How much power? LSi 9
Comments
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Quality, not quantity.
A lot of people won't EVER believe this but a competently designed amp of between 75-100 wpc with a few db's of headroom will drive just about any speaker you can come up with to levels that any normal person would consider too damn loud.
BDTI plan for the future. - F1Nut -
What specifications would you look for then if not necessarily the wattage?Sharp Elite 70
Anthem D2V 3D
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Sony PS3
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Polk Atrium 7s on the patio just to keep my foot in the door. -
I think TroyD hit the nail on the head with this one. Quality, not quantity is what is important. I think my LSis sound great with my 600watts per channel coming from my Cinenova, and about the same as my 200watts per channel coming from my A23. It is all about quality power over quantitiy.
Jared -
I'm not saying wattage isn't important, it is. Brute force can overcome more than a few obstacles. However, given the choice of a pair of, say vintage Levinson ML-2's for example (25 or 35 wpc) and, say, an Adcom with a gazillion wpc.....see where I'm heading here?
Hell, I run my SDA SRS 2.3tl's on 75wpc and NEVER had an issue with not enough power.
I've run my LSi's on a little 35 wpc Marantz receiver and pushed them to levels no sane person could tolerate and the Marantz never broke a sweat. Something that I look at is, for example, the output should come close to doubling as the impedence drops. My Classe is 250wpc into 8ohms, 500 into 4, 1000 into 2.
Now, there is no substitute for surface radiating area and a manly amp, however, wpc isn't the WHOLE story.
BDTI plan for the future. - F1Nut -
Mazeroth wrote:I may get bashed but I'm going to try to help some guys that aren't familiar with how speakers work.
Watts = Volume...nothing more.
Some people are under the impression that more watts = tighter control over the speaker drivers, better separation etc...that's absolute nonsense. I'm not trying to sound like a jerk here but for the last 1.5 years I've devoted at least 1-2 hours per day reading and experimenting with loudspeaker design, and have learned a TON. A lot of the stuff I thought to be true, before getting into loudspeaker design, wasn't. With that...
The LSi9s will play just fine with a receiver, GRANTED, you don't listen to them at extremely loud volumes. When you double power, you gain 3db in output, PERIOD. Not better control, not better separation, just 3db. Yes, having an amp with greater headroom means the amp will be less likely to clip, which will give you better sound quality, but if you listen at a reasonable level, a 50-100w @4 ohm amp will be more than sufficient.
Polk rates the LSi9 at 88db/1w/1m efficient. When you 10x power, you gain 10db. Therefore, the LSi9 will play at 98db/10w at 1 meter listening distance. When you double distance, you lose 6db (almost always). At 2 meters, you'll have a speaker playing at 92db, which is LOUD. At 4 meters, that speaker will be playing at 86db. 86db is a pretty good number, considering you're only throwing 10 watts at the LSi9. Oh, and I forgot to mention, that is only for one speaker. Let's throw 10 watts at the other one, which gives us a 6db increase in output since we're doubling our power and number of speakers. Now, with dual LSi9s, each getting 10 watts, you're getting 92db of volume at 4 meters! Drop back another 4 meters, which I doubt anyone listens at 8 meters, and you're still getting 86db of output! Double the power to 20w, and you're at 89db. Double that to 40w, which any HK receiver can do (I had an AVR230 on LSi9s and it was great), and you have 92db of output at 8 meters, or for most people who listen around 4 meters, 98db, which is extremely loud:
http://www.schoolscience.co.uk/content/4/physics/corus/sound/psch1pg3.html
Sorry for going on so long, but I'm an advocate of not needing a ton of power. The line arrays I built are 98db/1w efficient, and I had them running off a Sonic Impact T-Amp, with the gain about 1/4 the way up and they would drive people out of the room with about 2 watts of power. The tube guys can attest to how little power is truly needed.
I say save your money and get a beefy HK, NAD, Outlaw etc. receiver and call it a day.
I usually dont do this, but Im gonna have to call BS.
Actually, watts = voltage * current. Im not going to go into this any more. Ive already posted on this subject many times, but people will believe what they want to.
Just remember, lots of current at low distortion = better amp. You don't have to have "Lots of power", just very high current power.Speakers: LSi9 x 2, LSic, LSiFX x 2, Velodyne HGS-15
Amps & Power: Rockford Fosgate T8004 x 3, Cascade Audio APS-55 power supplies x 5, and 1 farad capacitor.
