Sound off Polk vs. Paradigm

zombiemusic
zombiemusic Posts: 65
edited May 2009 in Speakers
I am shopping for speakers, and I want you to sound off on what speakers you prefer between the two. I am still thinking about old SDA's but I am leaning towards new.

can anyone compare and contrast Polk Rti A9 and Paradigm Studio 100?

so far I have only heard a lower version of Paradigm monitor speakers and my own Monitor 50's.

Thanks as always, looking forward to getting some great imput.
My Gear

Phase Linear 4000 preamp
Cambridge Audio Azur 640c v.2 CD player
Dual 1219 Turntable
Two Harman Kardon Citation 16 amps
Monitor 50 speakers Bi-amped...
(dieing to upgrade to rti A9)
KLH Tremor Series sub (10 inch 125 watts)
Post edited by zombiemusic on

Comments

  • mantis
    mantis Posts: 17,208
    edited April 2009
    Ok,
    I know both Paradigm and Polk very well. I know polk better as I have owned many of there speakers and worked with them for years. I also work with Paradigm but only for the last 6 months.

    The Rtia9's are a nice speaker. Not really in the same class as the Studio 100. I would probably compare the Monitor 11's to the Rtia9's . Both speakers have there place in the world. I can't tell you what you would like better but I will give you a short opinion. The Monitor 11's will rock your house. They will blow you out for theater use. They have excellent dynamic range and mad slam. Bass extention is very very good but I would say they are heavy in the bottom end. Great theater speakers. The Rtia9's are more refined and a better musical speaker. I really can sit and listen to them without getting tired. They are very even across the spectrum. For theater they also rock but not as hard as the monitor . So if music is your game, then the polks will probably be a better choice. If theater first then it's a toss up giving a slight edge to the Monitor 11's.

    The Studio 100's are a higher end speaker. They are very musical but personally I don't care for them. I really like the Studio 20's. I find them to be much better and don't try to produce low end that they shouldn't. The 100's sound to me like they are forcing every last bit of sound out of them uncontrolled. I don't like them at all. I also don't like the Signature 8's. I do however like the Signature 2's. Another gem.

    Dan
    Dan
    My personal quest is to save to world of bad audio, one thread at a time.
  • sucks2beme
    sucks2beme Posts: 5,614
    edited April 2009
    I've had the Studio 60 v2 and still have the Polk RTi10.
    The 60's were a very good speaker. Easy to drive, good
    for music and HT. I would of kept the 60's and dumped the Rti10's
    if the wife had let me. Black matched what was downstairs, and the
    60's weren't black. The new Rti's are a better speaker than the old series.
    "The legitimate powers of government extend to such acts only as are injurious to others. But it does me no injury for my neighbour to say there are twenty gods, or no god. It neither picks my pocket nor breaks my leg." --Thomas Jefferson
  • steveinaz
    steveinaz Posts: 19,538
    edited April 2009
    I don't think the RtiA9 and Paradigm Studio 100 is a "level" comparison. Maybe the Lsi15 and Studio 100?
    Source: Bluesound Node 2i - Preamp/DAC: Benchmark DAC2 DX - Amp: Parasound Halo A21 - Speakers: MartinLogan Motion 60XTi - Shop Rig: Yamaha A-S501 Integrated - Shop Spkrs: Elac Debut 2.0 B5.2
  • zombiemusic
    zombiemusic Posts: 65
    edited April 2009
    So Steveinaz,

    just to be clear. The Rti A9 speakers are no match for the Studio 100? So would you recomend me perhaps focusing on fining a place to listen to the Lsi15?
    My Gear

    Phase Linear 4000 preamp
    Cambridge Audio Azur 640c v.2 CD player
    Dual 1219 Turntable
    Two Harman Kardon Citation 16 amps
    Monitor 50 speakers Bi-amped...
    (dieing to upgrade to rti A9)
    KLH Tremor Series sub (10 inch 125 watts)
  • Menasor
    Menasor Posts: 283
    edited April 2009
    So Steveinaz,

    just to be clear. The Rti A9 speakers are no match for the Studio 100? So would you recomend me perhaps focusing on fining a place to listen to the Lsi15?

