LSi25 vs RTiA9

Geoff4rfc
Geoff4rfc Posts: 2,480
edited February 2011 in Speakers
Just out of curiosity, who can give first hand knowledge of the sound quality difference between these two speakers?
Source: BRP Panasonic UB9000, CDP Emotiva ERC3 - Display: LG OLED EVO 83 C3 - Pre/Pro: Marantz 8802A - Amplification: Emotiva XPA-DR3, XPA-2 x 2, XPA-6, Speakers, Mains/2ch-Focal Kanta No2's, C-LSiM706, S-702F/X, RS-RTiA9's, WS-RTiA9's, FH-RTiA3's, Subs - Epik Empire x 2

Cables: AudioQuest McKenzie XLR's/CDP/Amp, Carbon 48/BRP, Forest 48/Display, 2 channel speaker cable: Furutech FS Alpha 36 12AWG PCOCC Single Crystal (Douglas Connection)

EXPERIENCE: next to nothing, but I sure enjoy audio and video MY OPINION OF THIS HOBBY: I may not be a smart man, but I know what quicksand is.
When I was young, I was Superman but now that old age has gotten the best of me I'm only Batman
Post edited by Geoff4rfc on
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Comments

  • cstmar01
    cstmar01 Posts: 4,424
    edited February 2011
    two different breeds really.

    Are you looking for HT or for music? personally I would recommend A9's for HT and then LSI for music. If doing LSI's I would look at the 15's or 9's or 7's with a good sub.
  • Geoff4rfc
    Geoff4rfc Posts: 2,480
    edited February 2011
    cstmar01 wrote: »
    two different breeds really.

    Are you looking for HT or for music? personally I would recommend A9's for HT and then LSI for music. If doing LSI's I would look at the 15's or 9's or 7's with a good sub.

    Thanks, I'm an H.T. guy first, music second, way second.

    As far as subs, I've got an Epik Empire on the way :smile:
    Source: BRP Panasonic UB9000, CDP Emotiva ERC3 - Display: LG OLED EVO 83 C3 - Pre/Pro: Marantz 8802A - Amplification: Emotiva XPA-DR3, XPA-2 x 2, XPA-6, Speakers, Mains/2ch-Focal Kanta No2's, C-LSiM706, S-702F/X, RS-RTiA9's, WS-RTiA9's, FH-RTiA3's, Subs - Epik Empire x 2

    Cables: AudioQuest McKenzie XLR's/CDP/Amp, Carbon 48/BRP, Forest 48/Display, 2 channel speaker cable: Furutech FS Alpha 36 12AWG PCOCC Single Crystal (Douglas Connection)

    EXPERIENCE: next to nothing, but I sure enjoy audio and video MY OPINION OF THIS HOBBY: I may not be a smart man, but I know what quicksand is.
    When I was young, I was Superman but now that old age has gotten the best of me I'm only Batman
  • PSOVLSK
    PSOVLSK Posts: 5,233
    edited February 2011
    9's (or 7's) with the Epik Empire will make you VERY happy.
    Things work out best for those who make the best of the way things work out.-John Wooden
  • mantis
    mantis Posts: 17,204
    edited February 2011
    I'd go with the RTia series , excellent home theater speakers , easier to drive and still has a nice musical presentation.
    Dan
    My personal quest is to save to world of bad audio, one thread at a time.
  • Geoff4rfc
    Geoff4rfc Posts: 2,480
    edited February 2011
    PSOVLSK wrote: »
    9's (or 7's) with the Epik Empire will make you VERY happy.

    I can dig it. I just got my M70's for Christmas and already looking over my shoulder at the 9's, my wife is pissed. That upgrade will have to wait a bit, especially since I've got the Empire on the way.

