Test Tracks
Jstas
Posts: 14,841
I know there's been a few discussions around this before but nothing seems to have stuck.
With the Legend L200 demo going around, I thought it prudent to start this again.
Intending here to collect a bunch of test track suggestions for folks to not only find new music but to also find some reference stuff that is not only pleasant to listen to but will showcase a speaker's faults as well as it's strengths.
Preferably, give a sample of the music in some sort of media being a video from YouTube, Vimeo or what have you to a streaming service like SoundCloud or something. The sample doesn't have to be lossless or anything like that, just a reference so people can hear the track so if they go try to find it, they will recognize it.
My first track is from an album called "American River" from an artist named Jonathan Elias. He's a composer that's done quite a few arrangements for artists and movies and this album is one of his forays into making his own mark on the industry. I have an original print CD that I got from Japan before a Valspar Paints commercial made his work famous. The CD isn't an SACD or anything but it was printed in Japan and is decidedly higher quality than the re-release after the paint commercial. I like this track because of it's dynamics, complexity and range of instruments. That and it's just real nice to listen to.
The track is called "Towards Home"
https://youtu.be/KDurza1o2dA
With the Legend L200 demo going around, I thought it prudent to start this again.
Intending here to collect a bunch of test track suggestions for folks to not only find new music but to also find some reference stuff that is not only pleasant to listen to but will showcase a speaker's faults as well as it's strengths.
Preferably, give a sample of the music in some sort of media being a video from YouTube, Vimeo or what have you to a streaming service like SoundCloud or something. The sample doesn't have to be lossless or anything like that, just a reference so people can hear the track so if they go try to find it, they will recognize it.
My first track is from an album called "American River" from an artist named Jonathan Elias. He's a composer that's done quite a few arrangements for artists and movies and this album is one of his forays into making his own mark on the industry. I have an original print CD that I got from Japan before a Valspar Paints commercial made his work famous. The CD isn't an SACD or anything but it was printed in Japan and is decidedly higher quality than the re-release after the paint commercial. I like this track because of it's dynamics, complexity and range of instruments. That and it's just real nice to listen to.
The track is called "Towards Home"
https://youtu.be/KDurza1o2dA
Expert Moron Extraordinaire
You're just jealous 'cause the voices don't talk to you!
You're just jealous 'cause the voices don't talk to you!
Comments
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No, post as many as you want. I have others I use, just didn't want to hog the spotlight.Expert Moron Extraordinaire
You're just jealous 'cause the voices don't talk to you! -
Yeah, well, that's in 2 Channel Audio and called "reference tracks". Not exactly intuitive to find.Expert Moron Extraordinaire
You're just jealous 'cause the voices don't talk to you! -
The guy mentioned “reference”
🤷🏻♂️ -
None taken Skipper
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You're taking reference out of context and assigning a different meaning.
I used reference in both instances to mean that someone looking for a decent test track could use your post as a reference for finding one. They may not even like the one you chose but maybe they reference that artist and find something different from the same artist that showcases what they are looking for in gear.
You are taking reference to mean a de facto, agreed upon standard by which all others are judged. That's not the intent here.
What I find as a good test track may not be what others find to be a good test track. But having a single place to reference a bunch of different ones from a bunch of different people/perspectives seems like a good resource to me.
So if y'all are gonna be smug about it, then don't participate. But don't sit here mocking my post because you think it's something it isn't.Expert Moron Extraordinaire
You're just jealous 'cause the voices don't talk to you! -
ANYHOO, back on topic.
"Thunder Undeground" from Ozzy Osbourne's "Ozzmosis" album.
I like this track for a few reasons. "Ozzmosis" is very well produced so quality is top notch. The track itself, though, has a very bass and drum heavy melody with the lead guitar playing "second fiddle" of sorts with a heavy dose of feedback for that metal growl. That playing over a bass line accentuated by a 1 and 3 bass beat gives almost a hellacious locomotive feel to it. But that can really show the short-comings on the low end performance of a speaker, especially bookshelf speakers.
But Ozzy's unique vocals from his voice in general to his styling laced with reverb makes his natural vibrato seem other worldly. It often spans crossover curves because of his natural vocal harmonics. It can expose short comings in the mid range and high range crossover curves and response.
All of that makes for a complex and busy track that seems like it would be a train wreck of a song but it's the opposite. There's a dynamic range here that goes from a screaming metal guitar to gritty vocals to thunderous bass and drums all on the same track, at the same time. It's particularly useful for seeing how well a crossover network is laid out. It's a wall of sound that if something is missing because of a poorly cross response curve set, it's obvious because it sounds dull and/or muted. If the speaker gets it right, this track just shines.
https://www.youtube.com/watch?v=S2YFirVguEk
Expert Moron Extraordinaire
You're just jealous 'cause the voices don't talk to you! -
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When You Say Nothing At All, by Allison Krauss -
The real magic in this track is in the first minute or so. The opening guitar should sound very crisp and smooth, with superb detail. When she starts singing, you should hear every detail, right down to the intake of breath. In the second sentence she sings, "…. You can light up the dark, listen for the "k" in dark. It should be a very subtle "kiss" of a sound, but very well defined. On some systems, it ranges from inaudible, to a muddy, incoherent sound. When the drums kick in, and she really opens up with her voice, the system/component in question should be able to handle the dynamic increase in volume without making you want to turn it down. It should be a powerful, slightly scary moment, as the overall system output jumps significantly. On MANY systems, this moment will come across as shrill, and very unpleasant. The bass should also be solid and deep, but not boomy. This is my number one track for judging equipment.
https://youtu.be/1SCOimBo5tg"Conservative Libertarians love the country, progressive leftists love the government." - Andrew Wilkow
“Human beings are born with different capacities. If they are free, they are not equal. And if they are equal, they are not free.”