Electronics: Denon 3806, Toshiba HD-A1, & Sony KDL46XBR2
Accessories: Anti-IC interconnects, 8 Mondo Traps from Realtraps, and Salamander furniture. -
TroyD wrote:I'm not saying wattage isn't important, it is. Brute force can overcome more than a few obstacles. However, given the choice of a pair of, say vintage Levinson ML-2's for example (25 or 35 wpc) and, say, an Adcom with a gazillion wpc.....see where I'm heading here?
Hell, I run my SDA SRS 2.3tl's on 75wpc and NEVER had an issue with not enough power.
I've run my LSi's on a little 35 wpc Marantz receiver and pushed them to levels no sane person could tolerate and the Marantz never broke a sweat. Something that I look at is, for example, the output should come close to doubling as the impedence drops. My Classe is 250wpc into 8ohms, 500 into 4, 1000 into 2.
Now, there is no substitute for surface radiating area and a manly amp, however, wpc isn't the WHOLE story.
BDTCasey
H/T: Epson 6500ub
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Outlaw 7125
Polk RTi 10 (bi-amped)
Polk CSi5 (bi-amped)
Polk RTi6
SVS PB 12 plus/2
Velodyne SMS-1
TV Rig: Samsung 50'' 4k display
Polk Signa-1 Surround bar -
millerman 3732 wrote:So your saying I can run a 500w speaker on a 75w amp and it will still sound great ? I hope so because I would very much rather buy a 75w amp"Just because youre offended doesnt mean youre right." - Ricky Gervais
"For those who believe, no proof is necessary. For those who don't believe, no proof is possible." - Stuart Chase
"Consistency requires you to be as ignorant today as you were a year ago." - Bernard Berenson -
Ok. My head is a little spinny now. Let's take a real world example here. So...what would be the difference according to what has been outlined here from THIS amplifier to THIS amplifier....besides the wattage and channel numbers..?Sharp Elite 70
Anthem D2V 3D
Parasound 5250
Parasound HCA 1000 A
Parasound HCA 1000
Oppo BDP 95
Von Schweikert VR4 Jr R/L Fronts
Von Schweikert LCR 4 Center
Totem Mask Surrounds X4
Hsu ULS-15 Quad Drive Subwoofers
Sony PS3
Squeezebox Touch
Polk Atrium 7s on the patio just to keep my foot in the door. -
shack wrote:There is really no such thing as a 500w speaker. A speaker's power rating (in general) tells you how much power can be dissipated in the speaker's voice coil without damaging the speaker. It doesn't mean a speaker need that much power to operate properly.Casey
H/T: Epson 6500ub
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Toshiba HD-XA2 (HD-DVD, CD)
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Polk RTi 10 (bi-amped)
Polk CSi5 (bi-amped)
Polk RTi6
SVS PB 12 plus/2
Velodyne SMS-1
TV Rig: Samsung 50'' 4k display
Polk Signa-1 Surround bar -
I will tell you what I discovered.
My brother has a pair of LSI 7's being run from a "high current" 50 watt per channel Rotel amp.
The speakers sound excellent at moderate levels. However, when I feel the top of the amp, YOU COULD FRY AN EGG ON THE POOR THING!!!!
If it was pushed much higher it would probably run out of steam, & damage itself or the speakers.
Lets face it, every now & then EVERYONE wants to blast thier system just for the fun of it & not have to worry about blowing up thier speakers or thier amp.
For me the bottom line is I would rather have a 200 watt amp pushing ANY LSI speaker & know that it will NOT have to work excessively hard with tons of reserves to spare, than to push them with a 50-100 watts & risk burning them out.
I would rather spend more the first time & have the equipment last a lifetime rather than take the cheap way out now & have to repeat the expenditure in the near future.Marantz AV-7705 PrePro, Classé 5 channel 200wpc Amp, Oppo 103 BluRay, Rotel RCD-1072 CDP, Sony XBR-49X800E TV, Polk S60 Main Speakers, Polk ES30 Center Channel, Polk S15 Surround Speakers SVS SB12-NSD x2 -
There are 4 factors related to system loudness:
1. Power in watts of the amplifier
2. Efficiency rating of the speaker
3. Impedance of the speaker
4. Size of the room
How anyone can make the statement that "watts" are not important will need to explain that theory to me in detail. Can you run Lsi9's with 50 wpc?, Sure go ahead; hell, you can run them on 1 watt. However, if you like to "crank" it once in awhile, or be able to hear dynamic passages rendered in realistic scale, you better get more power.
