Are the Best Speakers the Big Ones?

Early B.
Early B. Posts: 7,900
edited November 2006 in 2 Channel Audio
It seems to me the speakers that are said to be the best ones are almost always massive in size. The Wilsons come to mind. So do the Carver Amazings and Polk SDA's/SRT's on the lower end of the affordability spectrum. Then there are the huge planars and ribbons, line arrays, and those speakers with the big **** horns on 'em.

Of course, to make them sound their best, you gotta have a large, acoustically treated room for them, invest heavily in components and associated gear, etc...

OK, but back to the original question -- are the best speakers generally the bigger ones? If so, is it because size matters in order to throw a massive soundstage? And is the ability to throw a massive soundstage the real magic behind a pair of great speakers?

Thanks.
HT/2-channel Rig: Sony 50” LCD TV; Toshiba HD-A2 DVD player; Emotiva LMC-1 pre/pro; Rogue Audio M-120 monoblocks (modded); Placette RVC; Emotiva LPA-1 amp; Bada HD-22 tube CDP (modded); VMPS Tower II SE (fronts); DIY Clearwave Dynamic 4CC (center); Wharfedale Opus Tri-Surrounds (rear); and VMPS 215 sub

"God grooves with tubes."
Post edited by Early B. on
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Comments

  • Shizelbs
    Shizelbs Posts: 7,433
    edited November 2006
    I think, in general, anytime you have a speaker that uses a particular technology, crossover, tweeter/woofer arrangement, enclosure, making it bigger and adding larger drivers is usually going to make for a better speaker.

    So, I would say there is a trend that strongly correlates as to a speaker's particular value/performance, but as we all know a great bookshelve can outperform a lousy big **** floorstander.
  • dkg999
    dkg999 Posts: 5,647
    edited November 2006
    I think one of the advantages of big speakers is the huge soundstage they produce, and with the big soundstage comes music you feel as much as hear. On the other hand, I think many smaller monitors and floorstanders need a lot of work with placement and room treatments to sound their best. A big set of speakers, even poorly placed in the room still throws the big soundstage. My Magnepan 1.6's are somewhat of an example, they are currently crammed in a small space with lots of furniture, however they still throw a huge soundstage that overcomes a lot of the placement issues in my living room.
    DKG999
    HT System: LSi9, LSiCx2, LSiFX, LSi7, SVS 20-39 PC+, B&K 507.s2 AVR, B&K Ref 125.2, Tripplite LCR-2400, Cambridge 650BD, Signal Cable PC/SC, BJC IC, Samsung 55" LED

    Music System: Magnepan 1.6QR, SVS SB12+, ARC pre, Parasound HCA1500 vertically bi-amped, Jolida CDP, Pro-Ject RM5.1SE TT, Pro-Ject TubeBox SE phono pre, SBT, PS Audio DLIII DAC
  • dkg999
    dkg999 Posts: 5,647
    edited November 2006
    Didn't I see a bumper sticker that said "he (or she!) who dies with the biggest speakers wins" :D
    DKG999
    HT System: LSi9, LSiCx2, LSiFX, LSi7, SVS 20-39 PC+, B&K 507.s2 AVR, B&K Ref 125.2, Tripplite LCR-2400, Cambridge 650BD, Signal Cable PC/SC, BJC IC, Samsung 55" LED

    Music System: Magnepan 1.6QR, SVS SB12+, ARC pre, Parasound HCA1500 vertically bi-amped, Jolida CDP, Pro-Ject RM5.1SE TT, Pro-Ject TubeBox SE phono pre, SBT, PS Audio DLIII DAC
  • DarqueKnight
    DarqueKnight Posts: 6,765
    edited November 2006
    Early B. wrote:
    OK, but back to the original question -- are the best speakers generally the bigger ones?

    Absolutely.
    Early B. wrote:
    If so, is it because size matters in order to throw a massive soundstage?

    Larger speaker = more radiating surface = more air being moved = more realism, lifesize or closer to lifesize images, and more sonic impact.
    Early B. wrote:
    And is the ability to throw a massive soundstage the real magic behind a pair of great speakers?

