No pre-amp at all??
madmax
Posts: 12,434
OK, I'm just a little crazy these days, I'll give you that.
Recently I connected my system with no preamp at all. The volume level with my specific components is about 90% of what my amp/speakers can normally handle. For example, my preamp at the highest clean setting was about 3:00. With the component driving the amps (no preamp) it is the same volume level as 2:00 would have been with the preamp installed. Pretty loud but still reasonable.
My findings are very strange. You know what? The volume control is a crutch just like a bass or treble control is.
I sit down and put one of my louder rock LP's on. (VanHalen) and start to listen. It seemed a little too loud. I wanted desperatly to turn it down a little bit, at least until I could build up to that sound level. But I couldn't, no volume control. I felt kind of helpless. After a few songs it seemed right.
A little later I put on some Carpenters. Pretty smooth songs. Half way through the first song I wanted to increase the level. I could'nt obviously because I had no volume control so I just let it play. I really enjoyed it though.
After that I played some Manhatten Transfer. Some stuff is smooth and some is more lively. One song is live and very loud.
All of a sudden it hit me. The lack of control was the same as when you listen to music in a club, stadium or someones basement band. Not relying on that knob caused excitement and mellow enjoyment depending on what was being played. I was able to focus much more intently on the music rather than thinking about setting the volume to please "me".
This lack of control enlightened me somewhat. I heard things presented differently than what I'm used to. Songs started to sound much different than I remembered. At first I was somewhat uncomfortable but after a while I started to learn to accept whatever was on the recording. I heard a lot of new stuff I never realized was there.
I may not go back to a preamp now. Although I was uncomfortable at times I found a listening enjoyment that I had not enjoyed previously.
Try it. Next time you listen to some loud rock set your volume where it is the best sounding. Don't touch it for a week while playing all different types of music you are used to. I think you will be surprised. At first it was like quitting smoking or something. It is now my opinion that volume controls cause bad habits you are unaware of...
madmax
Recently I connected my system with no preamp at all. The volume level with my specific components is about 90% of what my amp/speakers can normally handle. For example, my preamp at the highest clean setting was about 3:00. With the component driving the amps (no preamp) it is the same volume level as 2:00 would have been with the preamp installed. Pretty loud but still reasonable.
My findings are very strange. You know what? The volume control is a crutch just like a bass or treble control is.
I sit down and put one of my louder rock LP's on. (VanHalen) and start to listen. It seemed a little too loud. I wanted desperatly to turn it down a little bit, at least until I could build up to that sound level. But I couldn't, no volume control. I felt kind of helpless. After a few songs it seemed right.
A little later I put on some Carpenters. Pretty smooth songs. Half way through the first song I wanted to increase the level. I could'nt obviously because I had no volume control so I just let it play. I really enjoyed it though.
After that I played some Manhatten Transfer. Some stuff is smooth and some is more lively. One song is live and very loud.
All of a sudden it hit me. The lack of control was the same as when you listen to music in a club, stadium or someones basement band. Not relying on that knob caused excitement and mellow enjoyment depending on what was being played. I was able to focus much more intently on the music rather than thinking about setting the volume to please "me".
This lack of control enlightened me somewhat. I heard things presented differently than what I'm used to. Songs started to sound much different than I remembered. At first I was somewhat uncomfortable but after a while I started to learn to accept whatever was on the recording. I heard a lot of new stuff I never realized was there.
I may not go back to a preamp now. Although I was uncomfortable at times I found a listening enjoyment that I had not enjoyed previously.
Try it. Next time you listen to some loud rock set your volume where it is the best sounding. Don't touch it for a week while playing all different types of music you are used to. I think you will be surprised. At first it was like quitting smoking or something. It is now my opinion that volume controls cause bad habits you are unaware of...
madmax
Vinyl, the final frontier...
Avantgarde horns, 300b tubes, thats the kinda crap I want...
Avantgarde horns, 300b tubes, thats the kinda crap I want...
Post edited by madmax on
Comments
-
try explaining that to my Mom.- Not Tom ::::::: Any system can play Diana Krall. Only the best can play Limp Bizkit.
-
Vr3MxStyler2k3 wrote:try explaining that to my Mom.
