"The Minimus" Project
Comments
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If you could get me perfect nhung measurements, I can cut that all day š- Not Tom ::::::: Any system can play Diana Krall. Only the best can play Limp Bizkit.
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I have a friend who used to work for Polk Audio back in the later 80's early 90's (ZSP) and worked on the Monitor Series 2, RTA (TL) SDA (TL) and S series. When I asked him about tweaks for my RTA11TL's he mentioned that they played around with putting felt around the tweeters but didn't get much benefit. Perhaps this material is better suited? It certainly looks more absorptive than regular felt.
I'm not surprised as the raised bezel on the SLxxxx/RDOxxx tweeters already addresses the diffraction issue. Years ago in an attempt to tame the SL2000 I tried purpose made diffraction pads. They didn't do a damn thing because the real problem lay elsewhere.Political Correctness'.........defined
"A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."
President of Club Polk -
If you could get me perfect nhung measurements, I can cut that all day š
At the moment Iām taking advantage of the gorgeous N GA spring weather doing battery maintenance on my small fleet of cars, vans, and SUVs.
Taking a close look @ the tweets...
theyāre exactly 1ā in diameter, very slightly horn loaded though Iām sure all will agree that tweeter demands we cover those shiny surfaces!
From your pics I see you can get very precise. I suppose just tiny fraction larger than an inch should do it allowing the felt to appear to horn load the tweeter. In the interest of simplicity I may go basically square*/rectangular** from the baffle top to the mid top*/side edges**.
*A7s **A6
Taking a close look @ those mids...
Before I start measuring, should I allow the silver trim ring* exposed? It* does horn load the driver just slightly. Mostly it makes them look pretty.
Perhaps I could attempt a template for the center. Either way advise me on the A6 tweeter/port arrangement.
Both speakers front baffles are, I think, 8 3/4ā across (A7) or high (A6). Iāll get back to ya w/the details.
Please PM an e$timate to me. One day I may do the same for my āA3 surrounds.
1000 thanks in advance for even considering doing this. Perhaps a simple tweak for the so many other speakers using that tweeterSamsung 60" UN60ES6100 LED, Outlaw Audio 976 Pre/Pro Samsung BDP, Amazon Firestick, Phillips CD Changer Canare 14 ga - LCR tweeters inside*; Ctr Ch outside BJC 10 ga: LCR mids āFoamed & Plugged**ā, inside* & out
8 ga Powerline: LR woofers, inside* & out
*soldered **Rob the Man (Xschop) LR: Tri-amped RTi A7 w/Rotels. Woofers - 980BX; Tweets & Mids - 981, connected w/Monoprice Premiere ICs
Ctr Ch: Rotel RB981 -> Bi-amped CSi A6 Surrounds: Premiere ICs ->Rotel 981 -> AR 12 ga -> RTi A3. 5 Subs: Sunfire True SW Signature -> LFE & Ctr Ch; 4 Audio Pro Evidence @ the āCornersā. Power Conditioning & Distribution: 4 dedicated 20A feeds; APC H15; 5 Furman Miniport 20s -
Made a custom mount for a barrier strip (with a little modification) to go external. Will combine the ground to one output
- Not Tom ::::::: Any system can play Diana Krall. Only the best can play Limp Bizkit. -
Dh labs t14 internal wiring, direct soldered
Filled enclosure with polyfill
- Not Tom ::::::: Any system can play Diana Krall. Only the best can play Limp Bizkit. -
All mods up to this point, with diffraction pads, at the listening position
No diffraction pads
- Not Tom ::::::: Any system can play Diana Krall. Only the best can play Limp Bizkit. -
So it is basically indistinguishable between the two?Lumin X1 file player, Westminster Labs interconnect cable
Sony XA-5400ES SACD; Pass XP-22 pre; X600.5 amps
Magico S5 MKII Mcast Rose speakers; SPOD spikes
Shunyata Triton v3/Typhon QR on source, Denali 2000 (2) on amps
Shunyata Sigma XLR analog ICs, Sigma speaker cables
Shunyata Sigma HC (2), Sigma Analog, Sigma Digital, Z Anaconda (3) power cables
Mapleshade Samson V.3 four shelf solid maple rack, Micropoint brass footers
Three 20 amp circuits. -
I wouldnt say there isnt a difference, with the pads on it is almost ruler flat from 300hz to 1.5khz versus some peaks and valleys and a reduction in peaks in other parts of the graph
This is a desk setup so nearfield- Not Tom ::::::: Any system can play Diana Krall. Only the best can play Limp Bizkit. -
For comparison sake, this is the Definitive PowerMonitor500 at the same listening position (PM 500 has an 8" powered sub per speaker, 4.5" midrange, 1" tweeter.
