Stereo Rig - Am I forgetting anything?
SolidSqual
Posts: 5,218
Here's my system . . . any suggestions?
Preamp: Rogue Audio Metis
Amp: Nad C272
Source: Oppo 981HD
Interconnects: Signal Cable Analog Two
Speaker Cable: Signal cable Ultra Speaker Cable
Speakers: Lsi15
I think I finaly got everything to a point where I can begin to treat my room for any acoustic issues. Right now I'm trying to decide whether I should purchase foam systems from HSF acoustics or build my own treatments. Thoughts?
Preamp: Rogue Audio Metis
Amp: Nad C272
Source: Oppo 981HD
Interconnects: Signal Cable Analog Two
Speaker Cable: Signal cable Ultra Speaker Cable
Speakers: Lsi15
I think I finaly got everything to a point where I can begin to treat my room for any acoustic issues. Right now I'm trying to decide whether I should purchase foam systems from HSF acoustics or build my own treatments. Thoughts?
Post edited by SolidSqual on
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Magic Power Cord on the amp and preamp. Then start with isolation components on the preamp and source.Check your lips at the door woman. Shake your hips like battleships. Yeah, all the white girls trip when I sing at Sunday service.
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Looks good. However, the source doesn't fit. The Oppo sounds very good with CD playback compared to other DVD players, but it's not a CDP.HT/2-channel Rig: Sony 50 LCD TV; Toshiba HD-A2 DVD player; Emotiva LMC-1 pre/pro; Rogue Audio M-120 monoblocks (modded); Placette RVC; Emotiva LPA-1 amp; Bada HD-22 tube CDP (modded); VMPS Tower II SE (fronts); DIY Clearwave Dynamic 4CC (center); Wharfedale Opus Tri-Surrounds (rear); and VMPS 215 sub
"God grooves with tubes." -
Looks good! I second the source comment from Early. You could go my route and add a solid DAC to the Oppo. Easy option for $100 - $300, depending on DAC.
I'm also at a point where I'm starting to slow down the major purchases for my 2-channel rig and finally do some setup, wire management, and tweaking.
I'll take some suggestions, too. Sorry to leach off you, Solid, but this is a good idea!
2 Channel Rig:
Musical Fidelity A3.2 Integrated
Thiel CS 1.2s
PS Audio XStream Plus Speaker Cable
Kimber Kable PBJ ICs
Sony CA80ES transport & Theta Pro Progeny DAC
Marantz ST-6000 tunerStereo Rig: Hales Revelation 3, Musical Fidelity CD-Pre 24, Forte Model 3 amp, Lexicon RT-10 SACD, MMF-5 w/speedbox, Forte Model 2 Phono Pre, Cardas Crosslink, APC H15, URC MX-950, Lovan Stand
Bedroom: Samsung HPR-4252, Toshiba HD-A2, HK 3480, Signal Cable, AQ speaker cable, Totem Dreamcatchers, SVS PB10-NSD, URC MX-850 -
Early B wrote:Looks good. However, the source doesn't fit. The Oppo sounds very good with CD playback compared to other DVD players, but it's not a CDP.
Agreed! Get a REAL CDP!"Just because youre offended doesnt mean youre right." - Ricky Gervais
"For those who believe, no proof is necessary. For those who don't believe, no proof is possible." - Stuart Chase
"Consistency requires you to be as ignorant today as you were a year ago." - Bernard Berenson -
Andy, No worries. I learn from everyone and every post in this forum. I appreciate any posts that will add to the discussion.
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I was looking into the Cambridge Audio line of CDPs. The price is pretty competitive and fits within my 500-600 range.
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Russman, thanks for the reminder on the powercords. I currently have a Monster MKII 3500 Power Conditioner. I'm actually pretty impressed with the unit despite the Brand. My house was hit my lighting about 5 months ago. I lost a couple clocks, a microwave and a fridge, but the power conditioner saved my sound equipment. I got the unit checked out by a service tech and it was still in working order despite being tripped during the strike.
My question is . . . would the Signal Magic Power Cords still be as effective hooked up to the Monster? -
Sorry for spamming the forum with posts, but what are isolation components?
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Andy makes an interesting suggestion...
Just keep in mind that if your DAC does not offer HDCD or DVD-audio capabilities, you will lose this particular feature when adding a DAC.
