What Are Your Primary Speakers?
Cpyder
Posts: 514
I wanted to start a poll-like thread discussing what speakers everyone uses on this forum, as well as some other specifics. I'll start us off. List your primary 2 channel rig speakers. Also post whether they are bookshelves or towers, whether you use a sub or not, the audio format you listen to the most, and what you like best about them.
Speakers: Polk Audio LSi9s
Type: Bookshelves
Sub: No
Audio Format Most Commonly Listened To: Digital lossless from computer
Most Favorable Aspect: I really like the realistic highs. Not to bright, not to soft.
Speakers: Polk Audio LSi9s
Type: Bookshelves
Sub: No
Audio Format Most Commonly Listened To: Digital lossless from computer
Most Favorable Aspect: I really like the realistic highs. Not to bright, not to soft.
Post edited by Cpyder on
Comments
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PSB Synchrony One towers, replaced my old SDA-2s. Source is 97% iPod Classic (Apple lossless), Wadia iTransport, Bryston BDA-1 DAC. Sony XA5400ES SACD is the other 3%, primarily to audtion CDs to determine if they are iPod worthy. I am auditioning a CD now. I love everything about these speakers and system. It is so clear, revealing, precise, etc., etc., etc.
HT is 4 LSi15s and PSB Synchrony One center. Sony NS9100ES SACD for multi-channel SACD, and Oppo BD83 for movies. Sub for movies, not music.
That's a very nice setup. Good work! How do you like the Bryston?
I should probably add that I'm using the DAC in my Marantz SR5003. -
Speakers-SDA 2A's
type-floorstanders
sub-Not currently, though I'd love to try some stereo subs eventually
Audio format-50% CD, 50% vinyl
favorite aspect-SDA effect!! Excellent low end output, liquid midrange, smooth highs...I guess I just love everything about these speakers.The nirvana inducer-
APC H10 Power Conditioner
Marantz UD5005 universal player
Parasound Halo P5 preamp
Parasound HCA-1200II power amp
PolkAudio LSi9's/PolkAudio SDA 2A's/PolkAudio Monitor 7A's
Audioquest Speaker Cables and IC's -
Speakers: wharfedale diamond 9.6
Type: floorstanding 3 way
Sub: Yes, wharfedale sw250
Audio Format Most Commonly Listened To: CD
Most Favorable Aspect: warm sound, tight bassFronts: Wharfedale diamond 9.6
Sub: Wharfedale sw250
Rears: Wharfedale diamond 9.1
Center: Paradigm cc-350
Pre-amp: Oppo dv981hd
Amp for fronts: Parasound hca-1500a
Amp for rears: Adcom gfa-5400
Amp for center: Marantz MA500 monoblock
Polk multimedia speakers for PC setup -
Speakers: Martin Logan Spire
Subs: A pair of JL Audio F112's
I have three sources: 98% of listening is by CD or XRCD
1% is vinyl
1% is XM Radio by the better half.
I've found the Spire and JL subs are a great match. The transparency and accuracy of the panel combined with the solid bottom provides a combination that I find quite pleasing. Of course, room treatments are a large factor in the room sounding as good as it can.
