Gut check for all the recent digital filtering chatter
Comments
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Toslink isn't very good, but optical would be the ultimate if we had a better interface for it.
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Aren't they the same thing? (Both optical)
Tom~ In search of accurate reproduction of music. Real sound is my reference and while perfection may not be attainable? If I chase it, I might just catch excellence. ~ -
Switched the ifi Ethernet silent Ethernet filter from dac to input on the lhy sw- 8 switch and omg the separation, and decay . Sitting back and enjoying. Seen me wife getting in the music .
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Aren't they the same thing? (Both optical)
Tom
The problem isn't optical it's the toslink interface that's the problem. -
Toslink isn't very good, but optical would be the ultimate if we had a better interface for it.Aren't they the same thing? (Both optical)
TomSwitched the ifi Ethernet silent Ethernet filter from dac to input on the lhy sw- 8 switch and omg the separation, and decay . Sitting back and enjoying. Seen me wife getting in the music .
^^^ See what I mean^^^
CD Players: Sony CDP-211; Sony DVP-S9000ES; Sony UDP-X800M2 (x2); Cambridge Audio CXC
DACs: Jolida Glass FX Tube DAC III (x2); Denafrips Ares II (x2)
Streamers: ROKU (x3); Bluesound Node 2i and Node N130 w/LHY LPS // Receivers: Yamaha RX-V775BT; Yamaha RX-V777
Preamps: B&K Ref 50; B&K Ref 5 S2; Classe CP-800 MkII; Audio Research SP16L (soon)
Amps: Niles SI-275; B&K ST125.7; B&K ST125.2; Classe CA-2300; Butler Audio TDB-5150
Speakers: Boston Acoustics CR55; Focal Chorus 705v; Wharfedale Diamond 10.2; Monitor Audio Silver-1; Def Tech Mythos One (x4)/Mythos Three Center (x2)/Mythos Two pr.; Martin Logan Electromotion ESL; Legacy Audio Victoria/Silverscreen Center; Gallo Acoustics Reference 3.1; SVS SB-1000 Pro; REL HT-1003; B&W ASW610; HifiMan HE400i
Turntable: Dual 721 Direct-Drive w/Audio Technica AT-VM95e cart
Cables: Tripp-lite 14ga. PCs, Blue Jeans Cable ICs, Philips PXT1000 ICs; Kimber Kable DV30 coaxial ICs; Canare L-4E6S XLR ICs; Kimber Kable 8PR & 8TC speaker cables. -
The real issue is I wonder how many of us could tell appreciable differences, to the point of being able to accurately identify a specific piece of equipment (i.e. be it cables of any kind, dacs, disc spinners, pres, amps, you name it) in double-blind testing.
I mean, if we truly trust our ears, our experiences, our familiarity with our own equipment, then we shouldn’t need to see it in order to consistently and accurately identify when it is either added or subtracted from a system.
Acoustics can fool just about anyone.
Ever experienced the sense that a sound came from one room in your house only to discover that it originated from a completely different one?
Ever played Marco Polo at the swimming pool and used your hand to redirect your vocals to successfully mislead your blind followers?
Just a couple simple examples.
There really is no reason for anyone to act like an expert, including (especially?) experts, in a hobby so heavy-laden with such broad subjective experiences. Even the things that have been objectively proven don’t /can’t tell the whole story.
True experts appreciate the limits of their own understanding, and hopefully, that drives them to keep learning - humility comes with knowledge.
“…the more I know, the less I understand. The things I thought I’d figured out, I have to learn again.”
- Don Henley (Heart of the Matter) -CD Players: Sony CDP-211; Sony DVP-S9000ES; Sony UDP-X800M2 (x2); Cambridge Audio CXC
DACs: Jolida Glass FX Tube DAC III (x2); Denafrips Ares II (x2)
Streamers: ROKU (x3); Bluesound Node 2i and Node N130 w/LHY LPS // Receivers: Yamaha RX-V775BT; Yamaha RX-V777
Preamps: B&K Ref 50; B&K Ref 5 S2; Classe CP-800 MkII; Audio Research SP16L (soon)
Amps: Niles SI-275; B&K ST125.7; B&K ST125.2; Classe CA-2300; Butler Audio TDB-5150
Speakers: Boston Acoustics CR55; Focal Chorus 705v; Wharfedale Diamond 10.2; Monitor Audio Silver-1; Def Tech Mythos One (x4)/Mythos Three Center (x2)/Mythos Two pr.; Martin Logan Electromotion ESL; Legacy Audio Victoria/Silverscreen Center; Gallo Acoustics Reference 3.1; SVS SB-1000 Pro; REL HT-1003; B&W ASW610; HifiMan HE400i
Turntable: Dual 721 Direct-Drive w/Audio Technica AT-VM95e cart
Cables: Tripp-lite 14ga. PCs, Blue Jeans Cable ICs, Philips PXT1000 ICs; Kimber Kable DV30 coaxial ICs; Canare L-4E6S XLR ICs; Kimber Kable 8PR & 8TC speaker cables. -
.Switched the ifi Ethernet silent Ethernet filter from dac to input on the lhy sw- 8 switch and omg the separation, and decay . Sitting back and enjoying. Seen me wife getting in the music .