No where near as flat, but also not saying the Minimus 7 sounds better or worse. No comment on that yet haha
- Not Tom ::::::: Any system can play Diana Krall. Only the best can play Limp Bizkit. -
I wouldnt say there isnt a difference, with the pads on it is almost ruler flat from 300hz to 1.5khz versus some peaks and valleys and a reduction in peaks in other parts of the graph
This is a desk setup so nearfield
I'd expect the smoothing out of that hump from 2 to 4k would be both audible and quite beneficial
Also, it would be interesting to look at the frequency-dependent dispersion pattern sans and avec the baffle matting. That would probably show substantial alteration (I would think) -- again, with significant audible consequences in terms of "transparency" of the sound. I always found the Minimus-7 (and most R/S loudspeakers of the 1970s into 80s) to be quite opaque sounding -- as in "not transparent". The source of the sound, from most of them, was often blatantly obvious; the speakers call attention to themselves "as is".
The mod, apparently, improves that substantially, based on early posts to this thread.
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Looks like an improvement for sure. What is the x-over point?
Don't take experimental gene therapies from known eugenicists. -
That frequency response at the listening position is crazy because that's still the stock "crossover". As I am waiting on parts.
The woofer is full range and the tweeter is a simple 2nd order at 2khz- Not Tom ::::::: Any system can play Diana Krall. Only the best can play Limp Bizkit. -
I think without so much smoothing, the differences between w/ diffraction pad and w/o would be even more apparent. That is a very real improvement though!
What's with the hump in freq. resp. at around 28 Hz? Is that from the fact that you're not testing in an anechoic chamber?George / NJ
Polk 7B main speakers, std. mods+ (1979, orig owner)
Martin Logan Dynamo sub w/6ft 14awg Power Cord
Onkyo A-8017 integrated
Logitech Squeezebox Touch Streamer w/EDO applet
iFi nano iDSD DAC
iPurifier3
iDefender w/ iPower PS
Custom Steve Wilson 1m UPOCC Interconnect
iFi Mercury 0.5m OFHC continuous cast copper USB cable
Custom Ribbon Speaker Cables, 5ft long, 4N Copper, 14awg, ultra low inductance
Custom Vibration Isolation Speaker Stands and Sub Platform -
I believe that 28hz is the room doing something. When I listen to music, there is some definite low bass that makes no sense given what they are. One speaker is pretty close to a corner and the other is pretty far away from other boundaries other than the back wall- Not Tom ::::::: Any system can play Diana Krall. Only the best can play Limp Bizkit.
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All mods up to this point, with diffraction pads, at the listening position
No diffraction pads
Samsung 60" UN60ES6100 LED, Outlaw Audio 976 Pre/Pro Samsung BDP, Amazon Firestick, Phillips CD Changer Canare 14 ga - LCR tweeters inside*; Ctr Ch outside BJC 10 ga: LCR mids āFoamed & Plugged**ā, inside* & out
8 ga Powerline: LR woofers, inside* & out
*soldered **Rob the Man (Xschop) LR: Tri-amped RTi A7 w/Rotels. Woofers - 980BX; Tweets & Mids - 981, connected w/Monoprice Premiere ICs
Ctr Ch: Rotel RB981 -> Bi-amped CSi A6 Surrounds: Premiere ICs ->Rotel 981 -> AR 12 ga -> RTi A3. 5 Subs: Sunfire True SW Signature -> LFE & Ctr Ch; 4 Audio Pro Evidence @ the āCornersā. Power Conditioning & Distribution: 4 dedicated 20A feeds; APC H15; 5 Furman Miniport 20s -
Indeed, I am also using a revised, oval, diffraction pad versus the round one at the start of the thread.