That's my story and I'm stickin' to it.Source: Bluesound Node 2i - Preamp/DAC: Benchmark DAC2 DX - Amp: Parasound Halo A21 - Speakers: MartinLogan Motion 60XTi - Shop Rig: Yamaha A-S501 Integrated - Shop Spkrs: Elac Debut 2.0 B5.2 -
Max watts at 8 ohms is not as important to me as the ability to double the watts as you drop impedances in half......
wingnut4772 ,
Outlaw: Power output: 200 watts RMS at 8, 300 watts RMS @ 4 ohms. THD: 0.05%
Earthquake: Power output 300 Watts RMS at 8 Ohms, 600 Watts RMS at 4 Ohms. THD: 0.006%
Based on these two spec, I can tell you that the earthquake will give you
a) more power
b) less distortion
c) Higher current (it is able to double the power as the impedance is halved)Speakers: LSi9 x 2, LSic, LSiFX x 2, Velodyne HGS-15
Amps & Power: Rockford Fosgate T8004 x 3, Cascade Audio APS-55 power supplies x 5, and 1 farad capacitor.
Electronics: Denon 3806, Toshiba HD-A1, & Sony KDL46XBR2
Accessories: Anti-IC interconnects, 8 Mondo Traps from Realtraps, and Salamander furniture. -
oh yea, wingnut4772 , with respect to the lsi 9, i don't own both of these amps, but i am willing to bet that if you plot the freqency response on a graph, with both amps, the earthquake will give you more bass response than the outlaw.Speakers: LSi9 x 2, LSic, LSiFX x 2, Velodyne HGS-15
Amps & Power: Rockford Fosgate T8004 x 3, Cascade Audio APS-55 power supplies x 5, and 1 farad capacitor.
Electronics: Denon 3806, Toshiba HD-A1, & Sony KDL46XBR2
Accessories: Anti-IC interconnects, 8 Mondo Traps from Realtraps, and Salamander furniture. -
Well..I have to save for that one. Kinda blew the budget last year.Sharp Elite 70
Anthem D2V 3D
Parasound 5250
Parasound HCA 1000 A
Parasound HCA 1000
Oppo BDP 95
Von Schweikert VR4 Jr R/L Fronts
Von Schweikert LCR 4 Center
Totem Mask Surrounds X4
Hsu ULS-15 Quad Drive Subwoofers
Sony PS3
Squeezebox Touch
Polk Atrium 7s on the patio just to keep my foot in the door. -
Anyone here want to sell theirs?Sharp Elite 70
Anthem D2V 3D
Parasound 5250
Parasound HCA 1000 A
Parasound HCA 1000
Oppo BDP 95
Von Schweikert VR4 Jr R/L Fronts
Von Schweikert LCR 4 Center
Totem Mask Surrounds X4
Hsu ULS-15 Quad Drive Subwoofers
Sony PS3
Squeezebox Touch
Polk Atrium 7s on the patio just to keep my foot in the door. -
I've been thinking of getting in to the whole LSi thing myself but I don't know if my AVR ( HK AVR 635) can handle it, HK says ''that all HK receviers can handle MOST 4ohm loads'' but they also said '' there are some manufacturers' that have minimum impedance WELL BELOW the 4 and 6 ohm nominal impeadence'' does this apply to the LSi line? also if the AVR can handle the load does that mean that the AVR will be pushing 150w instead of 75wCasey
H/T: Epson 6500ub
Sony UBP-X800
Toshiba HD-XA2 (HD-DVD, CD)
Onkyo 805 (pre-amp)
Outlaw 7125
Polk RTi 10 (bi-amped)
Polk CSi5 (bi-amped)
Polk RTi6
SVS PB 12 plus/2
Velodyne SMS-1
TV Rig: Samsung 50'' 4k display
Polk Signa-1 Surround bar -
I just placed THE order for the Cinenova. I am an out of control freight train...but this is it ...I swear.Sharp Elite 70
Anthem D2V 3D
Parasound 5250
Parasound HCA 1000 A
Parasound HCA 1000
Oppo BDP 95
Von Schweikert VR4 Jr R/L Fronts
Von Schweikert LCR 4 Center
Totem Mask Surrounds X4
Hsu ULS-15 Quad Drive Subwoofers
Sony PS3
Squeezebox Touch
Polk Atrium 7s on the patio just to keep my foot in the door. -
wingnut4772 wrote:I just placed THE order for the Cinenova. I am an out of control freight train...but this is it ...I swear."Just because youre offended doesnt mean youre right." - Ricky Gervais
"For those who believe, no proof is necessary. For those who don't believe, no proof is possible." - Stuart Chase
"Consistency requires you to be as ignorant today as you were a year ago." - Bernard Berenson -
shack wrote:Bet the boyfriend is gonna be pissed......
