2-channel guys...DDD, ADD or AAD?
treitz3
Posts: 19,033
Ok, I had a discussion the other day with a hardcore audiophile buddy of mine and an interesting discussion came about that I don't believe we have discussed here at Club Polk. At least to my knowledge we haven't.
Here goes. I have never met anybody who was so dog-gone crazy about not wanting to hear a DDD disc. He loves AAD and can tolerate ADD discs. I really haven't paid that much attention to that because there are some great DDD albums out there [Dire Straights - "Money for Nothing"] and I have plenty of other CD's that are not DDD that sound great too.
All I care about is whether or not it's recorded well. Are any of you anal about or have a preference as to which one?
Here goes. I have never met anybody who was so dog-gone crazy about not wanting to hear a DDD disc. He loves AAD and can tolerate ADD discs. I really haven't paid that much attention to that because there are some great DDD albums out there [Dire Straights - "Money for Nothing"] and I have plenty of other CD's that are not DDD that sound great too.
All I care about is whether or not it's recorded well. Are any of you anal about or have a preference as to which one?
~ In search of accurate reproduction of music. Real sound is my reference and while perfection may not be attainable? If I chase it, I might just catch excellence. ~
Post edited by treitz3 on
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can you describe what each acronym means?Main 2ch -
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Each "A" stands for analog and the "D"s stand for digital. Look at the back of the jewel case of most any CD and you will find one of these three. It's let's you know how the original recording got to the CD in the first place~ In search of accurate reproduction of music. Real sound is my reference and while perfection may not be attainable? If I chase it, I might just catch excellence. ~
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So... AAD was recorded analog, then mastered analog, converted to digital on the cd?
DDD is digital through all three stages?
Who cares?I don't read the newsssspaperssss because dey aaaallllllllll...... have ugly print.
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I'm either DDD or AAD. Something about the ADD recordings just don't quite cut it to me.
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The closer to the master the better. AA or DD.
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I believe Tom exhibits all of those personality problems.CTC BBQ Amplifier, Sonic Frontiers Line3 Pre-Amplifier and Wadia 581 SACD player. Speakers? Always changing but for now, Mission Argonauts I picked up for $50 bucks, mint.
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I would have to say I am a AAA guy these days. Since vinyl came into the mix, I listen to nothing else.
I also get free roadside assitance I have a flat stylus and discounted rates on my auto insurance.The Gear... Carver "Statement" Mono-blocks, Mcintosh C2300 Arcam AVR20, Oppo UDP-203 4K Blu-ray player, Sony XBR70x850B 4k, Polk Audio Legend L800 with height modules, L400 Center Channel Polk audio AB800 "in-wall" surrounds. Marantz MM7025 stereo amp. Simaudio Moon 680d DSD
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I checked several of my CD's and didn't find this info anywhere.SystemLuxman L-590AXII Integrated Amplifier|KEF Reference 1 Loudspeakers|PS Audio Directream Jr|Sansui TU-9900 Tuner|TEAC A-6100 RtR|Nakamichi RX-202 Cassette
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All I care about is whether or not it's recorded well.
Bingo. Besides, I couldn't resist the next Sarah Brightman CD regardless of what 3 initials were printed on the back of it.
I checked Amazon and AllMusic.com but did not see any SPARS code information available. I could be wrong (didn't check that hard).
http://en.wikipedia.org/wiki/SPARS_code -
Jetmaker737 wrote: »I checked several of my CD's and didn't find this info anywhere.~ In search of accurate reproduction of music. Real sound is my reference and while perfection may not be attainable? If I chase it, I might just catch excellence. ~
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I don't care how it's recorded...my AAD monitors make everything sound good!!!"2 Channel & 11.2 HT "Two Channel:Magnepan LRSSchiit Audio Freya S - SS preConsonance Ref 50 - Tube preParasound HALO A21+ 2 channel ampBluesound NODE 2i streameriFi NEO iDSD DAC Oppo BDP-93KEF KC62 sub Home Theater:Full blown 11.2 set up.
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Hell, everybody would prefer that.~ In search of accurate reproduction of music. Real sound is my reference and while perfection may not be attainable? If I chase it, I might just catch excellence. ~
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Jet, you have Dire Straights "Money for Nothing"? If not, name a popular CD you own that most folks would have.
Don't have Dire Straits... how about Beatles Abbey Road remastered?SystemLuxman L-590AXII Integrated Amplifier|KEF Reference 1 Loudspeakers|PS Audio Directream Jr|Sansui TU-9900 Tuner|TEAC A-6100 RtR|Nakamichi RX-202 Cassette -
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I'm ADHD
What the heck is ADHD....oh...wait....look at that shiny CD--I'll be right back____________________
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nooshinjohn wrote: »I would have to say I am a AAA guy these days. Since vinyl came into the mix, I listen to nothing else.
If it was recorded recently, then you're probably listening to ADA or DDA. Studios have been moving away from tape.Gallo Ref 3.1 : Bryston 4b SST : Musical fidelity CD Pre : VPI HW-19
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If it sounds good, I don't care.
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Older recordings are all going to be at least ADD, probably mostly AAD. It's more about the care taken in the original recording than anything. There are some ASTOUNDING analog recordings from the 50s....TNRabbit
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A good recording and a well mastered disc is more important to me. Most everything new (since mid 90s) is recorded on a digital master. Virtually all older stuff (prior to the 80's) started on an analog master tape. In the 80's, there was some of both. Many early digital recordings didn't sound great.For rig details, see my profile. Nothing here anymore...
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Sorry, I'm in the AAA camp.
madmaxVinyl, the final frontier...
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I'm in the whatever camp, just as long as it sounds good."Wish I didn't know now what I didn't know then." Bob Seger
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Sorry, I'm in the AAA camp.
madmax
I suspect that now means DAA, or DDA. Take the digital, turn it into analog, and put it on vinyl.Lumin X1 file player, Westminster Labs interconnect cable
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I suspect that now means DAA, or DDA. Take the digital, turn it into analog, and put it on vinyl.
That is how some current stuff is done but I still like the big wide tape as the original. People who do the mixing like the versatility of digital, thats for sure. If you want perfectness I guess that is the way to go.
madmaxVinyl, the final frontier...
Avantgarde horns, 300b tubes, thats the kinda crap I want... -
I clicked "I could care less" but I've heard and own all of the above and if the recording was crap DDD makes it sound worse. If the tape hiss wasn't attended to properly AAD sounds like crap.
For the most part however I prefer AAD, the more analog involved the more natural it sounds to me. -
I have no idea what you guys are talking about._________________________________________________
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BottomFeeder wrote: »I'm in the whatever camp, just as long as it sounds good.
+1
are there camp followers? -
I have no idea what you guys are talking about.
I know you are pulling our legs Ric. -
The poll is showing some numbers I wasn't quite expecting. Interesting.
For the record, I could care less and that's how I voted. So long as it sounds like a great recording? I'm fine. I guess that when it comes down to DDD, AAD and ADD [so long as it's a good recording], I'm more interested in enjoying the music that's being played than getting anal about how it got to the disc in the first place.~ In search of accurate reproduction of music. Real sound is my reference and while perfection may not be attainable? If I chase it, I might just catch excellence. ~