Cables for Optimizing my Two Channel Setup.
nooshinjohn
Posts: 23,221
One area I will be addressing is having my turntable professionally calibrated and set up to ensure I am getting the most from it, but beyond that, I have reached a place that is the end of the road for upgrades and the days of looking for that next move are behind me. I am completely happy with the Pass Labs stack, turntable and of course, my amplifiers.
One area I may make a move later on is with my speakers, but that is so far down the road, and whatever I get would have such a high standard to meet that I have yet to find them. That leaves cables... Let me pause here and say if you cannot accept the premise that cables have a synergistic fit to a system that can make for dramatic improvement in the overall performance of a high end audio setup, do not post here. Your comments are not required.
I have been very happy with the Douglas Connection cables I have been using, but have decided to take full advantage of the XLR connections that all my gear now has and wish to upgrade. Currently, I am using AudioQuest Forest XLR and they are good, but feel I can do better. I am looking at MIT, but do not want to spend thousands on cables, especially when that money could be used to move up the chain in the Pass family. I am a newb to XLR connections and do not have much knowlege of the different types of cables within this subset of cables.
My length requirements are two sets of 1 meter, one set at 1.5/2 meter for the XLR, a set of 12 foot Bi-Wire speaker cables, 1 set of 1 meter RCA and 1 set of 3 meter RCA to connect the amplifiers to the preamp.
Thanks for any input and advice.
One area I may make a move later on is with my speakers, but that is so far down the road, and whatever I get would have such a high standard to meet that I have yet to find them. That leaves cables... Let me pause here and say if you cannot accept the premise that cables have a synergistic fit to a system that can make for dramatic improvement in the overall performance of a high end audio setup, do not post here. Your comments are not required.
I have been very happy with the Douglas Connection cables I have been using, but have decided to take full advantage of the XLR connections that all my gear now has and wish to upgrade. Currently, I am using AudioQuest Forest XLR and they are good, but feel I can do better. I am looking at MIT, but do not want to spend thousands on cables, especially when that money could be used to move up the chain in the Pass family. I am a newb to XLR connections and do not have much knowlege of the different types of cables within this subset of cables.
My length requirements are two sets of 1 meter, one set at 1.5/2 meter for the XLR, a set of 12 foot Bi-Wire speaker cables, 1 set of 1 meter RCA and 1 set of 3 meter RCA to connect the amplifiers to the preamp.
Thanks for any input and advice.
The Gear... Carver "Statement" Mono-blocks, TriangleArt Reference SE with Pass Labs Xono Phono Preamp, Walker Precision Motor Drive, ClearAudio Goldfinger Statement V2 cartridge and Origin Conqueror Mk3c tonearm, Polk Audio "Signature" Reference Series 1.2TL with complete mods, Pass Labs X0.2 three chassis preamp, PS Audio PerfectWave DAC MkII, Pioneer Elite SC-LX701, Oppo UDP-205 4K Blu-ray player, Sony XBR70x850B 4k, Polk audio AB800 "in-wall" surrounds.
“Every record has been destroyed or falsified, every book has been rewritten, every picture has been repainted, every statue and street building has been renamed, every date has been altered…History has stopped. Nothing exists except the endless present in which the party is always right” — George Orwell
“If it moves, tax it. If it keeps moving, regulate it. And if it stops moving, subsidize it.”
“Every record has been destroyed or falsified, every book has been rewritten, every picture has been repainted, every statue and street building has been renamed, every date has been altered…History has stopped. Nothing exists except the endless present in which the party is always right” — George Orwell
“If it moves, tax it. If it keeps moving, regulate it. And if it stops moving, subsidize it.”
Comments
Check out their lines just below the TOTL.
Sony XA-5400ES SACD
Pass XP-22 pre, X600.5 amps
Magico S5 MKII Mcast Rose speakers, SPOD spikes
Shunyata Triton v3/Typhon QR on source, Denali 2000 (2) on amps
Shunyata Sigma XLR analog ICs, Sigma speaker cables
Shunyata Sigma HC (2), Sigma Analog, Sigma Digital, Z Anaconda (3) power cables
Mapleshade Samson V.3 four shelf solid maple rack, Micropoint brass footers
Three 20 amp circuits.
If the Shunyata Venom XLR's are anywhere as good as the Venom RCA's then they should be a great choice......plus they look killer! I've been evaluating the Venom RCA's since getting a great deal on a used pair and I am super impressed, even though I never thought much of the Venom line of power cords.