    My original tax present was going to be the emo xpa3 but having the onkyo 807, I really didn't need it, so I get the sub instead however, my reasoning to my wife was, I get the xpa3 to drive the 9's that I should have and move the 70's to the surrounds. That's the first time I actually thought my wife was going to stab me :eek:
    Source: BRP Panasonic UB9000, CDP Emotiva ERC3 - Display: LG OLED EVO 83 C3 - Pre/Pro: Marantz 8802A - Amplification: Emotiva XPA-DR3, XPA-2 x 2, XPA-6, Speakers, Mains/2ch-Focal Kanta No2's, C-LSiM706, S-702F/X, RS-RTiA9's, WS-RTiA9's, FH-RTiA3's, Subs - Epik Empire x 2

    Cables: AudioQuest McKenzie XLR's/CDP/Amp, Carbon 48/BRP, Forest 48/Display, 2 channel speaker cable: Furutech FS Alpha 36 12AWG PCOCC Single Crystal (Douglas Connection)

    EXPERIENCE: next to nothing, but I sure enjoy audio and video MY OPINION OF THIS HOBBY: I may not be a smart man, but I know what quicksand is.
    When I was young, I was Superman but now that old age has gotten the best of me I'm only Batman
  • mystik610
    mystik610 Posts: 699
    edited February 2011
    I went from the RTi's to the LSi's and never looked back.

    If you have room in your budget, the LSi25 (I'd probably go with the LSi15) is overall a better speaker.

    just my 2 cents.
    My System Showcase!

    Media Room
    Paradigm Studio 60 - Paradigm CC-690 - Paradigm ADP-390 - Epik Empire - Anthem MRX300 - Emotiva XPA-5

    Living-room
    Paradigm MilleniaOne - Rythmik F12GSE - Onkyo TX-SR805 - Adcom 5400

    Headphones
    Sennheiser Momentum Over-Ear - Shure SE215 - Fiio E18 Kunlun
  • leroyjr1
    leroyjr1 Posts: 8,785
    edited February 2011
    Rti A's get my vote.
  • Monster Jam
    Monster Jam Posts: 919
    edited February 2011
    Both very good speakers if not distinctly different in requirements and sound characteristics. Can't go wrong with either of them, but I would listen to each of them then make a decision.
    Do you hear that buzzing noise? :confused:
  • IRLRaceFan
    IRLRaceFan Posts: 172
    edited February 2011
    This is an interesting topic for me...
    I previously posted that my gf burned up the x-overs in my M70's, due to high volume for an extended period of time.
    When I talked to the Polk customer service guy, I asked about these two speakers - already thinking about replacing the M70's. Although my intention is 90% music, the Polk guy (sorry, I'm really bad with names) actually recommended the A9's over the LSI series. Keep in mind that a big part of his reasoning was the obvious tendency to play it LOUD here... I was told that the LSI's can't handle high volume levels. I'm not talking about damage from distortion either. He made it clear to me that these are speakers for critically listening to music and not volume (hope that my wording makes sense...).

    I did end up limiting the overall volume on my receiver and after I handed her the bill for the parts, the system no longer sees full throttle for hours on end.
    BUT the truth is that I do like to rock out from time to time (within reason) and now I'm a bit confused and frustrated. There aren't too many places by me where I can just go and listen to these speakers and from reading these forms, it sounds like (maybe) I would be disappointed with the A9's for music (classic rock, hard rock, industrial, and when my son is with me, classical).
    I've started to wonder if Klipsch might be a better option (an idea I sort of got from the customer service guy), but then some say the horn-loaded tweeters can give you a headache...
    Any suggestions or comments would be appreciated :smile:
    HT
    Onkyo TX-NR1008 | Magnepan 1.7 | Polk LSiC | Polk VM20 | Polk DSW microPro 2000 | Parasound HCA-2205A | Oppo BDP-93

    2-Ch
    Cary SLP 30 Tube Preamp | Polk LSi7 | Carver M1.5t | Audio-gd Digital Interface | W4S DAC-2 | MAC Mini | Denon DP300f & Pro-Ject Debut III TT's
  • ben62670
    ben62670 Posts: 15,969
    edited February 2011
    IMHO Polk kills the newer Klipsch speakers. LSi's go plenty loud enough with proper amplification. Anytime I see someone mentioning that music is important I recommend them over the RTi's
    Please. Please contact me a ben62670 @ yahoo.com. Make sure to include who you are, and you are from Polk so I don't delete your email. Also I am now physically unable to work on any projects. If you need help let these guys know. There are many people who will help if you let them know where you are.
    Thanks
    Ben
  • photocrazy
    photocrazy Posts: 89
    edited February 2011
    A newbie question..how are musical speakers different from HT speakers ? or what exactly is a musical speaker ?
  • danz1906
    danz1906 Posts: 5,144
    edited February 2011
    xcapri79 wrote: »
    I have both LSi25's and the RTi12's (predecessor to the RTiA9's) on my main system and often use them together. Both speakers require a separate amp to sound their best.

