New SDA-1C's sounding dark...Polk house sound?
jmitchnh
Posts: 31
Greetings all,
Just took delivery of a pair of fairly minty SDA-1C's. I have always absolutely loved the imposing look of this speaker and thought it would be the perfect speaker for my vintage set-up. The only aniexity I felt about the purchase is would they sound the same as the newer Polks?
I've owned a pair of LSi 9 (so sexy looking) and LSiM 703's (again sexy looking), only to be dissaponted in the sound. They sound very "back of the house" to me meaning the vocals seemed recessed in the mix and the highs sounded a bit muted and dark. I was hoping these older Polks would not have the same sound signature but after playing a few different tracks, I hear the similar sound. Rather lifeless and dark high end and vocals.
I guess my question is so you think there may be something amiss with these or are all Polks voiced the same?
All the drivers seems to be working ( I do hear something from each one) and I am using the factory interconnect cable. As far as upstream, I'm using a Yamaha M-60 amp with a Nackamichi CA 5 preamp. The room is rather smallish but also sonically bright. This system has always sounded a bit on the bright side so I don't think its the source.
On the upside, the bass and mid-base sound fantastic.
I don't have a problem with doing some simple mods to try and upgrade what I'm hearing from them but I'f they "sound how they sound", I won't throw good money after bad. I know we all have seperate tastes in what "sounds good" to us and don't mean to insult anyone who loves the Polk sound. I'm just trying to determine my next step with these beauties.
Just took delivery of a pair of fairly minty SDA-1C's. I have always absolutely loved the imposing look of this speaker and thought it would be the perfect speaker for my vintage set-up. The only aniexity I felt about the purchase is would they sound the same as the newer Polks?
I've owned a pair of LSi 9 (so sexy looking) and LSiM 703's (again sexy looking), only to be dissaponted in the sound. They sound very "back of the house" to me meaning the vocals seemed recessed in the mix and the highs sounded a bit muted and dark. I was hoping these older Polks would not have the same sound signature but after playing a few different tracks, I hear the similar sound. Rather lifeless and dark high end and vocals.
I guess my question is so you think there may be something amiss with these or are all Polks voiced the same?
All the drivers seems to be working ( I do hear something from each one) and I am using the factory interconnect cable. As far as upstream, I'm using a Yamaha M-60 amp with a Nackamichi CA 5 preamp. The room is rather smallish but also sonically bright. This system has always sounded a bit on the bright side so I don't think its the source.
On the upside, the bass and mid-base sound fantastic.
I don't have a problem with doing some simple mods to try and upgrade what I'm hearing from them but I'f they "sound how they sound", I won't throw good money after bad. I know we all have seperate tastes in what "sounds good" to us and don't mean to insult anyone who loves the Polk sound. I'm just trying to determine my next step with these beauties.
Life's too short too listen to bad speakers
Comments
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What you are hearing is the sound signature of the 1C, which sound different than any other SDA I've heard and I've heard most.Political Correctness'.........defined
"A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."
President of Club Polk -
Have you played around with placement (e.g., proximity to the wall)?
The newer RD0194 tweeters should help, along with some of the typical mods. IME, the mods help to tighten-up the bass, which then allows more HF detail to be heard. Having said that, if you have the studio version cabinets, there is a lot to be desired, which creates limitations."This may not matter to you, but it does to me for various reasons, many of them illogical or irrational, but the vinyl hobby is not really logical or rational..." - member on Vinyl Engine
"Sometimes I do what I want to do. The rest of the time, I do what I have to." - Cicero, in Gladiator
Regarding collectibles: "It's not who gets it. It's who gets stuck with it." - Jimmy Fallon -
I have them about a foot from both the rear and side walls. I know that’s not optimal placement but my room is rather small ( 12 x 19) so placement options are somewhat limited.
The previous owner mentioned they haven’t been used in a few years so I’m hoping part of what I’m hearing can be attributed to that. I’m letting them play at low volume to see if it has any effect on how they sound.
They do throw an image and a sound stage like no small speaker can. I’m hoping I can get them dialed-in because there’s certain aspects of them I love!Life's too short too listen to bad speakers -
They should be on the 19 foot wall, 5 to 6 inches from the back wall, no toe in and 3 feet from the side walls. Sitting unused isn't going to change their sound.Political Correctness'.........defined
"A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."
President of Club Polk -
I would not characterize the SL-2000 as "dark". It's definitely (and measurably) bright.
