CD players?
Comments
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What about a Media center? using a hard drive? All your music stored in a Lossless format bit for bit. No scratched disc's, no changing disc's, think about it man. It's the way I'm going.
Dan
This is the future.............it's what I've chosen and I have yet to find a flaw. There are lots of great stand alone DAC's out there that would perform better at a lower price point then a stand alone Cdp. The convenience factor is off the charts.
H9"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Puritan Audio PSM136 Pwr Condtioner & Classic PC's | Legend L600 | Roon Nucleus 1 w/LPS - Tubes add soul! -
I like the simplicity of popping in a CD and playing it. I'm not saying that a media-center approach doesn't have its pluses, because it does, but I think there's a lot to be said with a good old CD player too. I don't like having to rip CD's, manage a library, create playlists and hunt for songs. I do it with my IPod (barely) but much prefer just putting in a disc, kicking back on the couch, and listening to it.
The most arduous task is ripping the music. After that it's a piece of cake and actually is twice as fast as hunting, loading a single cd. I'm speaking of the SlimDevices Squeezbox music server. Others may vary, but in the end you won't find anything more convenient.
I was extremely real resistant to this idea as I;m old school and never thought I'd believe there would be no difference between a stand alone cdp and a wireless music server. I haven't heard one yet. I'm still evaluating and I put off doing this for a year because of concerns sound/musicality would drop a notch or two. It doesn't/hasn't one bit.
H9
P.s. I hate the iPod as an audiophile device so I can't speak of using it in my system. I am strictly ripping cd's in FLAC and streaming them wirelessly. The iPod has no place in an audiophile system even if the manufacturer provides a high level USB type port."Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Puritan Audio PSM136 Pwr Condtioner & Classic PC's | Legend L600 | Roon Nucleus 1 w/LPS - Tubes add soul! -
The most arduous task is ripping the music. After that it's a piece of cake and actually is twice as fast as hunting, loading a single cd. I'm speaking of the SlimDevices Squeezbox music server. Others may vary, but in the end you won't find anything more convenient.
I was extremely real resistant to this idea as I;m old school and never thought I'd believe there would be no difference between a stand alone cdp and a wireless music server. I haven't heard one yet. I'm still evaluating and I put off doing this for a year because of concerns sound/musicality would drop a notch or two. It doesn't/hasn't one bit.
H9
P.s. I hate the iPod as an audiophile device so I can't speak of using it in my system. I am strictly ripping cd's in FLAC and streaming them wirelessly. The iPod has no place in an audiophile system even if the manufacturer provides a high level USB type port.
But...but....what of the sacred ritual of vinyl....the tradition of delicately removing the LP from the sleeve, feeling the weight of analog transcription in your hand, the purification process before playing - the cleansing of the surface, the exact placement of the stylus to media, the required physical interaction of human and vinyl to flip sides, the satisfaction of holding oversized album art in your hands as you enjoy the sonic journey....are CDs no less than this???
Folks are sooo impatient these days with the need for instant gratification...:D
H9: If you don't trust what you are hearing, then maybe you need to be less invested in a hobby which all the pleasure comes from listening to music. -
P.s. I hate the iPod as an audiophile device so I can't speak of using it in my system. I am strictly ripping cd's in FLAC and streaming them wirelessly. The iPod has no place in an audiophile system even if the manufacturer provides a high level USB type port.
I only mentioned the IPod because it's the only device I use that requires that I rip music and manage a library on my computer. I use it in my car.Speakers: Polk LSi15
Pre: Adcom GFP-750 with HT Bypass
Amp: Pass Labs X-150
CD/DVD Player: Classe CDP-10
Interconnects: MIT Shortgun S3 Pro XLR
Speaker cables: MIT MH-750 bi-wire
TT:Micro Seiki DD-35
Cartridge:Denon DL-160
Phono Pre:PS Audio GCPH -
I only mentioned the IPod because it's the only device I use that requires that I rip music and manage a library on my computer. I use it in my car.
You do have a valid point with the music server approach and the initial time to rip music. I've found it to be the ONLY downfall. The rewards after awhile of having all your music at your finger tips outweigh the initial time to put the music in a usable form.
