Considering a new amp, how many watts?

nduitch
nduitch Posts: 316
edited May 2010 in 2 Channel Audio
I measured the input at the speaker terminals and my average listening level uses 1.7 watts, I couldn't believe it. The 1a's say something like 25-500 watts. I can't even imagine how loud it would be with 100 watts, let alone 500. Why is this much power needed?
Post edited by nduitch on
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Comments

  • TouchOfEvil
    TouchOfEvil Posts: 967
    edited May 2010
    As long as it's a quality amp the more power usually results in a cleaner more refined sound from what i have heard. Also your bass will fill out and go much lower.
    Living Room Rig:D
    Rotel RSP-1069/Rotel RMB-1095/Rotel-1072/Polk lsI15's W/modded xoverW/DBsubs/Polk LsiC/lsI7's/Klipsch sub-12"the weak link"/DLP Mitsubishi 65"
    Xbox360/PS3/WII
    M.Br. setup:)
    Emotiva MMC-1/Rotel RMB-1075/Polk BlackStone TL350's/Velodyne SPL1000/Samsung 51" Plasma
    Computer Rig:
    Rotel RB1050/Tannoy DC4's/Klipsch RW-10d/ImodIpod/HK AVR230 for now....
    Headphones-Ultrasone-HFI780's w/LittleDot MK Vamp Portables Panasonic HJE-900's
  • nooshinjohn
    nooshinjohn Posts: 25,420
    edited May 2010
    Watts (power) is not so much about volume as it is for clarity. I remember reading somewhere that it took about 2400 watts to accurately reproduce the sound made by a pair of scissors cutting a piece of paper. Volume is needed to achieve lifelike sound, but most of the extra power is used for transcient moments when extra power is needed. Power equals clarity over volume.
    The Gear... Carver "Statement" Mono-blocks, Mcintosh C2300 Arcam AVR20, Oppo UDP-203 4K Blu-ray player, Sony XBR70x850B 4k, Polk Audio Legend L800 with height modules, L400 Center Channel Polk audio AB800 "in-wall" surrounds. Marantz MM7025 stereo amp. Simaudio Moon 680d DSD

    “When once a Republic is corrupted, there is no possibility of remedying any of the growing evils but by removing the corruption and restoring its lost principles; every other correction is either useless or a new evil.”— Thomas Jefferson
  • BottomFeeder
    BottomFeeder Posts: 1,684
    edited May 2010
    Cathy? Where aaaaaaarrrrrre yoooooouuuuu?
    "Wish I didn't know now what I didn't know then." Bob Seger
  • thor098
    thor098 Posts: 38
    edited May 2010
    "2400 watts to accurately reproduce the sound made by a pair of scissors cutting a piece of paper" Wow, does that make some sense. I've been slowly upgrading my system and it seems that I've past a threshold where I hear things in the music that I've never heard before - like the breaths taken on air instruments or the slightest slide of fingers on guitar strings. Currently running an Adcom 545 with a Marantz 2270 as the pre-amp.
    2 CH
    Parasound 2100 preamp
    Polk Lsi15s
    powered by a
    Parasound HCA 1500a
    2 Passive JBL 10" Subs
    powered by a second
    Parasound HCA 1500a

    HT
    Denon 3311-CI
    Polk Lsi15 Fronts
    Polk LsiC Center
    Polk Lsi7 Surrounds
    2 Passive Polk 10" Subs
    powered by ADCOM 545
  • reeltrouble1
    reeltrouble1 Posts: 9,312
    edited May 2010
    your word of the day is "transients" ok its plural, but it is a word.

    RT1--tidbit.....Strength is the longest word in the English language with one vowel.
  • madmax
    madmax Posts: 12,434
    edited May 2010
    Word I've heard is 200 watts per channel for starters.
    madmax
    Vinyl, the final frontier...