Hwat?
Jitter wrecked your post. Your phase noise oscillator is failing.I disabled signatures. -
"This song's got a broken hook
I can order you a new one from Nashville but it won't be cheap
And I know you've been using a cut-rate thesaurus
'Cause your adverbs have backed up into your chorus
Now your verse is runnin' on verbs that are way too weak."
- Alan Jackson (“The Talkin’ Song Repair Blues”)
What’s this thread about again?
Brian
One-owner Polk Audio RTA 15TL speakers refreshed w/ Sonicap, Vishay/Mills and Cardas components by "pitdogg2," "xschop" billet tweeter plates and BH5 | Stereo REL Acoustics T/5x subwoofers w/ Bassline Blue cables | Rogue Audio Cronus Magnum III integrated tube amp | Technics SL-1210G turntable w/ Ortofon 2M Black LVB 250 MM cart | Sony CDP-508ESD CD player (as a transport) | LampizatOr Baltic 4 tube DAC | Nordost & DH Labs cables/interconnects | APC H15 Power Conditioner | GIK Acoustics room treatments | Degritter RCM -
You mean S/PDIF? Since Toslink is S/PDIF over Digital Optical cable instead of a digital coax cable. As a transfer protocol S/PDIF leaves a lot to be desired but it's cheap and works mostly.
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... from the kitchen.
That's the acid test of a successful audiophile tweak!
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You mean S/PDIF? Since Toslink is S/PDIF over Digital Optical cable instead of a digital coax cable. As a transfer protocol S/PDIF leaves a lot to be desired but it's cheap and works mostly.
FWIW, TOSLINK was developed by Toshiba - TOShibaLINK."This may not matter to you, but it does to me for various reasons, many of them illogical or irrational, but the vinyl hobby is not really logical or rational..." - member on Vinyl Engine
"Sometimes I do what I want to do. The rest of the time, I do what I have to." - Cicero, in Gladiator
Regarding collectibles: "It's not who gets it. It's who gets stuck with it." - Jimmy Fallon -
S/PDIF = Sony/Philips Digital Interface -- it's a serial interface standard; one that S & P established for the CD way back when.
https://www.pcmag.com/encyclopedia/term/spdif -
The fiber optic cable should be able to handle more data than copper. Toslink was originally designed to carry 48khz, there are some toslink interfaces that can carry up to 24/192 but that is at its limit, the toslink receivers are bandwidth limited even more so than SPDIF over coax.
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OHHHHHHHH! I got it now, lol
Well, cool!I disabled signatures. -
ooh, this was interesting. My processor, Parasound's Halo C2, doesn't offer HDMI, so I have TOSLINK out from my TV in to the C2.
I don't really care, since my preferences are for music-first everywhere, and that's a combo use system, but I did *not* realize that the surround audio is compressed. I knew it was limited to 5.1 and to particular codecs, though. It does offer 7.2ch BNC inputs, which had me shopping in the old days for a BDP that offered 7.2 outs, like OPPO.
One day I'll likely have to get a new processor, and maybe I'll step up to HMID, or whatever it is that the kids are using these days.
Regarding digital coax vs optical - it's been a while, and I'd really have to sit down for a comparison, but I've never been able to tell the difference at my systems' level. Maybe I could now, but doubt it given my streaming sources.
(sorry Jodaaay, getting off track)S/PDIF is based on the AES3 interconnect standard.[3] S/PDIF can carry two channels of uncompressed PCM audio or compressed 5.1 surround sound (such as DTS audio codec or Dolby Digital codec); it cannot support lossless surround formats that require greater bandwidth.[4]I disabled signatures. -
Hasn't anyone ever taught you how to quote and reply to messages on a forum? What the **** is wrong with you, son?