Having said that, I wouldn't necessarily expect the XLR solution to be an upgrade over RCA even though there are/may be some inherent benefit.
2 channel - PS Audio Stellar S300 amp, PS Audio DirectStream DAC, audio optimized NUC7i5 running Windows 10 Pro/JRiver MC24, Matrix X-SPDIF 2 USB interface, Blackbird SSD dock with 500 GB Samsung 860 EVO, Tom Tutay modded EE Minimax preamp, Furman Elite 15 Pfi power conditioner, Martin Logan Electromotion ESL speakers, Rythmik F12SE subwoofer, Kimber 4TC speaker wire, Gabriel Gold Reflection V2 IC's, VH Audio power cords, Wireworld USB and HDMI/I2S cables
Computer - Windows 7/JRiver, Topping D10 DAC, Fostex PMO.4n monitors
I have those XLR Venoms, and speaker cables, in my HT/backup stereo and love them. My feeble brain forgot that. LOL.
However, the Venoms are ‘entry’ level, so the next level (Delta or Alpha) might be more fitting for John.
Sony XA-5400ES SACD
Pass XP-22 pre, X600.5 amps
Magico S5 MKII Mcast Rose speakers, SPOD spikes
Shunyata Triton v3/Typhon QR on source, Denali 2000 (2) on amps
Shunyata Sigma XLR analog ICs, Sigma speaker cables
Shunyata Sigma HC (2), Sigma Analog, Sigma Digital, Z Anaconda (3) power cables
Mapleshade Samson V.3 four shelf solid maple rack, Micropoint brass footers
Three 20 amp circuits.
Preamp: deHavilland Ultraverve 3
Transport/Dac: L.K.S MH-DA004, Cayin Venus cd-100i, Musical Paradise mp-d2 mkI,
Musical Paradise mp-d2 mkIII
Speakers: Rosso Fiorentino Volterra II
Speaker Cables: Organic Audio Organic Reference 2
Cerious Technologies Graphene Extreme
Interconnects: Argento Organic Reference 2, Argento Organic 2, Gabriel Gold Reckoning
Power Cables by: Argento Organic Reference, Cullen Cables, 6sons Audio, Swiss Cables
I tend not to put much stock into a cables placement in the hierarchy. Despite being entry level they still incorporate OHNO cast copper and " exclusive VTX (hollow-core) conductors, previously found only in higher-end designs"
2 channel - PS Audio Stellar S300 amp, PS Audio DirectStream DAC, audio optimized NUC7i5 running Windows 10 Pro/JRiver MC24, Matrix X-SPDIF 2 USB interface, Blackbird SSD dock with 500 GB Samsung 860 EVO, Tom Tutay modded EE Minimax preamp, Furman Elite 15 Pfi power conditioner, Martin Logan Electromotion ESL speakers, Rythmik F12SE subwoofer, Kimber 4TC speaker wire, Gabriel Gold Reflection V2 IC's, VH Audio power cords, Wireworld USB and HDMI/I2S cables
Computer - Windows 7/JRiver, Topping D10 DAC, Fostex PMO.4n monitors
Yes, that might be true. Since I haven’t heard the Delta or Alpha, I can’t speak from experience. However, I have come to conclude that Shunyata is honest and factual in their products, and descriptions. So, I suspect if your gear is capable of excellent resolution then those cables will help reveal it.
Sony XA-5400ES SACD
Pass XP-22 pre, X600.5 amps
Magico S5 MKII Mcast Rose speakers, SPOD spikes
Shunyata Triton v3/Typhon QR on source, Denali 2000 (2) on amps
Shunyata Sigma XLR analog ICs, Sigma speaker cables
Shunyata Sigma HC (2), Sigma Analog, Sigma Digital, Z Anaconda (3) power cables
Mapleshade Samson V.3 four shelf solid maple rack, Micropoint brass footers
Three 20 amp circuits.
"A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."
President of Club Polk
“Every record has been destroyed or falsified, every book has been rewritten, every picture has been repainted, every statue and street building has been renamed, every date has been altered…History has stopped. Nothing exists except the endless present in which the party is always right” — George Orwell
“If it moves, tax it. If it keeps moving, regulate it. And if it stops moving, subsidize it.”