    Avantgarde horns, 300b tubes, thats the kinda crap I want... :D
  • polkatese
    polkatese Posts: 6,767
    edited May 2010
    madmax wrote: »
    Word I've heard is 200 watts per channel for starters.
    madmax

    ....at 8 ohms and DOUBLE UP to 400 watts at 4 ohms, and not a watt less. Any starter Manly amps can do that.


    :)
    I am sorry, I have no opinion on the matter. I am sure you do. So, don't mind me, I just want to talk audio and pie.
  • reeltrouble1
    reeltrouble1 Posts: 9,312
    edited May 2010
    second word of the day is "clipping" which is what happens to the transients if you do not have enough current power...oh gosh, "current" is a third word, well, carry on.

    RT1---Dr. WattSon I presume.
  • billbillw
    billbillw Posts: 6,767
    edited May 2010
    I'm a firm believer in 200+watt amps for large speakers. That is, unless they are super efficient designs (>98dB efficient).

    Heck, I've got 75 watts of NAD PE power (rated for +6dB dynamic headroom) for my little bookshelf speakers on my computer rig.
    For rig details, see my profile. Nothing here anymore...
  • heiney9
    heiney9 Posts: 25,165
    edited May 2010
    I have 30 wpc of pure Class A, single ended goodness. I have yet to really find the limits running my 1C's. I would choose this over any middle of the road mass produced 100-200 wpc amp any time. :)

    H9

    P.s. I have 12wpc of push/pull 6V6 tube power running the 5B's in my office rig.............Sublime!
    "Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul!
  • jimsvm
    jimsvm Posts: 307
    edited May 2010
    I noticed a very nice change to the VMs after adding the Sunfire 200x5. The biggest surprise was the old RT10s. They really came alive.ARV is my third pio 9040.It better be my last.
    Rec rm vm30 micro pro 3000 akai 2 channel. ht anthem MTX 5 channel anthem P2 statement anthem 325, 8 channel Martin Logan power amp for 4 ceiling ls900 2 and outdoor polks, 2 JL 110’s subs panasonic 65" plasma lsim 705’s , 706c, L200 and Control 4 garage rig monitor 10s crossovers by VR3, dynamat, RDO-194's, new drivers. psw 111 Pioneer 9040 BDP53fd 100 " screen Nakamichi HD projector, and Panasonic 65” plasma.
  • cfrizz
    cfrizz Posts: 13,415
    edited May 2010
    Cathy? Where aaaaaaarrrrrre yoooooouuuuu?

    :D I'm right here BF, no need to shout!:p

    Having a powerful amplifier ensures that the speakers will operate to thier FULL potential, and the benefit is NOT with greater volume.

    You will get greater clarity, better seperation of instruments, clearer vocals, better bass.

    It's really cool when you listen to a song you THINK you know very well, but are now suddenly hearing an instrument clearly that you didn't know was there.

    I always recommend getting at least a 200wpc at 8ohm amp. This much power will bring out the best in just about every speaker.

    Is it cheap? No. But it may well be the last time you have to ever buy an amplifier, since you can keep it through all other upgrades & know that you have enough power for future speaker upgrades no matter what they are.

    It's better to do it ONCE & do it RIGHT the first time. It is also better to have it and not need it rather than need it & not have it.
    Marantz AV-7705 PrePro, Classé 5 channel 200wpc Amp, Oppo 103 BluRay, Rotel RCD-1072 CDP, Sony XBR-49X800E TV, Polk S60 Main Speakers, Polk ES30 Center Channel, Polk S15 Surround Speakers SVS SB12-NSD x2
  • reeltrouble1
    reeltrouble1 Posts: 9,312
    edited May 2010
    [QUOTE=cfrizz;1334009 It is better to have it and not need it rather than need it & not have it.[/QUOTE]

    So Adam said to Eve, true ManCave Stuff.

    WattsUp Doc.

    So we have transient, clip, current, add distortion. All things to know about WattsUp.

