Importance of speaker cable gauge
Andohaspolk
Posts: 18
Why do we bother using heavy gauge speaker wire for our speaker connections when the components in the crossovers often have many choke points in regard to the gauge of connection. For instance, the leads on a capacitor are tiny compared to the cable we typically use for speaker cable. Same with the traces used in crossover circuit boards.
Comments
-
Many people will choose a smaller AWG wire over a larger one, if it’s higher quality cables.
-
Gauge size means nothing, but resistance does, and as a rule, larger gauge = lower resistance.
Capacitor leads are not fifteen feet long, and the capacitor doesn't transmit the full amperage of the signal like the speaker cable does. -
There's a lot more to speaker cable than the gauge....that is once you go beyond generic cable.Political Correctness'.........defined
"A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."
President of Club Polk -
There's a lot more to speaker cable than the gauge....that is once you go beyond generic cable.
It is as he says.
-
Because of the length of wire you need from amp to speaker. The longer the wire the heavier the gauge you need. Speaker wire from amp to speaker has nothing to do with driver to crossover and all other internal wiring.Dan
My personal quest is to save to world of bad audio, one thread at a time. -
Gauge size means nothing, but resistance does, and as a rule, larger gauge = lower resistance.
Capacitor, resistor, or inductor leads are not fifteen+ feet long, and the capacitor, resistor, or inductor doesn't transmit the full amperage of the signal like the speaker cable does. -
Perhaps the op needs to try some nice 22 gauge doorbell wire as it might be all that's needed in the rig he's running???
-
motorstereo wrote: »Perhaps the op needs to try some nice 22 gauge doorbell wire as it might be all that's needed in the rig he's running???
I used to think that sounded good! But I was wrong.
Until you get into more expensive cables, larger gauge means lower resistance. Lower resistance sounds better. -
Gauge size means nothing, but resistance does, and as a rule, larger gauge = lower resistance.
Capacitor, resistor, or inductor leads are not fifteen+ feet long, and the capacitor, resistor, or inductor doesn't transmit the full amperage of the signal like the speaker cable does.
I think it could be argued that impedance is more important in the real world for complex AC waveforms (i.e., music!) being used to drive complex, reactive loads like loudspeakers.
... and, I'd argue, that's why there's more to it than gauge (i.e, wire diameter).
-
mhardy6647 wrote: »Gauge size means nothing, but resistance does, and as a rule, larger gauge = lower resistance.
Capacitor, resistor, or inductor leads are not fifteen+ feet long, and the capacitor, resistor, or inductor doesn't transmit the full amperage of the signal like the speaker cable does.
I think it could be argued that impedance is more important in the real world for complex AC waveforms (i.e., music!) being used to drive complex, reactive loads like loudspeakers.
... and, I'd argue, that's why there's more to it than gauge (i.e, wire diameter).
A rule of thumb would be something like this.
If you have a Home Theater system and your driving small speakers of wire lengths under 50 feet, you can use 16 gauge good quality speaker wire.
If your getting closet to 50 feet then it's not a bad idea to use 14 gauge.
For a Home Theater system with large front speakers and large center channel but smaller surrounds or a exact matching surround to the main and center I suggest suing 14 gauge speaker wire.
High current amps and large speakers with runs under 50 feet I suggest going 12 gauge wire.
These are some general guidelines to help anyone get started. Quality is something for the person with the wallet to decide. I never suggest cheap speaker wire as I have seen issues with using such cable but starting at like belden , Liberity , or even entry level Audioquest speaker wire you will be fine for most entry to mid fi systems.
When you start building a more serious system is when you want to start really learning about higher end cables and what makes sense for the given system your building.
Dan
My personal quest is to save to world of bad audio, one thread at a time. -
Andohaspolk wrote: »Why do we bother using heavy gauge speaker wire for our speaker connections when the components in the crossovers often have many choke points in regard to the gauge of connection. For instance, the leads on a capacitor are tiny compared to the cable we typically use for speaker cable. Same with the traces used in crossover circuit boards.
An analogy would be "Why do I need a heavy extension cord when using power tools outdoors ? The windings / brushes / etc. in the motor aren't very large gauge." Yes, the windings in the motor are small but you need the heavier gauge extension cord to prevent voltage drop and the resultant current drop that negatively affect the performance of the motor.
A speaker converts electrical energy to mechanical energy. It's the sum of its parts that determine the actual electrical load and, like the motor in your power drill, it needs sufficient voltage and current to perform its work.Post edited by B-Man on -
Andohaspolk wrote: »Why do we bother using heavy gauge speaker wire for our speaker connections when the components in the crossovers often have many choke points in regard to the gauge of connection. For instance, the leads on a capacitor are tiny compared to the cable we typically use for speaker cable. Same with the traces used in crossover circuit boards.
An analogy would be "Why do I need a heavy extension cord when using power tools outdoors ? The windings / brushes / etc. in the motor aren't very large gauge." Yes, the windings in the motor are small but you need the heavier gauge extension cord to prevent voltage drop and the resultant current drop that negatively affect the performance of the motor.
A speaker converts electrical energy to mechanical energy. It's the sum of its parts that determine the actual electrical load and, like the motor in your power drill, it needs sufficient voltage and current to perform its work.
That seems like the perfect analogy. Well put.
I can see why car audio specialists use 8 ga. wires ( maybe bigger?) for their massive subwoofer systems now. I guess that's to the amps from the batteries. I guess 12 ga. to the subs themselves. Their demand for current has to be outrageous.Most people just listen to music and watch movies. I EXPERIENCE them. -
...which is why it's too bad that speakers aren't trending toward 16 or 32 ohm, instead of 2-3-4 ohm impedance.
