Tube Preamps
Comments
-
_________________________________________________
***\\\\\........................... My Audio Journey ............................./////***
2008 & 2010 Football Pool WINNER
SOPAThank God for different opinions. Imagine the world if we all wanted the same woman -
audiobliss wrote:
So, no comments on 'tube rectification'? Any more thoughts on how the AES would compare to the Radii?
Thanks!
A rectifier's job is to convert the incoming AC to DC. People say SS rectification produce some sort of switching noise and have less bloom. My amp uses tube rectification and going from a Sovtek rectifier to a Mullard made the amp sound very sweet. More bloom and warmth. Bass seemed stronger too. Take a look at this pic of my amp. The rectifier tube is the second one from the left on the back row. http://www.polkaudio.com/forums/showcase/closeup.php?userid=16753&pic=82_31_big.jpg
Even though I have no experience with the AES, I bet it sounds better than the Radii. There's a big difference in the retail $. Not saying more expensive is better but the Radii is an entry level unit. But don't overlook the Radii or ASL. With the right tubes, you'll sit there and scratch your head wondering how a cheap pre can sound so good.
Maurice -
audiobliss wrote:I must admit that despite the overwhelmingly positive reviews (and yes, by people whose opinions I highly respect) and very reasonable price of the Dodd ELP, I most definitively do not want it. My pre-requisites for a pre-amp is at least 3 inputs (I may later decide I want more) and a remote. Now, the remote doesn't have to control anything but the volume, but that's a necessity.
So, unfortunately, the Dodds are out.
Thanks for all of the input! Keep it coming!!
audiobliss
You know, I'd like a Corvette convertible, oh, and I like it to be new and under ten grand. :rolleyes:
While I, of all people, am all about a good gear and going on the cheap, at a certain point, you are going to have to budge.
Now, if you are willing to sacrifice tubes for remote volume control.....sorry, get off your ****, burn the calorie and adjust the volume by hand. It's tough but I think you can manage.
BDTI plan for the future. - F1Nut -
But is a tube pre going to be all that much better than a passive? Like the Creek OBH-22? The Creek would be perfect. Three inputs, remote. *drool*George Grand wrote: »
PS3, Yamaha CDR-HD1300, Plex, Amazon Fire TV Gen 2
Pioneer Elite VSX-52, Parasound HCA-1000A
Klipsch RF-82ii, RC-62ii, RS-42ii, RW-10d
Epson 8700UB
In Storage
[Home Audio]
Rotel RCD-02, Yamaha KX-W900U, Sony ST-S500ES, Denon DP-7F
Pro-Ject Phono Box MKII, Parasound P/HP-850, ASL Wave 20 monoblocks
Klipsch RF-35, RB-51ii
[Car Audio]
Pioneer Premier DEH-P860MP, Memphis 16-MCA3004, Boston Acoustic RC520 -
How does a passive preamp have a remote? Is the power supply used only for controlling the remote function?
-
I've owned a passive preamp, a very good one. I now own two tube preamps. Wanna guess what I think?
Eff the remote. From your seat to the gear, what, 4, 5 steps, MAYBE?
BDTI plan for the future. - F1Nut -
I also like to "touch" my gear..!
only time a remote comes in handy is on a CDP...
IMO of courseCary SLP-98L F1 DC Pre Amp (Jag Blue)
Parasound HCA-3500
Cary Audio V12 amp (Jag Red)
Polk Audio Xm Reciever (Autographed by THE MAN Himself) :cool:
Magnum Dynalab MD-102 Analog Tuna
Jolida JD-100 CDP
Polk Audio LSi9 Speaks (ebony)
SVS PC-Ultra Sub
AQ Bedrock Speaker Cables (Bi-Wired)
MIT Shotgun S1 I/C`s
AQ Black Thunder Sub Cables
PS Audio Plus Power Cords
Magnum Dynalab ST-2 FM Antenna
Sanus Cherry wood Speak Stands
Adona AV45CS3 / 3 Tier Rack (Black /Gold)
:cool: -
Well, on the 'touching' thing..I do NOT touch my Yamaha. I don't want any fingerprints on that beautiful aluminum!!