So the effect is far different, I will cut one with a round cut out next time I'm doing runs to compare.- Not Tom ::::::: Any system can play Diana Krall. Only the best can play Limp Bizkit. -
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The woofer is full range and the tweeter is a simple 2nd order at 2khz
I was gonna ask -- although, that was my recollection. Kind of a funny configuration when running a woofer fullrange, i.e., it was more common to use first order on the tweeter with an un-throttled woofer (a la EPI's "Burhoe Modules"). I guess that whomever designed the Minimus-7 was trying to protect the tweeter near its Fs by using a second order XO.
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This is a neat project and I'll probably try some of this on my 7's as I'm kind of into making lowly or old stuff perform better than it was meant to.
I see you are experimenting with round vs oval cutouts. Have you considered different texturing? For example, rather than a flat felt surface, concentric channels around the tweeter or other patterns. Kind of like acoustic panels to trap the sound as some may still be reflecting off the flat felt surface. I assume this could be done with the laser.Stan
Main 2ch:
Polk LSi15 (DB840 upgrade), Parasound: P/LD-1100, HCA-1000A; Denon: DVD-2910, DRM-800A; Benchmark DAC1, Monster HTS3600-MKII, Grado SR-225i; Technics SL-J2, Parasound PPH-100.
HT:
Marantz SR7010, Polk: RTA11TL (RDO198-1, XO and Damping Upgrades), S4, CS250, PSW110 , Marantz UD5005, Pioneer PL-530, Panasonic TC-P42S60
Other stuff:
Denon: DRA-835R, AVR-888, DCD-660, DRM-700A, DRR-780; Polk: S8, Monitor 5A, 5B, TSi100, RM7, PSW10 (DXi104 upgrade); Pioneer: CT-6R; Onkyo CP-1046F; Ortofon OM5E, Marantz: PM5004, CD5004, CDR-615; Parasound C/PT-600, HCA-800ii, Sony CDP-650ESD, Technics SA 5070, B&W DM601 -
I'm trying something like that with my utopias right now
Getting to fancy with the laser adds considerable time to its operation. It cuts at the size of the human hair, so getting crazy can add hours to a print
- Not Tom ::::::: Any system can play Diana Krall. Only the best can play Limp Bizkit. -
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- Not Tom ::::::: Any system can play Diana Krall. Only the best can play Limp Bizkit. -
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Big ol coil! Sounds excellent though, from 100hz upx it easily outperforms the definitive monitors I have- Not Tom ::::::: Any system can play Diana Krall. Only the best can play Limp Bizkit. -
Seeing, in the pic you posted, what the LSi "flame" resistor did to the cap it was mounted on....no worries w/the wood board and heat? Duelund's alone...plus, those have to be the most tricked out Minimus 7's on the planet!āSpeakers: Polk1.2tl's (Uber Mods) āPre/Amp/DAC: PS Audio BHK Signature & 250, DirectStream āCables/IC's: MIT S1Bi-Wire/S1 Balanced +Avel Lindberg 1000VA "Dreadnought" āPower Conditioner: PS Audio P15 Power Plant āPower Cords: Core Power Technologies Gold, DH Labs Power Plus DIY w/Neotech NC-P301 & P311ends ā Streaming: Roon ROCK on wifi'd NUC, TP-Link WAP, & Uptone EtherREGEN, AfterDark, Emperor Double Crown Clock, Black Modernize LPS, PS Audio AirLensāæā¦āÆā„ā®āæšā©āŖā«ā¬ā©āŖā«ā¬ā©āŖā«ā¬
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Nah, I don't see it causing any issues. The burning point for wood is around 400 plus degrees.
The problem with mounting the caps next to the resistors is that the poly film starts to melt and shrink and it just gets nasty from there!
The cap you see in the photo is enclosed in an aluminum tube
Thank you! They do sound great too, dissappear well, great staging and neutral tonality. Great for a desk setup- Not Tom ::::::: Any system can play Diana Krall. Only the best can play Limp Bizkit. -
Thread resurrection... So my home office has moved from our sun room to a small room where I can freely listen to my music. I've been auditioning different small speakers in my collection for a desktop system including a pair of LSi7. The setup doesn't do the LSi7s justice with a Parasound Zpre2/Zamp2 and they are too close to me and the back wall. I dug out some Minimum 7s and am actually enjoying them. That of course has me thinking that maybe I would enjoy them more with some mods. Also could use a little sub.