I had 1Cs and the sound dramatically improved by upgrading the tweeters to the RD-0194. They changed the entire balance of the speaker. HIGHLY recommended!!!!Alon Petite / Infinity 1.2S / Coda Continuum / Counterpoint SA5000 / Oppo BDP-105D / Technics SP-15 w/SAEC WE-308SX & Ortofon AS-309 arms / Ikeda 9C2 & Dynavector XX2 Mk II carts -
I agree the SL2000 is a bright nasty tweeter, but the 1C has an overall dark flavor to it. The only time I heard them sound halfway decent was at Ted's PF powered by a Manley tube integrated. The smaller 2B easily outperforms them.Political Correctness'.........defined
"A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."
President of Club Polk -
The Yamaha is not the best amp to pair with the Polks… I would see if you can find a Nak PA7 to go with them.The Gear... Carver "Statement" Mono-blocks, Mcintosh C2300 Arcam AVR20, Oppo UDP-203 4K Blu-ray player, Sony XBR70x850B 4k, Polk Audio Legend L800 with height modules, L400 Center Channel Polk audio AB800 "in-wall" surrounds. Marantz MM7025 stereo amp. Simaudio Moon 680d DSD
“When once a Republic is corrupted, there is no possibility of remedying any of the growing evils but by removing the corruption and restoring its lost principles; every other correction is either useless or a new evil.”— Thomas Jefferson -
Having the crossovers refreshed with good components will help also.Gustard X26 Pro DAC
Belles 21A Pre modded with Mundorf Supreme caps
B&K M200 Sonata monoblocks refreshed and upgraded
Polk SDA 1C's modded / 1000Va Dreadnaught
Wireworld Silver Eclipse IC's and speaker cables
Harman Kardon T65C w/Grado Gold. (Don't laugh. It sounds great!)
There is about a 5% genetic difference between apes and men …but that difference is the difference between throwing your own poo when you are annoyed …and Einstein, Shakespeare and Miss January. by Dr. Sardonicus -
My 1C's are anything but dark. I owned the CA5 for a long time and it's titled to the bright side, not overly bright, just lively. The Yammy is a weak link for sure, never heard a Yammy amp that sounded all that great. Very closed in and slightly dark and muddy.
Also note all your gear is 25-30+ years old and getting very long in the tooth....that could be part of the issue as well. Parts start to slowly degrade over time. You don't mention if the amp/pre-amp have ever been refreshed.
Upgrade your amp, caps in the crossover and get the RD0-194 upgraded tweeters and you will have a completely different speaker on your hands.
Nothing wrong with the 1C's. IMO, they are not "dark" sounding. They are just like the rest of the SDA line. Very little difference between similar 1B's and 1C's, except the 1C's hit a bit deeper and have a slightly more expansive sound stage.
Here's a review of the day talking about how good they sound. No mention of them sounding "dark"
https://polksda.com/sda1creview.shtml
H9"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul! -
New caps and resistors or you'll remain in the dark.Don't take experimental gene therapies from known eugenicists.
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Sda in general is a warmer speaker but if you are running the original crossovers chances are they are out of spec- Not Tom ::::::: Any system can play Diana Krall. Only the best can play Limp Bizkit.
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Thanks to everyone for your feedback, it's definately given me some things to look into.
I've swapped out the M-60 for a Parasound HCA 1000 amp with some higher quality speaker cables. The sound is slightly better, esp in terms of air and detail. The overall sound is still similar. Reading the Julian Hirsch review , I see he describes the sound of the speakers as "slightly soft" with a "laid back" soundstage. I'd have to agree that's what I'm hearing as well.
I can also see where after 30+ years, that caps have aged and my well be out of spec. I have a line on a Nakamichi PA5 amplifier which is considered a high-curent amp which should be a better match. I may just give it a try to see how it sounds. I'll def look into replacing the tweeters as well. It will be fun to see what changes these make.Life's too short too listen to bad speakers -
IMO, slightly soft doesn't mean dark. So perhaps there is some misinterpretation of terms or we each have our own idea what certain terms mean.
But cap refresh, new RDO tweets and some "fresher" gear will do wonders.
H9"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul! -
I find the original SDA SRS dark sounding as well.Political Correctness'.........defined
"A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."
President of Club Polk -
I find the original SDA SRS dark sounding as well.
Were they in your crypt at the time?Gustard X26 Pro DAC
Belles 21A Pre modded with Mundorf Supreme caps
B&K M200 Sonata monoblocks refreshed and upgraded
Polk SDA 1C's modded / 1000Va Dreadnaught
Wireworld Silver Eclipse IC's and speaker cables
Harman Kardon T65C w/Grado Gold. (Don't laugh. It sounds great!)