I tend to have a lot of time here and there to rip music. If one's lifestyle doesn't allow for ample time to rip the music I could see that being an issue.
H9"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Puritan Audio PSM136 Pwr Condtioner & Classic PC's | Legend L600 | Roon Nucleus 1 w/LPS - Tubes add soul! -
I like the music server concept and will most likely convert an unused desktop CPU to a music server. I'm having a real issue finding a drive that will read these big black discs that I have a lot of music stored on :rolleyes:DKG999
HT System: LSi9, LSiCx2, LSiFX, LSi7, SVS 20-39 PC+, B&K 507.s2 AVR, B&K Ref 125.2, Tripplite LCR-2400, Cambridge 650BD, Signal Cable PC/SC, BJC IC, Samsung 55" LED
Music System: Magnepan 1.6QR, SVS SB12+, ARC pre, Parasound HCA1500 vertically bi-amped, Jolida CDP, Pro-Ject RM5.1SE TT, Pro-Ject TubeBox SE phono pre, SBT, PS Audio DLIII DAC -
IMO It's hard to generalize be it Burr Brown,Crystal or Wolfson because the analog stage following the DAC chip will have a greater influence on the SQ.Power supplies and voltage regulation will also be important factors.Anything with Wolfson DAC's will be analyticalTesting
Testing
Testing -
P.s. I hate the iPod as an audiophile device so I can't speak of using it in my system. I am strictly ripping cd's in FLAC and streaming them wirelessly. The iPod has no place in an audiophile system even if the manufacturer provides a high level USB type port.
While that is your opinion, it certainly is not true. I am using the iPod Classic with a 120GB hard drive, and storing music on it using Apple lossless. At this point I have over 1300 classical “songs”, and 77GB free space left. When the iPod is used with the Wadia 170 iTransport, which outputs the digital data on the iPod via digital coax to the external DAC, the iPod is just as much an audiophile device as is any other music server. When the digital data is lossless, the DAC being used is the determining factor in regard to the music quality. While personal prejudice might cloud some people’s thinking, it does not change the facts.
As a side note, I have another Wadia, iPod, and headphones on order. Once it arrives I will take it, along with my “spare” Dac1 into work so I will be able to listen to audiophile level music while programming.Lumin X1 file player, Westminster Labs interconnect cable
Sony XA-5400ES SACD; Pass XP-22 pre; X600.5 amps
Magico S5 MKII Mcast Rose speakers; SPOD spikes
Shunyata Triton v3/Typhon QR on source, Denali 2000 (2) on amps
Shunyata Sigma XLR analog ICs, Sigma speaker cables
Shunyata Sigma HC (2), Sigma Analog, Sigma Digital, Z Anaconda (3) power cables
Mapleshade Samson V.3 four shelf solid maple rack, Micropoint brass footers
Three 20 amp circuits. -
The recent crop of iPods have been using Wolfson DAC's... it's just their headphone amp that sucks.SDA 1C, SDA 2A, SDA SRS 2, CMT-340SE, Swan M200MKII, Swan D1080MKII, Behringer MS40
Outlaw Audio M2200 x2, GFA 555 II, BGW 750C
GDA 700, Outlaw Audio Model 990, Sansa Fuze, X-Fi Platinum Fatality -
Bryston makes some of the best cd players, they are hand made, just very very expensive. Maybe you can bid for one on ebay?
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The fact is that if I played that i-pod on my rig, you would understand why they are not considered audiophile worthy. I have heard the differences on Apple loss less as well. They say it's loss less, but if I can detect the differences? Apparently it's not.While that is your opinion, it certainly is not true. I am using the iPod Classic with a 120GB hard drive, and storing music on it using Apple lossless. At this point I have over 1300 classical songs, and 77GB free space left. When the iPod is used with the Wadia 170 iTransport, which outputs the digital data on the iPod via digital coax to the external DAC, the iPod is just as much an audiophile device as is any other music server. When the digital data is lossless, the DAC being used is the determining factor in regard to the music quality. While personal prejudice might cloud some peoples thinking, it does not change the facts.