Belles 21A Pre modded with Mundorf Supreme caps
B&K M200 Sonata monoblocks refreshed and upgraded
Belles 350A Reference modded with Mundorf Supreme caps
Polk SDA 1C's modded
Wireworld Silver Eclipse IC's and speaker cables
There is about a 5% genetic difference between apes and men …but that difference is the difference between throwing your own poo when you are annoyed …and Einstein, Shakespeare and Miss January. by Dr. Sardonicus
I am thinking Shotguns but there are so many series options that I don't know where to look.
“Every record has been destroyed or falsified, every book has been rewritten, every picture has been repainted, every statue and street building has been renamed, every date has been altered…History has stopped. Nothing exists except the endless present in which the party is always right” — George Orwell
“If it moves, tax it. If it keeps moving, regulate it. And if it stops moving, subsidize it.”
Sony XA-5400ES SACD
Pass XP-22 pre, X600.5 amps
Magico S5 MKII Mcast Rose speakers, SPOD spikes
Shunyata Triton v3/Typhon QR on source, Denali 2000 (2) on amps
Shunyata Sigma XLR analog ICs, Sigma speaker cables
Shunyata Sigma HC (2), Sigma Analog, Sigma Digital, Z Anaconda (3) power cables
Mapleshade Samson V.3 four shelf solid maple rack, Micropoint brass footers
Three 20 amp circuits.
"A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."
President of Club Polk
They don't make the Shotgun series any longer and not many show up on the used market because people keep them due to how good they sound.
The current offerings are priced much higher than the older series, which is unfortunate.
"A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."
President of Club Polk
Okay. I never understood business.
Sony XA-5400ES SACD
Pass XP-22 pre, X600.5 amps
Magico S5 MKII Mcast Rose speakers, SPOD spikes
Shunyata Triton v3/Typhon QR on source, Denali 2000 (2) on amps
Shunyata Sigma XLR analog ICs, Sigma speaker cables
Shunyata Sigma HC (2), Sigma Analog, Sigma Digital, Z Anaconda (3) power cables
Mapleshade Samson V.3 four shelf solid maple rack, Micropoint brass footers
Three 20 amp circuits.
"A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."
President of Club Polk
I can make you a full recommendation for your system can you list the exact components that your wiring between. I see the lengths and the Pass Labs XO.2 preamp and the Carver Monos. I also think your rewiring the DAC Perfect Wave from PS Audio and the 1.2 TL's.
Some helpful tips on the speaker cables, if you buy Bi wire cables you will feel the need to buy speakers that can be bi wired as you may love your new wires. BUT you might find speakers down the road in your upgrade path that are not bi wirable and then you have to sell them and get new speaker cables again. Not the end of the world but it's something to think about.
The analog interconnects at 3m your gonna want a good quality and keep them away from power wires so they have less ability to pick up any interference.
Same with the 1m models.
The Balanced is where when you upgrade your not gonna hear much difference as by design the balanced cable even entry level models are going to give you a very low noise floor and as long as they are high quality properly built cables it's so small in differences I'm completely agreeing with you about spending a lot of money here when that same money can be used to upgrade something else that will give you much better value results.
You can PM me if you wish and I can talk to you over the phone. Once you confirm your system I will also leave a detailed spec here for you to think about.
My personal quest is to save to world of bad audio, one thread at a time.
I started with the Core UEF, then the Atmosphere UEF. Currently I have settled on the Atmosphere UEF level 1 RCA, and Atmosphere UEF level 2 speaker cables and I'm quite pleased. I don't know what they have now as far as the Atmosphere UEF, as they have upgraded their lineup to the Atmosphere X.
They are quite detailed and have brought out the finer nuances. I feel the noise floor has been reduced as the overall presentation is a more quiet background with some added clarity to the midrange.
This was coming from the S1's, and those were tough to beat and this is naturally system dependent.
I outfitted my entire rig with MIT cabling last year because of the good advice I got here and I'm very happy with the outcome. I use XLR's where ever I can and the MH750 bi-wire speaker cables work great with the 1.2tl's. The thick cables and boxes are a pain to work with but I think it's well worth it for the better sound. Part of the fun to I must admit was the hunt and the thrill of acquisition. Good luck to you in your quest and don't settle for anything else.
He didn’t need to compare my wels to the shunyata.
