Parasound vs Emotiva
Comments
-
As this thread has proved emotiva is a nice foot in the door for seperates. Ultimately it's the gate way drug to better amps. My first seperate was emotiva. The next was a sunfire. A friend of mine runs 7 emotiva mono blocks in his theater with jtr triple 8's and 4 Marty cube 18 inch subs. It blows the roof off his house. Crazy dynamic and clear. It sounds amazing. There's a lot of emotiva haters in this forum. That's fine, we all have different tastes. Emotiva is not for me, but value and warranty they are great. So makes sense for people to buy them.
A friend of mine is set on emotiva for warranty sakes. He afraid of used gear. But he's a big baby stuck on the budget train.2 channel:
Bryston 4B3, Bryston BDA3, Cary SLP05, Shanling CDT1000SE with parts conneXion level 2 mods, Nottingham analogue ace space 294, soundsmith Carmen MKii, Zu DL103 MKii, Ortofon MC 20 MKii, Dynavector XX2 MKii, Rogue Audio Ares, Core power technologies balanced power conditioner, Akiko Corelli power conditioner with Akiko Audio HQ power cable, Nordost heimdall 2, Frey 2, interconnects, speaker and power cables, Focal Electra 1028 BE 2, Auralic Aries Femto, Black diamond racing cones, ingress audio level 1 roller blocks, JL Audio E110 with Auralic subdude, Primacoustics room treatments.
Theater:
Focal Aria 926,905,CC900, SVS PB ultra x2. Pioneer Elite SC85, Oppo BDP93, Panamax M5400PM, Minix neox6, Nordost Blue heaven LS power cables. -
I suppose that the next amp that I will buy will be none of the above. I am really curious about the Sunfire 7 channel for HT. If I got that I will have plenty of other stuff to mix, match and experiment with. God willing I will get to retire in a few more years and will have bought a house with audio in mind and I will have some kind of system in damn near every room.
-
I will have some kind of system in damn near every room.
Wouldn't it be better to have one really boss 2 channel rig instead?Political Correctness'.........defined
"A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."
President of Club Polk -
I will have some kind of system in damn near every room.
Wouldn't it be better to have one really boss 2 channel rig instead?
Yes it would sort of but I have already found myself limited because I like what is in the bedroom so much that I stay in there too much. I think it would be good to have good sounds in any and every room. For instance if I had something good in the garage I would get caught up on a lot of projects. As it is I tend to sit in bed and listen and read. -
I will have some kind of system in damn near every room.
Wouldn't it be better to have one really boss 2 channel rig instead?
How Jesse walks....
"....not everything that can be counted counts, and not everything that counts can be counted." William Bruce Cameron, Informal Sociology: A Casual Introduction to Sociological Thinking (1963) -
afterburnt wrote: »I will have some kind of system in damn near every room.
Wouldn't it be better to have one really boss 2 channel rig instead?
Yes it would sort of but I have already found myself limited because I like what is in the bedroom so much that I stay in there too much. I think it would be good to have good sounds in any and every room. For instance if I had something good in the garage I would get caught up on a lot of projects. As it is I tend to sit in bed and listen and read.
I can't agree. I'd rather have a $5k system in my living room than a $1k system in four rooms and the garage. Even if the $5k system "had" to be a HT/2 channel combo. There are some nice tube preamps with HT bypass.afterburnt wrote: »They didn't speak a word of English, they were from South Carolina.
Village Idiot of Club Polk -
Nighfall I am already in a semi vegetative state. I guess I don't really need one system that I can take my ears off of. As of late I can only listen to the living room system in multi channel, I got spoiled.
-
BTW I am over 5k in the living room and quite a bit less in the bedroom although they are both multi channel.
-
The $5k/$1k prices were arbitrary.
There's nothing wrong with the way you're doing it if it makes you happy.afterburnt wrote: »They didn't speak a word of English, they were from South Carolina.
