Class D amps looking much improved
Comments
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Well the Bokem class D amp is on its way thanks to Clipdat's generous offer. We'll see how it compares to my HALO A21+ amp driving the Maggie 1.7i's. Should be interesting & a lot of fun."2 Channel & 11.2 HT "Two Channel:Magnepan LRSSchiit Audio Freya S - SS preConsonance Ref 50 - Tube preParasound HALO A21+ 2 channel ampBluesound NODE 2i streameriFi NEO iDSD DAC Oppo BDP-93KEF KC62 sub Home Theater:Full blown 11.2 set up.
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Not to go all ASR on all y'all, but... if (?!) you can get a buddy to help you do a level-matched, A/B (single) blind comparison of the performance of the two amplifiers, it might be more fair to one amp or the other than knowing which one you're listening to.
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I've dived into Class D recently. I picked up some Crown XLS Drivecore amps for PA work and tried them in 2 channel and was surprised at how well they did. Paired with LSi's in particular they really shine. The 22502 in particular just has so much headroom and effortless muscle to handle the LSi's with ease.
I also built an icepower 300AS1/A1 based amplifier and I absolutely love it. Am I going to abandon A/B? nah......I'll always have one or 2 around.....but none are active in my systems at the momentLiving Room 2 Channel -
Schiit SYS Passive Pre. Jolida CD player. Songbird streamer. California Audio Labs Sigma II DAC, DIY 300as1/a1 Ice modules Class D amp. LSi15 with MM842 woofer upgrade, Nordost Blue Heaven and Unity interconnects.
Upstairs 2 Channel Rig -
Prometheus Ref. TVC passive pre, SAE A-205 Amp, Wiim pro streamer and Topping E50 DAC, California Audio Labs DX1 CD player, Von Schweikert VR3.5 speakers.
Studio Rig - Scarlett 18i20(Gen3) DAW, Mac Mini, Aiyma A07 Max (BridgedX2), Totem Mites -
Is anyone else interested in trying the Boxem Audio Class D amp?
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I recently picked up a Fosi v3 for my office rig. That tiny little thing replaced a Mcintosh 4100 pre section going into a Proton d1200 into IMF supercompacts. I'm very impressed with the sound and the fact that it runs a 4ohm load all day and barely even gets warm. So much so that both the Mcintosh and the Proton will be headed for fb marketplace. At around $100 for a 90wpc amp that specs out well it's a no brainer for me to move up to modern class d rather than stay with tired old problematic vintage gear.
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Over here! Happily using a W4S Class D amplifier for 3 years now. Don't see myself ever going back to AB. The dynamics are incredible and it never runs out of steam. I love the beauty of a well designed AB like the stuff that Pass or Parasound put out, but I have come to prefer the compact, cool running nature of the D-amps.
Sound wise, in my opinion, the amplifier itself has one of the smallest effects on the overall signature of the sound from a system (*as long as it is providing ample power and not distorting in a bad way*). If it does that, and it reproduces everything you give it from the preamp, then its doing its job. The preamp, DAC, speakers, etc. have a much great effect on the overall sound (speakers being #1).
I'm sure there are many who would disagree, but that's my position. I've had more than a dozen fairly high end AB amps or integrated amps in my system(s) through the last 20 years including some John Curl Parasound monsters. When I first tried W4S's STI500, it was the first time I've experienced what seemed like unlimited dynamics (or at least within my listening levels). The STI had some weaknesses in its fairly simple preamp section which led me to sell it. After some patience, I picked up an ST500 sold my big LSA integrated, and went to using the ST500 straight from my DAC for a time, until more patience eventually led me to an STP-SE preamp to pair with it, which was my ultimate goal. I don't see myself ever getting rid of that pairing, unless I sell my whole 2-ch system at some point to downsize for some move to a smaller living space.
I love Wyred 4 Sound’s gear, I still own the STP-SE, a pair of SX-1000’s, and the DAC 2. I honestly don’t know why they don’t get talked about more. Well the DAC 2 got a lot of praise for a while, but their PreAmp is awesome as well..
My W4S gear has been stored away the last couple years now, after I purchased Cary’s SLP-05 pre, and a pair of SA-500.01 class AB amps. I can’t bring myself to let go of the W4S gear, even though the Cary gear is the best gear I have ever owned, I don’t want there to be a day where I regret getting rid of it, like I did the Adcom gear I had.. -
I am interested in Atmos-Sphere’s class D amp.
I had tried a very powerful class d amp, years ago, to push my Kappa 9’s and had mixed results.
Although powerful enough they were missing something. Like I couldn’t get into the music I was hearing.
Only issue is I have gen 3 SRS’s.
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^ The plus side, still have the 9’s.
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I know the Devialet line of hybrid class A/D amps get a lot of praise, but are $$$$. Their look is very unassuming."This may not matter to you, but it does to me for various reasons, many of them illogical or irrational, but the vinyl hobby is not really logical or rational..." - member on Vinyl Engine
"Sometimes I do what I want to do. The rest of the time, I do what I have to." - Cicero, in Gladiator
Regarding collectibles: "It's not who gets it. It's who gets stuck with it." - Jimmy Fallon -
If Atma-Sphere made that same amp specs in a stereo unit I’d have to give them a try on my SDA’s.
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SeleniumFalcon wrote: »The Fosi Audio V3 mono amplifier is an interesting design.
Has anyone tried the new V3 monos yet?Don't take experimental gene therapies from known eugenicists. -
Another observation. I don't know if this universally applies to all class D amps, but I am very impressed at how much dynamic performance and balance across the entire frequency spectrum I hear at low volume levels. To my ears class D does this very well relative to other amps I have heard.