    The LSi25's give you finesse of Ali. The RTi12/RTiA9's give you punch of Frazier.
    Take your pick.

    Well said!
    Linn AV5140 fronts
    Linn AV5120 Center
    Linn AV5140 Rears
    M&K MX-70 Sub for Music
    Odyssey Mono-Blocs
    SVS Ultra-13 Gloss Black:D
  • Sherardp
    Sherardp Posts: 8,038
    edited February 2011
    Rti series are awesome, go for the A9s.
    Shoot the jumper.....................BALLIN.............!!!!!

    Home Theater Pics in the Showcase :cool:

    http://www.polkaudio.com/forums/showcase/view.php?userid=73580
  • virtualdean
    virtualdean Posts: 286
    edited February 2011
    IRLRaceFan wrote: »
    .....it sounds like (maybe) I would be disappointed with the A9's for music (classic rock, hard rock, industrial, and when my son is with me, classical).
    Any suggestions or comments would be appreciated.....
    :smile:

    You will not be disappointed with the A9's for any reason except for not being easy to lift up and move around...unless you don't like clarity, soundstage and definition. I play a lot of sacd's and like to use my Sunfire sonic holography for a changeup, the a9's just keep on keeping on.

    The a9's continuously amaze me as I pop in my various music. I keep hearing new music I never heard on my various old speakers.

    I can't speak for lsi25's as I've never owned them. I'm sure they are good.
    But I love my a9's.
    :biggrin:
  • F1nut
    F1nut Posts: 50,779
    edited February 2011
    IRLRaceFan wrote: »
    This is an interesting topic for me...
    I previously posted that my gf burned up the x-overs in my M70's, due to high volume for an extended period of time.
    When I talked to the Polk customer service guy, I asked about these two speakers - already thinking about replacing the M70's. Although my intention is 90% music, the Polk guy (sorry, I'm really bad with names) actually recommended the A9's over the LSI series. Keep in mind that a big part of his reasoning was the obvious tendency to play it LOUD here... I was told that the LSI's can't handle high volume levels. I'm not talking about damage from distortion either. He made it clear to me that these are speakers for critically listening to music and not volume (hope that my wording makes sense...).

    What did you burn up on the crossovers, a 5 watt resistor or two? If you change them out to a higher watt rating they will handle higher volume levels for a longer period of time. Of course, driving them with a couple of $300 amps isn't helping matters.

    LOUD isn't the end all. The trick to great audio is having a system that will sound great at lower volume levels and still have the same finesse at 115dB. Right now, you're trying to get an IRL car to do what an F1 car will do, which of course, will never happen.
    Political Correctness'.........defined

    "A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."


    President of Club Polk

  • Toolfan66
    Toolfan66 Posts: 17,348
    edited February 2011
    I say if you can afford either one of these speakers my vote would be getting the LSi15's with a great sub and calling it a day. If your heart is set on the 2 your asking about then I say get the RTiA9's...
    Polk Audio SDA 2.3tl Fully Hot Rodded. 😎

    SVS SB16 X2

    Cary SLP-05/Ultimate Upgrade.
    Cary SA-500.1 ES Amps
    Cary DMS 800PV Network
    OPPO UDP 205/ModWright Modification
    VPI Scout TT / Dynavector 20x2
    Jolida JD9 Fully Modified

