I need need a center channel old or new thats timbre matched to the following speaker

mysneakypersona
mysneakypersona Posts: 6
edited March 2006 in Speakers
I have a pair of RT55i's in the front and a pair of fxi3's in the rear and a SVS PB10 sub. what center is appropriate for this set up so that all the speakers blend?
Post edited by mysneakypersona on
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Comments

  • shack
    shack Posts: 11,154
    edited March 2006
    CS400i is the match for your RT55is. One can still be found on Ebay or in the Club Polk Flea Market from time to time. Depending on condition expect to pay anywhere from $125 to $200 ±.
    "Just because you’re offended doesn’t mean you’re right." - Ricky Gervais

    "For those who believe, no proof is necessary. For those who don't believe, no proof is possible." - Stuart Chase

    "Consistency requires you to be as ignorant today as you were a year ago." - Bernard Berenson
  • *Seby*-Polk-
    *Seby*-Polk- Posts: 375
    edited March 2006
    I recommend the CSi5. Is the best central for your system .... "perfectly compatible"
    My current new system (step by step :D)

    A/V Receiver: YAMAHA RX-V657
    DVD Player: YAMAHA DVD-S657
    Main Towers: polkaudio® Monitor 50
    Wiring: NeoTecH KS1007 OFC High Definition Speaker Cable ( 2 x 2.64 mm² )
  • cmy330go
    cmy330go Posts: 2,341
    edited March 2006
    shack wrote:
    CS400i is the match for your RT55is. One can still be found on Ebay or in the Club Polk Flea Market from time to time. Depending on condition expect to pay anywhere from $125 to $200 ±.

    I agree. The CS400i is a better match for your RTs. I assume Polk is recommending the CSi5 only because it is the closest match that is currently available off the shelf.

    Dave
    HT
    Mits WD-65737, DirecTV, Oppo DV-970HD, XBOX ONE, Yamaha RX-A1030, Parasound Halo A23, Rotel RB-985, Music Hall MMF-7, Parasound PPH-100, LSi-15, LSi-C, LSi-FX, LSi-7, PSW-1000, Monster HTS2600

    2 CH
    Parasound Halo P3, Parasound Halo A21, Sutherland Ph.D, VPI Classic 3 w/ 3D arm & Soundsmith Aida Cartridge, Arcam CD72T, B&W 802 S3, Monster HTS2500,
  • shack
    shack Posts: 11,154
    edited March 2006
    I recommend the CSi5. Is the best central for your system .... "perfectly compatible"
    Wrong! It may be compatable...but the CS400i is the optimal match.
    "Just because you’re offended doesn’t mean you’re right." - Ricky Gervais

    "For those who believe, no proof is necessary. For those who don't believe, no proof is possible." - Stuart Chase

    "Consistency requires you to be as ignorant today as you were a year ago." - Bernard Berenson
  • mysneakypersona
    mysneakypersona Posts: 6
    edited March 2006
    right now i have a jbl ec35 as my center channel. is it that far off from matching my speakers even though its a different brand? im just curious how long i can wait on getting a new one

    These are the specs for the EC 35

    SPECIFICATIONS
    General
    Maximum Recommended Amplifier Power 150 Watts
    Power Handling (Continuous/Peak) 75 Watts/300 Watts
    Impedance 8 Ohms nominal
    Sensitivity (2.83V/1m) 91dB
    Frequency Response (–3dB) 75Hz – 20kHz
    Crossover Frequencies 800Hz, 3200Hz
    High-Frequency Transducer 3/4" (19mm) Titanium-laminate dome, shielded
    Midrange Transducer 3" (75mm) PolyPlas™, shielded
    Low-Frequency Transducers Dual 5-1/4" (133mm) PolyPlas™, shielded
    Dimensions
    (H x W x D) 7-1/4" x 22" x 10-7/16"
    (185mm x 558mm x 264mm)
    Weight per Speaker 22 lb (10kg)


    i dont know how to read all the numbers yet to compare and see if they are compatible with my current speakers
  • RuSsMaN
    RuSsMaN Posts: 17,986
    edited March 2006
    The numbers mean dick, no one cares about the JBL - throw it in the trash.

    CS400i as mentioned, or a single RT25i/35i would work also.
    Check your lips at the door woman. Shake your hips like battleships. Yeah, all the white girls trip when I sing at Sunday service.
  • peteran
    peteran Posts: 141
    edited March 2006
    CS400i is the perfect match for your fronts, try looking in the internet or post here in the wanted ads.
  • cfrizz
    cfrizz Posts: 13,415
    edited March 2006
    The question you should be asking yourself is does it sound so far off for YOU? If you don't have a problem with the sound, than that answers the question of whether or not to get a new one.