Trey, I would suggest not blocking out a tubed CDP entirely. You might want to open up your options. Maybe not now, but reconsider whenever the opportunity may present itself.~ In search of accurate reproduction of music. Real sound is my reference and while perfection may not be attainable? If I chase it, I might just catch excellence. ~ -
The fact is that if I played that i-pod on my rig, you would understand why they are not considered audiophile worthy. I have heard the differences on Apple loss less as well. They say it's loss less, but if I can detect the differences? Apparently it's not.
Trey, I would suggest not blocking out a tubed CDP entirely. You might want to open up your options. Maybe not now, but reconsider whenever the opportunity may present itself.
You must also be one of those who claim to hear differences in cables...;)
I'm with ya....
H9: If you don't trust what you are hearing, then maybe you need to be less invested in a hobby which all the pleasure comes from listening to music. -
Fixed that for ya'. Yes, easily.Erik Tracy wrote: »You must also be one of those who hears differences in cables.~ In search of accurate reproduction of music. Real sound is my reference and while perfection may not be attainable? If I chase it, I might just catch excellence. ~ -
I have tried the tube output of my CDP - I just have never used it for more than one song in a row...
Using the tube output displays an IMMEDIATE drop in high end definition and detail. A loss of dynamics and a very sloppy/warm midrange with bloated bass - YUCK
My preamp gives me enough tubes for my whole rig --
Would using my Shanling as a transport work -- does getting a DAC bypass all the bells & whistles in my Shanling? If so - that may be a very nice option. Would this also lower my noise floor since I would be using a higher quality DAC?- Not Tom ::::::: Any system can play Diana Krall. Only the best can play Limp Bizkit. -
Ummm -- MP3 players do NOT belong in any hi-fi rig. Period. The loss in detail, dynamics, staging, EVERYTHING is very* apparent. I stopped ripping CDs because of this very fact. I only buy CDs now - no downloading - it SUCKS.- Not Tom ::::::: Any system can play Diana Krall. Only the best can play Limp Bizkit.
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Trey, if I'm not mistaken you have not given the tubes time to burn in. You also IIRC have stock tubes in the Shanling. Knowing that, I would expect to have the same observations.
As far as using it as a transport? I've never used a DAC yet so I can not comment.~ In search of accurate reproduction of music. Real sound is my reference and while perfection may not be attainable? If I chase it, I might just catch excellence. ~ -
Actually - when I bought the Shanling from... I believe BlueMD on here -- I also bought some 150 dollar set of tubes to try in the unit as well...
I ran that configuration for MONTHS when I first purchased the unit...
And one day I had the bright idea to just try the solid state outputs -- and the sound was identical and a little more to my liking. From that point I have Western Electrics in there which are not stock - but supposed to work a little better...
Point being, I sold the tubes for 150 bucks and stuck to the solid state stage...
I've dabbled into the tube outputs, found something that could equal my solid state sound --- but I don't feel like paying 150 bucks for equal.. lol
I just dont like that mushy, bloated, warm sound that tubes bring to the table -- I have found tubes to roll out the brittle solid state sound and add some body and weight to an otherwise lifeless sound -- but for me, it is definitely a balance I have found...
Do not get me wrong - I am willing to try anything that comes through the door, but it will be hard for me to lay down the money to try other tube CDP with my current experiences...
- Not Tom ::::::: Any system can play Diana Krall. Only the best can play Limp Bizkit. -
The fact is that if I played that i-pod on my rig, you would understand why they are not considered audiophile worthy. I have heard the differences on Apple loss less as well. They say it's loss less, but if I can detect the differences? Apparently it's not.
stereophile – review by Wes Phillips
“For this review, I used a Wadia-supplied nano 3G and an iPod Classic 80GB. I listened to Apple Lossless Codec (ALC) files, which I ripped myself from my CDs, and I connected the iTransport to the digital input of a Simaudio Moon Evolution SuperNova CD player, so I could easily compare the ALC files with the original CD through the same DAC.”