But I have to say I'm in agreement with the majority here. My Oppo has filled in admirably while I'm inbetween sources, but there was a noticable step-back when I moved from the Rotel.I never had it like this where I grew up. But I send my kids here because the fact is you go to one of the best schools in the country: Rushmore. Now, for some of you it doesn't matter. You were born rich and you're going to stay rich. But here's my advice to the rest of you: Take dead aim on the rich boys. Get them in the crosshairs and take them down. Just remember, they can buy anything but they can't buy backbone. Don't let them forget it. Thank you.Herman Blume - Rushmore -
I looked at CA for a bit. There are some Jolida (used) options in that range as well. Rotel 1072 gets some good pub, too.Stereo Rig: Hales Revelation 3, Musical Fidelity CD-Pre 24, Forte Model 3 amp, Lexicon RT-10 SACD, MMF-5 w/speedbox, Forte Model 2 Phono Pre, Cardas Crosslink, APC H15, URC MX-950, Lovan Stand
Bedroom: Samsung HPR-4252, Toshiba HD-A2, HK 3480, Signal Cable, AQ speaker cable, Totem Dreamcatchers, SVS PB10-NSD, URC MX-850 -
I think for under $1000, you just can't touch the Rotel RCD-1072. If my next player is in this $ category, it will be the Rotel.Source: Bluesound Node 2i - Preamp/DAC: Benchmark DAC2 DX - Amp: Parasound Halo A21 - Speakers: MartinLogan Motion 60XTi - Shop Rig: Yamaha A-S501 Integrated - Shop Spkrs: Elac Debut 2.0 B5.2
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Sony KDL-40V2500 HDTV, Rotel RSX-1067 Receiver, Sony BDP-S550 Blu-ray, Slim Devices Squeezebox, Polk RTi6, CSi3 & R15, DIY sub with Atlas 15
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Move beyond Cambridge Audio. Go with the Rotel, Jolida, Bada, etc. Use PS Audio power cords. They start at $50 and are a fantastic bargain.HT/2-channel Rig: Sony 50 LCD TV; Toshiba HD-A2 DVD player; Emotiva LMC-1 pre/pro; Rogue Audio M-120 monoblocks (modded); Placette RVC; Emotiva LPA-1 amp; Bada HD-22 tube CDP (modded); VMPS Tower II SE (fronts); DIY Clearwave Dynamic 4CC (center); Wharfedale Opus Tri-Surrounds (rear); and VMPS 215 sub
"God grooves with tubes." -
Solid:
A memeber is selling his Cambridge 640 V1 for $225 in the for sale section. You could then use the extra $350 to have Parts Connexion to modify it and have a killer unit when it's all done and said.Review Site_ (((AudioPursuit)))
Founder/Publisher Affordable$$Audio 2006-13.
Former Staff Member TONEAudio
2 Ch. System
Amplifiers: Parasound Halo P6 pre, Vista Audio i34, Peachtree amp500, Adcom GFP-565 GFA-535ii, 545ii, 555ii
Digital: SimAudio HAD230 DAC, iMac 20in/Amarra,
Speakers: Paradigm Performa F75, Magnepan .7, Totem Model 1's, ACI Emerald XL, Celestion Si Stands. Totem Dreamcatcher sub
Analog: Technics SL-J2 w/Pickering 3000D, SimAudio LP5.3 phono pre
Cable/Wires: Cardas, AudioArt, Shunyata Venom 3 -
yeah, that's a great option (well, both the CA and Arcam). Regarding the Arcam, I maybe should've just bought that instead of adding a DAC to my cheapo sony ES player, but I need a headphone amp, which the ES has. Oh, and I would get silver to match my MF integrated, if I got a new one.
Great option for anyone looking for a good dedicated CD player.Stereo Rig: Hales Revelation 3, Musical Fidelity CD-Pre 24, Forte Model 3 amp, Lexicon RT-10 SACD, MMF-5 w/speedbox, Forte Model 2 Phono Pre, Cardas Crosslink, APC H15, URC MX-950, Lovan Stand
Bedroom: Samsung HPR-4252, Toshiba HD-A2, HK 3480, Signal Cable, AQ speaker cable, Totem Dreamcatchers, SVS PB10-NSD, URC MX-850 -
Oh, NM.HT/2-channel Rig: Sony 50 LCD TV; Toshiba HD-A2 DVD player; Emotiva LMC-1 pre/pro; Rogue Audio M-120 monoblocks (modded); Placette RVC; Emotiva LPA-1 amp; Bada HD-22 tube CDP (modded); VMPS Tower II SE (fronts); DIY Clearwave Dynamic 4CC (center); Wharfedale Opus Tri-Surrounds (rear); and VMPS 215 sub
"God grooves with tubes." -
wow, I jus read some reviews on the Arcam. It sounds like an amzing deal, but I don't like buying equipment that has changed hand more than once. I had a bad experience . . . with what was supposed to be a a respected seller. The Arcam would look great against my subdued Metis.
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SolidSqual wrote: »I don't like buying women that have changed hands more than once. I had a bad experience . . . with what was supposed to be a a respected lady.
Whoa, Solid, TMIStereo Rig: Hales Revelation 3, Musical Fidelity CD-Pre 24, Forte Model 3 amp, Lexicon RT-10 SACD, MMF-5 w/speedbox, Forte Model 2 Phono Pre, Cardas Crosslink, APC H15, URC MX-950, Lovan Stand
Bedroom: Samsung HPR-4252, Toshiba HD-A2, HK 3480, Signal Cable, AQ speaker cable, Totem Dreamcatchers, SVS PB10-NSD, URC MX-850 -
I have no problem with sloppy seconds. After all a lady needs to get used a bit before she moans(ahem) . . . purrs like she's supposed to. I do take issue with sloppy thirds and fourths, etc.