    Yeah honestly the LSi 15/25 would be closer to the Studio 100

    Rti A = Monitor
    LSi = Studio
    nothing = Signature

    Fronts: Energy RC-70
    Center: Energy RC-LCR
    Surrounds: Energy Veritas 1.0CM
    Subwoofer: SVS PC12-NSD
    Receiver: Onkyo TX-SR705
    Amplifier: Denon POA-2200 w/ Ben's ICs


    Pics of my setup (click me)
  • Rocco1
    Rocco1 Posts: 190
    edited April 2009
    Menasor wrote: »
    Yeah honestly the LSi 15/25 would be closer to the Studio 100

    Rti A = Monitor
    LSi = Studio
    nothing = Signature

    Hopefully

    nothing = Signature

    will equal something soon.;)
    Man Cave: 7.1
    -PS Audio Power Plant Premier
    -PS Audio Power backup
    -Onkyo Pre/Pro> 2 Adcom555se bridged and bi-wired> RTi A9s
    > Adcom GFA 7605> CSi A6 center, RTi A3s side rears, FXi A6s rears
    >Sub = MK Audio 10'
    -PS3
    -Onkyo 5 disc cd player
    -Directv
    -Samsung 59' plasma flanked by 2 Samsung 43' plasma's
  • Freak When C
    Freak When C Posts: 231
    edited April 2009
    mantis wrote: »
    I really like the Studio 20's. I find them to be much better and don't try to produce low end that they shouldn't. The 100's sound to me like they are forcing every last bit of sound out of them uncontrolled. I don't like them at all.
    Dan

    What version of the 20's did you listen to that you liked so much? I'm looking around shopping for used speakers like OP, and don't really have a clue as to which version I should consider when considering the Paradigm Studio line.
  • Hawkeye
    Hawkeye Posts: 1,313
    edited May 2009
    The Sig 8 is about a 6K speaker. It would be interesting to see what Polk would come up with in that price range.

    Gordon
    2 Channel -
    Martin Logan Spire, 2 JL Audio F112 subs
    McIntosh C1000 Controller with Tube pre amp, 2 MC501 amplifiers, MD1K Transport & DAC, MR-88 Tuner
    WireWorld Eclipse 6.0 speaker wire and jumpers, Eclipse 5^2 Squared Balanced IC's. Silver Eclipse PCs (5)
    Symposium Rollerblocks 2+ (16)Black Diamond Racing Mk 3 pits (8)
  • reeltrouble1
    reeltrouble1 Posts: 9,312
    edited May 2009
    yes it would be, but I fear Polk is not headed in that direction, of course they have not really been interested in building hi-end for a long time, its been about good sound for mass market.

    RT1
  • Hawkeye
    Hawkeye Posts: 1,313
    edited May 2009
    I just get the feeling there is something in a lab at Polk that would blow the tweeters or panels off any comparably priced speaker, maybe more. Unfortunately, where to sell a speaker of that calibur and how many units would be sold each year probably keeps them locked up in vault.

    Gordon
    2 Channel -
    Martin Logan Spire, 2 JL Audio F112 subs
    McIntosh C1000 Controller with Tube pre amp, 2 MC501 amplifiers, MD1K Transport & DAC, MR-88 Tuner
    WireWorld Eclipse 6.0 speaker wire and jumpers, Eclipse 5^2 Squared Balanced IC's. Silver Eclipse PCs (5)
    Symposium Rollerblocks 2+ (16)Black Diamond Racing Mk 3 pits (8)
  • reeltrouble1
    reeltrouble1 Posts: 9,312
    edited May 2009
    they have the know how, no doubt about it, still, all the newly released products have been geared at HT, nice stuff though.

    RT1
  • BigMac
    BigMac Posts: 849
    edited May 2009
    Since you are considering the SDA line of Polk I would like to add my 2 cents. I currently have Polk monitor 10b. I love the sound they produce but have wondered if there was a speaker that was a little more up to date looking (WAF) and that had the strenghts of the M10 but not its weaknesses. I have listened to a ton of speakers and almost all of the ones that sound as good or better are expensive. I happened to stop in to a local audio store with cds I knew very well and started listening to different speakers. The prices ranged from $350.00 powered monitors up to $7,000.00 speakers.

