Tube Preamps

2

Comments

  • Ricardo
    Ricardo Posts: 10,636
    edited October 2005
    _________________________________________________
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  • organ
    organ Posts: 4,969
    edited October 2005
    audiobliss wrote:

    So, no comments on 'tube rectification'? Any more thoughts on how the AES would compare to the Radii?

    Thanks!

    A rectifier's job is to convert the incoming AC to DC. People say SS rectification produce some sort of switching noise and have less bloom. My amp uses tube rectification and going from a Sovtek rectifier to a Mullard made the amp sound very sweet. More bloom and warmth. Bass seemed stronger too. Take a look at this pic of my amp. The rectifier tube is the second one from the left on the back row. http://www.polkaudio.com/forums/showcase/closeup.php?userid=16753&pic=82_31_big.jpg

    Even though I have no experience with the AES, I bet it sounds better than the Radii. There's a big difference in the retail $. Not saying more expensive is better but the Radii is an entry level unit. But don't overlook the Radii or ASL. With the right tubes, you'll sit there and scratch your head wondering how a cheap pre can sound so good.

    Maurice
  • TroyD
    TroyD Posts: 13,093
    edited October 2005
    audiobliss wrote:
    I must admit that despite the overwhelmingly positive reviews (and yes, by people whose opinions I highly respect) and very reasonable price of the Dodd ELP, I most definitively do not want it. My pre-requisites for a pre-amp is at least 3 inputs (I may later decide I want more) and a remote. Now, the remote doesn't have to control anything but the volume, but that's a necessity.

    So, unfortunately, the Dodds are out.

    Thanks for all of the input! Keep it coming!!
    audiobliss

    You know, I'd like a Corvette convertible, oh, and I like it to be new and under ten grand. :rolleyes:

    While I, of all people, am all about a good gear and going on the cheap, at a certain point, you are going to have to budge.

    Now, if you are willing to sacrifice tubes for remote volume control.....sorry, get off your ****, burn the calorie and adjust the volume by hand. It's tough but I think you can manage.

    BDT
    I plan for the future. - F1Nut
  • audiobliss
    audiobliss Posts: 12,518
    edited October 2005
    But is a tube pre going to be all that much better than a passive? Like the Creek OBH-22? The Creek would be perfect. Three inputs, remote. *drool*
    Jstas wrote: »
    Simple question. If you had a cool million bucks, what would you do with it?
    Wonder WTF happened to the rest of my money.
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  • AsSiMiLaTeD
    AsSiMiLaTeD Posts: 11,728
    edited October 2005
    How does a passive preamp have a remote? Is the power supply used only for controlling the remote function?
  • TroyD
    TroyD Posts: 13,093
    edited October 2005
    I've owned a passive preamp, a very good one. I now own two tube preamps. Wanna guess what I think?

    Eff the remote. From your seat to the gear, what, 4, 5 steps, MAYBE?

    BDT
    I plan for the future. - F1Nut
  • beardog03
    beardog03 Posts: 5,550
    edited October 2005
    I also like to "touch" my gear..!

    only time a remote comes in handy is on a CDP...

    IMO of course
    Cary SLP-98L F1 DC Pre Amp (Jag Blue)
    Parasound HCA-3500
    Cary Audio V12 amp (Jag Red)
    Polk Audio Xm Reciever (Autographed by THE MAN Himself) :cool:
    Magnum Dynalab MD-102 Analog Tuna
    Jolida JD-100 CDP
    Polk Audio LSi9 Speaks (ebony)
    SVS PC-Ultra Sub
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    :cool:
  • audiobliss
    audiobliss Posts: 12,518
    edited October 2005
    Well, on the 'touching' thing..I do NOT touch my Yamaha. I don't want any fingerprints on that beautiful aluminum!!