    What? Are you building a case for replacing the newly acquired VMPS Tower II SE's? ;)

    Anyway, to answer your question, I think the real magic for any pair of speakers, regardless of size, is how accurately they reproduce the signal that is fed to them.
    Proud and loyal citizen of the Digital Domain and Solid State Country!
  • F1nut
    F1nut Posts: 50,567
    edited November 2006
    The better "big" speakers have a presence that I've yet to hear from any bookshelf.
    Political Correctness'.........defined

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  • Dennis Gardner
    Dennis Gardner Posts: 4,861
    edited November 2006
    Alot of the reasoning behind large speakers being the choice of many, is simply that they convey the full range of music without the need for processing, external subs, etc. You hear less of the box resonating and more of the drivers, especially in the lowest registers.
    HT Optoma HD25 LV on 80" DIY Screen, Anthem MRX 300 Receiver, Pioneer Elite BDP 51FD Polk CS350LS, Polk SDA1C, Polk FX300, Polk RT55, Dual EBS Adire Shiva 320watt tuned to 17hz, ICs-DIY Twisted Prs, Speaker-Raymond Cable

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  • pearsall001
    pearsall001 Posts: 5,068
    edited November 2006
    "It's not the size that matters, it's all in the performance" So said an old girl friend of mine. The same holds true as far as speakers go. I've heard big speakers sound bad & small speakers sound bad. Then again I've heard big speakers that sounded good & small speakers that sounded "BIG" & good. As a general rule of thumb a big speaker should have a better bass presentation. But that is hardly the case. I'm more impressed with a monitor that can bring it big time & hang with the big boys & chew 'em up & spit "em out. I believe it takes more know how to design & develope a world class monitor then it does to produce a "Big" speaker that sounds good. With all that being said, the Wilson Alexandria's that I listened to at Overture in Delaware were pretty darn good. For $135,000 they sure better be. I'll still stick with my monitors!!
    "2 Channel & 11.2 HT "Two Channel:Magnepan LRSSchiit Audio Freya S - SS preConsonance Ref 50 - Tube preParasound HALO A21+ 2 channel ampBluesound NODE 2i streameriFi NEO iDSD DAC Oppo BDP-93KEF KC62 sub Home Theater:Full blown 11.2 set up.
  • hearingimpared
    hearingimpared Posts: 21,137
    edited November 2006
    I've always been enamored with big tower speakers. I loved the old RTR towers, I loved the old magies, the Infinities of the 70s & 80s, and I certainly love(d) the big SDA/SRSs. However, when you get your ears on a really well designed bookshelf or monitor that can fill the room smoothly, create a detailed audio image, and produce a tight bass response even if you have to play around with placement and room treatment. . . you've really got something there. I am referring of course to Phil's AAD 2001s. I never heard a bookshelf/monitor fill a room and throw out a soundstage like these do.
  • Midnite Mick
    Midnite Mick Posts: 1,591
    edited November 2006
    When you say big speaker are we talking big cabinets with many drivers or are we talking bigger drivers?

    Mike
    Modwright SWL 9.0 SE (6Sons Audio Thunderbird PC with Oyaide 004 terminations)
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  • hearingimpared
    hearingimpared Posts: 21,137
    edited November 2006
    When you say big speaker are we talking big cabinets with many drivers or are we talking bigger drivers?

    Mike

    Not necessarily big cabinets, the old RTRs had narrow towers with 10 and 12 inch woofers. Two woofers one towards the bottom and one over top of the two electrostatic tweeters and cone midranges.
  • Early B.
    Early B. Posts: 7,900
    edited November 2006
    What? Are you building a case for replacing the newly acquired VMPS Tower II SE's? ;)

    Ha, ha. Hell, no. The VMPS' are already too damn big!!:eek:

    Maybe part of the answer to my question lies in the fact that people who can afford to spend lots of money on speakers want big speakers, not a small one, and have the space, etc. to meet the demands for their size. Sort of like houses -- if you have lots of money, are you gonna buy a 1,500 s.f. house or a 15,000 s.f. one?

