HDCD I looked it up and it says it some microboff crap

2

Comments

  • pitdogg2
    pitdogg2 Posts: 25,571
    Rough crowd huh Brock....
    I still also have many of my first CD's I bought back in the 80's 99% still play the few that didn't more or less delaminated so to speak and then no longer play. Many of the first had no back cover art just table of contents if you hold those up to the sun you will see many tiny holes and yet they never ever got any worse. CD rot is bunk in my mind .....

    My HDCD copies do sound better when played on HDCD players. Many of the player makers no longer support HDCD so anymore it's rare to see it.
  • heiney9
    heiney9 Posts: 25,197
    edited February 2016
    Afterburnt, do you have a player or dac that decodes HDCD? Like I said if you use a bit perfect ripping program the HDCD is still present in your rip.

    If you are really interested somewhere on the interwebs someone put a list together of all the HDCD releases. They were only released for a short time, mostly by artists or producers that supported HDCD.

    Adcom was an early adopter of HDCD with a couple their cdp's and the GDA-700 dac having the Pacific Micronics decoding chipset.

    It certainly was a step forward, but in the end the differences were too subtle for it to really get a foothold.

    H9

    P.s. despite some misinformation HDCD doesn't sound any better than standard redbook without a unit that decodes the HDCD. In other words you can't won't get the benefits of HDCD without a unit that actually decodes it.
    "Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul!
  • heiney9
    heiney9 Posts: 25,197
    The catch is that once you convert the format it usually strips away the HDCD encoding in the LSB.

    If you use bit perfect ripping software it does NOT strip away the encoding.

    "Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul!
  • afterburnt
    afterburnt Posts: 7,892
    I have an Oppo that is supposed to play it and I used EAC to rip them.dunno if it is bit perfect. I didn't change any of the default settings.
  • voltz
    voltz Posts: 5,384
    heiney9 wrote: »
    Afterburnt, do you have a player or dac that decodes HDCD? Like I said if you use a bit perfect ripping program the HDCD is still present in your rip.

    If you are really interested somewhere on the interwebs someone put a list together of all the HDCD releases. They were only released for a short time, mostly by artists or producers that supported HDCD.

    Adcom was an early adopter of HDCD with a couple their cdp's and the GDA-700 dac having the Pacific Micronics decoding chipset.

    It certainly was a step forward, but in the end the differences were too subtle for it to really get a foothold.

    H9

    P.s. despite some misinformation HDCD doesn't sound any better than standard redbook without a unit that decodes the HDCD. In other words you can't won't get the benefits of HDCD without a unit that actually decodes it.

    makes sense, like hybrid SACD's can be played in normal CD players, but then its just likea normal redbook.

    heres is a link to Acoustic sounds CD page, at the top you can click on any of the formats and it will show you what they carry.

    http://store.acousticsounds.com/cat/7/CD
    2 ch- Polk CRS+ * Vincent SA-31MK Preamp * Vincent Sp-331 Amp * Marantz SA8005 SACD * Project Xperience Classic TT * Sumiko Blue Point #2 MC cartridge

    HT - Polk 703's * NAD T-758 * Adcom 5503 * Oppo 103 * Samsung 60" series 8 LCD
  • voltz
    voltz Posts: 5,384
    This thread has been a eye opener for me as i thought the Gold CD's were a extended range CD like SACD's and the other formats. but they look good and play good B)
    2 ch- Polk CRS+ * Vincent SA-31MK Preamp * Vincent Sp-331 Amp * Marantz SA8005 SACD * Project Xperience Classic TT * Sumiko Blue Point #2 MC cartridge

    HT - Polk 703's * NAD T-758 * Adcom 5503 * Oppo 103 * Samsung 60" series 8 LCD
  • heiney9
    heiney9 Posts: 25,197
    edited February 2016
    voltz wrote: »
    This thread has been a eye opener for me as i thought the Gold CD's were a extended range CD like SACD's and the other formats. but they look good and play good B)

    Nope, just a different (controversial) material to contain the same dashes and oh's. I say controversial because some people swear burning cdr's on gold sounds better. It's very, very subtle at best and the same as aluminum at worst. I never bought into it because I never heard a difference and blank gold cdr's were upto 5 times the price of good "silver" colored cdr's.