Gordon2 Channel -
Martin Logan Spire, 2 JL Audio F112 subs
McIntosh C1000 Controller with Tube pre amp, 2 MC501 amplifiers, MD1K Transport & DAC, MR-88 Tuner
WireWorld Eclipse 6.0 speaker wire and jumpers, Eclipse 5^2 Squared Balanced IC's. Silver Eclipse PCs (5)
Symposium Rollerblocks 2+ (16)Black Diamond Racing Mk 3 pits (8) -
Speakers: baby Advent ii ....slightly modded
Type: Bookshelves
Sub: No
Audio Format Most Commonly Listened To: Digital lossless from computer and standard CD's
Most Favorable Aspect: Nice clean neutral sound with very good low end.Polk Audio Surround Bar 360
Mirage PS-12
LG BDP-550
Motorola HD FIOS DVR
Panasonic 42" Plasma
XBOX 360[/SIZE]
Office stuff
Allied 395 receiver
Pioneer CDP PD-M430
RT8t's & Wharfedale Diamond II's[/SIZE]
Life is one grand, sweet song, so start the music. ~Ronald Reagan -
Speakers: Aurum Cantus Lesiure 3 SE
Type: Monitor
Sub: No
Audio Format: Vinyl 65%, CD 45%
Favorable Aspect: clear extended highs (ribbon tweeter) with a realistic stage presentation.integrated w/DAC module Gryphon Diablo 300
server Wolf Alpha 3SX
phono pre Dynamic Sounds Associates Phono II
turntable/tonearms Origin Live Sovereign Mk3 dual arm, Origin Live Enterprise Mk4, Origin Live Illustrious Mk3c
cartridges Miyajima Madake, Ortofon Windfeld Ti, Ortofon
speakers Rockport Mira II
cables Synergistic Research Cables, Gryphon VPI XLR, Sablon 2020 USB
rack Adona Eris 6dw
ultrasonic cleaner Degritter -
I'm using Carver ALS Platinums in my main rig. No sub required with these, the 4 12" woofers in each do just fine. Full range speakers with incredible soundstage, crystal clear highs, warm midrange and bass you feel as well as hear. Their only downside is they require massive amounts of power and headroom to drive properly if using SS amps like I am. Tube amps in the 180 watt range do even better than my 575 watt monoblocks.
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Speakers: Martin Logan Spire
Subs: A pair of JL Audio F112's
I have three sources: 98% of listening is by CD or XRCD
1% is vinyl
1% is XM Radio by the better half.
I've found the Spire and JL subs are a great match. The transparency and accuracy of the panel combined with the solid bottom provides a combination that I find quite pleasing. Of course, room treatments are a large factor in the room sounding as good as it can.
Gordon
Gordon, I've got to get over there & hear your setup soon!
My setup:
Speakers: Carver Amazing Loudspeakers-III (AL-III)
Type: Full-range, 6 feet tall!
Sub: Klipsch RT-12d
Audio Format Most Commonly Listened To: SACD/CD
Most Favorable Aspect: Imaging is phenomenal. I've done some customizing with the woofers on mine & they have a great low end. :cool:
TNRabbit
NO Polk Audio Equipment :eek:
Sunfire TG-IV
Ashly 1001 Active Crossover
Rane PEQ-15 Parametric Equalizers x 2
Sunfire Cinema Grand Signature Seven
Carver AL-III Speakers
Klipsch RT-12d Subwoofer -
Speakers: Polk Audio SDA-1Cs with RDO-194 tweets
Type: Full Range
Sub: No
Audio Format Most Commonly Listened To: Lately it's been about 50% Vinyl, 50% CD
Most Favorable Aspect: I think Curt really summed it up well the way I feel about my SDAs. I love the SDA effect with it's wide and deep soundstage, great bass and midrange, and good highs. These speakers really get me emotionally involved with my music. -
For me, primary speakers depends on what I am listening to...
For rock or dance, Polk 1.2 Carver C-19 tube pre, Jolida cd100, Technics 1200 with a denon DL160 on a McIntosh 2105.
For Jazz or classical, the same as above except the speakers are Carver Amazing 0riginal, with a Sunfire Sig. II 625 X 2.
If I just want pure volume or just want to rock out, I add in the polk 2.3 1.2 at the same time on the McIntosh, and Integra amps. I put the cable on the 1.2's on the outside and the 2.3's on the inside. OMG the place just shakes.Klipsch The Nines, Audioquest Thunderbird Interconnect, Innuos Zen MK3 W4S recovery, Revolution Audio Labs USB & Ethernet, Border Patrol SE-I, Audioquest Niagara 5000 & Thunder, Cullen Crossover II PC's. -
Currently Dahlquist DQ-10's.