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Several OEM's with great products: Hypex, Pascal and Etal (was Anaview).
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motorstereo wrote: »I recently picked up a Fosi v3 for my office rig. That tiny little thing replaced a Mcintosh 4100 pre section going into a Proton d1200 into IMF supercompacts. I'm very impressed with the sound and the fact that it runs a 4ohm load all day and barely even gets warm. So much so that both the Mcintosh and the Proton will be headed for fb marketplace. At around $100 for a 90wpc amp that specs out well it's a no brainer for me to move up to modern class d rather than stay with tired old problematic vintage gear.
I don't miss the Nak PA-5. Can't imagine what heat the PA-7 generated...
Don't take experimental gene therapies from known eugenicists. -
Eh, I like class D amps, for certain purposes. I'm still partial to the A/B though. Something about tone, depth, air, that D just can't seem to get right. Least on a bigger scale that is. Smaller scales like desktop or small bookies it's a harder comparison.
Still think a Tube pre and SS A/B amp for bigger speakers brings out the most joy for me that is.HT SYSTEM-
Sony 850c 4k
Pioneer elite vhx 21
Sony 4k BRP
SVS SB-2000
Polk Sig. 20's
Polk FX500 surrounds
Cables-
Acoustic zen Satori speaker cables
Acoustic zen Matrix 2 IC's
Wireworld eclipse 7 ic's
Audio metallurgy ga-o digital cable
Kitchen
Sonos zp90
Grant Fidelity tube dac
B&k 1420
lsi 9's -
I still think a Tube pre and SS A/B amp for bigger speakers brings out the most joy for me that is.
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It looks like you are listening to The Red Hot Chili Peppers and Sleepy Labeef.
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I don't miss the Nak PA-5. Can't imagine what heat the PA-7 generated...
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My one and only venture in ss class a mono's. I would only use them during the cold months as they would burn your hand and oh how that power meter would spin. No thanks class a; but I had to try it.
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JBL's on the Class D bandwagon.
Now... I am just sayin'.
https://youtu.be/ldKCTZM3ws8?si=POCKlzA5lZTZIaQ2
or, as one might prefer...
https://youtu.be/UGnIBzMkAAk?si=zmYJnVDDmk9hqbFA
(without the Gen Z accoutrements)
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You trying to kill us with cringe??
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I have been a Class A listener for quite some time. I don't see it changing anytime soon.
H9"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul! -
Really diggin' the plumber's tapeDon't take experimental gene therapies from known eugenicists.
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mhardy6647 wrote: »
I wanna know who braided them wires. I had the wife do some three and four wire braids for me.
Salk SoundScape 8's * Audio Research Reference 3 * Bottlehead Eros Phono * Park's Audio Budgie SUT * Krell KSA-250 * Harmonic Technology Pro 9+ * Signature Series Sonore Music Server w/Deux PS * Roon * Gustard R26 DAC / Singxer SU-6 DDC * Heavy Plinth Lenco L75 Idler Drive * AA MG-1 Linear Air Bearing Arm * AT33PTG/II & Denon 103R * Richard Gray 600S * NHT B-12d subs * GIK Acoustic Treatments * Sennheiser HD650 * -
SCompRacer wrote: »mhardy6647 wrote: »
I wanna know who braided them wires. I had the wife do some three and four wire braids for me.
Belden.
https://www.belden.com/products/cable/audio-cable/speaker-cable/9497 -
I have been a Class A listener for quite some time. I don't see it changing anytime soon.
H9
I've never had a true Class A amp. But by far, I have the best sounding amp ( for me) that I've ever owned . A Krell 3250. I sent a few messages to Krell asking what or how much bias was in Class A. I got the whole (nose in the air) Krell does not disclose specs. I'm pretty sure their response will make sure I never buy another Krell product. I'm also pretty sure the original product spec sheet for advertising mentioned what I was looking for.
I DO WANT A TRUE CLASS A AMP.!! Sorry did not mean to yell! 😂 -
I have been a Class A listener for quite some time. I don't see it changing anytime soon.
H9
I've never had a true Class A amp. But by far, I have the best sounding amp ( for me) that I've ever owned . A Krell 3250. I sent a few messages to Krell asking what or how much bias was in Class A. I got the whole (nose in the air) Krell does not disclose specs. I'm pretty sure their response will make sure I never buy another Krell product. I'm also pretty sure the original product spec sheet for advertising mentioned what I was looking for.
I DO WANT A TRUE CLASS A AMP.!! Sorry did not mean to yell! 😂
There is usually a way to guess the watts in A based on the transistor arrangement. Years ago, I could have given you a number, but I haven't been diving into circuits as much in the last 15 years.
For rig details, see my profile. Nothing here anymore... -
ME, TOO!
THAT'S WHY I HAVE... UMM... SEVERAL.
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I demo'd a pair of Wyred SX-500's Class D when I made the change from ESL to Salk SS8's in late 2013. I had also tried the Sanders 300WPC@8 amp which worked great on the ESL panels. Ed the SRT king brought a Krell KSA-250 over Jan 2014? and I've had that since. The sinks run ~ 175F on that and it pulls 10 or 11 amps.
Salk SoundScape 8's * Audio Research Reference 3 * Bottlehead Eros Phono * Park's Audio Budgie SUT * Krell KSA-250 * Harmonic Technology Pro 9+ * Signature Series Sonore Music Server w/Deux PS * Roon * Gustard R26 DAC / Singxer SU-6 DDC * Heavy Plinth Lenco L75 Idler Drive * AA MG-1 Linear Air Bearing Arm * AT33PTG/II & Denon 103R * Richard Gray 600S * NHT B-12d subs * GIK Acoustic Treatments * Sennheiser HD650 *