    One of the last pair of speakers I listened to was the Dali Concept 8. When I first started listening I thought I was listening to my M10. After some time passed I came to the conclusion that the speakers had all the strengths of the Polk M10 but none of the weaknesses. Alot of folks say the M10 has a "smear" in the midrange and the highs can be "kinda" harsh for some. Well, the Dali's did not have the smear or harsh highs. The music sounded just like it was intended it to. The speakers had nice tight,punchy bass,a solid smooth midrange,and detailed,clear, highs. The soundstage was wider than that of the M10 as well. Imo the Dali speakers are like a special edition M10 with minor flaws fixed; plus it has a more up to date look. Great speakers for almost any type of music you can throw at them. Led Zepplin sounded awesome. Diana Krall singing sounded as if she was right there singing to me. Hip hop music was very clear and detailed but still had a very nice low end (was kinda weird hearing hip hop that clearly...use to hearing just the BOOM-BOOM). Classical was very detailed and instruments had a very nice seperation which made the music sound that much better. I could keep going about how well rounded these speakers were. Here is how I break them down.

    -Dali tweets gave the detail of the Polk LSi line
    -Dali Midrange was very good and compares to the LSi line (imo the Dali's sounded better)
    -Dali low end was very tight and punchy. I suppose you could say they sounded like the M10 but the bass was tighter and a little more punchy.

    In conclusion, if there is a pair of Dali Concept 8 near you I would suggest a listen........if for nothing else but **** and giggles.:)
  • pvsat
    pvsat Posts: 14
    edited May 2009
    Menasor wrote: »
    Yeah honestly the LSi 15/25 would be closer to the Studio 100

    Rti A = Monitor
    LSi = Studio
    nothing = Signature

    I actually agree with all the comments posted on this post. I recently ended up purchasing Polk TSI500 towers and had a comparison with my friends Paradigm Reference Studio 100 towers. I put my findings in a review i did of the TSIs. If you have the money! to put into good amplification and the ear! to hear every little detail go ahead with the paradigms...you wont regret it...they are indeed incredible as people have portrayed them to be.

    Pvsat
    Polk TSI 500
    Polk CS20
    Polk RC60i
    Polk PSW505
  • steveinaz
    steveinaz Posts: 19,538
    edited May 2009
    So Steveinaz,

    just to be clear. The Rti A9 speakers are no match for the Studio 100? So would you recomend me perhaps focusing on fining a place to listen to the Lsi15?

    "No match" might be a bit too harsh. The P-Studio 100 is a step up from the RtiA line. Better tonal linearity, better build quality, etc. Now if you like the RtiA "sound" then that is all that really matters. The Lsi15 is very close--but a bit more difficult to drive than the Studio 100. Treble is also very different between the 2.
    Source: Bluesound Node 2i - Preamp/DAC: Benchmark DAC2 DX - Amp: Parasound Halo A21 - Speakers: MartinLogan Motion 60XTi - Shop Rig: Yamaha A-S501 Integrated - Shop Spkrs: Elac Debut 2.0 B5.2
  • danz1906
    danz1906 Posts: 5,144
    edited May 2009
    steveinaz wrote: »
    "No match" might be a bit too harsh. The P-Studio 100 is a step up from the RtiA line. Better tonal linearity, better build quality, etc. Now if you like the RtiA "sound" then that is all that really matters. The Lsi15 is very close--but a bit more difficult to drive than the Studio 100. Treble is also very different between the 2.