Fwiw
Current Gear:
Primary:
Digital: Torus RM15 -> Emm Labs TSDx/Bluesound Node 2 -> Emm Labs DAC2x
Analog: VPI Avenger Reference w/ Rim Drive w/ ADS + 12" Fatboy Dual Pivot + Lyra Etna
+ Audio Research Reference 40th Anniversary -> Boulder 2060 stereo amp (w/ Audioquest WEL Signature) -> new speakers + JL Audio F113v2 x2
Secondary:
Rotel RA1592 Super Integrated -> Sonus Faber Olympica 3
Tertiary:
Oppo 105D -> Rotel RC1570 preamp -> Rotel RB1582 amp -> Focal Kanta 2
Main speakers system evolution over the years:
Klipsch Promedia 4.1 -> Axiom M22ti -> Sonus Faber Concertino -> Sonus Faber Concerto -> Polk LSi7 -> Polk LSi9 -> Martin Logan Mosaic -> AV123 Onix Ref 1 -> Martin Logan Vantage -> AV123 Strata Mini -> Martin Logan Summit -> Sonus Faber Cremona Auditor -> BW 802D2 -> Sonus Faber Stradivari -> Rockport Avior -> BW 802D3 -> BW 800D3 -> ???
Old Gear:
Speakers:
BW PM1 (3.5/5), CM10s2 (3.75/5), BW800D3 (5/5), Rockport Aviors (5/5), Sonus Faber Stradivari (5/5), BW 802D2 (4.5/5), Martin Logan Summits (4.25/5), Martin Logan Vantage (4/5), Sonus Faber Cremona Auditor (3.75/5), AV123 Strata Mini (3.5/5), ML Mosaic (3.25/5), Onix Ref1 (3/5), Sonus Faber Concerto (2.75/5), SF Concertino (2.5/5), Axiom M22ti (2/5), Polk LSi9 (3/5), LSi7 (2.9/5)
Source:
Squeezebox 3 -> PS Audio Digital Link III -> Cary 306/200 CDP -> Cary 306 SACD -> EMM LABS DAC2X/TSDX
Preamplification:
Rotel RC1070 -> Rogue Perseus -> Cary SLP98 -> Cary SLP98F1 -> Cary SLP05 (sold and then repurchased) -> ARC 5se -> ARC Ref 40th Anniversary
Amplification:
HK AVR330 -> Rotel RB1070 -> Rotel RB1090 -> Plinius SA102 -> Cary 211FE -> Classe M600 -> Boulder 2060
Subwoofer:
Infinity Entra2 -> SVS 25-31PCi -> SVS 25-31PC+ -> Dual JL Audio F113v2
Dems fightin words
Family Room| Marantz AV7704| Usher Dancer Mini - 2 DMD Mains |Usher Dancer Mini-x DMD's Surrounds | Usher BE-616 DMD Center | SVS Ultra Rear Surrounds | Parasound Halo A21 | Parsound Halo A52+ | MIT Shotgun S3's | Dual SVS SB 4000 Ultras | Oppo UDP 203 | Directv Genie HD DVR | Samsung 75" Q8 QLED | PSAudio Stellar GCD | Mytek Brooklyn DAC+ | Lumin U1 Mini | HP Elite Slice PC | ROON'd for life |
ManCave: HT:Polk LSiM 706VR3 LSiM 703's LSiM 702's|| Marantz AV7002 AV PrePro Sunfire TGA-7401| Sony PS4 Pro| Sony PS4 Pro|SVS PB13 Ultra| Oppo UDP 203 | Music Hall MMF 5.3se TT w/ Soundsmith Carmen | Samsung 55" SUHD TV | Sony PS4
Patio | Polk Atrium 8's | Yamaha R-N303BL |
Office BlueSound Node| KEF LS50 | Peactree Nova 125SE |
Bedroom | Focal 905's | Chromecast Audio |
Garage | Polk Monitor 5B's
Closet Yamaha M80 | 2 Polk MP3K subs| Yaqin MC100B with Shuguang Treasures KT 88's & CV181Z's | Tesla E83CC's | Marantz 2252B | Marantz 2385 |Polk SDA SRS 2.3 | LSiM 705's |
FWIW, he felt the alpha were better than the sigmas (speaker wire).