JT -
Congrats on the Cinenova...and getting rid of your roommate...lol...George Grand wrote: »
PS3, Yamaha CDR-HD1300, Plex, Amazon Fire TV Gen 2
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[Home Audio]
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Pro-Ject Phono Box MKII, Parasound P/HP-850, ASL Wave 20 monoblocks
Klipsch RF-35, RB-51ii
[Car Audio]
Pioneer Premier DEH-P860MP, Memphis 16-MCA3004, Boston Acoustic RC520 -
Actually he learned his lesson. I told him I was getting it and he said 'as long as the bills are paid...."
It pays sometimes to stand your ground.Sharp Elite 70
Anthem D2V 3D
Parasound 5250
Parasound HCA 1000 A
Parasound HCA 1000
Oppo BDP 95
Von Schweikert VR4 Jr R/L Fronts
Von Schweikert LCR 4 Center
Totem Mask Surrounds X4
Hsu ULS-15 Quad Drive Subwoofers
Sony PS3
Squeezebox Touch
Polk Atrium 7s on the patio just to keep my foot in the door. -
Mazeroth wrote:Some people are under the impression that more watts = tighter control over the speaker drivers, better separation etc...that's absolute nonsense. I'm not trying to sound like a jerk here but for the last 1.5 years I've devoted at least 1-2 hours per day reading and experimenting with loudspeaker design, and have learned a TON. A lot of the stuff I thought to be true, before getting into loudspeaker design, wasn't. With that...
The LSi9s will play just fine with a receiver, GRANTED, you don't listen to them at extremely loud volumes. When you double power, you gain 3db in output, PERIOD. Not better control, not better separation, just 3db. Yes, having an amp with greater headroom means the amp will be less likely to clip, which will give you better sound quality, but if you listen at a reasonable level, a 50-100w @4 ohm amp will be more than sufficient.
I am as skeptic as they come. And when I owned the HK330, I thought to myself, why bother with separates? There is nothing to be gained, I thought.
Well, someone better explain to me why when I hooked up the Rotel RB1070 to the LSi9, why was there such a tightening of the image, enhancement of the bass, and improvement in separation? So much so that both my younger brothers heard the difference with only 1 A/B switch.
There was a fuzziness in Mariah's voice when powered through the HK (at the same volume) that I didnt get with the Rotel, for example.
I believe, that current is far more important than pure watts. If an amp has a current throughput of 130amps at 100watts, it will outperform something that gives out 15 amps at 100 watts (like a typical Yamaha receiver).
All in all, at SAME volume, a good high current amp will drive the speaker better than a receiver with low current output.Magico M2, JL113v2x2, EMM, ARC Ref 10 Line, ARC Ref 10 Phono, VPIx2, Lyra Etna, Airtight Opus1, Boulder, AQ Wel&Wild, SRA Scuttle Rack, BlueSound+LPS, Thorens 124DD+124SPU, Sennheiser, Metaxas R2R -
Zero wrote:Whatever.
The best I have EVER heard the LSi sound, was through 6 watts. It got plenty loud too in the mid sized room.
But the standard is high current. HK can get the job done. Rotel can do it better. And well, you can go from there...
I agree with Zero, the standard is definitely high current.
Of the receivers, an HK will definitely get the job done. Once you go Rotel, Parasound, Classe, Bryston, Halcro, Krell, Levinson and so on.... you start squeezing more and more of the 9s potential as you go up in tier. More current = more dynamics methinks.Magico M2, JL113v2x2, EMM, ARC Ref 10 Line, ARC Ref 10 Phono, VPIx2, Lyra Etna, Airtight Opus1, Boulder, AQ Wel&Wild, SRA Scuttle Rack, BlueSound+LPS, Thorens 124DD+124SPU, Sennheiser, Metaxas R2R -
Darla, you're a freakin avalanche rolling over everything in your path!!! :eek:
Congrats on the amp, and well done with the man!!!!wingnut4772 wrote:Actually he learned his lesson. I told him I was getting it and he said 'as long as the bills are paid...."