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Okay, now that really is too much info
Back your regularly scheduled program, here is another Arcam 73T on Agon in silver. Great price, claims to be original owner, has good feedback. If you don't buy it, I might. . .
http://cls.audiogon.com/cgi-bin/cls.pl?dgtlplay&1181761303Stereo Rig: Hales Revelation 3, Musical Fidelity CD-Pre 24, Forte Model 3 amp, Lexicon RT-10 SACD, MMF-5 w/speedbox, Forte Model 2 Phono Pre, Cardas Crosslink, APC H15, URC MX-950, Lovan Stand
Bedroom: Samsung HPR-4252, Toshiba HD-A2, HK 3480, Signal Cable, AQ speaker cable, Totem Dreamcatchers, SVS PB10-NSD, URC MX-850 -
Hey, I was just checking that out. Go for it if you want. I'm going to keep researching. I really think my next investment should be some acoustic treatments. For ****, I threw a blanket over the back of my speakers to dampen the rear reflection. . . the difference was ridiculously noticeable for the better. I think people too often forget the room is part of the instrument. I'm keeping my eye on that Arcam. Perhaps Lexicon?
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SolidSqual wrote: »wow, I jus read some reviews on the Arcam. It sounds like an amzing deal, but I don't like buying equipment that has changed hand more than once. I had a bad experience . . . with what was supposed to be a a respected seller. The Arcam would look great against my subdued Metis.Sony KDL-40V2500 HDTV, Rotel RSX-1067 Receiver, Sony BDP-S550 Blu-ray, Slim Devices Squeezebox, Polk RTi6, CSi3 & R15, DIY sub with Atlas 15
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Oh man . . . now that's temptation!
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Thank you so much guys. You've really given me a lot to consider.
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Ditto on getting a new source. Although the OPPO isn't too shabby. But don't discount the power of room treatments. By far your room influences the sound more than any one piece of gear. You can add PC's, IC's, new this & new that until you empty out your wallet, but until you've addressed the room you have no ides what your missing. A properly treated room with so-so gear will out perform an untreated room w/ more expensive gear any day of the week."2 Channel & 11.2 HT "Two Channel:Magnepan LRSSchiit Audio Freya S - SS preConsonance Ref 50 - Tube preParasound HALO A21+ 2 channel ampBluesound NODE 2i streameriFi NEO iDSD DAC Oppo BDP-93KEF KC62 sub Home Theater:Full blown 11.2 set up.
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SolidSqual wrote: »Hey, I was just checking that out. Go for it if you want. I'm going to keep researching. I really think my next investment should be some acoustic treatments. For ****, I threw a blanket over the back of my speakers to dampen the rear reflection. . . the difference was ridiculously noticeable for the better. I think people too often forget the room is part of the instrument. I'm keeping my eye on that Arcam. Perhaps Lexicon?
You could start with eggcrate foam cut into squares and pushpinned by the edges at the first reflection points. Ugly but effective and cheap enough to find some potential improvements.
Put up some basic room info,is it open room,size,many windows?
A couple of snaps would be good.Those towers produce healthy amounts of low end so traps(diy if budgeting)are a good idea if in a smaller room.1st reflection treatments are a wonderful start.
Do you have any large video display near them? Any source you keep or end up with is going to have to play through the rooms weakness or strength. -
Here is a link to my show room. Right now its a bit cluttered, but you get the idea.
http://www.polkaudio.com/forums/showcase/view.php?userid=72663
The room is roughly 15W X 11L X 8H. I have a window in the back left corner directly across from the room entrance. There is a small door size passage in the wall at the front right corner of the room. There is a closet door on the other side of the same wall as the room entrace. Sorry I don't have better pictures ar the moment, but I'm at work. -
http://www.soundstage.com/synergize/synergize091998.htm
Here's a great article that I am using for some ideas.
http://www.hsfacoustics.com/studiopacks.htm
I like the control room studio pack from HSF as well. -
Just looked at your showcase photos again. Did you change your Halo out for the NAD? What are your impressions on the two with your LSi15s?Stereo Rig: Hales Revelation 3, Musical Fidelity CD-Pre 24, Forte Model 3 amp, Lexicon RT-10 SACD, MMF-5 w/speedbox, Forte Model 2 Phono Pre, Cardas Crosslink, APC H15, URC MX-950, Lovan Stand
Bedroom: Samsung HPR-4252, Toshiba HD-A2, HK 3480, Signal Cable, AQ speaker cable, Totem Dreamcatchers, SVS PB10-NSD, URC MX-850 -
yeah sorry the photos are not up to date. The NAD runs far cooler than the HALO. After getting the NAD I also noticed my mid range is more balanced with the highs and lows. The NAD has four binding post on the rear which is ideal for bi-wiring, biamping or even adding a set of alternate speakers (thanks to the AB switch). I like the HALO, but ultimately I believe its many options were never used by me. I never used the balanced inputs. I never used the alternate outs for adding other amplification. I think NAD chose a simpler design and focused more on the quality of the remaining components.
I even did a blind test with a friend. Each time, he and I picked the NAD over the HALO.