“Stereophile has never been a fan of MP3, even at high bit rates—we disapprove of throwing away data. So we never reviewed an iPod until: 1) They had adequate capacity for high-resolution copies, and 2) Apple had developed ALC. (WAV, AIF, and FLAC are also good). So when Stereophile writes about iPods and suchlike, we aren't championing lossy MP3s, but what we deem are incredibly convenient transportation devices for storing audio files of "Red Book" quality.
But even granting that an ALC file is a bit-perfect copy of the original recording, having to listen to it through an iPod's 37-cent DAC chip did represent a parameter that was out of our control: the file's perfect, the hi-fi is perfect, but that DAC...not so much.”
“Feeding the Wadia's output to my Simaudio Moon Evolution SuperNova CD player's digital input and listening through a Cayin HA-1A headphone amplifier driving AKG K701 headphones with Cardas Fat Pipe cable, I was startled by the deep bass and detail in the Andante of Valentin Silvestrov's Symphony 5, as performed by Andrzej Borejko and the Ural State Philharmonic Orchestra (CD, Megadisc Classics MDC 7836). The cellos had me swooning with their lush tonal color, against which splashed descending harp arpeggios and discordant tone clusters. At the end of the movement, I frantically checked my iPod for the rest of the symphony. It wasn't there—quick, where's my CD? Surprisingly, I was able to find it, and seconds later I was listening to the disc on the SuperNova. Ahhhhhh...
Wait a minute—this sounds the same as it did before. But that was from an iPod. This is a CD—they're s'posed to be better.
Yes, yes—as I said earlier, that is the whole point of the 170iTransport. But knowing it intellectually and actually experiencing it were two different things. ”
“Oh, there I go again, talking about that music stuff. The Wadia made me do it—between iPod and CD, no differences to report here.”
“Footnote 2: I recorded the bits coming from the Wadia's coaxial S/PDIF output to my lab PC via the digital input of an RME soundcard, with Wes's iPod Nano playing a losslessly compressed file. I then compared that recording with a WAV rip from the original CD. The files were bit-for-bit identical, meaning that the 170iTransport is indeed transparent via its digital output.”
“Sidebar 2: Associated Equipment
Digital Sources: Apple iPod Classic & Nano 3G, Simaudio Moon Evolution SuperNova CD player.
Preamplifiers: Ayre K-1xe, Conrad-Johnson ACT2.
Headphone Amplifier: Cayin HA-1A.
Power Amplifier: Musical Fidelity Nu-Vista 300.
Loudspeakers: Thiel CS3.7, Wilson Audio Specialties WATT/Puppy 8.
Headphones: AKG 701 with Cardas Fat Pipe.
Cables: Interconnect: Shunyata Research Aries & Antares. Speaker: Shunyata Research Lyra.
Accessories: Ayre L-5xe line filter; Furutech eTP-609 distribution box; APC APCS15 AC line conditioner; Furutech RDP panels, RealTraps Mini & Mondo Traps.”
http://stereophile.com/digitalprocessors/1008wad/
the absolute sound – review by Robert Harley
“As expected, the iTransport sounded like the DAC to which it was connected. I store music on my iPod using Apple Lossless, which provides perfect bit-for-bit accuracy to the original with about a 40% reduction in storage requirements compared with uncompressed WAV files. In listening comparisons between the iTransport and the CDs from which the music was ripped, I thought the iTransport had a slight advantage. The iTransport had just a bit more space, bloom, and ambience than the CD.”
“The iTransport’s slightly-better-than-CD sound quality is a bonus; the real reason to buy the iTransport is that it turns your iPod (which you probably already own) into a music server worthy of feeding a high-end system.”
http://www.avguide.com/review/tested-wadia-170-itransport-ipod-dock
the absolute sound – review Chris Martens
“To try out the Wadia’s digital output, I connected the 170iTransport to a high performance outboard DAC which was hooked up to my reference stereo system. I ripped some test tracks to create losslessly encoded digital audio files in ALE (Apple Lossless Encoding) and WAV formats—the two formats Wadia recommends— and loaded them on a current generation iPod Classic, which I used as my test player. I listened carefully to the test tracks through the Wadia/iPod/ DAC combo and then—as an acid test—played the same tracks from the master CDs, using a high-quality CD player whose digital output was plugged into the same DAC I used for the Wadia/iPod tests. This made for an ideal A/B comparison, since the only things that changed were the digital source components themselves. My comparison tests convinced me that the Wadia/iPod/DAC combo performed at least as well as, if not better than, the CD player/DAC rig, with overall sound quality rivaling the performance of far more costly digital disc players or music servers.”