    As for passive vs. tubes, I guess it'll just depend on 1) how well y'all persuade me, lol, 2) when I can actually get one, and 3) what's avaible then.
    Jstas wrote: »
    Simple question. If you had a cool million bucks, what would you do with it?
    Wonder WTF happened to the rest of my money.
    In Use
    PS3, Yamaha CDR-HD1300, Plex, Amazon Fire TV Gen 2
    Pioneer Elite VSX-52, Parasound HCA-1000A
    Klipsch RF-82ii, RC-62ii, RS-42ii, RW-10d
    Epson 8700UB

    In Storage
    [Home Audio]
    Rotel RCD-02, Yamaha KX-W900U, Sony ST-S500ES, Denon DP-7F
    Pro-Ject Phono Box MKII, Parasound P/HP-850, ASL Wave 20 monoblocks
    Klipsch RF-35, RB-51ii

    [Car Audio]
    Pioneer Premier DEH-P860MP, Memphis 16-MCA3004, Boston Acoustic RC520
  • beardog03
    beardog03 Posts: 5,550
    edited October 2005
    nobs are made to fondle bro..!

    :p
    Cary SLP-98L F1 DC Pre Amp (Jag Blue)
    Parasound HCA-3500
    Cary Audio V12 amp (Jag Red)
    Polk Audio Xm Reciever (Autographed by THE MAN Himself) :cool:
    Magnum Dynalab MD-102 Analog Tuna
    Jolida JD-100 CDP
    Polk Audio LSi9 Speaks (ebony)
    SVS PC-Ultra Sub
    AQ Bedrock Speaker Cables (Bi-Wired)
    MIT Shotgun S1 I/C`s
    AQ Black Thunder Sub Cables
    PS Audio Plus Power Cords
    Magnum Dynalab ST-2 FM Antenna
    Sanus Cherry wood Speak Stands
    Adona AV45CS3 / 3 Tier Rack (Black /Gold)


    :cool:
  • TroyD
    TroyD Posts: 13,093
    edited October 2005
    audiobliss wrote:
    Well, on the 'touching' thing..I do NOT touch my Yamaha. I don't want any fingerprints on that beautiful aluminum!!

    As for passive vs. tubes, I guess it'll just depend on 1) how well y'all persuade me, lol, 2) when I can actually get one, and 3) what's avaible then.

    Persuade? What are we salesmen? Jeeze man, what's with the spoon feeding thing? Personally, get what you want, not what any of us thinks. Save your coin, get what you like. I mean, you've only been talking about getting gear for what, over a year? Take notes from Sid.

    A dust cloth also does miracles.

    BDT
    I plan for the future. - F1Nut
  • reeltrouble1
    reeltrouble1 Posts: 9,312
    edited October 2005
    beardog03 wrote:
    I also like to "touch" my gear..!

    Oh My! :o
  • audiobliss
    audiobliss Posts: 12,518
    edited October 2005
    Well. That AES would probably do pretty nicely, too. Organ pointed out the fact that it had tube rectification. How important is that? And how rare is it? I got the feeling that it was pretty nice to have it on a pre at that level.
    Jstas wrote: »
    Simple question. If you had a cool million bucks, what would you do with it?
    Wonder WTF happened to the rest of my money.
    In Use
    PS3, Yamaha CDR-HD1300, Plex, Amazon Fire TV Gen 2
    Pioneer Elite VSX-52, Parasound HCA-1000A
    Klipsch RF-82ii, RC-62ii, RS-42ii, RW-10d
    Epson 8700UB

    In Storage
    [Home Audio]
    Rotel RCD-02, Yamaha KX-W900U, Sony ST-S500ES, Denon DP-7F
    Pro-Ject Phono Box MKII, Parasound P/HP-850, ASL Wave 20 monoblocks
    Klipsch RF-35, RB-51ii

    [Car Audio]
    Pioneer Premier DEH-P860MP, Memphis 16-MCA3004, Boston Acoustic RC520
  • Dennis Gardner
    Dennis Gardner Posts: 4,861
    edited October 2005
    This may piss someone off but, if you are "critically listening" to music the way the engineer intended, you don't need a volume knob, let alone a remote. Play the disc, lp, tape, the way it was intended with all the differences in it, they are called dynamics.