The only mods are that I removed the Piezo "screecher" supertweeter and replaced the stock tweeter with Vifa ring dome radiators like those in Polk Lsi series.
I supplement the low bass (just a little) with a HSU STF-2 sub through a Dahlquist outboard subwoofer crossover.
I am amazed how good this early/mid 70's speaker still sounds.Norh ACA-2B tube pre, Sumo Andromeda SS amp. Magneplanar MMG speakers, M&K MX1250 Subwoofer, Pro-Ject RM1.3 Genie TT with Sumiko Pearl MM cart., Keces DAC, Cambridge Audio Azur 640c CD player -
Speakers: Polk Monitor 10bs
Type: Full Range (speaker stand - standing)
Sub: JBL PW10
Audio Format Most Commonly Listened To: Vinyl 50% - Streaming Internet Radio (128bk MP3 or Flash) 50%
Most Favorable Aspect: Smooth mids and highs, excellent bass - Listen primarily to Jazz
-- wayne --.Yamaha RX-V2700, EMI 711As (front), RCA K-16 (rear), Magnavox Console (Center & TV Stand), Sony SMP-N200 media streamer, Dual 1249 TT =--- Sharp Aquas 60" LCD tellie -
Polk Audio SDA-SRS 2.3TL's
Rogue Audio Perseus Tube Pre
Sunfire Cinema Grand 425~5
Yamaha PX-3 Turntable (80%) Carver SDa-490t cd player (20%)
Most favourable... shear power, clean mids/highs with tight accurate bass, and the soundstage is MASSIVE.The Gear... Carver "Statement" Mono-blocks, Mcintosh C2300 Arcam AVR20, Oppo UDP-203 4K Blu-ray player, Sony XBR70x850B 4k, Polk Audio Legend L800 with height modules, L400 Center Channel Polk audio AB800 "in-wall" surrounds. Marantz MM7025 stereo amp. Simaudio Moon 680d DSD
“When once a Republic is corrupted, there is no possibility of remedying any of the growing evils but by removing the corruption and restoring its lost principles; every other correction is either useless or a new evil.”— Thomas Jefferson -
Speakers: Paradigm Esprit V.3
Type: Floorstanders
Sub: No
Audio Format Most Commonly Listened To: CD
Most Favorable Aspect: Everything. What now?I don't read the newsssspaperssss because dey aaaallllllllll...... have ugly print.
Living Room: B&K Reference 5 S2 / Parasound HCA-1000A / Emotiva XDA-2 / Pioneer BDP-51FD / Paradigm 11se MKiii
Desk: Schiit Magni 2 Uber / Schiit Modi 2 Uber / ISK HD9999
Office: Schiit Magni 2 Uber / Schiit Modi 2 Uber / Dynaco SCA-80Q / Paradigm Legend V.3
HT: Denon AVR-X3400H / Sony UBP-X700 / RT16 / CS350LS / RT7 / SVS PB1000 -
Speakers: Avantgarde Duo
Type: Big **** Horns
Sub: DecWare
Audio Format Most Commonly Listened To: Vinyl
Most Favorable Aspect: Dynamics/High efficiencyVinyl, the final frontier...
Avantgarde horns, 300b tubes, thats the kinda crap I want... -
Speakers; Vandersteen 2CE
Type; floorstanders
Sub: Mirage
Format: mostly cd
favorite aspect: detailed mids, good soundstage but I'm sure would be better if the room allowed it!Yep, my name really is Bob.