Print out the post, tell here you are conducting a scientific experiment and tell her she will have to live with it for a few weeks...
madmaxVinyl, the final frontier...
Avantgarde horns, 300b tubes, thats the kinda crap I want... -
I did the same thing with my new headphones..
pluged them into the Ah! cdp, and it was real loud...no volume control..
after a couple of songs, I got used to it..
It sounded just the way it should..
since there is no volume control, there is no way to change the dynamics of the music and it flows like a waterfall..!!Cary SLP-98L F1 DC Pre Amp (Jag Blue)
Parasound HCA-3500
Cary Audio V12 amp (Jag Red)
Polk Audio Xm Reciever (Autographed by THE MAN Himself) :cool:
Magnum Dynalab MD-102 Analog Tuna
Jolida JD-100 CDP
Polk Audio LSi9 Speaks (ebony)
SVS PC-Ultra Sub
AQ Bedrock Speaker Cables (Bi-Wired)
MIT Shotgun S1 I/C`s
AQ Black Thunder Sub Cables
PS Audio Plus Power Cords
Magnum Dynalab ST-2 FM Antenna
Sanus Cherry wood Speak Stands
Adona AV45CS3 / 3 Tier Rack (Black /Gold)
:cool: -
So what you're saying is to just plug the source directly into an amp, not an integrated, just an amp?
I bet it would help to have songs like on DSOM that lead into the songs gradually, or it could be quite startling."SOME PEOPLE CALL ME MAURICE,
CAUSE I SPEAK OF THE POMPITIOUS OF LOVE" -
From Audiobliss's search for a preamp thread.................
This may piss someone off but, if you are "critically listening" to music the way the engineer intended, you don't need a volume knob, let alone a remote. Play the disc, lp, tape, the way it was intended with all the differences in it, they are called dynamics.HT Optoma HD25 LV on 80" DIY Screen, Anthem MRX 300 Receiver, Pioneer Elite BDP 51FD Polk CS350LS, Polk SDA1C, Polk FX300, Polk RT55, Dual EBS Adire Shiva 320watt tuned to 17hz, ICs-DIY Twisted Prs, Speaker-Raymond Cable
2 Channel Thorens TD 318 Grado ZF1, SACD/CD Marantz 8260, Soundstream/Krell DAC1, Audio Mirror PP1, Odyssey Stratos, ADS L-1290, ICs-DIY Twisted , Speaker-Raymond Cable -
My opinion is the same now as then....I WANT a volume control AND a remote."Just because youre offended doesnt mean youre right." - Ricky Gervais
"For those who believe, no proof is necessary. For those who don't believe, no proof is possible." - Stuart Chase
"Consistency requires you to be as ignorant today as you were a year ago." - Bernard Berenson -
shack wrote:My opinion is the same now as then....I WANT a volume control AND a remote.
Thats why they put'em on, different strokes.HT Optoma HD25 LV on 80" DIY Screen, Anthem MRX 300 Receiver, Pioneer Elite BDP 51FD Polk CS350LS, Polk SDA1C, Polk FX300, Polk RT55, Dual EBS Adire Shiva 320watt tuned to 17hz, ICs-DIY Twisted Prs, Speaker-Raymond Cable
2 Channel Thorens TD 318 Grado ZF1, SACD/CD Marantz 8260, Soundstream/Krell DAC1, Audio Mirror PP1, Odyssey Stratos, ADS L-1290, ICs-DIY Twisted , Speaker-Raymond Cable -
I met a guy a couple of years ago at MWAF (Midwest Audio Fest). He is a heavy hitter over at AA. He uses in-line resisters built into his interconnects. He has no preamp and when he wants to change levels, he changes interconnects. He's a little too heavy for me, but I would love to hear his VERY major system.Make it Funky!
-
No preamp would basically mean everything plays at what would be 0db on a preamp... right?My Iron Man training/charity blog.
HT:
32" Sharp LCD. H/K dpr 1001 to Outlaw Audio 7900 to Polk LSi + Paradigm Studio center. Hsu DualDrive ULS-15. PS3/Wii. Outlaw 7900. -
I used to do this years ago too. The then highly rated Denon DCDP 1520 was run directly to the amp. I could (can, I still have it) run it two ways, through a fixed output or through a variable one. It was fun running it fixed at times :eek: but in the long run I usually ended up using the variable to tame (ok, tailor) the loudness.