Current Gear:
Primary:
Digital: Torus RM15 -> Emm Labs TSDx/Bluesound Node 2 -> Emm Labs DAC2x
Analog: VPI Avenger Reference w/ Rim Drive w/ ADS + 12" Fatboy Dual Pivot + Lyra Etna
+ Audio Research Reference 40th Anniversary -> Boulder 2060 stereo amp (w/ Audioquest WEL Signature) -> new speakers + JL Audio F113v2 x2
Secondary:
Rotel RA1592 Super Integrated -> Sonus Faber Olympica 3
Tertiary:
Oppo 105D -> Rotel RC1570 preamp -> Rotel RB1582 amp -> Focal Kanta 2
Main speakers system evolution over the years:
Klipsch Promedia 4.1 -> Axiom M22ti -> Sonus Faber Concertino -> Sonus Faber Concerto -> Polk LSi7 -> Polk LSi9 -> Martin Logan Mosaic -> AV123 Onix Ref 1 -> Martin Logan Vantage -> AV123 Strata Mini -> Martin Logan Summit -> Sonus Faber Cremona Auditor -> BW 802D2 -> Sonus Faber Stradivari -> Rockport Avior -> BW 802D3 -> BW 800D3 -> ???
Old Gear:
Speakers:
BW PM1 (3.5/5), CM10s2 (3.75/5), BW800D3 (5/5), Rockport Aviors (5/5), Sonus Faber Stradivari (5/5), BW 802D2 (4.5/5), Martin Logan Summits (4.25/5), Martin Logan Vantage (4/5), Sonus Faber Cremona Auditor (3.75/5), AV123 Strata Mini (3.5/5), ML Mosaic (3.25/5), Onix Ref1 (3/5), Sonus Faber Concerto (2.75/5), SF Concertino (2.5/5), Axiom M22ti (2/5), Polk LSi9 (3/5), LSi7 (2.9/5)
Source:
Squeezebox 3 -> PS Audio Digital Link III -> Cary 306/200 CDP -> Cary 306 SACD -> EMM LABS DAC2X/TSDX
Preamplification:
Rotel RC1070 -> Rogue Perseus -> Cary SLP98 -> Cary SLP98F1 -> Cary SLP05 (sold and then repurchased) -> ARC 5se -> ARC Ref 40th Anniversary
Amplification:
HK AVR330 -> Rotel RB1070 -> Rotel RB1090 -> Plinius SA102 -> Cary 211FE -> Classe M600 -> Boulder 2060
Subwoofer:
Infinity Entra2 -> SVS 25-31PCi -> SVS 25-31PC+ -> Dual JL Audio F113v2
And the personal preference on what the individual wants in sound.
Ethernet Filter: GigaFOILv4 with Keces P3 LPS
Source: Roon via ethernet to DAC interface
DAC: Bricasti M1SE
Pre/Pro: Marantz AV8805
Tube Preamp Buffer: Tortuga TPB.V1
Amp1: Nord One NC1200DM Signature, Amp2: W4S MC-5, AMP3: W4S MMC-7
Front: Salk SoundScape 8's, Center: Salk SoundScape C7
Surround: Polk FXIA6, Surround Back: Polk RTIA9, Atmos: Polk 70-RT
Subs: 2 - Rythmik F25's
IC & Speaker Cables: Acoustic Zen, Wireworld, Signal Cable
Power Cables: Acoustic Zen, Wireworld, PS Audio
Room Treatments: GIK Acoustics
The pricing on anything new is pretty much out of the question with anything I am looking at. What about used options?
“Every record has been destroyed or falsified, every book has been rewritten, every picture has been repainted, every statue and street building has been renamed, every date has been altered…History has stopped. Nothing exists except the endless present in which the party is always right” — George Orwell
“If it moves, tax it. If it keeps moving, regulate it. And if it stops moving, subsidize it.”
My bad... they are Macenzie. PM sent.
“Every record has been destroyed or falsified, every book has been rewritten, every picture has been repainted, every statue and street building has been renamed, every date has been altered…History has stopped. Nothing exists except the endless present in which the party is always right” — George Orwell
“If it moves, tax it. If it keeps moving, regulate it. And if it stops moving, subsidize it.”
2 channel - PS Audio Stellar S300 amp, PS Audio DirectStream DAC, audio optimized NUC7i5 running Windows 10 Pro/JRiver MC24, Matrix X-SPDIF 2 USB interface, Blackbird SSD dock with 500 GB Samsung 860 EVO, Tom Tutay modded EE Minimax preamp, Furman Elite 15 Pfi power conditioner, Martin Logan Electromotion ESL speakers, Rythmik F12SE subwoofer, Kimber 4TC speaker wire, Gabriel Gold Reflection V2 IC's, VH Audio power cords, Wireworld USB and HDMI/I2S cables
Computer - Windows 7/JRiver, Topping D10 DAC, Fostex PMO.4n monitors
My personal quest is to save to world of bad audio, one thread at a time.
