Balanced Turntable connections
xsmi
Posts: 1,798
Anyone have any experience with this? How far do you have to carry the balanced connections through your chain for it to make a difference? My preamp ddoesnt have balanced connections and my power amp is a differential design if I were using the balanced connections in the amp, which would conflict with my Legends.
2-channelBelles 22A Pre, Emotiva XPA-2 Gen 2, Marantz SA8005, Pro-Ject RPM-10 Turntable, Pro-Ject Phono Box DS3B, Polk Audio Legend L800's, AudioQuest Cable throughout.
Comments
-
If I have the option of using balanced cables I will but mainly because I prefer the physical design of XLR connectors over RCA and they make me feel special. In some cases a balanced cable can provide higher gain but that's entirely dependent on the equipment they're connecting rather than the cable itself.
Generally speaking in a home environment balanced cables aren't going to produce better quality sound than unbalanced cables if they're equivalent designs. But I figure if the designer of the gear put XLR jacks on them I'm going to use them. -
Could possibly eliminate ground loop hum?Gustard X26 Pro DAC
Belles 21A Pre modded with Mundorf Supreme caps
B&K M200 Sonata monoblocks refreshed and upgraded
Polk SDA 1C's modded / 1000Va Dreadnaught
Wireworld Silver Eclipse IC's and speaker cables
Harman Kardon T65C w/Grado Gold. (Don't laugh. It sounds great!)
There is about a 5% genetic difference between apes and men …but that difference is the difference between throwing your own poo when you are annoyed …and Einstein, Shakespeare and Miss January. by Dr. Sardonicus -
For a while, I ran balanced phono into an Innersound Phono then to a Rowland Synergy IIi which fed my Rowland Model 8 amp. The sound was excellent, but there was no way to compare if the balanced part made a difference because the Synergy preamp doesn't have any unbalanced connections. I'm now into tubes for the preamps (Herron VTSP-3A and Fosgate Signature Phono), which both are unbalanced only. Excellent sound again, but the subtle life that tubes bring to the sound.KEF 207s / Coda Continuum / SST Thoebe II / Oppo BDP-105D / Technics SP-15 w/SAEC WE-308SX & Ortofon AS-309 arms / Ikeda 9C2 & Dynavector XX2 Mk II carts
-
At what point do Turntables have balanced connections? I have seen 12k player that still use unbalanced RCA connections.Dan
My personal quest is to save to world of bad audio, one thread at a time. -
I think it is not necessary. None of my tables come with stock xlr connections and I have the Avenger Reference and HW40 black by VPI
Magico M2, JL113v2x2, EMM, ARC Ref 10 Line, ARC Ref 10 Phono, VPIx2, Lyra Etna, Airtight Opus1, Boulder, AQ Wel&Wild, SRA Scuttle Rack, BlueSound+LPS, Thorens 124DD+124SPU, Sennheiser, Metaxas R2R -
Pro-Ject has been marketing turntables with balanced output cabling into a balanced phono preamp as being superior since last year. Claims are the separation of grounding produces benefits in background noise suppression.
It's not a new concept though. -
Actually, the signal generated by a phono cartridge is a balanced signal, a voltage is generated in the two coils inside the cartridge neither end grounded (except on the older Decca London series of cartridges). This is why you can reverse the polarity on the left and right pins on the cartridge and everything works fine. The trouble is the phono input treats this balanced signal as a single ended signal and ties one of the coil's wires to the circuit ground.
-
Phono cartridge signals (both MM and MC) are inherently 'balanced' due to the coils carrying the signal. The real limitation is in phonostage designs, since (I reckon) it is more difficult (and costly) to design a balanced INput stage.
Phonostages with true, balanced inputs are typically much more expensive. However, there are many mid-level phonostages with balanced OUTputs.
The big advantage to balanced connections IMO is noise/interference rejection, since the delicate phono cartridge signal is subject to RFI/EMI.