For now, I think I'll get my money's worth out of the new MLP. -
I think your findings make perfect sense, the more components out of the chain, the better. But like Shack-daddy said, who the hell wants to live without the convenience of a volume knob?
I also agree with Zero's comments on the "cream filling" that preamps can provide---coloration? You bet your ****, but in a very satisfying way, IMO. I love what my A3CR does to the music; it's full, exciting, punchy, it has emotion.
I did 8 days of listening with my CDP connected directly to the poweramp, though I did use the poweramps output controls to adjust volume. It was very clean, nice, airy; but in the end it was also too clinical; a little too perfect, sterile. Give me an active pre anyday.Source: Bluesound Node 2i - Preamp/DAC: Benchmark DAC2 DX - Amp: Parasound Halo A21 - Speakers: MartinLogan Motion 60XTi - Shop Rig: Yamaha A-S501 Integrated - Shop Spkrs: Elac Debut 2.0 B5.2 -
OK, I'm willing to admit I named this post improperly. No preamp adds no extra tone, noise, whatever. But the point was to have no control over the volume. It just gives the music more power over the listener. Lots of good commit here! I think steveinaz put it best, the volume control is a convienience. It is my stance though that this "conviencience" is detrimental to the listening experience in certain situations. I just completed another listening session and again, although it was not the volume I would have picked, it was right. BTW, right on Dennis G...!
madmaxVinyl, the final frontier...
Avantgarde horns, 300b tubes, thats the kinda crap I want... -
Oh, BTW, this is a totally different direction of thinking. I would expect much opposition. I just wanted to relate my particular experience. In my 20+ years of audio playing I just never happened to think to try this in the past...
madmaxVinyl, the final frontier...
Avantgarde horns, 300b tubes, thats the kinda crap I want... -
madmax wrote:But the point was to have no control over the volume. It just gives the music more power over the listener.
Starting to sound like Dan. Zen music. The music I am. Be the music.....naa,naa,naa,naa,naa,naa,naa...
Sometimes I think you guys try to get too analytical in the science. It's music...Art! Listen, interpret, enjoy. Just because some sound engineer made certain decisions doesn't mean they are right. If you want to "color" the sound to make it more pleasing to your ear...Do it.
I Know you guys are pretty passionate about this stuff (obviously). I've been involved in this audio thing and listening to music a LONG time (probably longer than many of you have been alive). I like good gear, I like good music, I like good recordings, but mainly I just like to listen and NOT take it too seriously. But as Dennis said earlier...It IS a choice we each have. To each their own I guess..."Just because youre offended doesnt mean youre right." - Ricky Gervais
"For those who believe, no proof is necessary. For those who don't believe, no proof is possible." - Stuart Chase
"Consistency requires you to be as ignorant today as you were a year ago." - Bernard Berenson -
Interesting idea. Since my protable CDP has a variable output (the headphone jack), I hooked it up straight to my amps for a while. It also has a 'line-out' that has a fixed volume. I may hafta try using that some time.George Grand wrote: »
PS3, Yamaha CDR-HD1300, Plex, Amazon Fire TV Gen 2
Pioneer Elite VSX-52, Parasound HCA-1000A
Klipsch RF-82ii, RC-62ii, RS-42ii, RW-10d
Epson 8700UB
In Storage
[Home Audio]
Rotel RCD-02, Yamaha KX-W900U, Sony ST-S500ES, Denon DP-7F
Pro-Ject Phono Box MKII, Parasound P/HP-850, ASL Wave 20 monoblocks
Klipsch RF-35, RB-51ii
[Car Audio]
Pioneer Premier DEH-P860MP, Memphis 16-MCA3004, Boston Acoustic RC520 -
Madmax,
Ever tried attenuators like the EVS Ultimate Attenuators? I was always interested in these things in the past, but I'm just to lazy to keep walking up and turning them. The fixed ones seem really cool, if you want a little decrease in the volume hook them in, if not leave them out. Just a thought.