    VPI MW-1 Cyclone RCM

    MIT Shotgun 3 cables throughout / Except TT, and PC’s
  • mdaudioguy
    mdaudioguy Posts: 5,165
    edited February 2011
    Go RTiA9 and sell the Monitor 70s. Then buy a pair of FXiA6 surrounds. The concept of towers as surrounds doesn't do it for me. Surrounds are meant to be positioned higher than a floorstanding speaker.
  • mdaudioguy
    mdaudioguy Posts: 5,165
    edited February 2011
    Uh-oh, an F1 vs Indy car debate is brewing above. This could get worse than a cable "discussion"! :eek::wink::biggrin:
  • IRLRaceFan
    IRLRaceFan Posts: 172
    edited February 2011
    mdaudioguy wrote: »
    Uh-oh, an F1 vs Indy car debate is brewing above. This could get worse than a cable "discussion"! :eek::wink::biggrin:

    Haha - no, I'm a fan of both and completely understand the technical differences between the two.
    F1 cars (most) to me are as beautiful to look at as a naked woman :tongue:

    I'm an IndyCan fan because I worked on IRL engines back in the 90's.
    HT
    Onkyo TX-NR1008 | Magnepan 1.7 | Polk LSiC | Polk VM20 | Polk DSW microPro 2000 | Parasound HCA-2205A | Oppo BDP-93

    2-Ch
    Cary SLP 30 Tube Preamp | Polk LSi7 | Carver M1.5t | Audio-gd Digital Interface | W4S DAC-2 | MAC Mini | Denon DP300f & Pro-Ject Debut III TT's
  • cheddar
    cheddar Posts: 2,390
    edited February 2011
    I can't speak to the A9s but I've owned a full LSi system with 15s as mains and powered them with a Denon AVR and several 400 watt into 4 ohm amps. And I can tell you it's not necessarily the loudness that's a limiting factor in LSis but the sound quality (and safety for the speakers) with poorer amplification.

    On an AVR, the LSis sound somewhat lifeless and muddy, even when you try and turn up the volume. With proper amplification, even at lower volumes, the LSi 15s gain a real punch in the bass (even without the 25's powered woofers) and bring out nice details in music and movies. And with a good subwoofer, the system is great for HT. But it took quite a lot of gear, including proper amplification to get it to where I certainly wouldn't worry about playing the whole system 'loud'. But the amplification also made the 15s into entirely different speakers at both ends of the volume dial.
  • mdaudioguy
    mdaudioguy Posts: 5,165
    edited February 2011
    ^^^ IOW, it takes a good investment beyond the cost of acquiring the LSis, but the results are gratifying. This is something to keep in mind when making the RTi vs LSi decision - it's not just about trying to justify the difference in cost between the speakers themselves. Many people I've seen here have seemed to stretch their budgets to afford LSis, and then they're not able to run them to their satisfaction, without spending more $$ than they had originally planned. RTi series are often able to run well off of better quality AVRs, although the bigger towers also benefit greatly from additional amplification. I think an RTiA bookshelf system with a good sub would be wonderful for HT, and wouldn't necessarily require amplification beyond a decent AVR to sound good.
  • IRLRaceFan
    IRLRaceFan Posts: 172
    edited February 2011
    F1nut wrote: »
    What did you burn up on the crossovers, a 5 watt resistor or two? If you change them out to a higher watt rating they will handle higher volume levels for a longer period of time. Of course, driving them with a couple of $300 amps isn't helping matters.

    LOUD isn't the end all. The trick to great audio is having a system that will sound great at lower volume levels and still have the same finesse at 115dB. Right now, you're trying to get an IRL car to do what an F1 car will do, which of course, will never happen.

    It looks like two resistors and one of the caps, plus the tweeters; but I didn't bother to do any electrical tests.

    I hear what you're saying and I am looking at everything as a "system".
    Just recently I hooked up my Carver amp to my M70's and noticed a fairly big difference in sound quality. Never bothered to do it before, because I bought that amp for my gf's 901's. So there is something to be said about amp quality, but...those 901's still sound much better with the Emo's than the M70's with the Carver.