    Companies like MSFL and even most SACD's use "gold" colored media. I'm sure part of it is to appear to make it worth the extra $$$ these disc's cost. MFSL cd's would sound just as good on "silver" colored media, I'm sure. It's more about the mastering and transfer than the media.

    H9
    "Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul!
  • heiney9 wrote: »
    voltz wrote: »
    This thread has been a eye opener for me as i thought the Gold CD's were a extended range CD like SACD's and the other formats. but they look good and play good B)

    Nope, just a different (controversial) material to contain the same dashes and oh's. I say controversial because some people swear burning cdr's on gold sounds better. It's very, very subtle at best and the same as aluminum at worst. I never bought into it because I never heard a difference and blank gold cdr's were upto 5 times the price of good "silver" colored cdr's.

    Companies like MSFL and even most SACD's use "gold" colored media. I'm sure part of it is to appear to make it worth the extra $$$ these disc's cost. MFSL cd's would sound just as good on "silver" colored media, I'm sure. It's more about the mastering and transfer than the media.

    H9

    Does anyone remember the green ink that you would paint onto the edges of the CD to make them sound better? It cought on for a minute back in the early nineties. So much so that some high end marques put green LED's inside the CD tray to similate the effect!
    I actually had someone paint the edges of one of my CD's once and I swear I could hear a SUBTLE difference on SOME systems.
  • cfrizz
    cfrizz Posts: 13,415
    Thanks to this thread, I spent some money on Amazon buying 3 SACD's and one CD.

    And I can tell you that HDCD does sound better than regular CDs. I'm playing my Charo and Guitar cd in both my Rotel CD player which decodes the layer vs my Pioneer Universal player which doesn't, and there is a clear, distinct difference.

    There is much more detail in the Rotel, whereas in the Pioneer it sounds like there is a something muffling the sound.

    This is the first time I compared the two machines on a HDCD disc, I really wasn't expecting to hear such a difference.

    As for what I got on Amazon:

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    Marantz AV-7705 PrePro, Classé 5 channel 200wpc Amp, Oppo 103 BluRay, Rotel RCD-1072 CDP, Sony XBR-49X800E TV, Polk S60 Main Speakers, Polk ES30 Center Channel, Polk S15 Surround Speakers SVS SB12-NSD x2
  • heiney9
    heiney9 Posts: 25,197
    Except Cathy you are using two completely different cdp's, so I don't know how you can compare the two cd's. The differences you are hearing could between the two players and has nothing to do with HDCD encoding, or maybe not. There is no way to know for sure.

    H9

    "Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul!
  • heiney9
    heiney9 Posts: 25,197
    Also SACD and HDCD are two different animals. I am sure you mis-typed one or the other, but it is confusing.

    H9
    "Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul!
  • cfrizz
    cfrizz Posts: 13,415
    heiney9 wrote: »
    Except Cathy you are using two completely different cdp's, so I don't know how you can compare the two cd's. The differences you are hearing could between the two players and has nothing to do with HDCD encoding, or maybe not. There is no way to know for sure.H9

    "P.s. despite some misinformation HDCD doesn't sound any better than standard redbook without a unit that decodes the HDCD. In other words you can't won't get the benefits of HDCD without a unit that actually decodes it." H9

    I only have the one CD which is HDCD which I played in two different machines. One of them decodes the HDCD layer and the other machine doesn't. I hear a clear and distinct difference in the playback of the CD in the machines. So obviously having a machine that can actually decode the layer gives me the actual benefit of the HDCD layer, that I would be missing if I just had the one machine that doesn't.

    Marantz AV-7705 PrePro, Classé 5 channel 200wpc Amp, Oppo 103 BluRay, Rotel RCD-1072 CDP, Sony XBR-49X800E TV, Polk S60 Main Speakers, Polk ES30 Center Channel, Polk S15 Surround Speakers SVS SB12-NSD x2
  • cfrizz
    cfrizz Posts: 13,415
    edited February 2016
    heiney9 wrote: »
    Also SACD and HDCD are two different animals. I am sure you mis-typed one or the other, but it is confusing.