Jared -
max - Go to AA and check out Tafka Steve. He has some pics of his very admirable system. I've met him and can say that he seems to know what he's talking about. Check his pics.Make it Funky!
-
Esoteric, Zen, analytical, interpret, art, passionate...............them would be fightin' words iffin' I was in a bar tonight.
Man ya' sure know how to turn a "guy thing" into something I'm startin' to feel embarassed about.
Good an ya' Shack, at least we are "into" the hobby bigtime!HT Optoma HD25 LV on 80" DIY Screen, Anthem MRX 300 Receiver, Pioneer Elite BDP 51FD Polk CS350LS, Polk SDA1C, Polk FX300, Polk RT55, Dual EBS Adire Shiva 320watt tuned to 17hz, ICs-DIY Twisted Prs, Speaker-Raymond Cable
2 Channel Thorens TD 318 Grado ZF1, SACD/CD Marantz 8260, Soundstream/Krell DAC1, Audio Mirror PP1, Odyssey Stratos, ADS L-1290, ICs-DIY Twisted , Speaker-Raymond Cable -
Cool to try different things, and get all pure. But at the end of the day, I like a volume.. balance doesnt matter to me, But i like a bass/treble control also to be quite honest. The last few tube pre's ive had only had volume and that's fine.. but that's where i draw the line. Gave up the remote, the bass/treble and balance... all in the name of pure sound. I aint a givin up my volumeMY HT RIG:
Sherwood p-965
Sherwood sd871 dvd
Rotel 1075 amp x5
LSI15 mains
LsiC center
LSIfx surround backs
Lsi7 side surrounds
SVS pb12/plus2
2 Channel Rig:
nad 1020 Pre-amp
Rotel 1080 stereo amp
Polk sda 2B
kenwood grunt Tuner
realistic lab 450 TT
Signal cable IC -
Just pulled the Melos SHA-1 out of the mix on the line arrays. AMC CD8b -> DPA Little Bit Three DAC -> Radii Audio MMS211 monos.
Holy Shiat! 95db speaks, on 12w single ended amps = LOUD. It is interesting, to say the least. I can't do ANYTHING about it. It is what is, and it's certainly dynamic. Shocking at first, but I got acclimated to it in a matter of seconds.
I think the AMC has a pretty high output (close to 2v if I recall), I'm going to roll the Cal Audio DX-1 in, and see how 'loud' it is (around 1v). Whether or not that makes a difference going through a DAC - I don't know, but I'm about to find out.
You're an odd duck Chuck, but I love you for it.
Cheers,
RoosterCheck your lips at the door woman. Shake your hips like battleships. Yeah, all the white girls trip when I sing at Sunday service. -
madmax wrote:This lack of control enlightened me somewhat.
You should try a ball gag and love cuffs. -
Russ..............the big tube dude.HT Optoma HD25 LV on 80" DIY Screen, Anthem MRX 300 Receiver, Pioneer Elite BDP 51FD Polk CS350LS, Polk SDA1C, Polk FX300, Polk RT55, Dual EBS Adire Shiva 320watt tuned to 17hz, ICs-DIY Twisted Prs, Speaker-Raymond Cable
2 Channel Thorens TD 318 Grado ZF1, SACD/CD Marantz 8260, Soundstream/Krell DAC1, Audio Mirror PP1, Odyssey Stratos, ADS L-1290, ICs-DIY Twisted , Speaker-Raymond Cable -
I'm glad you posted this Madmax! I always pondered doing this, but never had the guts to do it. I'll have to give it a try soon. Of course that will mean pulling my brand new tube integrated out of the rack and hooking my Halo back up. Hook Up, Tear Down, Hook Up, Tear Down, Hook Up, Tear Down......I SWEAR IT NEVER ENDS!!!!! Oh well, Gotta love it!HT
Mits WD-65737, DirecTV, Oppo DV-970HD, XBOX ONE, Yamaha RX-A1030, Parasound Halo A23, Rotel RB-985, Music Hall MMF-7, Parasound PPH-100, LSi-15, LSi-C, LSi-FX, LSi-7, PSW-1000, Monster HTS2600
2 CH
Parasound Halo P3, Parasound Halo A21, Sutherland Ph.D, VPI Classic 3 w/ 3D arm & Soundsmith Aida Cartridge, Arcam CD72T, B&W 802 S3, Monster HTS2500, -
Madmax,
Thanks for the info. I think I'm gonna give it a try when nobody's home. Better start with something soft for me. My speakers are 98db/w/m so it would probably be too loud.