    I'm not trying to play at 115dB all the time - 85 to 90 from time to time is more like it. :smile:
    I just got deep into this hobby a year ago and so I haven't had a chance to experience much better equipment than what I'm currently running. I want the kind of musical sound (sort of warm, live feel) and volume capability that I hear from my gf's 901's, but with more "detail". This is what has me wondering about a higher efficiency speaker.
    I should note that my hearing is not the best. I'm completely deaf in one ear and have loss in the other, in the higher frequency ranges, from exposure to industrial noise (grinders, loud engines, airflow benches,...).
    HT
    Onkyo TX-NR1008 | Magnepan 1.7 | Polk LSiC | Polk VM20 | Polk DSW microPro 2000 | Parasound HCA-2205A | Oppo BDP-93

    2-Ch
    Cary SLP 30 Tube Preamp | Polk LSi7 | Carver M1.5t | Audio-gd Digital Interface | W4S DAC-2 | MAC Mini | Denon DP300f & Pro-Ject Debut III TT's
  • cheddar
    cheddar Posts: 2,390
    edited February 2011
    IRLRaceFan wrote: »
    I'm not trying to play at 115dB all the time - 85 to 90 from time to time is more like it. :smile:

    Well, I can tell you from listening to stuff with an SPL meter in hand that having a system that doesn't struggle at peaks of 90-95 db certainly sounds 'louder' to me than one that does. While I was running off of the AVR, I would often have to keep turning the dial up to hear detail in the music. With the seperate amplification, I was satisfied with much lower volume levels.

    You also might want to think about what it is you really respond to especially with your hearing loss. I find if I turn off my subwoofer, the system sounds less 'loud' without the slam. So thinking about what portions of a track you respond to best might really pay off in deciding where to put your money to get that 115 db experience. Upgrading my subwoofer ended up not being so much about bumping the SPLs of the room as it was just not having the subwoofer struggle so much when it dug deep. I don't have to run my subwoofer 5-10 dbs 'hot' just to have the impact down low I want to hear.
  • txcoastal1
    txcoastal1 Posts: 13,340
    edited February 2011
    If you are trying to balance the tonal frequencies you have lost in your hearing, I would demo some LSi9's and get a sub to accomadate your room...1 large or pair the next size smaller...just my 2 cents
    2-channel: Modwright KWI-200 Integrated, Dynaudio C1-II Signatures
    Desktop rig: LSi7, Polk 110sub, Dayens Ampino amp, W4S DAC/pre, Sonos, JRiver
    Gear on standby: Melody 101 tube pre, Unison Research Simply Italy Integrated
    Gone to new homes: (Matt Polk's)Threshold Stasis SA12e monoblocks, Pass XA30.5 amp, Usher MD2 speakers, Dynaudio C4 platinum speakers, Modwright LS100 (voltz), Simaudio 780D DAC

    erat interfectorem cesar et **** dictatorem dicere a
  • F1nut
    F1nut Posts: 50,779
    edited February 2011
    It looks like two resistors and one of the caps, plus the tweeters; but I didn't bother to do any electrical tests.

    Ok, that's a typical result from amp clipping. Adding higher watt resistors will not help with that.
    I'm not trying to play at 115dB all the time - 85 to 90 from time to time is more like it.

    That is not loud. Your present speakers would never have a problem running at that level all day, neither would the LSi's. I suspect your GF was cranking it up much louder than you know.
    Political Correctness'.........defined

    "A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."


    President of Club Polk

  • IRLRaceFan
    IRLRaceFan Posts: 172
    edited February 2011
    F1nut wrote: »
    Ok, that's a typical result from amp clipping. Adding higher watt resistors will not help with that.


    That is not loud. Your present speakers would never have a problem running at that level all day, neither would the LSi's. I suspect your GF was cranking it up much louder than you know.

    I have a pretty good idea of how loud she was cranking it... All my components were still very hot to touch when I got home, about 30min after she shut it down.