Parasound HCA1500A(indoor sound) and HCA1000(outdoor sound), Dynaco PAS4, Denon DP1200 w/Shure V15 Type V and Jico SAS stylus, Marantz UD7007, Polk L600, Rythmik L12 sub. -
Speakers: Fritz Speakers Carbon 7 monitor
Type: Stand mount monitors
Sub: No (2-channel only)
Audio Format Most Commonly Listened To: Digital from CD Transport to DAC
Most Favorable Aspect: Seamless integration, tonal balanceSource: Bluesound Node 2i - Preamp/DAC: Benchmark DAC2 DX - Amp: Parasound Halo A21 - Speakers: MartinLogan Motion 60XTi - Shop Rig: Yamaha A-S501 Integrated - Shop Spkrs: Elac Debut 2.0 B5.2 -
Speakers: Carver ALIII's
Type: Full Range 6' tall floor speakers
Sub: Sunfire True Sub MkII
Audio Format Most Commonly Listened To: CD and streaming audio through Rhypsody.
Most Favorable Aspect: Will get very loud and sound great at any level and has lots of base.Sunfire TGP, Sunfire Cinema Grand, Sunfire 300~2 (2), Sunfire True Sub (2),Carver ALS Platinum, Carver AL III, TFM-55, C-19, C-9, TX-8, SDA-490t, SDA-390t -
Speakers: Sony SF-5000
Type: 3-way Floor standing
Sub: Polk PSW10
Audio Format Most Commonly Listened To: AAC from an Ipod
Most Favorable Aspect: Covers the entire audio range, system is a 4-way meaning each driver is only required to cover 3 octaves. Like the timbre of the Kevlar drivers in the mains, sounds tight, produces awesome mid-range that i have not been able to get from paper cones. -
Speakers: Altec Santiago
Type: High-sensitivity two-way, sealed box LF, Horn HF floorstanders
Sub: Atlantic Technologies powered 10"
Audio Format Most Commonly Listened To: Redbook CD and vinyl
Most Favorable Aspect: Outstanding midrange reproduction
Three pairs of loudspeakers are in regular rotation on the real hifi in the living room: the Santiagos (which replaced a pair of 846A Valencias because the Santiagos were in better cosmetic shape), Quad ESL-57s, and DIY mass loaded folded, tapered quarter-wave tubes loaded with Radio Shack 40-1354 twincone fullrange drivers (equipped with Dave Dlugos' phase plugs). All three of these loudspeakers "get the midrange right".
Here's the scoop on the ML TQWTs, designed by Bob Brines, for anyone interested: http://brinesacoustics.com/Pages/Proposals.html
I have a pair of purchased-new Polk Audio Monitor Series Model 7A in our family room that are in regular use for radio and TV/noncritical listening. They sounded great in 1978 and still do. -
Speakers: Klipsch Forte
Type: 3-way Floorstanders with horn highs and mids
Sub: Don't need one
Audio Format Most Commonly Listened To: SACD and PC based 96khz/24bit
Most Favorable Aspect: High sensitivity for use with tubes and powerful presentation -
I'm seeing a lot of sweet designs here. I'm interested in knowing how electrostatic speakers work and even more interested in how they sound.
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See my sig for speakers.
I am only listening to SACD's right now.
Sound can be outstanding.
Variety is quite limited though.Front - Polk LSiM 705, Center - Polk LSiM 704c, Rear - Polk LSi 7
Subwoofer - Epik Legend
Receiver (as Preamp) - Sony STR-DA3400 ES
Amplifier - Outlaw 7125
Television - 58" Samsung Plasma PN58B860
Blu Ray - OPPO BDP 83 -
I'm seeing a lot of sweet designs here. I'm interested in knowing how electrostatic speakers work and even more interested in how they sound.
There is a thin film of conductive plastic (Saran, in the case of the Quad ESL-57s) suspended between electrodes. The whole shooting match is in an electrostatic field (ca. 5 kV at minuscule current); application of an offset voltage derived from the input music signal makes the membrane "flutter" within the field, thus producing sound. It's similar in action to a ribbon or planar driver, but the "motor" is an electrostatic field instead of a magnetic field.
They sound great!