As for passive vs. tubes, I guess it'll just depend on 1) how well y'all persuade me, lol, 2) when I can actually get one, and 3) what's avaible then.George Grand wrote: »
PS3, Yamaha CDR-HD1300, Plex, Amazon Fire TV Gen 2
Pioneer Elite VSX-52, Parasound HCA-1000A
Klipsch RF-82ii, RC-62ii, RS-42ii, RW-10d
Epson 8700UB
In Storage
[Home Audio]
Rotel RCD-02, Yamaha KX-W900U, Sony ST-S500ES, Denon DP-7F
Pro-Ject Phono Box MKII, Parasound P/HP-850, ASL Wave 20 monoblocks
Klipsch RF-35, RB-51ii
[Car Audio]
Pioneer Premier DEH-P860MP, Memphis 16-MCA3004, Boston Acoustic RC520 -
nobs are made to fondle bro..!
Cary SLP-98L F1 DC Pre Amp (Jag Blue)
Parasound HCA-3500
Cary Audio V12 amp (Jag Red)
Polk Audio Xm Reciever (Autographed by THE MAN Himself) :cool:
Magnum Dynalab MD-102 Analog Tuna
Jolida JD-100 CDP
Polk Audio LSi9 Speaks (ebony)
SVS PC-Ultra Sub
AQ Bedrock Speaker Cables (Bi-Wired)
MIT Shotgun S1 I/C`s
AQ Black Thunder Sub Cables
PS Audio Plus Power Cords
Magnum Dynalab ST-2 FM Antenna
Sanus Cherry wood Speak Stands
Adona AV45CS3 / 3 Tier Rack (Black /Gold)
:cool: -
audiobliss wrote:Well, on the 'touching' thing..I do NOT touch my Yamaha. I don't want any fingerprints on that beautiful aluminum!!
As for passive vs. tubes, I guess it'll just depend on 1) how well y'all persuade me, lol, 2) when I can actually get one, and 3) what's avaible then.
Persuade? What are we salesmen? Jeeze man, what's with the spoon feeding thing? Personally, get what you want, not what any of us thinks. Save your coin, get what you like. I mean, you've only been talking about getting gear for what, over a year? Take notes from Sid.
A dust cloth also does miracles.
BDTI plan for the future. - F1Nut -
beardog03 wrote:I also like to "touch" my gear..!
Oh My! -
Well. That AES would probably do pretty nicely, too. Organ pointed out the fact that it had tube rectification. How important is that? And how rare is it? I got the feeling that it was pretty nice to have it on a pre at that level.George Grand wrote: »
PS3, Yamaha CDR-HD1300, Plex, Amazon Fire TV Gen 2
Pioneer Elite VSX-52, Parasound HCA-1000A
Klipsch RF-82ii, RC-62ii, RS-42ii, RW-10d
Epson 8700UB
In Storage
[Home Audio]
Rotel RCD-02, Yamaha KX-W900U, Sony ST-S500ES, Denon DP-7F
Pro-Ject Phono Box MKII, Parasound P/HP-850, ASL Wave 20 monoblocks
Klipsch RF-35, RB-51ii
[Car Audio]
Pioneer Premier DEH-P860MP, Memphis 16-MCA3004, Boston Acoustic RC520 -
This may piss someone off but, if you are "critically listening" to music the way the engineer intended, you don't need a volume knob, let alone a remote. Play the disc, lp, tape, the way it was intended with all the differences in it, they are called dynamics.
Many here and on other audio forums will complain about tone controls and eqs out the ****, but then "roll tubes" for a different sound. Am I the only one that sees the hypocrisy in all this?
Sheesh.......................Set it and forget.
No trolling here, just sitting back, taking notes, and seeing us for what we are...........HT Optoma HD25 LV on 80" DIY Screen, Anthem MRX 300 Receiver, Pioneer Elite BDP 51FD Polk CS350LS, Polk SDA1C, Polk FX300, Polk RT55, Dual EBS Adire Shiva 320watt tuned to 17hz, ICs-DIY Twisted Prs, Speaker-Raymond Cable
2 Channel Thorens TD 318 Grado ZF1, SACD/CD Marantz 8260, Soundstream/Krell DAC1, Audio Mirror PP1, Odyssey Stratos, ADS L-1290, ICs-DIY Twisted , Speaker-Raymond Cable -
you don't need a volume knob??
so you're saying just hook the CDP up directly to the amp and push play???