2 channel - PS Audio Stellar S300 amp, PS Audio DirectStream DAC, audio optimized NUC7i5 running Windows 10 Pro/JRiver MC24, Matrix X-SPDIF 2 USB interface, Blackbird SSD dock with 500 GB Samsung 860 EVO, Tom Tutay modded EE Minimax preamp, Furman Elite 15 Pfi power conditioner, Martin Logan Electromotion ESL speakers, Rythmik F12SE subwoofer, Kimber 4TC speaker wire, Gabriel Gold Reflection V2 IC's, VH Audio power cords, Wireworld USB and HDMI/I2S cables
Computer - Windows 7/JRiver, Topping D10 DAC, Fostex PMO.4n monitors
My personal quest is to save to world of bad audio, one thread at a time.
2 channel - PS Audio Stellar S300 amp, PS Audio DirectStream DAC, audio optimized NUC7i5 running Windows 10 Pro/JRiver MC24, Matrix X-SPDIF 2 USB interface, Blackbird SSD dock with 500 GB Samsung 860 EVO, Tom Tutay modded EE Minimax preamp, Furman Elite 15 Pfi power conditioner, Martin Logan Electromotion ESL speakers, Rythmik F12SE subwoofer, Kimber 4TC speaker wire, Gabriel Gold Reflection V2 IC's, VH Audio power cords, Wireworld USB and HDMI/I2S cables
Computer - Windows 7/JRiver, Topping D10 DAC, Fostex PMO.4n monitors
For doing something before.
Current Gear:
Primary:
Digital: Torus RM15 -> Emm Labs TSDx/Bluesound Node 2 -> Emm Labs DAC2x
Analog: VPI Avenger Reference w/ Rim Drive w/ ADS + 12" Fatboy Dual Pivot + Lyra Etna
+ Audio Research Reference 40th Anniversary -> Boulder 2060 stereo amp (w/ Audioquest WEL Signature) -> new speakers + JL Audio F113v2 x2
Secondary:
Rotel RA1592 Super Integrated -> Sonus Faber Olympica 3
Tertiary:
Oppo 105D -> Rotel RC1570 preamp -> Rotel RB1582 amp -> Focal Kanta 2
Main speakers system evolution over the years:
Klipsch Promedia 4.1 -> Axiom M22ti -> Sonus Faber Concertino -> Sonus Faber Concerto -> Polk LSi7 -> Polk LSi9 -> Martin Logan Mosaic -> AV123 Onix Ref 1 -> Martin Logan Vantage -> AV123 Strata Mini -> Martin Logan Summit -> Sonus Faber Cremona Auditor -> BW 802D2 -> Sonus Faber Stradivari -> Rockport Avior -> BW 802D3 -> BW 800D3 -> ???
Old Gear:
Speakers:
BW PM1 (3.5/5), CM10s2 (3.75/5), BW800D3 (5/5), Rockport Aviors (5/5), Sonus Faber Stradivari (5/5), BW 802D2 (4.5/5), Martin Logan Summits (4.25/5), Martin Logan Vantage (4/5), Sonus Faber Cremona Auditor (3.75/5), AV123 Strata Mini (3.5/5), ML Mosaic (3.25/5), Onix Ref1 (3/5), Sonus Faber Concerto (2.75/5), SF Concertino (2.5/5), Axiom M22ti (2/5), Polk LSi9 (3/5), LSi7 (2.9/5)
Source:
Squeezebox 3 -> PS Audio Digital Link III -> Cary 306/200 CDP -> Cary 306 SACD -> EMM LABS DAC2X/TSDX
Preamplification:
Rotel RC1070 -> Rogue Perseus -> Cary SLP98 -> Cary SLP98F1 -> Cary SLP05 (sold and then repurchased) -> ARC 5se -> ARC Ref 40th Anniversary
Amplification:
HK AVR330 -> Rotel RB1070 -> Rotel RB1090 -> Plinius SA102 -> Cary 211FE -> Classe M600 -> Boulder 2060
Subwoofer:
Infinity Entra2 -> SVS 25-31PCi -> SVS 25-31PC+ -> Dual JL Audio F113v2