    Agreed, its like comparing apples to oranges.
    Linn AV5140 fronts
    Linn AV5120 Center
    Linn AV5140 Rears
    M&K MX-70 Sub for Music
    Odyssey Mono-Blocs
    SVS Ultra-13 Gloss Black:D
  • Face
    Face Posts: 14,340
    edited May 2009
    I can't stand Paradigm's voicing and am surprised that so many do. Kind of like B&W I guess.
    "He who fights with monsters should look to it that he himself does not become a monster. And when you gaze long into an abyss the abyss also gazes into you." Friedrich Nietzsche
  • sucks2beme
    sucks2beme Posts: 5,614
    edited May 2009
    The RTI10 were demo room speakers at CC(had some cosmetic issues).
    The Studio 60's were a trade in. The 60's were $50 more than the
    Polks, and beat them is every way possible. The Paradigm 40' or 60's
    are pretty good all around speakers at their price points. The new Polk's
    do look better and seem to perform better. And new, the new Polk
    RTI's are cheaper. Like anything else, go find some and listen.
    "The legitimate powers of government extend to such acts only as are injurious to others. But it does me no injury for my neighbour to say there are twenty gods, or no god. It neither picks my pocket nor breaks my leg." --Thomas Jefferson
  • markmarc
    markmarc Posts: 2,309
    edited May 2009
    Flat out, the Paradigm Studio Series is the competitor to the LSi's. The RTiA series and the Paradigm Monitor series are comparable.
    Review Site_ (((AudioPursuit)))
    Founder/Publisher Affordable$$Audio 2006-13.
    Former Staff Member TONEAudio
    2 Ch. System
    Amplifiers: Parasound Halo P6 pre, Vista Audio i34, Peachtree amp500, Adcom GFP-565 GFA-535ii, 545ii, 555ii
    Digital: SimAudio HAD230 DAC, iMac 20in/Amarra,
    Speakers: Paradigm Performa F75, Magnepan .7, Totem Model 1's, ACI Emerald XL, Celestion Si Stands. Totem Dreamcatcher sub
    Analog: Technics SL-J2 w/Pickering 3000D, SimAudio LP5.3 phono pre
    Cable/Wires: Cardas, AudioArt, Shunyata Venom 3
  • dkg999
    dkg999 Posts: 5,647
    edited May 2009
    I have to agree with Mantis on the Paradigm Studio Reference 20's. I have the 20v3's in a second 2 ch system, and after you give them about 300 hrs of break-in, they are wonderful! Seriously, the tweeters take that much break-in to settle down, prior to that they can sound a little shrill.
    DKG999
    HT System: LSi9, LSiCx2, LSiFX, LSi7, SVS 20-39 PC+, B&K 507.s2 AVR, B&K Ref 125.2, Tripplite LCR-2400, Cambridge 650BD, Signal Cable PC/SC, BJC IC, Samsung 55" LED

    Music System: Magnepan 1.6QR, SVS SB12+, ARC pre, Parasound HCA1500 vertically bi-amped, Jolida CDP, Pro-Ject RM5.1SE TT, Pro-Ject TubeBox SE phono pre, SBT, PS Audio DLIII DAC
  • ViperZ
    ViperZ Posts: 2,046
    edited May 2009
    markmarc wrote: »
    Flat out, the Paradigm Studio Series is the competitor to the LSi's. The RTiA series and the Paradigm Monitor series are comparable.

    Well said. That's exactly what I was thinking. Studio = competition with LSi. Monitor = competition with RTiA. Signature... well, too high end.
    Panasonic PT-AE4000U projector for movies
    Carada 106" Precision Series (Classic Cinema White)
    Denon AVR-X3600H pre/pro
    Outlaw 770 7-channel amplifier
    B&W CDM1-SE fronts
    B&W CDM-CNT center
    B&W CDM1 rears on MoPADs
    JBL SP8CII in-ceiling height speakers
    Samsung DTB-H260F OTA HDTV tuner
    DUAL NHT SubTwo subwoofers
    Oppo BDP-93 Blu-Ray player
    Belkin PF60 Power Center
    Harmony 1100 RF remote with RF extender
    Sony XBR-X950G 55" 4K HDR Smart TV + PS3 in the living room
  • mantis
    mantis Posts: 17,208
    edited May 2009
    I will go on record to say I prefer the Lsi series over Paradigm to a point. The Studio 20's the brand new model is a remarkable speaker. I think they will suprass the the Lsi7's and 9's. The Lsi9's to me try to squeeze out to much bass. If they where crossed over a bit higher, I think they would sound a lot better. Add a great sub and man you would have a great pair of speakers. I like the Lsi7's more. I know the Studio 20's will give the Lsi's all kinds of problems. It would be a hell of a shootout. Without having both speakers in the same room, same gear etc, Can't honestly say who would win. But from memory, I'm leaning Paradigm. Sad but might be true to me.

    I now have to get my hands on a pair of Lsi7's and 9's, anyone Interested in bringing a pair or 2 to my store for a killer shoot out??? I'm game if you are. Anyone local would be welcome to come down for the shootout and take notes, have a blast and hear what's up.