    Many here and on other audio forums will complain about tone controls and eqs out the ****, but then "roll tubes" for a different sound. Am I the only one that sees the hypocrisy in all this?

    Sheesh.......................Set it and forget.

    No trolling here, just sitting back, taking notes, and seeing us for what we are...........
    HT Optoma HD25 LV on 80" DIY Screen, Anthem MRX 300 Receiver, Pioneer Elite BDP 51FD Polk CS350LS, Polk SDA1C, Polk FX300, Polk RT55, Dual EBS Adire Shiva 320watt tuned to 17hz, ICs-DIY Twisted Prs, Speaker-Raymond Cable

    2 Channel Thorens TD 318 Grado ZF1, SACD/CD Marantz 8260, Soundstream/Krell DAC1, Audio Mirror PP1, Odyssey Stratos, ADS L-1290, ICs-DIY Twisted , Speaker-Raymond Cable
  • AsSiMiLaTeD
    AsSiMiLaTeD Posts: 11,728
    edited October 2005
    you don't need a volume knob??

    so you're saying just hook the CDP up directly to the amp and push play???

    No.
  • Dennis Gardner
    Dennis Gardner Posts: 4,861
    edited October 2005
    Polkmaniac wrote:
    you don't need a volume knob??

    so you're saying just hook the CDP up directly to the amp and push play???

    No.

    No, I am downplaying the importance of a constantly variable "at the tip of your fingers" volume knob. Set it and forget it.

    How hard is that.........I admit that I like to crank it ocasionally, but constant manipulation of volume by someone while I'm trying to listen bugs the **** out of me. Ya know the guy......."here listen to this passage"...and he cranks it loud for four bars, then turns it back down so low that I can't hear the remainder of the cut.

    It really is about discipline when listening.
    HT Optoma HD25 LV on 80" DIY Screen, Anthem MRX 300 Receiver, Pioneer Elite BDP 51FD Polk CS350LS, Polk SDA1C, Polk FX300, Polk RT55, Dual EBS Adire Shiva 320watt tuned to 17hz, ICs-DIY Twisted Prs, Speaker-Raymond Cable

    2 Channel Thorens TD 318 Grado ZF1, SACD/CD Marantz 8260, Soundstream/Krell DAC1, Audio Mirror PP1, Odyssey Stratos, ADS L-1290, ICs-DIY Twisted , Speaker-Raymond Cable
  • organ
    organ Posts: 4,969
    edited October 2005
    audiobliss wrote:
    Well. That AES would probably do pretty nicely, too. Organ pointed out the fact that it had tube rectification. How important is that? And how rare is it? I got the feeling that it was pretty nice to have it on a pre at that level.

    Tube rectification is not at all important IMO. Circuit design is more important. That was just one thing I pointed out because tube rectification is very rare in new equipments and that's one thing that stood out for me when I saw the AES. Also, that means one more tube type to roll.

    My favorite pre amp is the GTA and it has SS rectification. This is the BEST pre amp I've heard.

    To tell you the truth, deciding which type of tube the pre is using (eg. 12AX7, 6922, etc) is MUCH more important than finding one with tube rectifiers. Forget the remote issue. Just stick in your CD, press play, set the volume and sit on the sweet spot.

    Put the Dodd back on your list. The 6922 tubes are amazing.

    Maurice
  • organ
    organ Posts: 4,969
    edited October 2005
    beardog03 wrote:
    I also like to "touch" my gear..!

