MP3 player through my system

124

Comments

  • heiney9
    heiney9 Posts: 25,165
    edited September 2007
    madmax wrote: »
    Some day I need to know what that means...
    madmax

    EAC- Exact Audio Copy
    Ripping- Copying digital information from one medium to another
    FLAC- Free Lossless Audio Codec

    http://en.wikipedia.org/wiki/Free_Lossless_Audio_Codec

    http://en.wikipedia.org/wiki/Exact_Audio_Copy

    :)

    H9
    "Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul!
  • Lowell_M
    Lowell_M Posts: 1,660
    edited September 2007
    heiney9 wrote: »
    Well Apple lossless isn't the same as a real cd.
    H9

    Why not? I've been using Apple lossless for my library and periodically writing a mixed CD. My ears can't hear a difference between the originally and a ripped, then re-burnt copy. An original track that is HDCD, comes through as HDCD when re-burnt and everythign sounds like it is still there.

    Did I miss your point, or am I just mis-informed? I've spent a boat load of time ripping to Apple lossless, so if FLAC is better I'd rather switch now and build from here.

    What program do you use to manage the FLAC files? I'm interested in giving it a shot if it is better.
    HT
    RTi70 mains
    CSi30 center
    RTi28 Rears
    Velodyne CHT-12
    H/K AVR-247
    ADCOM GFA-7000
    Samsung PN58B860
    Playstation 3

    2-Channel
    Polk Audio LSi15's
    Rotel RCD-1072
    Nakamichi CA-5 Pre
    ADCOM GFA-555
    Signal Cable Analog II IC's
    Signal Ultra Bi-Wire Speaker Cables
  • Lowell_M
    Lowell_M Posts: 1,660
    edited September 2007
    http://wiki.hydrogenaudio.org/index.php?title=Lossless_comparison#Comparison_Table

    I haven't read to see what this tells me yet, but looks like there's lots o'info there about lossless formats. Looks like FLAC is definately the most flexible. Not sure about the comparison from Apple lossless to FLAC yet.
    HT
    RTi70 mains
    CSi30 center
    RTi28 Rears
    Velodyne CHT-12
    H/K AVR-247
    ADCOM GFA-7000
    Samsung PN58B860
    Playstation 3

    2-Channel
    Polk Audio LSi15's
    Rotel RCD-1072
    Nakamichi CA-5 Pre
    ADCOM GFA-555
    Signal Cable Analog II IC's
    Signal Ultra Bi-Wire Speaker Cables
  • heiney9
    heiney9 Posts: 25,165
    edited September 2007
    Aaron it's my undertanding that Apple lossless is NOT and exact copy of the original. I was raised <lol> on FLAC and using it in conjuction with EAC gives absolute bit perfect copies.

    I admit I don't have much real world experience with Apple lossless but I have read and been told that while it sounds great it's not an exact copy so I never bothered to use it. Right now I just use FOOBAR to play FLAC files because I can set it for Kernel streaming which is a pure digital feed. Many,if not all other, software playbac programs do some sort of processing which means it's no longer the pure 1's and 0's anymore.

    I occasionally use WINAMP but it always uses a processor when outputting and I find a slight degredation is SQ using WINAMP vs. FOOBAR. I am in the process of planning to buy more HD space and set up a server using the Squeezbox connected to my DAC. I just want to do it right the first time like my brother did, except on a smaller less complicated and more budget friendly scale.

    I also prefer ripping and archiving my own music....not purchasing it from Amazon or Apple or whatever. I want complete control over the process to ensure it's the best possible. Plus, I'm not paying for compressed music unless it's extremely rare or only offered in that format like several rarities at www.wolfgangsvault.com

    H9

    P.s. When we get together again we can discuss furthur and if Blakeh (my brother) is there he can really get much more technical than I can about the computer end of it.
    "Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul!
  • wingnut4772
    wingnut4772 Posts: 7,519
    edited September 2007
    So how do we get our music to FLAC EAC. I am assuming this would only apply to ripping our cds?
    Sharp Elite 70
    Anthem D2V 3D
    Parasound 5250
    Parasound HCA 1000 A
    Parasound HCA 1000
    Oppo BDP 95
    Von Schweikert VR4 Jr R/L Fronts
    Von Schweikert LCR 4 Center
    Totem Mask Surrounds X4
    Hsu ULS-15 Quad Drive Subwoofers
    Sony PS3
    Squeezebox Touch

    Polk Atrium 7s on the patio just to keep my foot in the door.
  • heiney9
    heiney9 Posts: 25,165
    edited September 2007
    So how do we get our music to FLAC EAC. I am assuming this would only apply to ripping our cds?