    Dan
    Dan
    My personal quest is to save to world of bad audio, one thread at a time.
  • markmarc
    markmarc Posts: 2,309
    edited May 2009
    After owning both the Studio 40v2 and the LSi9 here are my thoughts:

    Bass detail in favor of the LSi9's
    Mids are a push, both speakers do very well
    Highs go to the Studio 40's

    IMHO, it's not that too much was put into the LSi9 cabinet, but rather that parts used in the crossover are of mediocre quality. The Vifa tweeter should sing, instead it's constrained and limited. No wonder that the crossover mod that has been done by a few in the forum makes such a significant improvement.
    Review Site_ (((AudioPursuit)))
    Founder/Publisher Affordable$$Audio 2006-13.
    Former Staff Member TONEAudio
    2 Ch. System
    Amplifiers: Parasound Halo P6 pre, Vista Audio i34, Peachtree amp500, Adcom GFP-565 GFA-535ii, 545ii, 555ii
    Digital: SimAudio HAD230 DAC, iMac 20in/Amarra,
    Speakers: Paradigm Performa F75, Magnepan .7, Totem Model 1's, ACI Emerald XL, Celestion Si Stands. Totem Dreamcatcher sub
    Analog: Technics SL-J2 w/Pickering 3000D, SimAudio LP5.3 phono pre
    Cable/Wires: Cardas, AudioArt, Shunyata Venom 3
  • Face
    Face Posts: 14,340
    edited May 2009
    I agree Mark, modded LSi9's sound fantastic. It's a shame the stock crossovers have mediocre parts.
    "He who fights with monsters should look to it that he himself does not become a monster. And when you gaze long into an abyss the abyss also gazes into you." Friedrich Nietzsche
  • dkg999
    dkg999 Posts: 5,647
    edited May 2009
    Mantis - I have the LSi7, LSi9, and Paradigm 20v3's all in the same house. For HT I would go with the LSi9's (and did in my HT system). I've always thought the LSi7 was a better speaker for music than the 9's. The Paradigm 20v3's in my opinion just edge out the LSi9's for music, and have a depth and width of soundstage that the LSi7's don't produce. Paradigm did a hell of a job on the tweeter and cross over on the 20's.
    DKG999
    HT System: LSi9, LSiCx2, LSiFX, LSi7, SVS 20-39 PC+, B&K 507.s2 AVR, B&K Ref 125.2, Tripplite LCR-2400, Cambridge 650BD, Signal Cable PC/SC, BJC IC, Samsung 55" LED

    Music System: Magnepan 1.6QR, SVS SB12+, ARC pre, Parasound HCA1500 vertically bi-amped, Jolida CDP, Pro-Ject RM5.1SE TT, Pro-Ject TubeBox SE phono pre, SBT, PS Audio DLIII DAC
  • Menasor
    Menasor Posts: 283
    edited May 2009
    dkg999 wrote: »
    Mantis - I have the LSi7, LSi9, and Paradigm 20v3's all in the same house. For HT I would go with the LSi9's (and did in my HT system). I've always thought the LSi7 was a better speaker for music than the 9's. The Paradigm 20v3's in my opinion just edge out the LSi9's for music, and have a depth and width of soundstage that the LSi7's don't produce. Paradigm did a hell of a job on the tweeter and cross over on the 20's.

    All this talk about the Studio 20's is giving me the itch. Stop it! :)

    Fronts: Energy RC-70
    Center: Energy RC-LCR
    Surrounds: Energy Veritas 1.0CM
    Subwoofer: SVS PC12-NSD
    Receiver: Onkyo TX-SR705
    Amplifier: Denon POA-2200 w/ Ben's ICs


    Pics of my setup (click me)
  • dkg999
    dkg999 Posts: 5,647
    edited May 2009
    Menasor wrote: »
    All this talk about the Studio 20's is giving me the itch. Stop it! :)

    One of the best in the entire Paradigm line, IMHO.
    DKG999
    HT System: LSi9, LSiCx2, LSiFX, LSi7, SVS 20-39 PC+, B&K 507.s2 AVR, B&K Ref 125.2, Tripplite LCR-2400, Cambridge 650BD, Signal Cable PC/SC, BJC IC, Samsung 55" LED

    Music System: Magnepan 1.6QR, SVS SB12+, ARC pre, Parasound HCA1500 vertically bi-amped, Jolida CDP, Pro-Ject RM5.1SE TT, Pro-Ject TubeBox SE phono pre, SBT, PS Audio DLIII DAC