“How did the Wadia/iPod/DAC combo fare in comparison to the CD player/DAC combo? Very well, thank you. While you might think two digital sources playing the same digital material (the Wadia/iPod combo playing ALE and WAV files, and the CD player reading the same CD’s from which those files were ripped) would sound identical, the fact is—as audiophiles have known for years—they don’t. While the two sources were close enough in performance that I had to listen very carefully to pick out differences, the Wadia/iPod/DAC combination sounded a little richer, smoother, and delivered super-stable stereo imaging. By comparison, the CD player/DAC combination sounded a little less rich and smooth, offered perhaps a hair more midrange and treble detail, but produced slightly flatter and less three-dimensional images.”
“Plug your iPod into the 170iTransport, and bolt it up to a good DAC and you’ll have an audio player that not only rivals but in some cases handily outperforms multi-thousand-dollar music servers and CD players.”
http://www.avguide.com/review/wadia-170itransport-ipod-dockLumin X1 file player, Westminster Labs interconnect cable
Sony XA-5400ES SACD; Pass XP-22 pre; X600.5 amps
Magico S5 MKII Mcast Rose speakers; SPOD spikes
Shunyata Triton v3/Typhon QR on source, Denali 2000 (2) on amps
Shunyata Sigma XLR analog ICs, Sigma speaker cables
Shunyata Sigma HC (2), Sigma Analog, Sigma Digital, Z Anaconda (3) power cables
Mapleshade Samson V.3 four shelf solid maple rack, Micropoint brass footers
Three 20 amp circuits. -
Hmmm, I might have to swing by and let you listen to the Jolida JD100. You remember the results of the testing we did last time I was there right? The Shanling barely edged out the Rega. Well, the Jolida smoked the Rega in so many areas it was unreal. It may or not have any synergy within your rig and it may boggle your mind, but it may be worth a try just for **** and giggles.
I mean, I really don't care one way or another. I'm just trying to not get you to limit your options so much. FYI, I just got a tubed pre put into my rig and let me be the first to tell you that not only did it not hold back or mask any sounds, it brought more to the table than I ever imagined I would have ever heard.~ In search of accurate reproduction of music. Real sound is my reference and while perfection may not be attainable? If I chase it, I might just catch excellence. ~ -
Im willing to try anything

Hehe
The Jolida is no slacker, for sure. May be the sound Im looking for... who knows?
- Not Tom ::::::: Any system can play Diana Krall. Only the best can play Limp Bizkit. -
Oh, BlueFox. If you want to have this discussion, please start it on another thread as to not crap on this one. This discussion is about CDP's. Thank you in advance.~ In search of accurate reproduction of music. Real sound is my reference and while perfection may not be attainable? If I chase it, I might just catch excellence. ~
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Tubed or not, I'm not sure Jolida or Rega would fit the description of what he's looking for sound wise."He who fights with monsters should look to it that he himself does not become a monster. And when you gaze long into an abyss the abyss also gazes into you." Friedrich Nietzsche
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Oh, BlueFox. If you want to have this discussion, please start it on another thread as to not crap on this one. This discussion is about CDP's. Thank you in advance.
Definitely ---
Are older Dacs any good? Or has technology come a long way?- Not Tom ::::::: Any system can play Diana Krall. Only the best can play Limp Bizkit. -
stereophile – review by Wes Phillips
“For this review, I used a Wadia-supplied nano 3G and an iPod Classic 80GB. I listened to Apple Lossless Codec (ALC) files, which I ripped myself from my CDs, and I connected the iTransport to the digital input of a Simaudio Moon Evolution SuperNova CD player, so I could easily compare the ALC files with the original CD through the same DAC.”