    RT1
  • madmax
    madmax Posts: 12,434
    edited May 2010
    I also find that amps in the 100wpc range are fairly dangerous. Powerful enough for the clipping to cause damage while not enough power for the loudness you want. Bad combination. 30 watts you can clip all day without damage, 200 watts and you get to where you can always achieve the loudness you want before clipping. 1000+ watts solves any chance of being underpowered.
    Vinyl, the final frontier...

    Avantgarde horns, 300b tubes, thats the kinda crap I want... :D
  • heiney9
    heiney9 Posts: 25,165
    edited May 2010
    madmax wrote: »
    30 watts you can clip all day without damage,

    Please explain; as watts and watts alone don;t determine clipping point.

    HH9
    "Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul!
  • polkatese
    polkatese Posts: 6,767
    edited May 2010
    My AIWA boombox stated that it has a total wattage peak of a whooping 1200 watts. :p
    I am sorry, I have no opinion on the matter. I am sure you do. So, don't mind me, I just want to talk audio and pie.
  • PerfectCreature
    PerfectCreature Posts: 1,456
    edited May 2010
    Yeah I had a sony bookshelf that stated it was 2200 watts of power...yep it sounds like crap and doesn't touch how loud and clear my monitor 50s sound on just a mere 50 watts....
    I cannot wait till my HK arrives on my door step....120 watts of clean high current power here i come!
    Yeah....most times watts are just head room... I know the monitor 50s are rated for 150 watts....but probably could take 200 or so if the watts were clean and had little distortion just fine.
    I know I have subwoofers in my car and they said only 350 watts each...but I power them with a class A rockford fosgate amp at 500 watts each and they sound just fine with absolutely no distortion at high volumes... now, I am sure if I had a class D amp...with 150...it would clip and my subs would be ruined eventhough my subs said they could handle 350...
    Kinda get it?
    Receiver
    Harman Kardon HK 3490
    Speakers
    Polk Audio Monitor 50s
    Subwoofer
    Klipsch KSW-100
    Cables
    AudioQuest Rocket 33s 10ft
    AudioQuest Optilink1 2m
    AudioQuest Alpha-Snake 25ft Interconnect
    AudioQuest HDMI-1 2m

    Alienware X51 R2
    PS4
    Samsung Smart TV 40" 1080p 3D
  • reeltrouble1
    reeltrouble1 Posts: 9,312
    edited May 2010
    Watts On Watts Off Watts Up Danielson.

    Who said dat der ampleeefier need dem 200 Watts, shore dun meeen it gonna sound all
    perttie like dat Daisy Duke in dem short shorts.

    Watts Watts got to have some, get me them Watts, 200 Watts of bad sound, sounds bad. ya think?? I gotta Pyle Pro amp that has 3000 watts and I got TWO of Them.....woohoooo I'm bad, got Watts, I'm bad, got Watts, I'm bad, got Watts.....wait a minute am I the only singing this tune..........................

    RT1
  • nooshinjohn
    nooshinjohn Posts: 25,420
    edited May 2010
    ^^^ I need some of watt you have been smoking bro!
    The Gear... Carver "Statement" Mono-blocks, Mcintosh C2300 Arcam AVR20, Oppo UDP-203 4K Blu-ray player, Sony XBR70x850B 4k, Polk Audio Legend L800 with height modules, L400 Center Channel Polk audio AB800 "in-wall" surrounds. Marantz MM7025 stereo amp. Simaudio Moon 680d DSD

    “When once a Republic is corrupted, there is no possibility of remedying any of the growing evils but by removing the corruption and restoring its lost principles; every other correction is either useless or a new evil.”— Thomas Jefferson
  • camp21178
    camp21178 Posts: 273
    edited May 2010
    Watts (power) is not so much about volume as it is for clarity. I remember reading somewhere that it took about 2400 watts to accurately reproduce the sound made by a pair of scissors cutting a piece of paper. Volume is needed to achieve lifelike sound, but most of the extra power is used for transcient moments when extra power is needed. Power equals clarity over volume.