    Maybe the Polk Forum's new slogan ought to be, "Go big or go Bose.":p
    HT/2-channel Rig: Sony 50” LCD TV; Toshiba HD-A2 DVD player; Emotiva LMC-1 pre/pro; Rogue Audio M-120 monoblocks (modded); Placette RVC; Emotiva LPA-1 amp; Bada HD-22 tube CDP (modded); VMPS Tower II SE (fronts); DIY Clearwave Dynamic 4CC (center); Wharfedale Opus Tri-Surrounds (rear); and VMPS 215 sub

    "God grooves with tubes."
  • dudeinaroom
    dudeinaroom Posts: 3,609
    edited November 2006
    dkg999 wrote:
    Didn't I see a bumper sticker that said "he (or she!) who dies with the biggest speakers wins" :D

    I can make one for ya. Would cost about $5.00 if you really want one. I could also customize it to have you speakers in the back ground
  • amulford
    amulford Posts: 5,020
    edited November 2006
    You can get a small monitor to kick your ****. I had it happen to me, but it was a in a small room, and they were 8" 2 way designs.

    The bigger speakers have more ****. No way around it. A sage man once said "There is no substitute for radiating surface area and a real man's amp."

    Music is an involving, almost guttural, experience for me. My signature, for me, is the truth...
  • PolkWannabie
    PolkWannabie Posts: 2,763
    edited November 2006
    I'd like nothing better than a speaker that sounded like it was 6' tall 2' wide and deep and weighed 500 pounds ( Like a Dunlavy VI ) that actually came in a 2" x 2" cube ... but somehow this doesn't seem feasible ...
  • hearingimpared
    hearingimpared Posts: 21,137
    edited November 2006
    amulford wrote:
    You can get a small monitor to kick your ****. I had it happen to me, but it was a in a small room, and they were 8" 2 way designs.

    The bigger speakers have more ****. No way around it. A sage man once said "There is no substitute for radiating surface area and a real man's amp."

    Music is an involving, almost guttural, experience for me. My signature, for me, is the truth...

    Phil's AAD 2001 monitors are in a 34 x 13 room and I can tell you they fill up that loooooong space.
  • joeparaski
    joeparaski Posts: 1,865
    edited November 2006
    I think a speaker should be visually appealling according to the room it's in. If you have a small room, then a pair of big SRS would look silly in there, bookshelfs would be the better choice.

    Conversely, if you have a large basement, with teeny weenie speakers next to your 60" screen, then ThAT would look silly.

    Joe
    Amplifiers: 1-SAE Mark IV, 4-SAE 2400, 1-SAE 2500, 2-SAE 2600, 1-Buttkicker BKA 1000N w/2-tactile transducers. Sources: Sony BDP CX7000es, Sony CX300/CX400/CX450/CX455, SAE 8000 tuner, Akai 4000D R2R, Technics 1100A TT, Epson 8500UB with Carada 100". Speakers:Polk SDA SRS, 3.1TL, FXi5, FXi3, 2-SVS 20-29, Yamaha, SVS center sub. Power:2-Monster HTS3500, Furman M-8D & RR16 Plus. 2-SAE 4000 X-overs, SAE 5000a noise reduction, MSB Link DAC III, MSB Powerbase, Behringer 2496, Monarchy DIP 24/96.
  • Early B.
    Early B. Posts: 7,900
    edited November 2006
    amulford wrote:
    "There is no substitute for radiating surface area and a real man's amp."

    I've read this statement a hundred times. Now I get it.
    HT/2-channel Rig: Sony 50” LCD TV; Toshiba HD-A2 DVD player; Emotiva LMC-1 pre/pro; Rogue Audio M-120 monoblocks (modded); Placette RVC; Emotiva LPA-1 amp; Bada HD-22 tube CDP (modded); VMPS Tower II SE (fronts); DIY Clearwave Dynamic 4CC (center); Wharfedale Opus Tri-Surrounds (rear); and VMPS 215 sub

    "God grooves with tubes."
  • BlueMDPicker
    BlueMDPicker Posts: 7,569
    edited November 2006
    I spend a lot of time listening 30+ feet, and several feet off axis, from my Revel Ultima Gems/Sub-15. That's where my work laptop sits. This same space (22'x38' with ceilings sloping from 10' to 18' and huge open areas to the side) has seen Maggie MG Is, SDA-2Bs, Cain & Cain Abbeys, SDA SRS, and RTA-12Cs. None of the former occupants could throw a dynamic, crystal clear, full frequency soundstage like the Gems and Sub-15. The only thing that came close was the SDA SRS. Of course, I have the LE-1 sub amp/crossover network in the mix with these stand-mounted "bookshelves" and sub. The bass control and extension puts the SDA SRS to shame--and, they sounded pretty damn good.