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Clipdat wrote:What referring too? irregardless, I know exactly how to quote people and respond!
Hasn't anyone ever taught you how to quote and reply to messages on a forum? What the **** is wrong with you, son?
Tom~ In search of accurate reproduction of music. Real sound is my reference and while perfection may not be attainable? If I chase it, I might just catch excellence. ~ -
Drew, son, he was quoting an external source, not a previous post. However, he did leave a couple of dangling footnote references, [3],[4], so he does get demerits for that"This may not matter to you, but it does to me for various reasons, many of them illogical or irrational, but the vinyl hobby is not really logical or rational..." - member on Vinyl Engine
"Sometimes I do what I want to do. The rest of the time, I do what I have to." - Cicero, in Gladiator
Regarding collectibles: "It's not who gets it. It's who gets stuck with it." - Jimmy Fallon -
The real issue is I wonder how many of us could tell appreciable differences, to the point of being able to accurately identify a specific piece of equipment (i.e. be it cables of any kind, dacs, disc spinners, pres, amps, you name it) in double-blind testing.
Unfortunately, very few.
On a different note I am still a little confused about TOSLINK versus optical. It was mentioned that the interface is different but at the end of the day, it's still optical. The connectors are the same, so are we talking about different soft/hardware to read the light or what?
I've never ran optical, so I know nothing about it. Just curious, as it seems many folks across the country are getting the option to run optical.
Tom
~ In search of accurate reproduction of music. Real sound is my reference and while perfection may not be attainable? If I chase it, I might just catch excellence. ~ -
Some say there is a difference between glass toslink and plastic toslink. I haven't done a whole lot of research but I had always heard it was easier to get good sound from coax than toslink. This was before USB became popular so maybe my info is a bit outdated...lol.
I use a glass toslink from my TV to my dac so I can run TV audio on the main rig when necessary. It actually works well.
H9"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul! -
The real issue is I wonder how many of us could tell appreciable differences, to the point of being able to accurately identify a specific piece of equipment (i.e. be it cables of any kind, dacs, disc spinners, pres, amps, you name it) in double-blind testing.
Unfortunately, very few.
On a different note I am still a little confused about TOSLINK versus optical. It was mentioned that the interface is different but at the end of the day, it's still optical. The connectors are the same, so are we talking about different soft/hardware to read the light or what?
I've never ran optical, so I know nothing about it. Just curious, as it seems many folks across the country are getting the option to run optical.
Tom
It's the transceivers in toslink that make it not so good, AT&T made one called ST that was much better. -
I thought they were the same thing, but it seems this is another set of terminology we've grown accustomed to slinging around haphazardly.
Apparently, TOSLINK is the connector.
S/PDIF is the protocol (optical and digital coax, typically TOSLINK and RCA termination, respectively)
Optical just means fiber optical cable.I disabled signatures. -
A toslink cable is optical and I believe it uses a mirror to reflect the light along the "glass". But, I honestly haven't researched this stuff in years.
H9"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul! -
The real issue is I wonder how many of us could tell appreciable differences, to the point of being able to accurately identify a specific piece of equipment (i.e. be it cables of any kind, dacs, disc spinners, pres, amps, you name it) in double-blind testing.
Unfortunately, very few.
On a different note I am still a little confused about TOSLINK versus optical. It was mentioned that the interface is different but at the end of the day, it's still optical. The connectors are the same, so are we talking about different soft/hardware to read the light or what?
I've never ran optical, so I know nothing about it. Just curious, as it seems many folks across the country are getting the option to run optical.
Tom
What’s unfortunate about it?
Sound reproduction is so good nowadays that even persons with low budgets have the ability to attain remarkable fidelity.
Diminishing returns begin a lot sooner than they used to in many respects.