― Aleksandr Solzhenitsyn -
Jack Savoretti "Home" from Written in Scars.
Excellent bass. Jack's acoustic guitar and gravelly voice remind me of early Bryan Adams.
https://www.youtube.com/watch?v=2MTXonJsppo&list=RD2MTXonJsppo&start_radio=1&t=0Home Theater/2 Channel:
Front: SDA-2ATL forum.polkaudio.com/discussion/143984/my-2as-finally-finished-almost/p1
Center: Custom Built forum.polkaudio.com/discussion/150760/my-center-channel-project/p1
Surrounds & Rears: Custom Built forum.polkaudio.com/discussion/151647/my-surround-project/p1
Sonicaps, Mills, RDO-194s-198s, Dynamat, Hurricane Nuts, Blackhole5
Pioneer Elite VSX-72TXV, Carver PM-600, SVS PB2-Plus Subwoofer
dhsspeakerservice.com/ -
With the L800 demo I attended I could only remember two. If anyone knows more let me know.
https://music.apple.com/us/playlist/polk-l800-sda/pl.u-VoyEh1Jr5p- Living Room Music-2.1 Polk Legend L800 | SVS SB1000Pro | McIntosh C70 | McIntosh MA5200 (Treble) | McIntosh MC452 (Bass) | Sublimeacoustic K231 Active xover | Denon DP-2500A | Denafrips Ares II | Marantz HD-CD1 | Belkin Soundform Connect | iPad Pro USB to DAC
- Home Theater-9.7.6/15.1 (Atmos/Auro-3D) Polk LSiM707, LSiM706c, LSiM702 F/X [x6], Height LSiM703 [x6], HSU ULS-15Mk2x4, VTF-15HMk2x2, VTF-TN1 | Trinnov Altitude 16+4 (2024) | Rotel RB-1590 (L/R) | Appollon NC500 11ch | Martin Logan MP500x2 | Topping DX7s, E50 | AppleTV 4K | Zidoo Z9X | JVC RS2100 | 150” Elite Screen Acoustic Pro UHD
- Game Room-5.1 Polk LSi25, LSiC, LSiF/X | Marantz SR7009 | AppleTV 4K | Sony UBP-X800 | Xbox One S | Sony PS2, PS3 | Nintendo Wii | Gaming PC | Sony 75" LCD
- Master Bedroom Music-2.0 Totem Hawk | Marantz PM-10 | Marantz SA-10 | SONY PS-HX500
- Office-2.1 B&W Formation Duo and Bass
- Orphans Ascend Acoustics Sierra LX | DSW microPRO3000x2 | Rotel RA-1570 | Marantz AV8805A
- Daughter's Bedroom 1-2.0 TBD Martin Logan Forte | Roku TV
- Guest Room 2-2.0 Klipsch RP-600M | SMSL DO100 Pro 2 | Pass ACA v1.6 Monoblocks
- Guest Room 3-3.0 Martin Logan Motion 40, 50XT | Onkyo TX-SR705 | Apple TV | Samsung 55" TV
- Guest Room 4-2.0 QAcoustics 3030i | Sansui AU-6900 | Sansui FR-1080 | Fire TV
- Maintenance: Pro-Ject VC-S Record Cleaning Machine
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"This may not matter to you, but it does to me for various reasons, many of them illogical or irrational, but the vinyl hobby is not really logical or rational..." - member on Vinyl Engine
"Sometimes I do what I want to do. The rest of the time, I do what I have to." - Cicero, in Gladiator
Regarding collectibles: "It's not who gets it. It's who gets stuck with it." - Jimmy Fallon -
Jonathan Elias is a great writer/producer. He has produced some great sounding songs for YES (on the Union album).
I would recommend some Ryuchi Sakamoto songs from Left Handed Dream, and all of the YMO (Yellow Magic Orchestra) albums.
Taken from a recent Audioholics reply regarding "Club Polk" and Polk speakers:
"I'm yet to hear a Polk speaker that merits more than a sentence and 60 seconds discussion."
My response is: If you need 60 seconds to respond in one sentence, you probably should't be evaluating Polk speakers.....
"Green leaves reveal the heart spoken Khatru"- Jon Anderson
"Have A Little Faith! And Everything You'll Face, Will Jump From Out Right On Into Place! Yeah! Take A Little Time! And Everything You'll Find, Will Move From Gloom Right On Into Shine!"- Arthur Lee -
I still use my IASCA competition cd...
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Steely Dan's " Reelin in the Years" sure was a test track for my RTA12b's and Pinnacles this afternoon.Most people just listen to music and watch movies. I EXPERIENCE them.
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BumpLiving Room 2.2: Usher BE-718 "tiny dancers"; Dual DIY Dayton audio RSS210HF-4 Subs with Dayton SPA-250 amps; Arcam SA30; Musical Fidelity A308; Sony UBP-x1000es
Game Room 5.1.4: Denon AVR-X4200w; Sony UBP-x700; Definitive Technology Power Monitor 900 mains, CLR-3000 center, StudioMonitor 350 surrounds, ProMonitor 800 atmos x4; Sub - Monoprice Monolith 15in THX Ultra
Bedroom 2.1 Harmon Kardon HK3490; Bluesounds Node N130; Polk RT25i; ACI Titan Subwoofer