There is about a 5% genetic difference between apes and men …but that difference is the difference between throwing your own poo when you are annoyed …and Einstein, Shakespeare and Miss January. by Dr. Sardonicus -
Not in mine.Political Correctness'.........defined
"A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."
President of Club Polk -
Bad polyswitches are one of the main culprits in diminished high frequency performance. One of the first things I recommend trying is replacing the polyswitches with wire jumpers or a small value resistor.
There are lots of good discussions here on the topic. Here is a thread for reference:
https://forum.polkaudio.com/discussion/73796/sda-polyswitches-are-nasty/p1
Proud and loyal citizen of the Digital Domain and Solid State Country! -
I'm assuming there's one polyswitch per tweeter or just one per speaker? Are they accessable through the PR opening or does the crossover have to be removed from the cabinet? Thanks )Life's too short too listen to bad speakers
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One per crossover. You have to remove the PR to access the crossover. The polyswitch should be replaced with a new one or better yet, a 0.5 ohm 10 or 12 watt Vishay Mills resistor.Political Correctness'.........defined
"A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."
President of Club Polk -
Well, thanks to all your feedback I'm happy to report I'm now in audio nirvania with my 1C's!!!!!!!!
I switched out the M-60 for a Parasound HCA-1000A. Slight improvement , a bit more detail but still rather dull sounding. Ending up swapping both for my Yamaha A-S1100 integrated. Heard a bit more high end and even more detail. Trending in the right direction!
Decided to go the next step and eliminate the polyswitches to see what difference it might make...
VOILA ! The vocals are now front and center, no longer recesssed in the mix. I can hear cymbals and piano so clearly. Tons of air and detail. They sound so perfectly balanced now!
Just for reference, I had the RDE 050A polyswitches which are rated at .5 -.77 and post trip at 1.17. I measured the resistance and found one was at 1.9/2.0 and the other at 3.1 ohms. I guess I can see why they sounded so dark and lifeless.
As dissapointed and bummed as I was when I first brought them home, I am now on cloud 9!!! My next step I believe will be replacing the tweets with RD0194's. What kind of improvement should I expect to hear? Eventhough, I'm so excited at how good they sound now, I'm, afraid to mess with them. Will adding spikes add any benefit?
Thanks to all for your advice and knowledge!!!!Life's too short too listen to bad speakers -
Major improvements will be achieved with the RD0-194's and spikes.SDA SRS 2.3TL's
Silk Audio MS-90-BT integrated tube amp
Yaqin MS-20L integrated tube amp
SDA 2B TL's -
RD0194 will make a big difference. Spikes will also improve the sound a little or a lot depending on what the speakers are sitting on.
What did you replace the polyswitches with out of curiosity?SDA SRS 2.3tl, SDA 1C, SDA 2B (TL mod), Reserve 200 -
I just clipped off the switch itself and soldered the two legs together. They are currently sitting on hard rubber feet (disks) on a concrete floor. I do like the idea of adding spikes but not sure how much it will ultimately improve the sound.Life's too short too listen to bad speakers
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Ah, okay. RD0's and a resistor as recommended by F1nut above will calm the tweeters down a bunch. The original SL2000's can be a bit harsh to some ears, and that is with the polyswitch providing some attenuation (0.5 ohms +/- a little).
I am not sure how much of a difference spike will make on concrete. I use them with good results on carpet, but I have no experience with concrete floors and audio.SDA SRS 2.3tl, SDA 1C, SDA 2B (TL mod), Reserve 200 -
I have my SDA 2a's on carpet over concrete, they make a positive difference, I bought mine here.
https://meniscusaudio.com/product/long-mirror-image-pts-gold/
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Well, thanks to all your feedback I'm happy to report I'm now in audio nirvania with my 1C's!!!!!!!!!
Congrats!! Your 1C's are on the path to reaching their full potential. If you decide on further improvements, do them in stages so you can access the benefit of each modification. As you have heard, the polyswitch is a good place to start. Next is the RD0194 tweeter replacement. After that soaks for a while, look into refreshing the crossovers with modern resistors, film capacitors, and perfect lay inductors. Good luck with everything.
Regarding your question about spikes, I have owed two pairs of 1C's and the results with spikes varied, depending on the floor.
