This joint needs some more vintage hifi
Comments
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Finally pulled this 8-track player out from my dad's collection.
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I love the look, and love the music from Flatt & Scruggs, but that crosstalk, ugh...the struggle is real!
You prolly just need a matchbook...
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Is that the matchbook that came with the deck or did you but it separatelyMain Rig:
Krell KAV 250a biamped to mid/highs
Parasound HCA1500A biamped to lows
Nakamichi EC100 Active xover
MIT exp 1 ic's
Perreaux SA33 class A preamp
AQ kingcobra ic's
OPPO 83 CDP
Lehmann audio black cube SE phono pre, Audioquest phono wire (ITA1/1)
Denon DP-1200 TT. AToc9ML MC cart.
Monster HTS 3600 power conditioner
ADS L1590/2 Biamped
MIT exps2 speaker cable -
mhardy6647 wrote: »You prolly just need a matchbook..."This may not matter to you, but it does to me for various reasons, many of them illogical or irrational, but the vinyl hobby is not really logical or rational..." - member on Vinyl Engine
"Sometimes I do what I want to do. The rest of the time, I do what I have to." - Cicero, in Gladiator
Regarding collectibles: "It's not who gets it. It's who gets stuck with it." - Jimmy Fallon -
Just restored and placed this little monster in a new home with a cherry set of SDA 2B's. What an amazing pairing. 60WPC - seemed more like 125WPC. 🤯
Serious synergy with old Kenwood and vintage Polk. 🤘🤘
Current Collection: Monitor 4a (Peerless), Monitor 5B (Peerless), Modified Monitor 7b (Peerless), RTA15TL (SL3000), SDA CRS+ (194’s), SDA SRS 2.3TL, R100's, R200’s, R300 🤩 -
One recently refurbished HH Scott 340 with some vintage friends. All electrolytic and film caps were replaced, some resistors. Some cans were stuffed with new caps, others installed in chassis. Selenium rectifier was replaced with diode bridge.
"Introduced in April 1962, the HH Scott 340 "Stereomaster" tuner-amplifier is rated at 27 watts per channel for a total of 54 watts RMS (advertised at 60 watts output and later 70 watts). The set essentially combines the Scott 350 FM multiplex tuner with the Scott 299C amplifier. It has a total of 20 tubes including four 7591A output tubes and a pair of 5AR4/GZ-34 rectifiers. Advertised price for the 340 was $379.95. The optional case was an additional cost. The set is now often identified as a Scott 340A to distinguish it from the very different 340B."
It bears some scars but sounds really good. Not sold on the blue LED look. Could be I'm stuck in the past with the #47 bare bulb look. They pulse too. You can't see it with your eye but the camera catches it.
The Mitsubishi LT5V is in partial disassembly as the auto return stopped functioning. I had replaced the bulbs in tonearm carrier with LED's (with step down resistors to reduce brightness) last year so it could be a photocell issue. It got knocked off the bench by the 340 and now the Scott 399.
Post edited by SCompRacer onSalk SoundScape 8's * Audio Research Reference 3 * Bottlehead Eros Phono * Park's Audio Budgie SUT * Krell KSA-250 * Harmonic Technology Pro 9+ * Signature Series Sonore Music Server w/Deux PS * Roon * Gustard R26 DAC / Singxer SU-6 DDC * Heavy Plinth Lenco L75 Idler Drive * AA MG-1 Linear Air Bearing Arm * AT33PTG/II & Denon 103R * Richard Gray 600S * NHT B-12d subs * GIK Acoustic Treatments * Sennheiser HD650 * -
'scuse me if this was already posted.
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'scuse me if this was already posted.
Several times, in different contexts.
Mostly to illustrate the zenith of decor in early 1960s Britain.
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SCompRacer wrote: »One recently refurbished HH Scott 340 with some vintage friends. All electrolytic and film caps were replaced, some resistors. Some cans were stuffed with new caps, others installed in chassis. Selenium rectifier was replaced with diode bridge.
"Introduced in April 1962, the HH Scott 340 "Stereomaster" tuner-amplifier is rated at 27 watts per channel for a total of 54 watts RMS (advertised at 60 watts output and later 70 watts). The set essentially combines the Scott 350 FM multiplex tuner with the Scott 299C amplifier. It has a total of 20 tubes including four 7591A output tubes and a pair of 5AR4/GZ-34 rectifiers. Advertised price for the 340 was $379.95. The optional case was an additional cost. The set is now often identified as a Scott 340A to distinguish it from the very different 340B."
It bears some scars but sounds really good. Not sold on the blue LED look. Could be I'm stuck in the past with the #47 bare bulb look. They pulse too. You can't see it with your eye but the camera catches it.
The Mitsubishi LT5V is in partial disassembly as the auto return stopped functioning. I had replaced the bulbs in tonearm carrier with LED's (with step down resistors to reduce brightness) last year so it could be a photocell issue. It got knocked off the bench by the 340 and now the Scott 399.
/quote]
Ooh! one of them there new fangled tuners with the built in multiplexer! That's cutting edge!Sources: Technics SL1200MKII | SME3009 Tonearm | Monster Alpha 1 MC cartridge | Oppo UDP203 disk player | Nikko NT-790 analog tuner | Musical Fidelity Trivista 21 DAC | Preamp: Threshold SL-10 | Amplifier: Threshold Stasis 2 | Speakers: Snell Acoustics C/V | Kimber 12-TC bi wire speakers | Analysis plus Oval 1 preamp to amp | Wireworld Eclipse 7 DAC to Preamp | Wireworld eclipse digital IC Oppo to DAC | Audioquest Quartz tuner to preamp | -
Ooh! one of them there new fangled tuners with the built in multiplexer! That's cutting edge!
You young guys had it made! We had to wait until June 1, 1961, for stereo FM. We just had the short-lived, not the greatest simulcast. Left channel on FM right on AM.
"The FCC authorized regular stereo FM to start June 1, 1961. WGFM (now WRVE, Schenectady, N.Y.) was the first station to go stereo at midnight Eastern time. WEFM Chicago, had to wait an hour later until midnight in the Windy City, as the implementation order specified local time, making them second to go on-air."
The first cutting edge??? An external FM multiplexer, the HH Scott 335. Also available as a partially assembled kit, the LM-35 with black faceplate. Scott had built in multiplexer out/in connections on the 399 so it was ready for FM stereo. I am currently in FM alignment hell....sounds great in mono, FM is distorted.
Salk SoundScape 8's * Audio Research Reference 3 * Bottlehead Eros Phono * Park's Audio Budgie SUT * Krell KSA-250 * Harmonic Technology Pro 9+ * Signature Series Sonore Music Server w/Deux PS * Roon * Gustard R26 DAC / Singxer SU-6 DDC * Heavy Plinth Lenco L75 Idler Drive * AA MG-1 Linear Air Bearing Arm * AT33PTG/II & Denon 103R * Richard Gray 600S * NHT B-12d subs * GIK Acoustic Treatments * Sennheiser HD650 *