    To me it's all about the speaker design, system integration, and room characteristics. Sure a larger radiating surface will displace more air. But, from my experiences in my space, the larger arrays have had fairly serious cabinet resonance and time alignment issues.

    Another interesting observation has been what's heard in other areas of the house. When the crew is gone, I often crank it up and go take a shower upstairs. With the Gems, I hear detailed music--50 feet away on another level. With the big box speakers I heard a lot of bass resonance and little detail or clarity.
  • Joey_V
    Joey_V Posts: 8,553
    edited November 2006
    Size does matter.

    For me and my electrostatic tastes, the larger the stat panel, the better the sound because it can technically do away with the lower crossover. However, in my case, the larger the panel, the more difficult the room integration will be.

    Double edged sword? Yes indeed. Not to mention WAF, er GAF.

    Joey
    Magico M2, JL113v2x2, EMM, ARC Ref 10 Line, ARC Ref 10 Phono, VPIx2, Lyra Etna, Airtight Opus1, Boulder, AQ Wel&Wild, SRA Scuttle Rack, BlueSound+LPS, Thorens 124DD+124SPU, Sennheiser, Metaxas R2R
  • ledhed
    ledhed Posts: 1,088
    edited November 2006
    The biggest factor is the way a sound wave is presented. It is, essentially in a dumbed down, easy to wrap your head around, version,compressed air. The wave would look something like so... llll lll l ll llll llllll l llll lll.... so, the size of the line = the size of the cone lets say this point 2 font is a 6" woofer. Now for a 12" woofer... llll lll l ll llll llllll l llll lll Larger waves would make biger sound, larger sweet spot and wider sound stage no?


    Of course, I could be way off base depending on if my Physics teacher knew her stuff :p

    EDIT: Also, this is only at the cone. The waves get bigger and bigger and propagate onto infinity but, the larger woofer yields larger waves sooner.
    God shows his love for us in that while we were still sinners, Christ died for us. - Romans 5:8
  • VR3
    VR3 Posts: 28,650
    edited November 2006
    I dunno...

    The only large speakers that have really blown me away are the Wilson X1 and the JM Lab Grande Utopia...

    I've heard the 1.2TL, the 2.3(TL I presume) and every time I'm just not wanting to listen, something about the sound they produce doesn't appeal to me.

    At Polkfest, my favorite speaker by far was the LSi9, it didn't have the best staging - but it presented far better detail and clarity to me... but it still wasn't enough detail and clarity where I want to be...

    But, someone above was comparing 6.5 to 12 inch drivers, gotta remember - there are not to many ocasions left where a 12" woofer is better than a smaller midwoofer, when you figure in a 12" woofer just isn't as fast as a 6.5 for mids - while it may not throw off as large of a sound, the 12" woofer may become so disoriented at louder volumes due to all the info its doing, it really wouldnt matter about its size...

    I think Polk kind of knew this before every once else, they always used multiple upon multiple 6.5" drivers... and now you see 2, 3, 4 or so midbasses per speaker now in some ocasions - which really is enough.

    But I think it all comes with what you want too, I want good staging, but to me staging isn't as important as say... detail, clarity, texture - I don't think staging should suck or anything, I want seperation, good width, lots of depth, height - but I don't exactly want SDA width, depth, height...
    - Not Tom ::::::: Any system can play Diana Krall. Only the best can play Limp Bizkit.
  • Early B.
    Early B. Posts: 7,900
    edited November 2006
    I'm gonna post some more thoughts on this issue from a different perspective in another thread 'cause I don't wanna hijack this one...
    HT/2-channel Rig: Sony 50” LCD TV; Toshiba HD-A2 DVD player; Emotiva LMC-1 pre/pro; Rogue Audio M-120 monoblocks (modded); Placette RVC; Emotiva LPA-1 amp; Bada HD-22 tube CDP (modded); VMPS Tower II SE (fronts); DIY Clearwave Dynamic 4CC (center); Wharfedale Opus Tri-Surrounds (rear); and VMPS 215 sub