(EDIT: Those who know the vintage Quads well will recognize that mine are footless! They are carefully propped up to the correct angle for my listening chair in the photo... and I do have a pair of aftermarket stands for them) -
Speakers: Paradigm Signature S8's
Type: Floorstanders
Sub: JL Fathom F112
Audio Format Most Commonly Listened To: Redbook CD or WAV from the computer
Most Favorable Aspect: Female vocals from the Be tweeters -
I wanted to start a poll-like thread discussing what speakers everyone uses on this forum, as well as some other specifics. I'll start us off. List your primary 2 channel rig speakers. Also post whether they are bookshelves or towers, whether you use a sub or not, the audio format you listen to the most, and what you like best about them.
Speakers: Polk Audio LSi9s
Type: Bookshelves
Sub: No
Audio Format Most Commonly Listened To: Digital lossless from computer
Most Favorable Aspect: I really like the realistic highs. Not to bright, not to soft.
B]Speakers:[/B] Polk Audio SDA/SRS 1.2TL RD0198s, upgraded xovers with Sonicaps & Mills resistors, Dynamatted, drivers sealed, Myesound spiked and Cardas posts.
Type: Huge Monkey Coffins
Sub: I don't need no stinkin' sub!
Audio Format Most Commonly Listened To: Vinyl/SACD
Most Favorable Aspect: I can only say, EVERYTHING! -
Speakers: Dynaudio Confidence C1 (mass loaded Stand 4)
Type: monitor
Sub: (2) SVS PC-Ultra
Crossover: Bryston 10B Sub (1st/1st @80Hz)
Audio Format Most Commonly Listened To: digital cable, CD, LP
Most Favorable Aspect: The latest phase of room acoustic optimizations has ended with redistributing/refining the tube trap placement, then designing and implementing an enhancement to another treatment. The latest enhancement realized more benefits than expected which forced me to once again, more precisely locate the monitors (and subs) as well as refine the monitor/sub interface. I had to resort to a shadowing technique to visually see the small increments necessary for the gain and phase adjustments. Anyways, the acoustic refinements have provided startling results while attaining a new level of coherence. It will be interesting to hear the results of the next phase of treatments once the designs are finalized and construction completed.All truth passes through three stages. First, it is ridiculed, second it is violently opposed and third, it is accepted as self evident. -
Speakers: Dynaudio Confidence C1 (mass loaded Stand 4)
Type: monitor
Sub: (2) SVS PC-Ultra
Crossover: Bryston 10B Sub (1st/1st @80Hz)
Audio Format Most Commonly Listened To: digital cable, CD, LP
Most Favorable Aspect: The latest phase of room acoustic optimizations has ended with redistributing/refining the tube trap placement, then designing and implementing an enhancement to another treatment. The latest enhancement realized more benefits than expected which forced me to once again, more precisely locate the monitors (and subs) as well as refine the monitor/sub interface. I had to resort to a shadowing technique to visually see the small increments necessary for the gain and phase adjustments. Anyways, the acoustic refinements have provided startling results while attaining a new level of coherence. It will be interesting to hear the results of the next phase of treatments once the designs are finalized and construction completed.
John, if I post the longitude and & latitude of my home would you come here and help achieve the above?;):D -
Speakers: Totem Rainmaker
Type: Bookshelf
Sub: None, but I'd love to try a Totem Storm.
Audio format most commonly listened to: CD/SACD/FLAC
Most Favorable Aspect: No fatigue. When listening to SACD I have to ask myself if I'm in the room with the artist during the recording. -
Speakers: Infinty Quantum Linesource
Type: Monoliths
Sub: yes, but not for two channel
Audio Format Most Commonly Listened To: Vinyl
Most Favorable Aspect: Effortless BIG soundstage:DInfinity QLS1, Polk SDA-1A, OLAdvent Econowave, Yamaha RXV-1300, CDC-685, P2200, AB International 9220A, Rane ME15B, Cambridge Audio 640P, Grant Fidelity B-283, Luxman PD277-AT7V, Pioneer PL707-Denon DL-207, DL-160....And projects on the bench!