EDIT: the grounding configuration of any particular turntable/tonearm/cartridge can also come into play here. Many times, the signal ground and earth ground are combined into one cable/connection. But in higher-end designs, the earth ground is connected to either the tonearm or the chassis, and no real signal-ground is needed. YMMV"This may not matter to you, but it does to me for various reasons, many of them illogical or irrational, but the vinyl hobby is not really logical or rational..." - member on Vinyl Engine
"Sometimes I do what I want to do. The rest of the time, I do what I have to." - Cicero, in Gladiator
Regarding collectibles: "It's not who gets it. It's who gets stuck with it." - Jimmy Fallon -
I think it is not necessary. None of my tables come with stock xlr connections and I have the Avenger Reference and HW40 black by VPI
https://pro-jectusa.com/product/connect-it-phono-ds-rca-mini-xlr/2-channelBelles 22A Pre, Emotiva XPA-2 Gen 2, Marantz SA8005, Pro-Ject RPM-10 Turntable, Pro-Ject Phono Box DS3B, Polk Audio Legend L800's, AudioQuest Cable throughout. -
I think it is not necessary. None of my tables come with stock xlr connections and I have the Avenger Reference and HW40 black by VPI
https://pro-jectusa.com/product/connect-it-phono-ds-rca-mini-xlr/
So that’s like a Y cable into a single xlr? The single goes to the phono?Magico M2, JL113v2x2, EMM, ARC Ref 10 Line, ARC Ref 10 Phono, VPIx2, Lyra Etna, Airtight Opus1, Boulder, AQ Wel&Wild, SRA Scuttle Rack, BlueSound+LPS, Thorens 124DD+124SPU, Sennheiser, Metaxas R2R -
Yes. And then connect the phono pre to the pre with balanced cables.2-channelBelles 22A Pre, Emotiva XPA-2 Gen 2, Marantz SA8005, Pro-Ject RPM-10 Turntable, Pro-Ject Phono Box DS3B, Polk Audio Legend L800's, AudioQuest Cable throughout.
-
A phono can handle a single xlr? I wasn’t awareMagico M2, JL113v2x2, EMM, ARC Ref 10 Line, ARC Ref 10 Phono, VPIx2, Lyra Etna, Airtight Opus1, Boulder, AQ Wel&Wild, SRA Scuttle Rack, BlueSound+LPS, Thorens 124DD+124SPU, Sennheiser, Metaxas R2R
-
For my 2 vpi, there’s this option instead
I’m not sure whats to gain by adding more wire to an already sensitive phono cable connection
https://elusivedisc.com/vpi-jmw-xlr-junction-box-with-standard-vpi-wire/Magico M2, JL113v2x2, EMM, ARC Ref 10 Line, ARC Ref 10 Phono, VPIx2, Lyra Etna, Airtight Opus1, Boulder, AQ Wel&Wild, SRA Scuttle Rack, BlueSound+LPS, Thorens 124DD+124SPU, Sennheiser, Metaxas R2R -
For my 2 vpi, there’s this option instead
I’m not sure whats to gain by adding more wire to an already sensitive phono cable connection
https://elusivedisc.com/vpi-jmw-xlr-junction-box-with-standard-vpi-wire/
It looks as if it replaces the rca connections on your turntbale. Your arm would be connected to the junction box instead of where it connects to the deck now. They even have it with Nordost internal wiring.2-channelBelles 22A Pre, Emotiva XPA-2 Gen 2, Marantz SA8005, Pro-Ject RPM-10 Turntable, Pro-Ject Phono Box DS3B, Polk Audio Legend L800's, AudioQuest Cable throughout. -
I think it is not necessary. None of my tables come with stock xlr connections and I have the Avenger Reference and HW40 black by VPI
https://pro-jectusa.com/product/connect-it-phono-ds-rca-mini-xlr/
So that’s like a Y cable into a single xlr? The single goes to the phono?
Yes. This is the picture of one of their balanced phono pres and I've seen others with this connection as well. I always assumed they took the connection directly off the tonearm.
2-channelBelles 22A Pre, Emotiva XPA-2 Gen 2, Marantz SA8005, Pro-Ject RPM-10 Turntable, Pro-Ject Phono Box DS3B, Polk Audio Legend L800's, AudioQuest Cable throughout. -
I’d have to look at my arc 10 to see if it has balanced inputsMagico M2, JL113v2x2, EMM, ARC Ref 10 Line, ARC Ref 10 Phono, VPIx2, Lyra Etna, Airtight Opus1, Boulder, AQ Wel&Wild, SRA Scuttle Rack, BlueSound+LPS, Thorens 124DD+124SPU, Sennheiser, Metaxas R2R