Proud and loyal citizen of the Digital Domain and Solid State Country! -
Greetings all,
Just took delivery of a pair of fairly minty SDA-1C's. I have always absolutely loved the imposing look of this speaker and thought it would be the perfect speaker for my vintage set-up. The only aniexity I felt about the purchase is would they sound the same as the newer Polks?
I've owned a pair of LSi 9 (so sexy looking) and LSiM 703's (again sexy looking), only to be dissaponted in the sound. They sound very "back of the house" to me meaning the vocals seemed recessed in the mix and the highs sounded a bit muted and dark. I was hoping these older Polks would not have the same sound signature but after playing a few different tracks, I hear the similar sound. Rather lifeless and dark high end and vocals.
I guess my question is so you think there may be something amiss with these or are all Polks voiced the same?
All the drivers seems to be working ( I do hear something from each one) and I am using the factory interconnect cable. As far as upstream, I'm using a Yamaha M-60 amp with a Nackamichi CA 5 preamp. The room is rather smallish but also sonically bright. This system has always sounded a bit on the bright side so I don't think its the source.
On the upside, the bass and mid-base sound fantastic.
I don't have a problem with doing some simple mods to try and upgrade what I'm hearing from them but I'f they "sound how they sound", I won't throw good money after bad. I know we all have seperate tastes in what "sounds good" to us and don't mean to insult anyone who loves the Polk sound. I'm just trying to determine my next step with these beauties.
No one mentioned this, but if the OP finds the LSim Muted and dark sounding, it may be his preference in sound is a much more forward or treble tilted up sound.
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The Gear... Carver "Statement" Mono-blocks, Mcintosh C2300 Arcam AVR20, Oppo UDP-203 4K Blu-ray player, Sony XBR70x850B 4k, Polk Audio Legend L800 with height modules, L400 Center Channel Polk audio AB800 "in-wall" surrounds. Marantz MM7025 stereo amp. Simaudio Moon 680d DSD
“When once a Republic is corrupted, there is no possibility of remedying any of the growing evils but by removing the corruption and restoring its lost principles; every other correction is either useless or a new evil.”— Thomas Jefferson -
Greetings all,
Just took delivery of a pair of fairly minty SDA-1C's. I have always absolutely loved the imposing look of this speaker and thought it would be the perfect speaker for my vintage set-up. The only aniexity I felt about the purchase is would they sound the same as the newer Polks?
I've owned a pair of LSi 9 (so sexy looking) and LSiM 703's (again sexy looking), only to be dissaponted in the sound. They sound very "back of the house" to me meaning the vocals seemed recessed in the mix and the highs sounded a bit muted and dark. I was hoping these older Polks would not have the same sound signature but after playing a few different tracks, I hear the similar sound. Rather lifeless and dark high end and vocals.
I guess my question is so you think there may be something amiss with these or are all Polks voiced the same?
All the drivers seems to be working ( I do hear something from each one) and I am using the factory interconnect cable. As far as upstream, I'm using a Yamaha M-60 amp with a Nackamichi CA 5 preamp. The room is rather smallish but also sonically bright. This system has always sounded a bit on the bright side so I don't think its the source.
On the upside, the bass and mid-base sound fantastic.
I don't have a problem with doing some simple mods to try and upgrade what I'm hearing from them but I'f they "sound how they sound", I won't throw good money after bad. I know we all have seperate tastes in what "sounds good" to us and don't mean to insult anyone who loves the Polk sound. I'm just trying to determine my next step with these beauties.
No one mentioned this, but if the OP finds the LSim Muted and dark sounding, it may be his preference in sound is a much more forward or treble tilted up sound.
One word
Klipsch -
Funny you should mention that Pitdogg2. I believe I do prefer a forward, brighter sonding speaker. May be due to the fact my high frequency hearing has started to wane with age or maybe just what sounds good to my ear.
I own many pairs of klipsch speakers as a matter of fact (Forte, KG4, RF7, RF5, RP600M) and they are all on the sidelines. I find I just cant get into the sound of those horns. I, like you, thought Klipsch would be my panacea but not to be. I do tend to like brighter speakers (Focal, Infinity RS/Kappa, JBL) but right now I'm tranfixed with my SDA's. Their frequency response, soundstage and dynamics are just what I'm looking for in a loudspeaker.
I'm thinking I'll be upgrading to the RD0 194's next to get that next level of detail out of them and the x-overs. I don't mean to be negative towards Polk, I'm just happy I've found a pair I can really, truly enjoy !Life's too short too listen to bad speakers