    IMO of course

    Sheeeeeat! I thought I was the only one with this fetish.
  • beardog03
    beardog03 Posts: 5,550
    edited October 2005
    can`t help myself..

    it`s soooo sexy..!!
    Cary SLP-98L F1 DC Pre Amp (Jag Blue)
    Parasound HCA-3500
    Cary Audio V12 amp (Jag Red)
    Polk Audio Xm Reciever (Autographed by THE MAN Himself) :cool:
    Magnum Dynalab MD-102 Analog Tuna
    Jolida JD-100 CDP
    Polk Audio LSi9 Speaks (ebony)
    SVS PC-Ultra Sub
    AQ Bedrock Speaker Cables (Bi-Wired)
    MIT Shotgun S1 I/C`s
    AQ Black Thunder Sub Cables
    PS Audio Plus Power Cords
    Magnum Dynalab ST-2 FM Antenna
    Sanus Cherry wood Speak Stands
    Adona AV45CS3 / 3 Tier Rack (Black /Gold)


    :cool:
  • shack
    shack Posts: 11,154
    edited October 2005
    This may piss someone off but, if you are "critically listening" to music the way the engineer intended, you don't need a volume knob, let alone a remote. Play the disc, lp, tape, the way it was intended with all the differences in it, they are called dynamics.

    Many here and on other audio forums will complain about tone controls and eqs out the ****, but then "roll tubes" for a different sound. Am I the only one that sees the hypocrisy in all this?

    Sheesh.......................Set it and forget.

    No trolling here, just sitting back, taking notes, and seeing us for what we are...........
    No, I am downplaying the importance of a constantly variable "at the tip of your fingers" volume knob. Set it and forget it.

    How hard is that.........I admit that I like to crank it ocasionally, but constant manipulation of volume by someone while I'm trying to listen bugs the **** out of me. Ya know the guy......."here listen to this passage"...and he cranks it loud for four bars, then turns it back down so low that I can't hear the remainder of the cut.

    It really is about discipline when listening.
    Sorry Dennis...but this is just about the silliest thing I've read all night (disipline when listening :rolleyes: ). I doubt very seriously that many here are constantly cranking the volume up and down (for demo purposes). There are CDs that need adjusting from track to track for various reasons. I also use a changer and the volume of CDs vary from each other. I often load 5 in and spend the next hour or so going through all the CDs "listening critically". It is a PITA to have to get up and down to adust the volume. For me a volume control and REMOTE are what I require to enjoy my music in the manner I choose. If you don't that's fine...to each their own... but don't base what I should have on what you prefer.
    "Just because you’re offended doesn’t mean you’re right." - Ricky Gervais

    "For those who believe, no proof is necessary. For those who don't believe, no proof is possible." - Stuart Chase

    "Consistency requires you to be as ignorant today as you were a year ago." - Bernard Berenson
  • audiobliss
    audiobliss Posts: 12,518
    edited October 2005
    I was sitting here, seriously thinking about where I should go next in my journey in the world of audio. And then it hit me: my first system, my system for me now, when I'm not a very critical listener, doesn't have to be perfect. If I'm drawn to passive pres, why not get the Creek OBH-22? Sure, it may not be a really good choice. Sure, a tube pre may be a lot better. Sure, I might could get a better sounding tube pre for less. But why not get the passive pre now? I'll gain experience with it and passives. I'll learn something. And at this stage I'm not very discriminating with the sound, so what better point to make mistakes?

    Now tell me what's wrong with my thinking here.
    Jstas wrote: »
    Simple question. If you had a cool million bucks, what would you do with it?
    Wonder WTF happened to the rest of my money.
    In Use
    PS3, Yamaha CDR-HD1300, Plex, Amazon Fire TV Gen 2
    Pioneer Elite VSX-52, Parasound HCA-1000A
    Klipsch RF-82ii, RC-62ii, RS-42ii, RW-10d
    Epson 8700UB

    In Storage
    [Home Audio]
    Rotel RCD-02, Yamaha KX-W900U, Sony ST-S500ES, Denon DP-7F
    Pro-Ject Phono Box MKII, Parasound P/HP-850, ASL Wave 20 monoblocks
    Klipsch RF-35, RB-51ii

    [Car Audio]
    Pioneer Premier DEH-P860MP, Memphis 16-MCA3004, Boston Acoustic RC520
  • audiobliss
    audiobliss Posts: 12,518
    edited October 2005
    Ok. As many people as have viewed my last post and haven't commented, there must be something wrong with the way I'm thinking. Tell me! I'm open-minded! (HA!)