No. -
Polkmaniac wrote:you don't need a volume knob??
so you're saying just hook the CDP up directly to the amp and push play???
No.
No, I am downplaying the importance of a constantly variable "at the tip of your fingers" volume knob. Set it and forget it.
How hard is that.........I admit that I like to crank it ocasionally, but constant manipulation of volume by someone while I'm trying to listen bugs the **** out of me. Ya know the guy......."here listen to this passage"...and he cranks it loud for four bars, then turns it back down so low that I can't hear the remainder of the cut.
It really is about discipline when listening.HT Optoma HD25 LV on 80" DIY Screen, Anthem MRX 300 Receiver, Pioneer Elite BDP 51FD Polk CS350LS, Polk SDA1C, Polk FX300, Polk RT55, Dual EBS Adire Shiva 320watt tuned to 17hz, ICs-DIY Twisted Prs, Speaker-Raymond Cable
2 Channel Thorens TD 318 Grado ZF1, SACD/CD Marantz 8260, Soundstream/Krell DAC1, Audio Mirror PP1, Odyssey Stratos, ADS L-1290, ICs-DIY Twisted , Speaker-Raymond Cable -
audiobliss wrote:Well. That AES would probably do pretty nicely, too. Organ pointed out the fact that it had tube rectification. How important is that? And how rare is it? I got the feeling that it was pretty nice to have it on a pre at that level.
Tube rectification is not at all important IMO. Circuit design is more important. That was just one thing I pointed out because tube rectification is very rare in new equipments and that's one thing that stood out for me when I saw the AES. Also, that means one more tube type to roll.
My favorite pre amp is the GTA and it has SS rectification. This is the BEST pre amp I've heard.
To tell you the truth, deciding which type of tube the pre is using (eg. 12AX7, 6922, etc) is MUCH more important than finding one with tube rectifiers. Forget the remote issue. Just stick in your CD, press play, set the volume and sit on the sweet spot.
Put the Dodd back on your list. The 6922 tubes are amazing.
Maurice -
beardog03 wrote:I also like to "touch" my gear..!
IMO of course
Sheeeeeat! I thought I was the only one with this fetish. -
can`t help myself..
it`s soooo sexy..!!Cary SLP-98L F1 DC Pre Amp (Jag Blue)
Parasound HCA-3500
Cary Audio V12 amp (Jag Red)
Polk Audio Xm Reciever (Autographed by THE MAN Himself) :cool:
Magnum Dynalab MD-102 Analog Tuna
Jolida JD-100 CDP
Polk Audio LSi9 Speaks (ebony)
SVS PC-Ultra Sub
AQ Bedrock Speaker Cables (Bi-Wired)
MIT Shotgun S1 I/C`s
AQ Black Thunder Sub Cables
PS Audio Plus Power Cords
Magnum Dynalab ST-2 FM Antenna
Sanus Cherry wood Speak Stands
Adona AV45CS3 / 3 Tier Rack (Black /Gold)
:cool: -
Dennis Gardner wrote:This may piss someone off but, if you are "critically listening" to music the way the engineer intended, you don't need a volume knob, let alone a remote. Play the disc, lp, tape, the way it was intended with all the differences in it, they are called dynamics.
Many here and on other audio forums will complain about tone controls and eqs out the ****, but then "roll tubes" for a different sound. Am I the only one that sees the hypocrisy in all this?
Sheesh.......................Set it and forget.
No trolling here, just sitting back, taking notes, and seeing us for what we are...........Dennis Gardner wrote:No, I am downplaying the importance of a constantly variable "at the tip of your fingers" volume knob. Set it and forget it.
How hard is that.........I admit that I like to crank it ocasionally, but constant manipulation of volume by someone while I'm trying to listen bugs the **** out of me. Ya know the guy......."here listen to this passage"...and he cranks it loud for four bars, then turns it back down so low that I can't hear the remainder of the cut.