Village Idiot of Club Polk -
not so happy with these 707's in 2 channel but I guess I said that
-
afterburnt wrote: »not so happy with these 707's in 2 channel but I guess I said that
Sell them to me really cheap.Pio Elete Pro 520
Panamax 5400-EX
Sunfire TGP 5
Micro Seiki DD-40 - Lyra-Dorian and Denon DL-160
PS Audio GCPH phono pre
Sunfire CG 200 X 5
Sunfire CG Sig 405 X 5
OPPO BDP-83 SE
SDA SRS 1.2TL Sonicaps and Mills
Ctr CS1000p
Sur - FX1000 x 4
SUB - SVS PB2-Plus
Workkout room:
Sony Bravia XBR- 32-Inch 1080p
Onkyo TX-DS898
GFA 555
Yamaha DVD-S1800BL/SACD
Ft - SDA 1C
Not being used:
RTi 38's -4
RT55i's - 2
RT25i's -2, using other 2 in shop
LSI 15's
CSi40
PSW 404 -
Wattage ratings don't mean a whole lot unless you are trying to pressurize an extremely large room (more than a typical large living room or rec room) Then they can be a loose guide. THD is a worthless spec unless it's way out of whack, like over 10%, but then that figure would never be printed on a spec sheet.
I'll never understand why novices in this hobby hang their hats on manufacturer specs. They are pretty much useless in determining how a piece of gear sounds and performs.
That's like choosing a car because the speedometer goes up to 200 mph vs. a car where the speedometer only goes to 120 mph. Let that analogy sink in.
Again, those that don't know, don't know that they don't know. If you understood anything about amplifier design you'd know these kind of specs don't mean a whole lot.
Just to throw out a general statement: You can achieve extremely low THD measurements by cranking up negative feedback and/or adding gain stages, but in most instances (if not almost all) it has a direct affect on the final sound quality and it's not a positive affect. But damn skippy it shows well on a printed manufacturers spec sheet!
Cheers
H9
Good post Brock...and those specs actually do come in handy for the novice as a marketing tool. Much like the bi-amp feature on AVR's. Plus if you subscribe to the theory that all amps sound the same in general, then specs is your stick to weed out the good from the bad.
It's about finding "your sound". Synergy within ones system. If you limit yourself to so much misinformation floating around the internet, you'll never find it.HT SYSTEM-
Sony 850c 4k
Pioneer elite vhx 21
Sony 4k BRP
SVS SB-2000
Polk Sig. 20's
Polk FX500 surrounds
Cables-
Acoustic zen Satori speaker cables
Acoustic zen Matrix 2 IC's
Wireworld eclipse 7 ic's
Audio metallurgy ga-o digital cable
Kitchen
Sonos zp90
Grant Fidelity tube dac
B&k 1420
lsi 9's -
sfosselman wrote: »Man...this has been a heated discussion! I like it.... all the more reason to love this hobby is the passion folks have for their equipment. Now whether that passion is driven by quality audio or their wallet is another discussion all together
Good observation, and one that holds merit. Audio is played on many levels, many fields of play. Much of those levels is dictated by wallets and some would like to excuse others because they play on another level.
That said, most of us here hold the thought that good sound can be achieved on any level, with any wallet. There's certainly enough variety of gear both new and used to find some synergy and good tunes for anyone.
HT SYSTEM-
Sony 850c 4k
Pioneer elite vhx 21
Sony 4k BRP
SVS SB-2000
Polk Sig. 20's
Polk FX500 surrounds
Cables-
Acoustic zen Satori speaker cables
Acoustic zen Matrix 2 IC's
Wireworld eclipse 7 ic's
Audio metallurgy ga-o digital cable
Kitchen
Sonos zp90
Grant Fidelity tube dac
B&k 1420
lsi 9's -
SPECS ARE FOR FOOOLS!
There, I said it. Nothing good to see there.
Probably some monster cable/Emo luv'in doods. -
sfosselman wrote: »Man...this has been a heated discussion! I like it.... all the more reason to love this hobby is the passion folks have for their equipment. Now whether that passion is driven by quality audio or their wallet is another discussion all together
Good observation, and one that holds merit. Audio is played on many levels, many fields of play. Much of those levels is dictated by wallets and some would like to excuse others because they play on another level.
That said, most of us here hold the thought that good sound can be achieved on any level, with any wallet. There's certainly enough variety of gear both new and used to find some synergy and good tunes for anyone.
Truth.
Compared to a lot of the people here, mine is a very budget system, most of it being more inexpensive vintage gear brought up to date, either by me or others. The LSi9's I got great deal on will be the most modern pieces I will own.
Budget used gear, and it is by far the best sounding rig I have ever owned, and I have some pride in the work I have done.... it never occurred to me to by new budget gear with a warranty.
My bad....Polk Lsi9
N.E.W. A-20 class A 20W
NAD 1020 completely refurbished
Keces DA-131 mk.II
Analysis Plus Copper Oval, Douglass, Morrow SUB3, Huffman Digital
Paradigm DSP-3100 v.2 -
Why is Emotiva not liked on this forum?