    Speak-up!
    audiobliss
    Jstas wrote: »
    Simple question. If you had a cool million bucks, what would you do with it?
    Wonder WTF happened to the rest of my money.
    In Use
    PS3, Yamaha CDR-HD1300, Plex, Amazon Fire TV Gen 2
    Pioneer Elite VSX-52, Parasound HCA-1000A
    Klipsch RF-82ii, RC-62ii, RS-42ii, RW-10d
    Epson 8700UB

    In Storage
    [Home Audio]
    Rotel RCD-02, Yamaha KX-W900U, Sony ST-S500ES, Denon DP-7F
    Pro-Ject Phono Box MKII, Parasound P/HP-850, ASL Wave 20 monoblocks
    Klipsch RF-35, RB-51ii

    [Car Audio]
    Pioneer Premier DEH-P860MP, Memphis 16-MCA3004, Boston Acoustic RC520
  • Dennis Gardner
    Dennis Gardner Posts: 4,861
    edited October 2005
    Passive preamps have their place. Their goal is to add or take nothing from the signal. This can be good if you like what the other components are sounding like in your system. They certainly are pure and can add no new noise or distortion to the signal.

    Those finding tube preamps to their taste, like what the tube adds to the sound. The tube adds "life" or "warmth" to the music.

    Each listener's preference is very personal to what they like.

    Just buy smart, so you don't lose too much if you are forced to resell.
    HT Optoma HD25 LV on 80" DIY Screen, Anthem MRX 300 Receiver, Pioneer Elite BDP 51FD Polk CS350LS, Polk SDA1C, Polk FX300, Polk RT55, Dual EBS Adire Shiva 320watt tuned to 17hz, ICs-DIY Twisted Prs, Speaker-Raymond Cable

    2 Channel Thorens TD 318 Grado ZF1, SACD/CD Marantz 8260, Soundstream/Krell DAC1, Audio Mirror PP1, Odyssey Stratos, ADS L-1290, ICs-DIY Twisted , Speaker-Raymond Cable
  • audiobliss
    audiobliss Posts: 12,518
    edited October 2005
    Man, I'm so wishy-washy. Now I'm thinking about an Anthem Pre-1l. Whatcha know about that? I'm gonna see what I can dig up on the 'net.

    Thanks!
    audiobliss
    Jstas wrote: »
    Simple question. If you had a cool million bucks, what would you do with it?
    Wonder WTF happened to the rest of my money.
    In Use
    PS3, Yamaha CDR-HD1300, Plex, Amazon Fire TV Gen 2
    Pioneer Elite VSX-52, Parasound HCA-1000A
    Klipsch RF-82ii, RC-62ii, RS-42ii, RW-10d
    Epson 8700UB

    In Storage
    [Home Audio]
    Rotel RCD-02, Yamaha KX-W900U, Sony ST-S500ES, Denon DP-7F
    Pro-Ject Phono Box MKII, Parasound P/HP-850, ASL Wave 20 monoblocks
    Klipsch RF-35, RB-51ii

    [Car Audio]
    Pioneer Premier DEH-P860MP, Memphis 16-MCA3004, Boston Acoustic RC520
  • Dennis Gardner
    Dennis Gardner Posts: 4,861
    edited October 2005
    PM WCWIII, he has used the Anthem 1L for a couple months now. He swaps it out with the Odyssey Tempest ($1000) which is no slouch of a pre itself. He did comment on how it affected his system in a separate thread on here somewhere.