    I actually read this in the old Stereo Review magazine. It was a Hollywood sound editor that used multiple amps totalling 2400 watts to reproduce that sound.
  • bikezappa
    bikezappa Posts: 2,463
    edited May 2010
    nduitch wrote: »
    I measured the input at the speaker terminals and my average listening level uses 1.7 watts, I couldn't believe it. The 1a's say something like 25-500 watts. I can't even imagine how loud it would be with 100 watts, let alone 500. Why is this much power needed?

    I also did this test and was surprised at the low wattage and load sound relationship. I think if you put a oscillascope across the speaker terminals to measure voltage you would see much larger spikes of voltage and therefore wattage. The average watts measured with a volt meter can be small but the voltage spikes maybe large depending on the music played.

    Another test you can do is input the amplifier with a signal generator. The signal generator will give you a constant voltage at a constant frequency with no spikes. Now measure the loudness with your sound meter and relate the sound level in db to watts. If you don't have or can't afford a signal generator use white noise as a sound source. White noise is the stuff you hear in between FM stations and should be free of large musical spikes. With the white noise you can compare and relate the sound level in your room in db with wattage to the speakers.\

    Have a blast.
  • BottomFeeder
    BottomFeeder Posts: 1,684
    edited May 2010
    "It is also better to have it and not need it rather than need it & not have it."[/QUOTE]

    Uhm, uhm, UHM! Another great life maxim from cfrizz!
    "Wish I didn't know now what I didn't know then." Bob Seger
  • Kex
    Kex Posts: 5,194
    edited May 2010
    "It is also better to have it and not need it rather than need it & not have it."

    Uhm, uhm, UHM! Another great life maxim from cfrizz!
    Actually, I have heard this statement used in an entirely different context. IIRC, it was from this lady friend I once knew who was hesitating about going ahead with a transgender operation. That's exactly what she would say to us on the days when she thought she was going to go ahead with the operation (It's better to have it and not need it, rather than need it and not have it, right?).

    In the end, I think she decided that separates were always better, so she got a d!ldo instead: she uses that when she needs it, and kept the integrated the way it was to begin with (no surgigcal operation). :eek:

    Sorry for the derail ...:o
    Alea jacta est!
  • cfrizz
    cfrizz Posts: 13,415
    edited May 2010
    ^^^ I need some of watt you have been smoking bro!

    +10 on that!:D

    Teddy, thanks for the chuckle this morning, now go sober up!;):eek::D
    Marantz AV-7705 PrePro, Classé 5 channel 200wpc Amp, Oppo 103 BluRay, Rotel RCD-1072 CDP, Sony XBR-49X800E TV, Polk S60 Main Speakers, Polk ES30 Center Channel, Polk S15 Surround Speakers SVS SB12-NSD x2
  • Willow
    Willow Posts: 11,019
    edited May 2010
    With all this said, I went from 3 mono blocks @200w each to (2 Marantz and 1outlaw) to a 5x125 Rotel amp. I much prefer the sound of the Rotel. I have pushed that bugger a couple times and have yet to hate the sound/cause any damage. Just some other stuff for you to consider.
  • Cpyder
    Cpyder Posts: 514
    edited May 2010
    Watts (power) is not so much about volume as it is for clarity. I remember reading somewhere that it took about 2400 watts to accurately reproduce the sound made by a pair of scissors cutting a piece of paper. Volume is needed to achieve lifelike sound, but most of the extra power is used for transcient moments when extra power is needed. Power equals clarity over volume.