    Welcome to Club Polk.
    right now i have a jbl ec35 as my center channel. is it that far off from matching my speakers even though its a different brand? im just curious how long i can wait on getting a new one



    These are the specs for the EC 35

    SPECIFICATIONS
    General
    Maximum Recommended Amplifier Power 150 Watts
    Power Handling (Continuous/Peak) 75 Watts/300 Watts
    Impedance 8 Ohms nominal
    Sensitivity (2.83V/1m) 91dB
    Frequency Response (–3dB) 75Hz – 20kHz
    Crossover Frequencies 800Hz, 3200Hz
    High-Frequency Transducer 3/4" (19mm) Titanium-laminate dome, shielded
    Midrange Transducer 3" (75mm) PolyPlas™, shielded
    Low-Frequency Transducers Dual 5-1/4" (133mm) PolyPlas™, shielded
    Dimensions
    (H x W x D) 7-1/4" x 22" x 10-7/16"
    (185mm x 558mm x 264mm)
    Weight per Speaker 22 lb (10kg)


    i dont know how to read all the numbers yet to compare and see if they are compatible with my current speakers
    Marantz AV-7705 PrePro, Classé 5 channel 200wpc Amp, Oppo 103 BluRay, Rotel RCD-1072 CDP, Sony XBR-49X800E TV, Polk S60 Main Speakers, Polk ES30 Center Channel, Polk S15 Surround Speakers SVS SB12-NSD x2
  • reeltrouble1
    reeltrouble1 Posts: 9,312
    edited March 2006
  • amulford
    amulford Posts: 5,020
    edited March 2006
  • *Seby*-Polk-
    *Seby*-Polk- Posts: 375
    edited March 2006
    Mmmm...It's true. I'll check in different forums and sites and the Cs400i is better than CSi5. I can't test these speaker, but most of users wrote excellent reviews of this central. Consider !!!! ;)
    My current new system (step by step :D)

    A/V Receiver: YAMAHA RX-V657
    DVD Player: YAMAHA DVD-S657
    Main Towers: polkaudio® Monitor 50
    Wiring: NeoTecH KS1007 OFC High Definition Speaker Cable ( 2 x 2.64 mm² )
  • mysneakypersona
    mysneakypersona Posts: 6
    edited March 2006
    how is the CSi40 in comparison to the cs400i? which one would be better with my set up?

    RT55 fronts and fxi3 rears and svs pb10 sub
  • shack
    shack Posts: 11,154
    edited March 2006
    Different tweeter, drivers and crossovers. Other than that they are pretty close. While the drivers and crossover are similar, there is a silk dome tweeter in the CSi40 vs a tri-lam in the Cs400i. As has been stated numerous times in this thread, a CS400i is THE BEST match for the RT55i...IF you can find one in good shape.
    "Just because you’re offended doesn’t mean you’re right." - Ricky Gervais

    "For those who believe, no proof is necessary. For those who don't believe, no proof is possible." - Stuart Chase

    "Consistency requires you to be as ignorant today as you were a year ago." - Bernard Berenson
  • ohskigod
    ohskigod Posts: 6,502
    edited March 2006
    rt55i's are great speakers, especially for theater, they really warrant a matching center. yes, CSi5 will work, but the CS400i is the best route. another 200 bucks and you have a front soundstage that would require into the 4 figures to match its performance in the retail market.

    While I can not hear it, I wouold wager a guess that the JBL is not even close. I assure you that the cs400i will be a worthy investment is tightening up that front soundstage. many neglect the center, not realizing just how important it is in a properly functioning home theater.
    Living Room 2 Channel -
    Schiit SYS Passive Pre. Jolida CD player. Songbird streamer. California Audio Labs Sigma II DAC, DIY 300as1/a1 Ice modules Class D amp. LSi15 with MM842 woofer upgrade, Nordost Blue Heaven and Unity interconnects.

    Upstairs 2 Channel Rig -
    Prometheus Ref. TVC passive pre, SAE A-205 Amp, Wiim pro streamer and Topping E50 DAC, California Audio Labs DX1 CD player, Von Schweikert VR3.5 speakers.

