George Grand Posts: 12,258
    edited September 2008
    Raife, I don't know. Totally out there though on a social level. I was his main squeeze for a period. Count your blessings.
  • gidrah
    gidrah Posts: 3,049
    edited September 2008
    Believe it or not I am an audiophile. Don't laugh, so are you. Everybody on this site is here because we enjoy music and want to reproduce it the best we can. That's what an audiophile is.

    I don't have the best gear, most recordings, or probably even the best hearing. Within this crowd I would consider myself to be an "enthusiast", but compared to the general public I am an audiophile. You are also.

    Don't be audiophileophobic. If you had the money to spend on that outrageous gear, you would too. Then people that couldn't afford it but still wanted it would laugh at you behind your back just like we do to them.
    Make it Funky! :)
  • rayslifecycle
    rayslifecycle Posts: 511
    edited October 2008
    Don't know.
    Gimmie your lighter, and I'll sterilize 'em.

    Is that a real poncho?
    :D

    Its a Sears Poncho..........:D
  • Road Runner
    Road Runner Posts: 106
    edited October 2008
    Hilbert wrote: »
    Are we certain that science can prove what we can hear?

    Artificial bones, teeth, hearts etc vastly inferior to original equipment. Artificial eyes, livers nonexistent (I think). I was told years ago that human ears can hear air molecules colliding, of necessity the faintest of all sounds. Is there a gadget equally sensitive?

    Today I received in the mail a CD of Somethin' Else, the old Cannonball Adderly LP, and I compared it with my iTunes Plus version of the same record. The CD was much better---more detail, 3D soundstage etc. This cannot possibly have been my imagination, but what exactly was I hearing and could any machine detect it?

    Not looking for argument; I know essentially nothing about this stuff and am curious. If there's a short answer I'd like to hear it; if it's a long answer I'll probably pass out before finishing it :).

    ps When I say "hear air molecules colliding" I mean something like Brownian motion of molecules in still air.

    Is the iTunes Plus version compressed? I've heard that if it's not compressed, it's as good as CD, but even the best psychoacoustic algorithms are not as good as good as CD.
  • mmadden28
    mmadden28 Posts: 4,283
    edited October 2008
    I would also add that its also possible the audio took different paths and travelled via different cables and levels of processing which all could have had a hand in the final output sound.

    RR, If its on iTunes-its compressed. IIRC iTunes plus is simply a higher bitrate.
    Some (all?) Lossless formats are compressed as well. Some are just closer to the real deal at least as much as the end listener is concerned. To me its a balance of convenience and percieved quality. To have perfect quality-its not going to be as convenient (swapping CDs or LPs vs. a music server or iPod)
    ____________________
    This post is a natural product. The slight variations in spelling and grammar enhance its individual character and beauty and in no way are to be considered flaws or defects.

    HT:Onkyo 805, Emotiva XPA-5, Mitsu 52" 1080p DLP / polkaudio RTi12, CSIa6, FXi3, uPro4K
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    Pool: Atrium 60's/45's
  • Road Runner
    Road Runner Posts: 106
    edited October 2008
    mmadden28 wrote: »
    RR, If its on iTunes-its compressed. IIRC iTunes plus is simply a higher bitrate.
    Some (all?) Lossless formats are compressed as well. Some are just closer to the real deal at least as much as the end listener is concerned. To me its a balance of convenience and percieved quality. To have perfect quality-its not going to be as convenient (swapping CDs or LPs vs. a music server or iPod)

    If they're calling it Lossless, but it's compressed then that seems like they're not being honest, because compressed seems to mean that some information is missing in some way and in some sense. If they're claiming some information is missing but it's not audible, then maybe that's a little more honest and it may be even less of a misrepresentation to say that it's in compressed form on the disk, but it's fully reconstructed when it comes time to play back the music. What I want to do is copy CD's to my ipod and get CD quality sound for the headphones that I'm using, that is I want it to sound just as good as if I plugged the iPod headphones into my stereo. I assume that's possible, but I think I need a special file or a special program or something. Some of these files that I've been getting of the internet or from people who've gotten them by less than legitimate means are so bad it's just ridiculous. I can barely even listen to some of them. I bet what happened is they were first compressed with one algorithm and then compressed with another incompatible one to create a horrible sound.
  • unc2701
    unc2701 Posts: 3,587
    edited October 2008
    mmadden28 wrote: »
    RR, If its on iTunes-its compressed. IIRC iTunes plus is simply a higher bitrate.

    Some (all?) Lossless formats are compressed as well.

    You are correct that everything on iTunes is compressed, however Lossless formats are NOT compressed in a way that can impact the sound. Lossless formats simply transform the data to get a smaller file. Example: Let's say your samples are
    12000
    12566
    13454
    15234
    14256

    A simple lossless format would be to take the minimum of the samples and subtract it from each. The data needed to get you original is the difference for each and the minimum used:
    12000
    0
    566
    1454
    3224
    2256

    With the original data, you needed 25 digits of information. In the new data, there's 21 digits. A good lossless algorithm will be far more optimized and results in files that are about half the size but have the EXACT same information.

    I think people get confused by dynamic compression (an analog phenomenon that's been showing up on more and more records due to the loudness war) and lossy digital compression (MP3, AAC, etc).
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