    Yes, but I think you will find in the future more places may offer FLAC files. I'm not sure how they rip though. It is possible to make poor FLAC files. It's also possible for a recording studio to transfer high amounts of jitter to a pressing or master pressing and it will be there forever.

    H9
    "Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul!
  • Face
    Face Posts: 14,340
    edited September 2007
    I've been using WMP lossless, sounds great to me and is very simple to use. For playback, Foobar sounds probably the best, then winamp, and WMP.
    "He who fights with monsters should look to it that he himself does not become a monster. And when you gaze long into an abyss the abyss also gazes into you." Friedrich Nietzsche
  • Face
    Face Posts: 14,340
    edited September 2007
    Ok...here we go.

    I'm listening to Nirvana's Bleach on LP on a Rega P1, Goldring Electra Cartridge. At the same time I have Bleach playing on my PC via Foobar2000 and ripped WMP lossless.

    The rest of my equipment is Tannoy Saturn S8 towers, Signal Ultra Bi-Wire speaker cables, McIntosh MX115 tuner/pre, McIntosh MC7270 amp, Camelot Arthur v3.0 DAC, Goertz/Alpha Core Sapphire Interconnects. Pure AV PF60 for line conditioning.

    I've been switching between the two sources to compare them.

    Granted, this isn't the best source recording, but the only album I can find both on CD and LP that I can appreciate.

    The detail seems to be a little better on the LP, and the LP is also warmer. For some reason, the digital source sounds a little further away? That's the best way I could put it. Regardless, they both sound great to me.

    I'm going to do some more listening and see if I can come up with anything else.

    EDIT: the digital's brightness is partially due to the crappy interconnect on the TT compared to the pricey silver I/C between the DAC and pre.
    "He who fights with monsters should look to it that he himself does not become a monster. And when you gaze long into an abyss the abyss also gazes into you." Friedrich Nietzsche
  • Yashu
    Yashu Posts: 772
    edited September 2007
    I hear the P1 is a fine starter TT. Stereophile did a review and you should check it out and see if what you are hearing matches up with what they heard... then you can know if it is the TT/cartridge, or the ICs.

    Also... are both albums issued from the same master? Stuff that has been remastered for CD can be a little lifeless once the record label steps in and tells the engineer to make it louder.
  • sucks2beme
    sucks2beme Posts: 5,601
    edited September 2007
    As always, the medium for music playback is subject to the source material.
    Garbage in, Garbage out! The best source can be undone by a sound guy pushing all the sliders to top!
    "The legitimate powers of government extend to such acts only as are injurious to others. But it does me no injury for my neighbour to say there are twenty gods, or no god. It neither picks my pocket nor breaks my leg." --Thomas Jefferson
  • Face
    Face Posts: 14,340
    edited September 2007
    sucks2beme wrote: »
    Garbage in, Garbage out! The best source can be undone by a sound guy pushing all the sliders to top!
    I couldn't agree more. My system is very revealing and it's very disappointing to hear CDs released from popular artists that sound like garbage. Spend the money to have it done right.
    "He who fights with monsters should look to it that he himself does not become a monster. And when you gaze long into an abyss the abyss also gazes into you." Friedrich Nietzsche
  • Yashu
    Yashu Posts: 772
    edited September 2007
    They spend a lot of money to make them sound as bad as they do... it is not overly expensive to make a good recording. I listen to mostly indie stuff, and there are a lot of wonderful recordings done in makeshift studios across the globe. Some of the best classical music recordings are done with a very minimal setup... with vintage equipment, no less.

    When you are a band in modern times, having a big label sign you is pretty much akin to signing away your soul, or at least your rights to make your records sound the way you want. The big labels have studios costing millions and millions... it is almost a crime what they do.
  • bigaudiofanatic
    bigaudiofanatic Posts: 4,415
    edited September 2007
    HAHAHa well i am just telling you the apple lossless is NOT compressed at all thats why it takes to much room and useing a 3.5 headphone jak to a set of rca is just terreable and compramises your sound plus that means the the built in sound in the computer has to amplify it before it even sends it to the reciever. But hey whatever I entered my 2 cents take it or leave it.
    HT setup
    Panasonic 50" TH-50PZ80U
    Denon DBP-1610
    Monster HTS 1650
    Carver A400X :cool:
    MIT Exp 3 Speaker Wire
    Kef 104/2
    URC MX-780 Remote
    Sonos Play 1