Have you done anything more with the Minimus 7 Project?Stan
Main 2ch:
Polk LSi15 (DB840 upgrade), Parasound: P/LD-1100, HCA-1000A; Denon: DVD-2910, DRM-800A; Benchmark DAC1, Monster HTS3600-MKII, Grado SR-225i; Technics SL-J2, Parasound PPH-100.
HT:
Marantz SR7010, Polk: RTA11TL (RDO198-1, XO and Damping Upgrades), S4, CS250, PSW110 , Marantz UD5005, Pioneer PL-530, Panasonic TC-P42S60
Other stuff:
Denon: DRA-835R, AVR-888, DCD-660, DRM-700A, DRR-780; Polk: S8, Monitor 5A, 5B, TSi100, RM7, PSW10 (DXi104 upgrade); Pioneer: CT-6R; Onkyo CP-1046F; Ortofon OM5E, Marantz: PM5004, CD5004, CDR-615; Parasound C/PT-600, HCA-800ii, Sony CDP-650ESD, Technics SA 5070, B&W DM601 -
I sold my set but I sell alot of the diffraction pads.
The zilch mod is a must!!
Great speakers for the $$$- Not Tom ::::::: Any system can play Diana Krall. Only the best can play Limp Bizkit. -
I may be interested in the pads.
I also found a pair of LX5ii with the Linaeum bipolar ribbon tweeters hiding in my basement. The imaging always gets me. Iām getting lost listening to some old Genesis. However, the bass sounds like dung. Helps to stuff the ports. There are mods out there for these but probably better to scavenge the tweeters for a DIY project.
Stan
Main 2ch:
Polk LSi15 (DB840 upgrade), Parasound: P/LD-1100, HCA-1000A; Denon: DVD-2910, DRM-800A; Benchmark DAC1, Monster HTS3600-MKII, Grado SR-225i; Technics SL-J2, Parasound PPH-100.
HT:
Marantz SR7010, Polk: RTA11TL (RDO198-1, XO and Damping Upgrades), S4, CS250, PSW110 , Marantz UD5005, Pioneer PL-530, Panasonic TC-P42S60
Other stuff:
Denon: DRA-835R, AVR-888, DCD-660, DRM-700A, DRR-780; Polk: S8, Monitor 5A, 5B, TSi100, RM7, PSW10 (DXi104 upgrade); Pioneer: CT-6R; Onkyo CP-1046F; Ortofon OM5E, Marantz: PM5004, CD5004, CDR-615; Parasound C/PT-600, HCA-800ii, Sony CDP-650ESD, Technics SA 5070, B&W DM601 -
I received the anti-diffraction pads for the Minimus 7s today and look forward to trying them out.
Trey, are these things made from hemp? They kind of smell like somebody tokin' . I thought my son was ordering stuff off the internet or something.Stan
Main 2ch:
Polk LSi15 (DB840 upgrade), Parasound: P/LD-1100, HCA-1000A; Denon: DVD-2910, DRM-800A; Benchmark DAC1, Monster HTS3600-MKII, Grado SR-225i; Technics SL-J2, Parasound PPH-100.
HT:
Marantz SR7010, Polk: RTA11TL (RDO198-1, XO and Damping Upgrades), S4, CS250, PSW110 , Marantz UD5005, Pioneer PL-530, Panasonic TC-P42S60
Other stuff:
Denon: DRA-835R, AVR-888, DCD-660, DRM-700A, DRR-780; Polk: S8, Monitor 5A, 5B, TSi100, RM7, PSW10 (DXi104 upgrade); Pioneer: CT-6R; Onkyo CP-1046F; Ortofon OM5E, Marantz: PM5004, CD5004, CDR-615; Parasound C/PT-600, HCA-800ii, Sony CDP-650ESD, Technics SA 5070, B&W DM601 -
Lol, burnt hair smell from the laser š- Not Tom ::::::: Any system can play Diana Krall. Only the best can play Limp Bizkit.