Russ,
Faaak, is that a SET amp? That's one big **** tube! -
211 monos baby. Power Triode. 790v to the plate on the 211, 370v to the 6BM8 front end driver. If it ever gets ugly, I'll never feel it - but I'll go out with a cool hairdo.
They double as 30w light bulbs, and small space heaters - with rising natty gas costs, I figured I better have a heat source in the second living room.
Cheers,
Rooster
PS- G man has been swamped, the GTA will be handled, be patient.Check your lips at the door woman. Shake your hips like battleships. Yeah, all the white girls trip when I sing at Sunday service. -
some music just sounds better at increased levels. i wouldn't expect someone to listen to Van Halen at the same levels they listen to the Carpenters. it would be to strange to listen to the Carpenters that loud.PolkFest 2012, who's going>?
Vancouver, Canada Sept 30th, 2012 - Madonna concert :cheesygrin: -
I'm a little confused, if you run your source directly to the amp, and you have no way of controlling the source' volume, wouldn't the amp being playing at max? Isn't the fixed output of most line sources enough to drive an amp full on?Source: Bluesound Node 2i - Preamp/DAC: Benchmark DAC2 DX - Amp: Parasound Halo A21 - Speakers: MartinLogan Motion 60XTi - Shop Rig: Yamaha A-S501 Integrated - Shop Spkrs: Elac Debut 2.0 B5.2
-
steveinaz wrote:I'm a little confused, if you run your source directly to the amp, and you have no way of controlling the source' volume, wouldn't the amp being playing at max? Isn't the fixed output of most line sources enough to drive an amp full on?
Voltage dependent. A preamp actually increases voltage above line level, thus the added sonic differences through amplification. Most home items are 700mv to 2 volts which isn't enough to drive an amp full bore.HT Optoma HD25 LV on 80" DIY Screen, Anthem MRX 300 Receiver, Pioneer Elite BDP 51FD Polk CS350LS, Polk SDA1C, Polk FX300, Polk RT55, Dual EBS Adire Shiva 320watt tuned to 17hz, ICs-DIY Twisted Prs, Speaker-Raymond Cable
2 Channel Thorens TD 318 Grado ZF1, SACD/CD Marantz 8260, Soundstream/Krell DAC1, Audio Mirror PP1, Odyssey Stratos, ADS L-1290, ICs-DIY Twisted , Speaker-Raymond Cable -
Awesome looking Radii's, Russ. Oh, and thanks for the new sig!George Grand wrote: »
PS3, Yamaha CDR-HD1300, Plex, Amazon Fire TV Gen 2
Pioneer Elite VSX-52, Parasound HCA-1000A
Klipsch RF-82ii, RC-62ii, RS-42ii, RW-10d
Epson 8700UB
In Storage
[Home Audio]
Rotel RCD-02, Yamaha KX-W900U, Sony ST-S500ES, Denon DP-7F
Pro-Ject Phono Box MKII, Parasound P/HP-850, ASL Wave 20 monoblocks
Klipsch RF-35, RB-51ii
[Car Audio]
Pioneer Premier DEH-P860MP, Memphis 16-MCA3004, Boston Acoustic RC520 -
Dennis Gardner wrote:Voltage dependent. A preamp actually increases voltage above line level, thus the added sonic differences through amplification. Most home items are 700mv to 2 volts which isn't enough to drive an amp full bore.
Must be my components, when running my CDP direct into my HCA-1500, I could have the amps output knobs at about 11:00-12:00 and that thing was loud as hell, can't imagine running CDP full input/output...Source: Bluesound Node 2i - Preamp/DAC: Benchmark DAC2 DX - Amp: Parasound Halo A21 - Speakers: MartinLogan Motion 60XTi - Shop Rig: Yamaha A-S501 Integrated - Shop Spkrs: Elac Debut 2.0 B5.2