    You mention amp clipping. Yes, the amps I'm using with my M70's are not considered top of the line, but what about playing .mp3 files? Could a non-lossless format be a factor? Normally I play music through my computer (digital coax out to the receiver), but haven't had time to rip everything in a lossless format.
    IF she was playing something in a compressed format, could that have contributed to the death of my speakers? Or was it simply turning the volume knob to "11"?
    HT
    Onkyo TX-NR1008 | Magnepan 1.7 | Polk LSiC | Polk VM20 | Polk DSW microPro 2000 | Parasound HCA-2205A | Oppo BDP-93

    2-Ch
    Cary SLP 30 Tube Preamp | Polk LSi7 | Carver M1.5t | Audio-gd Digital Interface | W4S DAC-2 | MAC Mini | Denon DP300f & Pro-Ject Debut III TT's
  • F1nut
    F1nut Posts: 50,779
    edited February 2011
    To "11"
    Political Correctness'.........defined

    "A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."


    President of Club Polk

  • Lietuvis91
    Lietuvis91 Posts: 908
    edited February 2011
    Very interesting topic...

    Im just like the OP, i have m70s, but want to move up to a more capable polk speaker and was considering a9s or lsi15 or 25s for the purpose of fairly loud music playing with some punch. I have a parasound 1500a to run this, so i would think power should not be a concern for me.

    I see many suggesting the lsi9s w a sub over the towers, can anyone shed some light on that, why would lsi9s be better over the 15s or 25s?
    Living Room 7.1 HT Rig:

    M70 | CS2 | M60 | Atrium5 - Surr. | SUB - Emotiva ULTRA12 + Tara Labs sub cable | Pioneer Elite VSX-52 | Parasound HCAs 1000A | Sony BDP-S790 | Belkin PureAV PF60 | MIT Exp2 Wires

    Bedroom 5.0 HT Rig (Music/Movies/Gaming) :

    LSi9 | LsiC | Lsi/fx | Marantz SR7002 | NAD T955 | Sony BDP-S360 | Belkin PureAV PF30 | AQ Blue Racer II ICs & AQ Type 4 wires | PS3
  • txcoastal1
    txcoastal1 Posts: 13,340
    edited February 2011
    Lietuvis91 wrote: »
    Very interesting topic...

    Im just like the OP, i have m70s, but want to move up to a more capable polk speaker and was considering a9s or lsi15 or 25s for the purpose of fairly loud music playing with some punch. I have a parasound 1500a to run this, so i would think power should not be a concern for me.

    I see many suggesting the lsi9s w a sub over the towers, can anyone shed some light on that, why would lsi9s be better over the 15s or 25s?

    IMO you have the chance to demo and choose the bass/subs and make a choice with nice highs and mid's with the LSi9's with(single or dual subs), second choice for music would be the15's and a sub. I love my 25's for HT but lack the musical part of the system unless I make changes between genres...25's are hard to have a happy medium..thats why I am building a seperate music system
    2-channel: Modwright KWI-200 Integrated, Dynaudio C1-II Signatures
    Desktop rig: LSi7, Polk 110sub, Dayens Ampino amp, W4S DAC/pre, Sonos, JRiver
    Gear on standby: Melody 101 tube pre, Unison Research Simply Italy Integrated
    Gone to new homes: (Matt Polk's)Threshold Stasis SA12e monoblocks, Pass XA30.5 amp, Usher MD2 speakers, Dynaudio C4 platinum speakers, Modwright LS100 (voltz), Simaudio 780D DAC

    erat interfectorem cesar et **** dictatorem dicere a
  • Lietuvis91
    Lietuvis91 Posts: 908
    edited February 2011
    So you are confirming that lsi9s would be your preference over lsi15s for a music setup, I guess I'm still a little unclear of the reason behind that. What is it specifically that the lsi9s do better than the 15s?
    Living Room 7.1 HT Rig:

    M70 | CS2 | M60 | Atrium5 - Surr. | SUB - Emotiva ULTRA12 + Tara Labs sub cable | Pioneer Elite VSX-52 | Parasound HCAs 1000A | Sony BDP-S790 | Belkin PureAV PF60 | MIT Exp2 Wires

    Bedroom 5.0 HT Rig (Music/Movies/Gaming) :

    LSi9 | LsiC | Lsi/fx | Marantz SR7002 | NAD T955 | Sony BDP-S360 | Belkin PureAV PF30 | AQ Blue Racer II ICs & AQ Type 4 wires | PS3