    Studio Rig - Scarlett 18i20(Gen3) DAW, Mac Mini, Aiyma A07 Max (BridgedX2), Totem Mites
  • AndyGwis
    AndyGwis Posts: 3,655
    edited March 2006
    I have a very similar question. I am running a simple Monitor set-up right now (60's fronts, 30's rears, csi3, omni s12 sub) and possibly looking to do some upgrading in the near future. I was thinking easiest thing to do would be get a better center (csi5) and either trade in my csi3 or use it as my center back in a 6.1 setup.

    Does the csi5 match up well with the monitor 60s, or is it total overkill? I don't want it to overpower my system or not fit the "timber."

    Try before I buy is probably best, but just looking for some insight.
    Stereo Rig: Hales Revelation 3, Musical Fidelity CD-Pre 24, Forte Model 3 amp, Lexicon RT-10 SACD, MMF-5 w/speedbox, Forte Model 2 Phono Pre, Cardas Crosslink, APC H15, URC MX-950, Lovan Stand
    Bedroom: Samsung HPR-4252, Toshiba HD-A2, HK 3480, Signal Cable, AQ speaker cable, Totem Dreamcatchers, SVS PB10-NSD, URC MX-850
  • cmy330go
    cmy330go Posts: 2,341
    edited March 2006
    AndyGwis wrote:
    I have a very similar question. I am running a simple Monitor set-up right now (60's fronts, 30's rears, csi3, omni s12 sub) and possibly looking to do some upgrading in the near future. I was thinking easiest thing to do would be get a better center (csi5) and either trade in my csi3 or use it as my center back in a 6.1 setup.

    Does the csi5 match up well with the monitor 60s, or is it total overkill? I don't want it to overpower my system or not fit the "timber."

    Try before I buy is probably best, but just looking for some insight.

    Actually you should be using a CS1 or CS2 with your monitor series. The CSi3 and 5 are timbre matched to the RTi series and therefore not meant to go with your monitors.

    Just FYI.

    Dave
    HT
    Mits WD-65737, DirecTV, Oppo DV-970HD, XBOX ONE, Yamaha RX-A1030, Parasound Halo A23, Rotel RB-985, Music Hall MMF-7, Parasound PPH-100, LSi-15, LSi-C, LSi-FX, LSi-7, PSW-1000, Monster HTS2600

    2 CH
    Parasound Halo P3, Parasound Halo A21, Sutherland Ph.D, VPI Classic 3 w/ 3D arm & Soundsmith Aida Cartridge, Arcam CD72T, B&W 802 S3, Monster HTS2500,
  • amulford
    amulford Posts: 5,020
    edited March 2006
  • danger boy
    danger boy Posts: 15,722
    edited March 2006
    this is not a reflection on anyone posting here.. but just a general observation..

    I'm taken aback some times how many times I read or visit a persons home that people are using different makes, brands, models of center channels.. that DON"T match their main fronts.

    In most instances it's going to sound terrible if you don't have the three fronts that are not timbre matched.
    PolkFest 2012, who's going>?
    Vancouver, Canada Sept 30th, 2012 - Madonna concert :cheesygrin:
  • AndyGwis
    AndyGwis Posts: 3,655
    edited March 2006
    I was told by someone that the Csi3 was a step up from cs1 and cs2, and, further, that it would match best with my Monitor 60s. Maybe just a over-zealous salesperson.

    Is this link just mentioning "matches" for older Monitor series?:
    CSi3 matches RTA-8T, RT8, RT7, RT5, RT15, RT15i, RT25, RT25i, Mini Monitor, "Monitor", Monitor 6 satellite, Monitor 4

    http://www.polkaudio.com/education/f...le=centermatch
    Stereo Rig: Hales Revelation 3, Musical Fidelity CD-Pre 24, Forte Model 3 amp, Lexicon RT-10 SACD, MMF-5 w/speedbox, Forte Model 2 Phono Pre, Cardas Crosslink, APC H15, URC MX-950, Lovan Stand
    Bedroom: Samsung HPR-4252, Toshiba HD-A2, HK 3480, Signal Cable, AQ speaker cable, Totem Dreamcatchers, SVS PB10-NSD, URC MX-850
  • cmy330go
    cmy330go Posts: 2,341
    edited March 2006
    The CSi3 is a step up from the CS1 and CS2 in the sense of performance. But it is not intended to match the Monitor series. So yes, either the salesman took you for a ride, or he was just that stupid. Let's hope for the latter.

    Also that match is referring to the older monitor series. Not the new ones that you have.