It really is about discipline when listening."Just because youre offended doesnt mean youre right." - Ricky Gervais
"For those who believe, no proof is necessary. For those who don't believe, no proof is possible." - Stuart Chase
"Consistency requires you to be as ignorant today as you were a year ago." - Bernard Berenson -
I was sitting here, seriously thinking about where I should go next in my journey in the world of audio. And then it hit me: my first system, my system for me now, when I'm not a very critical listener, doesn't have to be perfect. If I'm drawn to passive pres, why not get the Creek OBH-22? Sure, it may not be a really good choice. Sure, a tube pre may be a lot better. Sure, I might could get a better sounding tube pre for less. But why not get the passive pre now? I'll gain experience with it and passives. I'll learn something. And at this stage I'm not very discriminating with the sound, so what better point to make mistakes?
Now tell me what's wrong with my thinking here.George Grand wrote: »
PS3, Yamaha CDR-HD1300, Plex, Amazon Fire TV Gen 2
Pioneer Elite VSX-52, Parasound HCA-1000A
Klipsch RF-82ii, RC-62ii, RS-42ii, RW-10d
Epson 8700UB
In Storage
[Home Audio]
Rotel RCD-02, Yamaha KX-W900U, Sony ST-S500ES, Denon DP-7F
Pro-Ject Phono Box MKII, Parasound P/HP-850, ASL Wave 20 monoblocks
Klipsch RF-35, RB-51ii
[Car Audio]
Pioneer Premier DEH-P860MP, Memphis 16-MCA3004, Boston Acoustic RC520 -
Ok. As many people as have viewed my last post and haven't commented, there must be something wrong with the way I'm thinking. Tell me! I'm open-minded! (HA!)
Speak-up!
audioblissGeorge Grand wrote: »
PS3, Yamaha CDR-HD1300, Plex, Amazon Fire TV Gen 2
Pioneer Elite VSX-52, Parasound HCA-1000A
Klipsch RF-82ii, RC-62ii, RS-42ii, RW-10d
Epson 8700UB
In Storage
[Home Audio]
Rotel RCD-02, Yamaha KX-W900U, Sony ST-S500ES, Denon DP-7F
Pro-Ject Phono Box MKII, Parasound P/HP-850, ASL Wave 20 monoblocks
Klipsch RF-35, RB-51ii
[Car Audio]
Pioneer Premier DEH-P860MP, Memphis 16-MCA3004, Boston Acoustic RC520 -
Passive preamps have their place. Their goal is to add or take nothing from the signal. This can be good if you like what the other components are sounding like in your system. They certainly are pure and can add no new noise or distortion to the signal.
Those finding tube preamps to their taste, like what the tube adds to the sound. The tube adds "life" or "warmth" to the music.
Each listener's preference is very personal to what they like.
Just buy smart, so you don't lose too much if you are forced to resell.HT Optoma HD25 LV on 80" DIY Screen, Anthem MRX 300 Receiver, Pioneer Elite BDP 51FD Polk CS350LS, Polk SDA1C, Polk FX300, Polk RT55, Dual EBS Adire Shiva 320watt tuned to 17hz, ICs-DIY Twisted Prs, Speaker-Raymond Cable
2 Channel Thorens TD 318 Grado ZF1, SACD/CD Marantz 8260, Soundstream/Krell DAC1, Audio Mirror PP1, Odyssey Stratos, ADS L-1290, ICs-DIY Twisted , Speaker-Raymond Cable -
Man, I'm so wishy-washy. Now I'm thinking about an Anthem Pre-1l. Whatcha know about that? I'm gonna see what I can dig up on the 'net.