    Living Room
    63 inch Samsung PN63C800YF
    Polk Surroundbar 3000
    Samsung BD-C7900
  • bigaudiofanatic
    bigaudiofanatic Posts: 4,415
    edited September 2007
    This is somewhat true maximun pc even did a test it was last mounths issue about compressed audio and some pros could not tell the difference but like i said this is my opinion on the situation and me personaly i own over 230 cd's and have all of them in itunes in lossless and it might be that i dont own very expensive front speakers but i can not hear the difference.
    HT setup
    Panasonic 50" TH-50PZ80U
    Denon DBP-1610
    Monster HTS 1650
    Carver A400X :cool:
    MIT Exp 3 Speaker Wire
    Kef 104/2
    URC MX-780 Remote
    Sonos Play 1

    Living Room
    63 inch Samsung PN63C800YF
    Polk Surroundbar 3000
    Samsung BD-C7900
  • shack
    shack Posts: 11,154
    edited September 2007
    Sona wrote:
    Shack, ouch! You should be wearing earplugs while mowing! What is that doing to your ears? I don't know those headphones though, maybe they enable you to listen to very low volumes over mower noise, but it just sounds wrong!

    I've been mowing yards for 45 years WITHOUT earplugs. No need to start now and my hearing is still just fine. (BTW the Sens aren't used outdoors...that is for the POS earbuds.)
    "Just because you’re offended doesn’t mean you’re right." - Ricky Gervais

    "For those who believe, no proof is necessary. For those who don't believe, no proof is possible." - Stuart Chase

    "Consistency requires you to be as ignorant today as you were a year ago." - Bernard Berenson
  • Yashu
    Yashu Posts: 772
    edited October 2007
    Well, the sens are open headphones, it wouldn't make sense to use them outdoors.

    Is apple lossless m4a? Because this is not lossless. This is a lossy mpeg 4 format.
  • shack
    shack Posts: 11,154
    edited October 2007
    Yashu wrote: »
    Well, the sens are open headphones, it wouldn't make sense to use them outdoors.

    Didn't bother to look at the picture did you? If it wasn't obvious from the picture...the model #HD280Pro might have been the next clue. They are a fully closed set of headphones.
    "Just because you’re offended doesn’t mean you’re right." - Ricky Gervais

    "For those who believe, no proof is necessary. For those who don't believe, no proof is possible." - Stuart Chase

    "Consistency requires you to be as ignorant today as you were a year ago." - Bernard Berenson
  • Lowell_M
    Lowell_M Posts: 1,660
    edited October 2007
    Yashu wrote: »
    Well, the sens are open headphones, it wouldn't make sense to use them outdoors.

    Is apple lossless m4a? Because this is not lossless. This is a lossy mpeg 4 format.

    Apple Lossless isn't mpeg 4, it's...well... Apple lossless.

    mpeg 4 is compressed and NOT lossless.
    HT
    RTi70 mains
    CSi30 center
    RTi28 Rears
    Velodyne CHT-12
    H/K AVR-247
    ADCOM GFA-7000
    Samsung PN58B860
    Playstation 3

    2-Channel
    Polk Audio LSi15's
    Rotel RCD-1072
    Nakamichi CA-5 Pre
    ADCOM GFA-555
    Signal Cable Analog II IC's
    Signal Ultra Bi-Wire Speaker Cables
  • wingnut4772
    wingnut4772 Posts: 7,519
    edited October 2007
    Got my squeezebox today. I can't play the Flac files wireless right?
    Sharp Elite 70
    Anthem D2V 3D
    Parasound 5250
    Parasound HCA 1000 A
    Parasound HCA 1000
    Oppo BDP 95
    Von Schweikert VR4 Jr R/L Fronts
    Von Schweikert LCR 4 Center
    Totem Mask Surrounds X4
    Hsu ULS-15 Quad Drive Subwoofers
    Sony PS3
    Squeezebox Touch

    Polk Atrium 7s on the patio just to keep my foot in the door.
  • heiney9
    heiney9 Posts: 25,165
    edited October 2007
    Got my squeezebox today. I can't play the Flac files wireless right?

    You CAN play FLAC files wireless, if you are wireless capable. Run that **** thru the Benchmark
    "Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul!
  • wingnut4772
    wingnut4772 Posts: 7,519
    edited October 2007
    heiney9 wrote: »
    You CAN play FLAC files wireless, if you are wireless capable. Run that **** thru the Benchmark

    Doin' it right now. But is that as good as the exact copy or is it compressed?
    Sharp Elite 70
    Anthem D2V 3D
    Parasound 5250
    Parasound HCA 1000 A
    Parasound HCA 1000
    Oppo BDP 95
    Von Schweikert VR4 Jr R/L Fronts
    Von Schweikert LCR 4 Center
    Totem Mask Surrounds X4
    Hsu ULS-15 Quad Drive Subwoofers
    Sony PS3
    Squeezebox Touch

    Polk Atrium 7s on the patio just to keep my foot in the door.
  • heiney9
    heiney9 Posts: 25,165
    edited October 2007
    Doin' it right now. But is that as good as the exact copy or is it compressed?