    He does seem to trade gear regularly so maybe you can get dibs when he does.
    HT Optoma HD25 LV on 80" DIY Screen, Anthem MRX 300 Receiver, Pioneer Elite BDP 51FD Polk CS350LS, Polk SDA1C, Polk FX300, Polk RT55, Dual EBS Adire Shiva 320watt tuned to 17hz, ICs-DIY Twisted Prs, Speaker-Raymond Cable

    2 Channel Thorens TD 318 Grado ZF1, SACD/CD Marantz 8260, Soundstream/Krell DAC1, Audio Mirror PP1, Odyssey Stratos, ADS L-1290, ICs-DIY Twisted , Speaker-Raymond Cable
  • madmax
    madmax Posts: 12,434
    edited October 2005
    No, I am downplaying the importance of a constantly variable "at the tip of your fingers" volume knob. Set it and forget it.

    How hard is that.........I admit that I like to crank it ocasionally, but constant manipulation of volume by someone while I'm trying to listen bugs the **** out of me. Ya know the guy......."here listen to this passage"...and he cranks it loud for four bars, then turns it back down so low that I can't hear the remainder of the cut.

    It really is about discipline when listening.

    I totally agree! There is a perfect volume level for each performance. It is the volume it is meant to be. Someone thrashing on a drumset should not be set at 60db and a soft nice wisper is not meant to be listened to at 125db. It IS called dynamics. A volume knob should be across the room.
    madmax
    Vinyl, the final frontier...

    Avantgarde horns, 300b tubes, thats the kinda crap I want... :D
  • ND13
    ND13 Posts: 7,601
    edited October 2005
    audiobliss wrote:
    Man, I'm so wishy-washy. Now I'm thinking about an Anthem Pre-1l. Whatcha know about that? I'm gonna see what I can dig up on the 'net.

    Thanks!
    audiobliss


    Come on Mikey, make a freakin decision already!!!!! You've been given SOOO MUCH info about the different pres out there that to give you anymore would just likely make the decision take that much longer. The choices that are in this thread and the other threads on this subject are solid choices and there should be at least one that will suit your needs and budget amongst them. Quit being so wishy washy and make a friggin decision already!!!! :)
    "SOME PEOPLE CALL ME MAURICE,
    CAUSE I SPEAK OF THE POMPITIOUS OF LOVE"
  • reeltrouble1
    reeltrouble1 Posts: 9,312
    edited October 2005
    Guys, he is enjoying the thrill of the chase for his new lady. Once the decision is made, well, you know what happens, really all of you do, the voices start. First as a whisper, then the thought, then the first words of it, then the action of looking at it, then the buying behaviors which result in the habit, audio junkie's!!! Who needs a fix?

    RT1
  • madmax
    madmax Posts: 12,434
    edited October 2005
    Lets face it. The first pre you get will not hang around long, no matter how good it is. Pick one. One without a remote. :)
    madmax
    Vinyl, the final frontier...

    Avantgarde horns, 300b tubes, thats the kinda crap I want... :D
  • shack
    shack Posts: 11,154
    edited October 2005
    madmax wrote:
    Lets face it. The first pre you get will not hang around long, no matter how good it is. Pick one. One without a remote. :)
    madmax
    Get a remote....if it is what you want...you will be sorry if you don't.
    "Just because you’re offended doesn’t mean you’re right." - Ricky Gervais

    "For those who believe, no proof is necessary. For those who don't believe, no proof is possible." - Stuart Chase

    "Consistency requires you to be as ignorant today as you were a year ago." - Bernard Berenson
  • Ricardo
    Ricardo Posts: 10,636
    edited October 2005
    Yeah, let him just keep on thinking about it.....while he was thinking...

    I pulled the trigger on this:

    http://www.speakers.gr/photos/dared/dared_sl-2000a.htm

    Just because it's gorgeous and HAS a remote

    Oh God..I am sick :eek: :eek:
    _________________________________________________
    ***\\\\\........................... My Audio Journey ............................./////***

    2008 & 2010 Football Pool WINNER
    SOPA
    Thank God for different opinions. Imagine the world if we all wanted the same woman