    H9

    I am well aware of the two different formats, nor did I mistype anything. The first statement that I made was in it's own paragraph, and I made it simply because this thread encouraged me to invest a bit more money in the higher resolution of SACD. Which is what I consider some of this thread to be about, the benefits of the higher resolution formats.

    While my other comments were directly related to HDCD. I was encouraged to do a rare bout of critical listening/comparison based on this thread. Sorry if you got confused.
    Marantz AV-7705 PrePro, Classé 5 channel 200wpc Amp, Oppo 103 BluRay, Rotel RCD-1072 CDP, Sony XBR-49X800E TV, Polk S60 Main Speakers, Polk ES30 Center Channel, Polk S15 Surround Speakers SVS SB12-NSD x2
  • heiney9
    heiney9 Posts: 25,197
    edited February 2016
    Again, using two different cdp's won't give you valid results. Apples and oranges. The way to properly tell is to use the same cdp (which has hdcd capability) but compare a standard version and an hdcd version of the same music. Otherwise the differences could simply be in the players, not the media or a bit of both. No way to conclusively say for sure.

    H9

    P.s. Of course none of this will make sense if you think all cdp's sound the same. If you are of that mindset, then I'm hitting my head against a brick wall.

    "Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul!
  • cfrizz
    cfrizz Posts: 13,415
    Well for me your statement is just condescending BS since my ears clearly heard a difference. For me it is a waste of money to own multiple copies of the same cd. Once I have the best version to my ears, the other copy gets sold or given away.

    Everyone's ears are different, as is everyone's systems and their level of obsessiveness. My level, and mindset is simply different from yours as is everyone else is. That does not mean my mindset or likes are wrong.

    Those who are interested can make their own comparisons, conclusions and statements as to what they heard and what they like the best. It won't make them wrong anymore than me, it just means they heard something different.

    I simply encourage everyone to sit back and enjoy the tunes.
    Marantz AV-7705 PrePro, Classé 5 channel 200wpc Amp, Oppo 103 BluRay, Rotel RCD-1072 CDP, Sony XBR-49X800E TV, Polk S60 Main Speakers, Polk ES30 Center Channel, Polk S15 Surround Speakers SVS SB12-NSD x2
  • heiney9
    heiney9 Posts: 25,197
    Not trying to be condescending at all, just pointing out a logical argument.

    H9
    "Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul!
  • afterburnt
    afterburnt Posts: 7,892
    I found a few more HDCD's in my collection. They are not necessarily labeled as suck but the Oppo says that the are. It seems that it is not uncommon for a CD to have no indication that it is in fact an HDCD recording.
  • afterburnt
    afterburnt Posts: 7,892
    heiney9 wrote: »
    The catch is that once you convert the format it usually strips away the HDCD encoding in the LSB.

    If you use bit perfect ripping software it does NOT strip away the encoding.

    How can I tell or what do I need to do this?
  • afterburnt
    afterburnt Posts: 7,892
    How can I tell if my rips are "bit perfect"?
  • txcoastal1
    txcoastal1 Posts: 13,306
    In settings
    what software are you using
    2-channel: Modwright KWI-200 Integrated, Dynaudio C1-II Signatures
    Desktop rig: LSi7, Polk 110sub, Dayens Ampino amp, W4S DAC/pre, Sonos, JRiver
    Gear on standby: Melody 101 tube pre, Unison Research Simply Italy Integrated
    Gone to new homes: (Matt Polk's)Threshold Stasis SA12e monoblocks, Pass XA30.5 amp, Usher MD2 speakers, Dynaudio C4 platinum speakers, Modwright LS100 (voltz), Simaudio 780D DAC

    erat interfectorem cesar et **** dictatorem dicere a
  • afterburnt
    afterburnt Posts: 7,892
    Just running it from a portable HD to the Oppo USB
  • txcoastal1
    txcoastal1 Posts: 13,306
    edited February 2016
    What software did you use to rip to your hard drive :#:#