It pays sometimes to stand your ground.Marantz AV-7705 PrePro, Classé 5 channel 200wpc Amp, Oppo 103 BluRay, Rotel RCD-1072 CDP, Sony XBR-49X800E TV, Polk S60 Main Speakers, Polk ES30 Center Channel, Polk S15 Surround Speakers SVS SB12-NSD x2 -
wingnut4772 wrote:I just placed THE order for the Cinenova. I am an out of control freight train...but this is it ...I swear.
Good for you!!!!
Hmmm....will we be seeing an Outlaw 770 in the FM soon???_________________________________________________
***\\\\\........................... My Audio Journey ............................./////***
2008 & 2010 Football Pool WINNER
SOPAThank God for different opinions. Imagine the world if we all wanted the same woman -
Zero wrote:The best I have EVER heard the LSi sound, was through 6 watts. It got plenty loud too in the mid sized room.
Just out of curiousity, I'd love to know where that 6 watts came from.George Grand wrote: »
PS3, Yamaha CDR-HD1300, Plex, Amazon Fire TV Gen 2
Pioneer Elite VSX-52, Parasound HCA-1000A
Klipsch RF-82ii, RC-62ii, RS-42ii, RW-10d
Epson 8700UB
In Storage
[Home Audio]
Rotel RCD-02, Yamaha KX-W900U, Sony ST-S500ES, Denon DP-7F
Pro-Ject Phono Box MKII, Parasound P/HP-850, ASL Wave 20 monoblocks
Klipsch RF-35, RB-51ii
[Car Audio]
Pioneer Premier DEH-P860MP, Memphis 16-MCA3004, Boston Acoustic RC520 -
sickicw wrote:Max watts at 8 ohms is not as important to me as the ability to double the watts as you drop impedances in half......
wingnut4772 ,
Outlaw: Power output: 200 watts RMS at 8, 300 watts RMS @ 4 ohms. THD: 0.05%
Earthquake: Power output 300 Watts RMS at 8 Ohms, 600 Watts RMS at 4 Ohms. THD: 0.006%
Based on these two spec, I can tell you that the earthquake will give you
a) more power
b) less distortion
c) Higher current (it is able to double the power as the impedance is halved)
Sorry but specs mean nothing. How can you be absolutely sure A,B & C will actually happen in the "real" world, with a real musical load, in a real room, with a real dynamic passage. Fact is just by comparing specs you can't. Specs are a very general guideline and should never be substituted for actual real world listening expriences. I'm not going to jump into the whole debate as I've made my point clear several times in the past. General or absolute statements are never true when it comes to audio equipment. Each piece of the system needs to be judged regarding the synergy with the whole entire system. Making blanket statements about one small area of the equation is never going to get you anywhere; (ie; watts are only good for volume).
YMMV
H9"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul! -
Congrats on the amp, and well done with the man!!!!
Thanks Cathy! I think he just realized that he was being a little too much. But after this amp I really can't see where I can justify spending on anything else. I will post elsewhere and compare it to he OUtlaw 770. I know Tdeluce got one to replace his Outlaw amp and was very pleased with it.Hmmm....will we be seeing an Outlaw 770 in the FM soon???
I actually put it up on Ebay under Auctionpalooza ....because If I stop paying the bills, THEN I will be in big trouble :eek: . If no one bites I will lower the price and offer it on the FM.Sharp Elite 70
Anthem D2V 3D
Parasound 5250
Parasound HCA 1000 A
Parasound HCA 1000
Oppo BDP 95
Von Schweikert VR4 Jr R/L Fronts
Von Schweikert LCR 4 Center
Totem Mask Surrounds X4
Hsu ULS-15 Quad Drive Subwoofers
Sony PS3
Squeezebox Touch
Polk Atrium 7s on the patio just to keep my foot in the door. -
Congrats Wingnut on another new purchase. When you having us all over to hear what sounds like a kick a$$ HT experience? I think you'll notice a justified difference between the your new amp and the Outlaw....can't wait to hear the results. I think it's so cool :cool: to have you, Cathy, Laura and others of the opposite sex here interacting in the forum. Not trying to appear sexist but normally females don't put audio and related discussion at the top of their interest list.
H9"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul! -
wingnut4772 wrote:But after this amp I really can't see where I can justify spending on anything else.I actually put it up on Ebay under Auctionpalooza ....because If I stop paying the bills, THEN I will be in big trouble :eek: . If no on bites I will lower the price and offer it on the FM.
Bad girl... I understand...hope you sell it!!!_________________________________________________
***\\\\\........................... My Audio Journey ............................./////***
2008 & 2010 Football Pool WINNER
SOPAThank God for different opinions. Imagine the world if we all wanted the same woman