    EDIT: is it possible that you could still exchange for the proper model?
    HT
    Mits WD-65737, DirecTV, Oppo DV-970HD, XBOX ONE, Yamaha RX-A1030, Parasound Halo A23, Rotel RB-985, Music Hall MMF-7, Parasound PPH-100, LSi-15, LSi-C, LSi-FX, LSi-7, PSW-1000, Monster HTS2600

    2 CH
    Parasound Halo P3, Parasound Halo A21, Sutherland Ph.D, VPI Classic 3 w/ 3D arm & Soundsmith Aida Cartridge, Arcam CD72T, B&W 802 S3, Monster HTS2500,
  • SKsolutions
    SKsolutions Posts: 1,820
    edited March 2006
    In my opinion, the center is the least important speaker to have match timbrally. Your surround pan is more critical. You might even choose to incorporate an entirely different technology. . . say. . electrostatic.

    Point being, your center speaker is supposed to be localized and directional, and therefore doesn't as much need to "blend".

    But, as has been said ad nauseum, the CS400i is the best match. It also is the most capable without looking at the LSiC, which would be less sibilant.
    -Ignorance is strength -
  • shack
    shack Posts: 11,154
    edited March 2006
    In my opinion, the center is the least important speaker to have match timbrally. Your surround pan is more critical. You might even choose to incorporate an entirely different technology. . . say. . electrostatic.

    Point being, your center speaker is supposed to be localized and directional, and therefore doesn't as much need to "blend".

    I disagree completely. The front three speakers are the most important to blend seamlessly IMO. As sound/dialog moves across the front soundstage it is very apparent to me when the speakers are significantly different.
    "Just because you’re offended doesn’t mean you’re right." - Ricky Gervais

    "For those who believe, no proof is necessary. For those who don't believe, no proof is possible." - Stuart Chase

    "Consistency requires you to be as ignorant today as you were a year ago." - Bernard Berenson
  • cmy330go
    cmy330go Posts: 2,341
    edited March 2006
    I 100% agree with Shack. In the past I did a bunch of experimenting with mixing and matching speakers at the HT store I used to work at. Just so I could make better recommendations to my customers. It was my findings that if you have to mis-match speakers it is best that it be the rears that don't match. When mis-matching it was most obvious when the center did not match. It is much more common during a soundtrack for a sound to span the front 3 than it is for it to span from front to back. Plus rear speaker placement is usually so acoustically different from front placement, that even if you do have matching rears they will often sound quite different from your fronts just due to location.

    Just another 2 cents worth.
    Dave
    HT
    Mits WD-65737, DirecTV, Oppo DV-970HD, XBOX ONE, Yamaha RX-A1030, Parasound Halo A23, Rotel RB-985, Music Hall MMF-7, Parasound PPH-100, LSi-15, LSi-C, LSi-FX, LSi-7, PSW-1000, Monster HTS2600

    2 CH
    Parasound Halo P3, Parasound Halo A21, Sutherland Ph.D, VPI Classic 3 w/ 3D arm & Soundsmith Aida Cartridge, Arcam CD72T, B&W 802 S3, Monster HTS2500,
  • AndyGwis
    AndyGwis Posts: 3,655
    edited March 2006
    cmy330go wrote:
    The CSi3 is a step up from the CS1 and CS2 in the sense of performance. But it is not intended to match the Monitor series. So yes, either the salesman took you for a ride, or he was just that stupid. Let's hope for the latter.

    Also that match is referring to the older monitor series. Not the new ones that you have.

    EDIT: is it possible that you could still exchange for the proper model?

    Thanks, cmy330go.

    I think he was just that dumb. He didn't make hardly any suggestions when I was buying, and when I inquired about the csi3, he said something like "that's a great center channel, it would be perfect for your system."

    Since I purchased it at Tweeter, I can use their upgrade policy and return the csi3 for full price to buy the CS2. Or, I guess I could just buy a CS2 online or through the flea market for discount and sell my hardly used csi3. Shouldn't be a problem to rectify the situation.
    Stereo Rig: Hales Revelation 3, Musical Fidelity CD-Pre 24, Forte Model 3 amp, Lexicon RT-10 SACD, MMF-5 w/speedbox, Forte Model 2 Phono Pre, Cardas Crosslink, APC H15, URC MX-950, Lovan Stand
    Bedroom: Samsung HPR-4252, Toshiba HD-A2, HK 3480, Signal Cable, AQ speaker cable, Totem Dreamcatchers, SVS PB10-NSD, URC MX-850
  • cmy330go
    cmy330go Posts: 2,341
    edited March 2006
    How 'bout trading in the Monitor 60s for some RTi's.:eek:

    Just a thought.:D
    HT
    Mits WD-65737, DirecTV, Oppo DV-970HD, XBOX ONE, Yamaha RX-A1030, Parasound Halo A23, Rotel RB-985, Music Hall MMF-7, Parasound PPH-100, LSi-15, LSi-C, LSi-FX, LSi-7, PSW-1000, Monster HTS2600

    2 CH
    Parasound Halo P3, Parasound Halo A21, Sutherland Ph.D, VPI Classic 3 w/ 3D arm & Soundsmith Aida Cartridge, Arcam CD72T, B&W 802 S3, Monster HTS2500,
  • Larry Chanin
    Larry Chanin Posts: 601
    edited March 2006
    cmy330go wrote:
    I 100% agree with Shack. In the past I did a bunch of experimenting with mixing and matching speakers at the HT store I used to work at. Just so I could make better recommendations to my customers. It was my findings that if you have to mis-match speakers it is best that it be the rears that don't match. When mis-matching it was most obvious when the center did not match. It is much more common during a soundtrack for a sound to span the front 3 than it is for it to span from front to back. Plus rear speaker placement is usually so acoustically different from front placement, that even if you do have matching rears they will often sound quite different from your fronts just due to location.

    Just another 2 cents worth.
    Dave

    Hi,

    Absolutely correct! Our hearing is much more acute in the front and therefore we are much more likely to hear timbre mismatches up front. In contrast our hearing is significantly less acute from the sides and rear, therefore we are less likely to be able to distinguish timbre mismatches. In fact, a professional home theater designer, states that due to differences in our hearing from front to rear, that its actually impossible to get perfect timbre matching with our surrounds even if we used identical speakers all around. (Just to be clear, he's not advocating deliberately mismatching the fronts and rears, just not to expect a "perfect" timbre match front to back.)

    Larry
  • AndyGwis
    AndyGwis Posts: 3,655
    edited March 2006
    cmy330go wrote:
    How 'bout trading in the Monitor 60s for some RTi's.:eek:

    Just a thought.:D

    That's easy. . . because my girlfriend would likely leave me for upgrading my system for the fourth time in two months.

    But, I guess in that case I would have plenty more time to listen to my new RTis. . . :rolleyes:
    Stereo Rig: Hales Revelation 3, Musical Fidelity CD-Pre 24, Forte Model 3 amp, Lexicon RT-10 SACD, MMF-5 w/speedbox, Forte Model 2 Phono Pre, Cardas Crosslink, APC H15, URC MX-950, Lovan Stand
    Bedroom: Samsung HPR-4252, Toshiba HD-A2, HK 3480, Signal Cable, AQ speaker cable, Totem Dreamcatchers, SVS PB10-NSD, URC MX-850
  • SKsolutions
    SKsolutions Posts: 1,820
    edited March 2006
    shack wrote:
    I disagree completely. The front three speakers are the most important to blend seamlessly IMO. As sound/dialog moves across the front soundstage it is very apparent to me when the speakers are significantly different.

    Shack, I can appreciate your preferance, and think I'm in the minority. I have found that having a mismatched center keeps my focus there, and the mains don't draw me off center (if that makes sense to you). Appreciable vocal pans from main to center should sound different when the "dialog" source moves say "left stage". You wouldn't expect a car that whizzes by to keep the same steady pitch that the recording engineers give to vocals that move off screen.

    The ESL quip was a stretch.:D
    -Ignorance is strength -
  • shack
    shack Posts: 11,154
    edited March 2006
    Shack, I can appreciate your preferance, and think I'm in the minority. I have found that having a mismatched center keeps my focus there, and the mains don't draw me off center (if that makes sense to you).
    Maybe...but I view a home theater as a "surround experience" and expect to hear much off center....because things happen...off center. If the a person is speaking on the left side of the screen, I expect the sound of their voice to come predominately from the left side of the screen and so forth.
    Appreciable vocal pans from main to center should sound different when the "dialog" source moves say "left stage". You wouldn't expect a car that whizzes by to keep the same steady pitch that the recording engineers give to vocals that move off screen.
    I agree the sound should be different as it moves across the front soundstage...as is normal. BUT that difference in sound should come from the recorded material...not from a difference in timber of MY set-up. As far as I'm concerned...I want to be able to describe the front speakers in my HT as one continuous, semi-circle, seamless band extending from the far left of my screen to the far right of the screen. If it does that...it is right.
    "Just because you’re offended doesn’t mean you’re right." - Ricky Gervais

    "For those who believe, no proof is necessary. For those who don't believe, no proof is possible." - Stuart Chase

    "Consistency requires you to be as ignorant today as you were a year ago." - Bernard Berenson