    LOL
    2-channel: Modwright KWI-200 Integrated, Dynaudio C1-II Signatures
    Desktop rig: LSi7, Polk 110sub, Dayens Ampino amp, W4S DAC/pre, Sonos, JRiver
    Gear on standby: Melody 101 tube pre, Unison Research Simply Italy Integrated
    Gone to new homes: (Matt Polk's)Threshold Stasis SA12e monoblocks, Pass XA30.5 amp, Usher MD2 speakers, Dynaudio C4 platinum speakers, Modwright LS100 (voltz), Simaudio 780D DAC

    erat interfectorem cesar et **** dictatorem dicere a
  • Emlyn
    Emlyn Posts: 4,530
    edited February 2016
    Regarding some earlier comments about decoding an "HDCD" layer, there is only one data layer on a music CD whether it is encoded as an HDCD or a regular CD. The HDCD function is just an encoding/decoding algorithm. The digital to analog conversion in a DAC chip that is compatible with the HDCD protocol unpacks the sonic equivalent of up to 20 bits of data from the 16 bit CD layer when playing back an HDCD encoded CD. This can present higher dynamic range than usually available from a 16 bit CD and so will sound better to most people. If a CD player doesn't have an HDCD capable DAC the digital to analog conversion with an HDCD encoded CD is limited slightly below 16 bit resolution, although that may have no audible effect. There is no way to get around that potential limitation without an HDCD capable DAC to do the digital to analog conversion, whether with a CD player, a DVD player, or a computer's sound card. 24 bit digital audio made HDCD technology obsolete rather than Microsoft doing something unusual with it after the company bought the rights.

    Hybrid SACDs do have more than one layer because the SACD layer and CD layers are at different depths in the hybrid discs.
  • Nightfall
    Nightfall Posts: 10,086
    Thanks, @Emlyn
    afterburnt wrote: »
    They didn't speak a word of English, they were from South Carolina.

    Village Idiot of Club Polk
  • heiney9
    heiney9 Posts: 25,197
    Many HDCD cd's aren't marked as such. This is that list I was talking about.

    http://www.goodwinshighend.com/music/hdcd/hdcd_recordings.htm

    H9
    "Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul!
  • I remember a story that Stereophile magazine did years ago about trying to get an HDCD recorded and manufactured. They were shocked at the process that most mass market CD's go through and how easy it was for that process to strip away the HDCD encoding contained in the Least Significant Bit.
    I would rescectfully suggest to anyone ripping their HDCD's to stream them to their Oppo and see if the HDCD light comes on. Also to contact Oppo Digital and ask if the player will decode HDCD's that are being streamed over a network or via a USB drive.
    I am willing to bet they will be surprised at the answers/outcome.
  • FTGV
    FTGV Posts: 3,649
    edited February 2016
    Emlyn wrote: »
    Regarding some earlier comments about decoding an "HDCD" layer, there is only one data layer on a music CD whether it is encoded as an HDCD or a regular CD. The HDCD function is just an encoding/decoding algorithm. The digital to analog conversion in a DAC chip that is compatible with the HDCD protocol unpacks the sonic equivalent of up to 20 bits of data from the 16 bit CD layer when playing back an HDCD encoded CD. This can present higher dynamic range than usually available from a 16 bit CD and so will sound better to most people. If a CD player doesn't have an HDCD capable DAC the digital to analog conversion with an HDCD encoded CD is limited slightly below 16 bit resolution, although that may have no audible effect. There is no way to get around that potential limitation without an HDCD capable DAC to do the digital to analog conversion, whether with a CD player, a DVD player, or a computer's sound card. 24 bit digital audio made HDCD technology obsolete rather than Microsoft doing something unusual with it after the company bought the rights.

    Hybrid SACDs do have more than one layer because the SACD layer and CD layers are at different depths in the hybrid discs.
    Great post.Another factor that played into HDCD's demise was that Delta Sigma D-A convertor chips starting to become ever more popular in CDP's and outboard DAC's.These IC's having their own integral digital filters were not compatible with Pacific Micro's separate digital filter /HDCD decoder IC's.
    Post edited by FTGV on
  • afterburnt
    afterburnt Posts: 7,892
    Ton of The Dead and Joni in this format.
  • afterburnt
    afterburnt Posts: 7,892
    These play better than my rips and they do sound better. So far