In other words, it should be harder to distinguish between gear of similar design and specification these days.CD Players: Sony CDP-211; Sony DVP-S9000ES; Sony UDP-X800M2 (x2); Cambridge Audio CXC
DACs: Jolida Glass FX Tube DAC III (x2); Denafrips Ares II (x2)
Streamers: ROKU (x3); Bluesound Node 2i and Node N130 w/LHY LPS // Receivers: Yamaha RX-V775BT; Yamaha RX-V777
Preamps: B&K Ref 50; B&K Ref 5 S2; Classe CP-800 MkII; Audio Research SP16L (soon)
Amps: Niles SI-275; B&K ST125.7; B&K ST125.2; Classe CA-2300; Butler Audio TDB-5150
Speakers: Boston Acoustics CR55; Focal Chorus 705v; Wharfedale Diamond 10.2; Monitor Audio Silver-1; Def Tech Mythos One (x4)/Mythos Three Center (x2)/Mythos Two pr.; Martin Logan Electromotion ESL; Legacy Audio Victoria/Silverscreen Center; Gallo Acoustics Reference 3.1; SVS SB-1000 Pro; REL HT-1003; B&W ASW610; HifiMan HE400i
Turntable: Dual 721 Direct-Drive w/Audio Technica AT-VM95e cart
Cables: Tripp-lite 14ga. PCs, Blue Jeans Cable ICs, Philips PXT1000 ICs; Kimber Kable DV30 coaxial ICs; Canare L-4E6S XLR ICs; Kimber Kable 8PR & 8TC speaker cables. -
A few topics germane to this and several other thread on this forum.
https://en.wikipedia.org/wiki/Optical_fiber
https://en.wikipedia.org/wiki/TOSLINK
https://en.wikipedia.org/wiki/S/PDIF
https://en.wikipedia.org/wiki/AES3
https://en.wikipedia.org/wiki/Jitter
https://en.wikipedia.org/wiki/Data_buffer
https://en.wikipedia.org/wiki/Blinded_experiment -
I wonder if folks are confusing 'TOSLINK optical' with 'fiber optical'. TOSLINK cable has a single core with a 'common standard diameter' of 1.0mm. I would hardly call 1mm a 'fiber'. Fiber optical cable (like for networking) can have a 100 or more 'pairs' of glass fibers measuring fractions of a millimeter in diameter, all bundled together.
I found a reference for TOSLINK that says it is a single transmitter, with a max rate of 125Mb/S, that can go 10meters. This limit may be a result of the S/PDIF interface. The reference mentions these are normally plastic fibers with a high attenuation.
Fiber optic cable utilizes a DWDM (Dense Wavelength Division Multiplexing) system that can (obviously) handle a LOT more throughput...I'll leave it at that.
In the end, I think HDMI and USB became the favored choices for audio and video transmission, especially over longer runs, and when multiple channels are involved.
2-channel audio got left in the dust to fend for itself."This may not matter to you, but it does to me for various reasons, many of them illogical or irrational, but the vinyl hobby is not really logical or rational..." - member on Vinyl Engine
"Sometimes I do what I want to do. The rest of the time, I do what I have to." - Cicero, in Gladiator
Regarding collectibles: "It's not who gets it. It's who gets stuck with it." - Jimmy Fallon -
I thought I remembered reading a member talking once about real glass toslink cable? Could have been short for fiberglass.
This is interesting from DH Labs... I like optical. I use it on a couple of SBTs, and coax on others. Now I'm curious.
https://silversonic.com/products/digital-cables/glass-master-toslink/Our Glass Master Toslink is the finest optical cable available at any price. Offering 300 strands of proprietary glass fibers, Glass Master Toslink delivers the widest bandwidth & frequency response in the industry. Glass fiber optical cable is the highest quality digital optical cable medium available, with a significantly higher acceptance angle than standard plastic fiber. To transmit light with the precision of this cable, the fibers must contain glass of the highest purity. The process of making glass with this level of perfection is very demanding, requiring careful control over the materials and processes involved.I disabled signatures. -
I thought I remembered reading a member talking once about real glass toslink cable? Could have been short for fiberglass.
This is interesting from DH Labs... I like optical. I use it on a couple of SBTs, and coax on others. Now I'm curious.
https://silversonic.com/products/digital-cables/glass-master-toslink/Our Glass Master Toslink is the finest optical cable available at any price. Offering 300 strands of proprietary glass fibers, Glass Master Toslink delivers the widest bandwidth & frequency response in the industry. Glass fiber optical cable is the highest quality digital optical cable medium available, with a significantly higher acceptance angle than standard plastic fiber. To transmit light with the precision of this cable, the fibers must contain glass of the highest purity. The process of making glass with this level of perfection is very demanding, requiring careful control over the materials and processes involved.
No, it's glass. I remember researching the topic years ago. Glass was considered the better "conduit" for Toslink cable transmission. Again, this was years ago when I was deciding between coax and toslink before USB.
Toslink is optical, but different than the fiber optic networks for computer systems, etc.
H9"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul! -
Makes sense on the glass. I just remembered he also said he had to be mindful of the bend radius.I disabled signatures.