“Stereophile has never been a fan of MP3, even at high bit rates—we disapprove of throwing away data. So we never reviewed an iPod until: 1) They had adequate capacity for high-resolution copies, and 2) Apple had developed ALC. (WAV, AIF, and FLAC are also good). So when Stereophile writes about iPods and suchlike, we aren't championing lossy MP3s, but what we deem are incredibly convenient transportation devices for storing audio files of "Red Book" quality.
But even granting that an ALC file is a bit-perfect copy of the original recording, having to listen to it through an iPod's 37-cent DAC chip did represent a parameter that was out of our control: the file's perfect, the hi-fi is perfect, but that DAC...not so much.”
“Feeding the Wadia's output to my Simaudio Moon Evolution SuperNova CD player's digital input and listening through a Cayin HA-1A headphone amplifier driving AKG K701 headphones with Cardas Fat Pipe cable, I was startled by the deep bass and detail in the Andante of Valentin Silvestrov's Symphony 5, as performed by Andrzej Borejko and the Ural State Philharmonic Orchestra (CD, Megadisc Classics MDC 7836). The cellos had me swooning with their lush tonal color, against which splashed descending harp arpeggios and discordant tone clusters. At the end of the movement, I frantically checked my iPod for the rest of the symphony. It wasn't there—quick, where's my CD? Surprisingly, I was able to find it, and seconds later I was listening to the disc on the SuperNova. Ahhhhhh...
Wait a minute—this sounds the same as it did before. But that was from an iPod. This is a CD—they're s'posed to be better.
Yes, yes—as I said earlier, that is the whole point of the 170iTransport. But knowing it intellectually and actually experiencing it were two different things. ”
“Oh, there I go again, talking about that music stuff. The Wadia made me do it—between iPod and CD, no differences to report here.”
“Footnote 2: I recorded the bits coming from the Wadia's coaxial S/PDIF output to my lab PC via the digital input of an RME soundcard, with Wes's iPod Nano playing a losslessly compressed file. I then compared that recording with a WAV rip from the original CD. The files were bit-for-bit identical, meaning that the 170iTransport is indeed transparent via its digital output.”
“Sidebar 2: Associated Equipment
Digital Sources: Apple iPod Classic & Nano 3G, Simaudio Moon Evolution SuperNova CD player.
Preamplifiers: Ayre K-1xe, Conrad-Johnson ACT2.
Headphone Amplifier: Cayin HA-1A.
Power Amplifier: Musical Fidelity Nu-Vista 300.
Loudspeakers: Thiel CS3.7, Wilson Audio Specialties WATT/Puppy 8.
Headphones: AKG 701 with Cardas Fat Pipe.
Cables: Interconnect: Shunyata Research Aries & Antares. Speaker: Shunyata Research Lyra.
Accessories: Ayre L-5xe line filter; Furutech eTP-609 distribution box; APC APCS15 AC line conditioner; Furutech RDP panels, RealTraps Mini & Mondo Traps.”
http://stereophile.com/digitalprocessors/1008wad/
the absolute sound – review by Robert Harley
“As expected, the iTransport sounded like the DAC to which it was connected. I store music on my iPod using Apple Lossless, which provides perfect bit-for-bit accuracy to the original with about a 40% reduction in storage requirements compared with uncompressed WAV files. In listening comparisons between the iTransport and the CDs from which the music was ripped, I thought the iTransport had a slight advantage. The iTransport had just a bit more space, bloom, and ambience than the CD.”