    "God grooves with tubes."
  • zombie boy 2000
    zombie boy 2000 Posts: 6,641
    edited November 2006
    At least one thing a smaller speaker has over its larger bretheren is its ability to utterly disappear if done right....
    I never had it like this where I grew up. But I send my kids here because the fact is you go to one of the best schools in the country: Rushmore. Now, for some of you it doesn't matter. You were born rich and you're going to stay rich. But here's my advice to the rest of you: Take dead aim on the rich boys. Get them in the crosshairs and take them down. Just remember, they can buy anything but they can't buy backbone. Don't let them forget it. Thank you.Herman Blume - Rushmore
  • steveinaz
    steveinaz Posts: 19,538
    edited November 2006
    Absolutely.
    Larger speaker = more radiating surface = more air being moved = more realism, lifesize or closer to lifesize images, and more sonic impact.

    Anyway, to answer your question, I think the real magic for any pair of speakers, regardless of size, is how accurately they reproduce the signal that is fed to them.

    Exactly. Scale is very important to create a realistic soundstage. I've tried to go the bookshelf route a number of times; I always came back to floor standers.
    Source: Bluesound Node 2i - Preamp/DAC: Benchmark DAC2 DX - Amp: Parasound Halo A21 - Speakers: MartinLogan Motion 60XTi - Shop Rig: Yamaha A-S501 Integrated - Shop Spkrs: Elac Debut 2.0 B5.2
  • Early B.
    Early B. Posts: 7,900
    edited November 2006
    At least one thing a smaller speaker has over its larger bretheren is its ability to utterly disappear if done right....

    I see no reason why a big speaker can't utterly disappear in a large room when properly set up.
    HT/2-channel Rig: Sony 50” LCD TV; Toshiba HD-A2 DVD player; Emotiva LMC-1 pre/pro; Rogue Audio M-120 monoblocks (modded); Placette RVC; Emotiva LPA-1 amp; Bada HD-22 tube CDP (modded); VMPS Tower II SE (fronts); DIY Clearwave Dynamic 4CC (center); Wharfedale Opus Tri-Surrounds (rear); and VMPS 215 sub

    "God grooves with tubes."
  • amulford
    amulford Posts: 5,020
    edited November 2006
    It can. I have my CA's set up in a rather small room for their given size. When you close your eyes, they sonically dissappear.
  • hoosier21
    hoosier21 Posts: 4,411
    edited November 2006
    The largest speaker is usually the mfg "flagship" speaker, so it should be the best sounding speaker in the line, the smaller models would be "scaled down" versions of the flagship model.

    This is not always the case, but it usually is.
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  • zombie boy 2000
    zombie boy 2000 Posts: 6,641
    edited November 2006
    I didn't say larger speakers can't.... it just takes a bit more TLC and at the end of the day, that might not be enough.

    Just an advantage.... not a black/white issue.
    I never had it like this where I grew up. But I send my kids here because the fact is you go to one of the best schools in the country: Rushmore. Now, for some of you it doesn't matter. You were born rich and you're going to stay rich. But here's my advice to the rest of you: Take dead aim on the rich boys. Get them in the crosshairs and take them down. Just remember, they can buy anything but they can't buy backbone. Don't let them forget it. Thank you.Herman Blume - Rushmore
  • PolkWannabie
    PolkWannabie Posts: 2,763
    edited November 2006
    joeparaski wrote:
    I think a speaker should be visually appealling according to the room it's in. If you have a small room, then a pair of big SRS would look silly in there, bookshelfs would be the better choice.
    Function before fashion ... WAF be damned ...
  • Early B.
    Early B. Posts: 7,900
    edited November 2006
    hoosier21 wrote:
    The largest speaker is usually the mfg "flagship" speaker, so it should be the best sounding speaker in the line, the smaller models would be "scaled down" versions of the flagship model.

    Good point.
    HT/2-channel Rig: Sony 50” LCD TV; Toshiba HD-A2 DVD player; Emotiva LMC-1 pre/pro; Rogue Audio M-120 monoblocks (modded); Placette RVC; Emotiva LPA-1 amp; Bada HD-22 tube CDP (modded); VMPS Tower II SE (fronts); DIY Clearwave Dynamic 4CC (center); Wharfedale Opus Tri-Surrounds (rear); and VMPS 215 sub

    "God grooves with tubes."