    Can you find any online sources? I'd like to read more about this.
  • tcrossma
    tcrossma Posts: 1,301
    edited May 2010
    I like my Pass X-150 (150 watts @ 8ohms) better than the B&K 200.5 (200 watts @ 8ohms) that I used to have. Watts are not everything. Quality matters more.
    Speakers: Polk LSi15
    Pre: Adcom GFP-750 with HT Bypass
    Amp: Pass Labs X-150
    CD/DVD Player: Classe CDP-10
    Interconnects: MIT Shortgun S3 Pro XLR
    Speaker cables: MIT MH-750 bi-wire
    TT:Micro Seiki DD-35
    Cartridge:Denon DL-160
    Phono Pre:PS Audio GCPH
  • Kex
    Kex Posts: 5,194
    edited May 2010
    Willow wrote: »
    With all this said, I went from 3 mono blocks @200w each to (2 Marantz and 1outlaw) to a 5x125 Rotel amp. I much prefer the sound of the Rotel. I have pushed that bugger a couple times and have yet to hate the sound/cause any damage. Just some other stuff for you to consider.
    Thank you for that excellent contribution ... and RT1 has left a few gems of wisdom in his cryptic posts as well ... which unfortunately means that some may not take the time to take them seriously.

    If there's one thing that seems to stand out in this debate for me, it is that the posted specifications of an amplifier do not really tell you anything you absolutely need to know, or how much you are going to like it, or if it's going to be powerful enough or not to do what you anticipated when you first decided to get it. The numbers are just numbers IMO, and it's a bit like choosing a new car from the brochure, instead of a test drive.

    I strongly recommend to anyone that genuinely wants to experiment with this to get their hands on a JoLida hybrid integrated 1301, rated at just 30w/ch, and see what they think. Borrow it or buy it, but try it if you can ...

    http://www.jolida.com/index.php?p=products&category=1&model=26
    Alea jacta est!
  • Fongolio
    Fongolio Posts: 3,516
    edited May 2010
    I live in an apartment and rarely have opportunity to really crank the tunes. In my quest for more detailed sound I recently went from a Carver TFM-25 (225 wpc @ 8 ohms) to a Carver TFM-45 (375 wpc @ 8 ohms). The difference was exactly what I was looking for: more clarity, better transients, excellent low level bass, more articulate mid-range. The differences are subtle but I can plainly hear them. I will never crank this system past 12 o'clock on the volume dial but what I've gained at low volumes was worth the extra cash.
    SDA-1C (full mods)
    Carver TFM-55
    NAD 1130 Pre-amp
    Rega Planar 3 TT/Shelter 501 MkII
    The Clamp
    Revox A77 Mk IV Dolby reel to reel
    Thorens TD160/Mission 774 arm/Stanton 881S Shibata
    Nakamichi CR7 Cassette Deck
    Rotel RCD-855 with modified tube output stage
    Cambridge Audio DACmagic Plus
    ADC Soundshaper 3 EQ
    Ben's IC's
    Nitty Gritty 1.5FI RCM
  • cfrizz
    cfrizz Posts: 13,415
    edited May 2010
    Kex wrote: »
    ...If there's one thing that seems to stand out in this debate for me, it is that the posted specifications of an amplifier do not really tell you anything you absolutely need to know, or how much you are going to like it, or if it's going to be powerful enough or not to do what you anticipated when you first decided to get it. The numbers are just numbers IMO, and it's a bit like choosing a new car from the brochure, instead of a test drive.

    Of course this is true. All we can do is give examples of our own various knowledge and experience & then it is up to the OP to decide for themselves which is the way they want to go & how much money they wish to put into it to HOPEFULLY get the results they are looking for.

    It will also be up to the OP own ears as to whether or not they like the new sound they are hearing from thier system.
    Marantz AV-7705 PrePro, Classé 5 channel 200wpc Amp, Oppo 103 BluRay, Rotel RCD-1072 CDP, Sony XBR-49X800E TV, Polk S60 Main Speakers, Polk ES30 Center Channel, Polk S15 Surround Speakers SVS SB12-NSD x2