“The iTransport’s slightly-better-than-CD sound quality is a bonus; the real reason to buy the iTransport is that it turns your iPod (which you probably already own) into a music server worthy of feeding a high-end system.”
http://www.avguide.com/review/tested-wadia-170-itransport-ipod-dock
the absolute sound – review Chris Martens
“To try out the Wadia’s digital output, I connected the 170iTransport to a high performance outboard DAC which was hooked up to my reference stereo system. I ripped some test tracks to create losslessly encoded digital audio files in ALE (Apple Lossless Encoding) and WAV formats—the two formats Wadia recommends— and loaded them on a current generation iPod Classic, which I used as my test player. I listened carefully to the test tracks through the Wadia/iPod/ DAC combo and then—as an acid test—played the same tracks from the master CDs, using a high-quality CD player whose digital output was plugged into the same DAC I used for the Wadia/iPod tests. This made for an ideal A/B comparison, since the only things that changed were the digital source components themselves. My comparison tests convinced me that the Wadia/iPod/DAC combo performed at least as well as, if not better than, the CD player/DAC rig, with overall sound quality rivaling the performance of far more costly digital disc players or music servers.”
“How did the Wadia/iPod/DAC combo fare in comparison to the CD player/DAC combo? Very well, thank you. While you might think two digital sources playing the same digital material (the Wadia/iPod combo playing ALE and WAV files, and the CD player reading the same CD’s from which those files were ripped) would sound identical, the fact is—as audiophiles have known for years—they don’t. While the two sources were close enough in performance that I had to listen very carefully to pick out differences, the Wadia/iPod/DAC combination sounded a little richer, smoother, and delivered super-stable stereo imaging. By comparison, the CD player/DAC combination sounded a little less rich and smooth, offered perhaps a hair more midrange and treble detail, but produced slightly flatter and less three-dimensional images.”
“Plug your iPod into the 170iTransport, and bolt it up to a good DAC and you’ll have an audio player that not only rivals but in some cases handily outperforms multi-thousand-dollar music servers and CD players.”
http://www.avguide.com/review/wadia-170itransport-ipod-dock
OH MY GOD Bluefox.................do you really have to rehash this? We all know where you stand and you quoted the same articles the last time you argued you personal opinion. This thread isn't about iPods or iDocks........let it go already and stay on topic. I was making a general statement not trying to drag yet another thread into the crapper.............let it go and enjoy your iPod and iDock and realize some of us have higher aspirations. It really is OK to AGREE to DISAGREE.
H9"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Puritan Audio PSM136 Pwr Condtioner & Classic PC's | Legend L600 | Roon Nucleus 1 w/LPS - Tubes add soul! -
Sorry. My bad. I was just adding to the point of a music server and DAC being a valid CDP alternative.Lumin X1 file player, Westminster Labs interconnect cable
Sony XA-5400ES SACD; Pass XP-22 pre; X600.5 amps
Magico S5 MKII Mcast Rose speakers; SPOD spikes
Shunyata Triton v3/Typhon QR on source, Denali 2000 (2) on amps
Shunyata Sigma XLR analog ICs, Sigma speaker cables
Shunyata Sigma HC (2), Sigma Analog, Sigma Digital, Z Anaconda (3) power cables
Mapleshade Samson V.3 four shelf solid maple rack, Micropoint brass footers
Three 20 amp circuits. -
Sorry. My bad. I was just adding to the point of a music server and DAC being a valid CDP alternative.
Well it is a valid point when you look at it from that POV. I guess with all the crap going on in previous posts I took yours wrong. It's all good.
H9"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Puritan Audio PSM136 Pwr Condtioner & Classic PC's | Legend L600 | Roon Nucleus 1 w/LPS - Tubes add soul! -
The Rega Apollo that Tom brought over definitely was not my cup of tea. The Shanling bested it on most material at Tom mentioned...
I am sure upper end Rega gear is better, I would hope.
I would love to hear his Jolida in my rig to get a feel for the sound...
I also think the Symphonic Line CDP would be an excellent option if Klaus can hook me up.
I will have to really think about this and weigh the options. I am not going to jump into it - that is for sure.- Not Tom ::::::: Any system can play Diana Krall. Only the best can play Limp Bizkit. -
And lower THD.But its debatable if that is sonically significant.
The *only* advantage an all solid-state source will have in the affordable realm is superior lower noise floor. That's it.Testing
Testing
Testing -
This will most likely be my next player. Just have to work out some details and such -- top contender, 100%
- Not Tom ::::::: Any system can play Diana Krall. Only the best can play Limp Bizkit. -
Does the ps audio dac really help the sound quality? very curious