Thanks!
audioblissGeorge Grand wrote: »
PS3, Yamaha CDR-HD1300, Plex, Amazon Fire TV Gen 2
Pioneer Elite VSX-52, Parasound HCA-1000A
Klipsch RF-82ii, RC-62ii, RS-42ii, RW-10d
Epson 8700UB
In Storage
[Home Audio]
Rotel RCD-02, Yamaha KX-W900U, Sony ST-S500ES, Denon DP-7F
Pro-Ject Phono Box MKII, Parasound P/HP-850, ASL Wave 20 monoblocks
Klipsch RF-35, RB-51ii
[Car Audio]
Pioneer Premier DEH-P860MP, Memphis 16-MCA3004, Boston Acoustic RC520 -
PM WCWIII, he has used the Anthem 1L for a couple months now. He swaps it out with the Odyssey Tempest ($1000) which is no slouch of a pre itself. He did comment on how it affected his system in a separate thread on here somewhere.
He does seem to trade gear regularly so maybe you can get dibs when he does.HT Optoma HD25 LV on 80" DIY Screen, Anthem MRX 300 Receiver, Pioneer Elite BDP 51FD Polk CS350LS, Polk SDA1C, Polk FX300, Polk RT55, Dual EBS Adire Shiva 320watt tuned to 17hz, ICs-DIY Twisted Prs, Speaker-Raymond Cable
2 Channel Thorens TD 318 Grado ZF1, SACD/CD Marantz 8260, Soundstream/Krell DAC1, Audio Mirror PP1, Odyssey Stratos, ADS L-1290, ICs-DIY Twisted , Speaker-Raymond Cable -
Dennis Gardner wrote:No, I am downplaying the importance of a constantly variable "at the tip of your fingers" volume knob. Set it and forget it.
How hard is that.........I admit that I like to crank it ocasionally, but constant manipulation of volume by someone while I'm trying to listen bugs the **** out of me. Ya know the guy......."here listen to this passage"...and he cranks it loud for four bars, then turns it back down so low that I can't hear the remainder of the cut.
It really is about discipline when listening.
I totally agree! There is a perfect volume level for each performance. It is the volume it is meant to be. Someone thrashing on a drumset should not be set at 60db and a soft nice wisper is not meant to be listened to at 125db. It IS called dynamics. A volume knob should be across the room.
madmaxVinyl, the final frontier...
Avantgarde horns, 300b tubes, thats the kinda crap I want... -
audiobliss wrote:Man, I'm so wishy-washy. Now I'm thinking about an Anthem Pre-1l. Whatcha know about that? I'm gonna see what I can dig up on the 'net.
Thanks!
audiobliss
Come on Mikey, make a freakin decision already!!!!! You've been given SOOO MUCH info about the different pres out there that to give you anymore would just likely make the decision take that much longer. The choices that are in this thread and the other threads on this subject are solid choices and there should be at least one that will suit your needs and budget amongst them. Quit being so wishy washy and make a friggin decision already!!!!"SOME PEOPLE CALL ME MAURICE,
CAUSE I SPEAK OF THE POMPITIOUS OF LOVE" -
Guys, he is enjoying the thrill of the chase for his new lady. Once the decision is made, well, you know what happens, really all of you do, the voices start. First as a whisper, then the thought, then the first words of it, then the action of looking at it, then the buying behaviors which result in the habit, audio junkie's!!! Who needs a fix?
RT1 -
Lets face it. The first pre you get will not hang around long, no matter how good it is. Pick one. One without a remote.
madmaxVinyl, the final frontier...
Avantgarde horns, 300b tubes, thats the kinda crap I want... -
madmax wrote:Lets face it. The first pre you get will not hang around long, no matter how good it is. Pick one. One without a remote.
madmax"Just because youre offended doesnt mean youre right." - Ricky Gervais
"For those who believe, no proof is necessary. For those who don't believe, no proof is possible." - Stuart Chase
"Consistency requires you to be as ignorant today as you were a year ago." - Bernard Berenson -
Yeah, let him just keep on thinking about it.....while he was thinking...
I pulled the trigger on this:
http://www.speakers.gr/photos/dared/dared_sl-2000a.htm
Just because it's gorgeous and HAS a remote
Oh God..I am sick :eek: :eek:_________________________________________________
***\\\\\........................... My Audio Journey ............................./////***
2008 & 2010 Football Pool WINNER
SOPAThank God for different opinions. Imagine the world if we all wanted the same woman