Serious question.Magico, JL, Emm, ARC Ref 10 line, ARC Ref 10 phono, VPI, Lyra, Boulder, AQ Wel, SRA Scuttle Rack, Bluesound -
Gotcha Skip.
I just went to the emotiva website.. man, that XPA1 can do 60w in Class A at that price? impressive.Magico, JL, Emm, ARC Ref 10 line, ARC Ref 10 phono, VPI, Lyra, Boulder, AQ Wel, SRA Scuttle Rack, Bluesound -
Very heated dialogue
My New Year's resolution is 3840 × 2160
Family Room| Marantz AV7704| Usher Dancer Mini - 2 DMD Mains |Usher Dancer Mini-x DMD's Surrounds | Usher BE-616 DMD Center | SVS Ultra Rear Surrounds | Parasound Halo A21 | Parsound Halo A52+ | MIT Shotgun S3's | Dual SVS SB 4000 Ultras | Oppo UDP 203 | Directv Genie HD DVR | Samsung 75" Q8 QLED | PSAudio Stellar GCD | Mytek Brooklyn DAC+ | Lumin U1 Mini | HP Elite Slice PC | ROON'd for life |
ManCave: HT:Polk LSiM 706VR3 LSiM 703's LSiM 702's|| Marantz AV7002 AV PrePro Sunfire TGA-7401| Sony PS4 Pro| Sony PS4 Pro|SVS PB13 Ultra| Oppo UDP 203 | Music Hall MMF 5.3se TT w/ Soundsmith Carmen | Samsung 55" SUHD TV | Sony PS4
Patio | Polk Atrium 8's | Yamaha R-N303BL |
Office BlueSound Node| KEF LS50 | Peactree Nova 125SE |
Bedroom | Focal 905's | Chromecast Audio |
Garage | Polk Monitor 5B's
Closet Yamaha M80 | 2 Polk MP3K subs| Yaqin MC100B with Shuguang Treasures KT 88's & CV181Z's | Tesla E83CC's | Marantz 2252B | Marantz 2385 |Polk SDA SRS 2.3 | LSiM 705's | -
Be careful of the marketing glitz Joey V, they are a nice step up from an AVR but they will never sonically compete with brands higher up the food chain. And they don't need to as they fill a niche that needs filling.
I have more of a problem with troll-like rabid fans of Emotiva trying to proclaim they are the best thing going in audio, PERIOD. In many, many instances these audio types have a very limited experience to draw from and make an all encompassing blanket statements.
That's where the head butting usually starts. They are decent "bang for your buck" gear, that are more suited to HT than serious audiophile duty.
They have great marketing, use all the correct "buzz" words, hit all the right chords, etc. But what's on paper doesn't always ring true in real world use. And just because they use audiophile correct words on the glossy marketing paper, doesn't mean the end result is going to satisfy high expectations.
If I was doing a dedicated HT install I'd certainly entertain using Emotiva gear.
H9"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul! -
Be careful of the marketing glitz Joey V, they are a nice step up from an AVR but they will never sonically compete with brands higher up the food chain. And they don't need to as they fill a niche that needs filling.
I have more of a problem with troll-like rabid fans of Emotiva trying to proclaim they are the best thing going in audio, PERIOD. In many, many instances these audio types have a very limited experience to draw from and make an all encompassing blanket statements.
That's where the head butting usually starts. They are decent "bang for your buck" gear, that are more suited to HT than serious audiophile duty.
They have great marketing, use all the correct "buzz" words, hit all the right chords, etc. But what's on paper doesn't always ring true in real world use. And just because they use audiophile correct words on the glossy marketing paper, doesn't mean the end result is going to satisfy high expectations.
If I was doing a dedicated HT install I'd certainly entertain using Emotiva gear.
H9
I agree with this.
Pio Elete Pro 520
Panamax 5400-EX
Sunfire TGP 5
Micro Seiki DD-40 - Lyra-Dorian and Denon DL-160
PS Audio GCPH phono pre
Sunfire CG 200 X 5
Sunfire CG Sig 405 X 5
OPPO BDP-83 SE
SDA SRS 1.2TL Sonicaps and Mills
Ctr CS1000p
Sur - FX1000 x 4
SUB - SVS PB2-Plus
Workkout room:
Sony Bravia XBR- 32-Inch 1080p
Onkyo TX-DS898
GFA 555
Yamaha DVD-S1800BL/SACD
Ft - SDA 1C
Not being used:
RTi 38's -4
RT55i's - 2
RT25i's -2, using other 2 in shop
LSI 15's
CSi40
PSW 404 -
Plus, how could you justify in your mind $3000-$5000 dollars for something that is only marginally better than something $800.00-$1,000.00
-
I'd entertain using EMO too....................................................if all the real deal companies weren't here to help!!!"if it's not fun, it's not worth it & remember folks, "It's All About The Music"!!