    FLAC is lossless compression. And your question is a loaded one. There is a difference between exact copy and lossless, maybe I'm splitting hairs but here it goes.

    FLAC allows you to get a bit perfect copy IF you use EAC and have it optimized for your computer drive.

    If you don't use EAC and have the settings set properly, technically it's not a bit perfect copy. Can one hear a difference some say they can some not.

    So to sum up. FLAC is lossless and will make files indistinguishable from the original but it would only be considered BIT PERFECT if it's ripped accordingly. SO FLAC is NOT the culpret for less than exact bit perfect copies.

    However FLAC, IMO is the best/only lossless format available if you are looking for audiophile/exact copies of your cd's.

    H9
    "Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul!
  • wingnut4772
    wingnut4772 Posts: 7,519
    edited October 2007
    heiney9 wrote: »
    FLAC is lossless compression. And your question is a loaded one. There is a difference between exact copy and lossless, maybe I'm splitting hairs but here it goes.

    FLAC allows you to get a bit perfect copy IF you use EAC and have it optimized for your computer drive.

    If you don't use EAC and have the settings set properly, technically it's not a bit perfect copy. Can one hear a difference some say they can some not.

    So to sum up. FLAC is lossless and will make files indistinguishable from the original but it would only be considered BIT PERFECT if it's ripped accordingly. SO FLAC is NOT the culpret for less than exact bit perfect copies.

    However FLAC, IMO is the best lossless format available if you are looking for audiophile/exact copies of your cd's.

    H9

    I did use EAC. Thanks for the links Music Joe
    Sharp Elite 70
    Anthem D2V 3D
    Parasound 5250
    Parasound HCA 1000 A
    Parasound HCA 1000
    Oppo BDP 95
    Von Schweikert VR4 Jr R/L Fronts
    Von Schweikert LCR 4 Center
    Totem Mask Surrounds X4
    Hsu ULS-15 Quad Drive Subwoofers
    Sony PS3
    Squeezebox Touch

    Polk Atrium 7s on the patio just to keep my foot in the door.
  • wingnut4772
    wingnut4772 Posts: 7,519
    edited October 2007
    WOWEE! This thing sounds so sweet with the Benchmark!:D
    Sharp Elite 70
    Anthem D2V 3D
    Parasound 5250
    Parasound HCA 1000 A
    Parasound HCA 1000
    Oppo BDP 95
    Von Schweikert VR4 Jr R/L Fronts
    Von Schweikert LCR 4 Center
    Totem Mask Surrounds X4
    Hsu ULS-15 Quad Drive Subwoofers
    Sony PS3
    Squeezebox Touch

    Polk Atrium 7s on the patio just to keep my foot in the door.
  • heiney9
    heiney9 Posts: 25,165
    edited October 2007
    WOWEE! This thing sounds so sweet with the Benchmark!:D

    :D:D:p:) :cool: :cool:
    "Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul!
  • Yashu
    Yashu Posts: 772
    edited October 2007
    m4a is a lossy format. You can choose your encoding bitrate just like you can with mp3... like 128, or 192.

    If m4a is truly what apple calls it's lossless format, then it is not at all lossless.

    I KNOW m4a is lossy, but I do not know if m4a is the format that apple calls "apple lossless". I can't say whether apple lossless is truly what it says because I don't know. I only know that .m4a is a lossy format.
  • wingnut4772
    wingnut4772 Posts: 7,519
    edited October 2007
    Does the router matter?
    Sharp Elite 70
    Anthem D2V 3D
    Parasound 5250
    Parasound HCA 1000 A
    Parasound HCA 1000
    Oppo BDP 95
    Von Schweikert VR4 Jr R/L Fronts
    Von Schweikert LCR 4 Center
    Totem Mask Surrounds X4
    Hsu ULS-15 Quad Drive Subwoofers
    Sony PS3
    Squeezebox Touch

    Polk Atrium 7s on the patio just to keep my foot in the door.
  • heiney9
    heiney9 Posts: 25,165
    edited October 2007
    Sona wrote: »
    If not, with large, low cost hard drives you might want to keep your library completely uncompressed.

    EAC ripped WAV files converted to FLAC = exact bit fot bit copies at about 20-30% file size vs. uncompressed WAV files. That's where it's at. ;)
    "Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul!
  • Music Joe
    Music Joe Posts: 459
    edited October 2007
    WOWEE! This thing sounds so sweet with the Benchmark!:D

    Right on!
    I'm streaming WMA lossless via wireless no problems.

    Have you played with the Internet music streams? The ambient stations sound pretty decent for shocking low stream rates.