***************************** -
Nobody was being rabid here until Heiney swooped in and started making a
heiny of himself. I notice he runs an amp that goes used for the price of
Emotiva's TOTL amp. -
My New Year's resolution is 3840 × 2160
Family Room| Marantz AV7704| Usher Dancer Mini - 2 DMD Mains |Usher Dancer Mini-x DMD's Surrounds | Usher BE-616 DMD Center | SVS Ultra Rear Surrounds | Parasound Halo A21 | Parsound Halo A52+ | MIT Shotgun S3's | Dual SVS SB 4000 Ultras | Oppo UDP 203 | Directv Genie HD DVR | Samsung 75" Q8 QLED | PSAudio Stellar GCD | Mytek Brooklyn DAC+ | Lumin U1 Mini | HP Elite Slice PC | ROON'd for life |
ManCave: HT:Polk LSiM 706VR3 LSiM 703's LSiM 702's|| Marantz AV7002 AV PrePro Sunfire TGA-7401| Sony PS4 Pro| Sony PS4 Pro|SVS PB13 Ultra| Oppo UDP 203 | Music Hall MMF 5.3se TT w/ Soundsmith Carmen | Samsung 55" SUHD TV | Sony PS4
Patio | Polk Atrium 8's | Yamaha R-N303BL |
Office BlueSound Node| KEF LS50 | Peactree Nova 125SE |
Bedroom | Focal 905's | Chromecast Audio |
Garage | Polk Monitor 5B's
Closet Yamaha M80 | 2 Polk MP3K subs| Yaqin MC100B with Shuguang Treasures KT 88's & CV181Z's | Tesla E83CC's | Marantz 2252B | Marantz 2385 |Polk SDA SRS 2.3 | LSiM 705's | -
rednedtugent wrote: »Nobody was being rabid here until Heiney swooped in and started making a
heiny of himself. I notice he runs an amp that goes used for the price of
Emotiva's TOTL amp.
Then you need to re-read this thread.Polk Lsi9
N.E.W. A-20 class A 20W
NAD 1020 completely refurbished
Keces DA-131 mk.II
Analysis Plus Copper Oval, Douglass, Morrow SUB3, Huffman Digital
Paradigm DSP-3100 v.2 -
I just did. F1nut jumped in snarky (expected) and then had something to offer.
Njohn poked the bear. XCap was actually very level headed and added something
to the proceedings. Heiney came in with guns blazing. Just holding the fort until
Jermey gets back from the football game.
I should add that someone claimed Jermey has lousy hearing and I was
being droll in an attempt to keep things rolling along.Post edited by [Deleted User] on -
well, I guess like audio, reading comprehension is subjective. Things were quite heated before H9 ever popped up, in my opinion.
Maybe we should start a new thread interpreting this thread..... wait. Isn't this thread about amplifiers?Polk Lsi9
N.E.W. A-20 class A 20W
NAD 1020 completely refurbished
Keces DA-131 mk.II
Analysis Plus Copper Oval, Douglass, Morrow SUB3, Huffman Digital
Paradigm DSP-3100 v.2 -
Man this topic really is a firey one.Magico, JL, Emm, ARC Ref 10 line, ARC Ref 10 phono, VPI, Lyra, Boulder, AQ Wel, SRA Scuttle Rack, Bluesound
-
Well, I would like that. I think that the amp that I chose is the best and
everyone who posted to this thread would have to re-access their understanding
of amps to see where I'm coming from.
Hope Jermey gets back soon as I'm running out of steam. -
rednedtugent wrote: »I think that the amp that I chose is the best
Different strokes for different folks.
If it blows back your sack, rock on. But they dont do the same for me. And the MOST IMPORTANT THING...
THATS OK!!!!!!!!!!!!!!
Why is it NOT OK for me to disagree with you? Is audio not subjective?
Great example: Art. Its subjective...
So's audio.
Dan out."....not everything that can be counted counts, and not everything that counts can be counted." William Bruce Cameron, Informal Sociology: A Casual Introduction to Sociological Thinking (1963)
This discussion has been closed.