Low-current, high-voltage amplifiers would be inexpensive. Current costs money, voltage is practically free. -
Andohaspolk wrote: »Why do we bother using heavy gauge speaker wire for our speaker connections when the components in the crossovers often have many choke points in regard to the gauge of connection. For instance, the leads on a capacitor are tiny compared to the cable we typically use for speaker cable. Same with the traces used in crossover circuit boards.
An analogy would be "Why do I need a heavy extension cord when using power tools outdoors ? The windings / brushes / etc. in the motor aren't very large gauge." Yes, the windings in the motor are small but you need the heavier gauge extension cord to prevent voltage drop and the resultant current drop that negatively affect the performance of the motor.
A speaker converts electrical energy to mechanical energy. It's the sum of its parts that determine the actual electrical load and, like the motor in your power drill, it needs sufficient voltage and current to perform its work.
That seems like the perfect analogy. Well put.
I can see why car audio specialists use 8 ga. wires ( maybe bigger?) for their massive subwoofer systems now. I guess that's to the amps from the batteries. I guess 12 ga. to the subs themselves. Their demand for current has to be outrageous.
The only problem with the analogy is that, except near stall, I think that the motor presents a pretty constant impedance load to its power supply. Regardless of the "power factor" (related to the "reactance" of the load) of an AC motor, it only matters at one frequency (60 Hz). A loudspeaker's capacitive and inductive reactance vary as a function of frequency. The signal feeding an AC motor is certainly a pretty consistent, purely sinusoidal 60 Hz waveform.
Music? Not so much.
PS the large-gauge cables in car power supplies are needed because (as touched on above, albeit in a slightly different context) car power supplies as such operate at low voltage (approximately 13.8 VDC); the only way to draw a lot of power at 13. 8 VDC is to use a lot of current; thus the large gauge wiring.
By Ohm's law: Power (watts) = Voltage (volts) x Current (amps)
(assuming a Power Factor of 1, i.e., a purely resistive load)
200 watts of power at, say, 100 VDC represents 2 amps of current.
200 watts of power at 13.8 VDC represents 14.5 amps of current -
All very good points, but the the question still remains, why use a substantial gauge wire for an 8 foot run when it’s still going to have the “bottleneck” where the current hits the traces on the crossover board. Surely a 14 gauge wire is able to pass much, much more than a trace on a crossover board.
-
No "traces" on my crossovers -- FWIW.
Not that they have to deal with more than about 3 watts (single-ended 2A3 direct-heated triode amplification).
DSC_9782 (3) by Mark Hardy, on Flickr
Also, I think a good case can be made for the best idea being to eschew high-level passive XOs entirely in favor of low level, active XOs and multiple amplifiers.
If anyone is really concerned about this sort of stuff.
-
Andohaspolk wrote: »All very good points, but the the question still remains, why use a substantial gauge wire for an 8 foot run when it’s still going to have the “bottleneck” where the current hits the traces on the crossover board. Surely a 14 gauge wire is able to pass much, much more than a trace on a crossover board.Capacitor, resistor, or inductor leads are not fifteen+ feet long, and the capacitor, resistor, or inductor doesn't transmit the full amperage of the signal like the speaker cable does.
There are "Industry Standards" and "code" for copper wire gauge and length vs. voltage drop. I'm not sure those standards fully apply in the case of speaker cable, but they'd be a moderate starting point.
All losses are additive. Large-gauge cable provides "full" voltage and current to the downstream components. It's not like you can match the cable to the crossover except in the most general way. -
mhardy6647 wrote: »No "traces" on my crossovers -- FWIW.
-
Look at it like water flowing through pipes. You have a main feed coming into a building. Say a 4" line. That has to be distributed throughout the structure at pressure. It goes into a manifold of sorts and dropped down to 3", 2" ...down to half inch at a faucet. That manifold is the crossover in your speaker. You have 1000 gpm being reduced to 3 gpm at the sink (tweeter). 25 gpm (mids).... 150 gpm at the boiler (woofers).
Simple distribution of various pressures. -
Look at it like water flowing through pipes. You have a main feed coming into a building. Say a 4" line. That has to be distributed throughout the structure at pressure. It goes into a manifold of sorts and dropped down to 3", 2" ...down to half inch at a faucet. That manifold is the crossover in your speaker. You have 1000 gpm being reduced to 3 gpm at the sink (tweeter). 25 gpm (mids).... 150 gpm at the boiler (woofers).
Simple distribution of various pressures.
... and, as long as I am expropriating images from teh interwebs
-
Are speaker cable gauges in the same area as black paint. I would like to buy one of these gauges.
Lumin X1 file player, Westminster Labs interconnect cable
Sony XA-5400ES SACD; Pass XP-22 pre; X600.5 amps
Magico S5 MKII Mcast Rose speakers; SPOD spikes
Shunyata Triton v3/Typhon QR on source, Denali 2000 (2) on amps
Shunyata Sigma XLR analog ICs, Sigma speaker cables
Shunyata Sigma HC (2), Sigma Analog, Sigma Digital, Z Anaconda (3) power cables
Mapleshade Samson V.3 four shelf solid maple rack, Micropoint brass footers
Three 20 amp circuits. -
I'll defer to Big D Wiz, and his vijahoes (as per AvE). Those "traces" can and do pull some serious current.
-
I've seen some rather immolated crossovers, though.
-
Andohaspolk wrote: »All very good points, but the the question still remains, why use a substantial gauge wire for an 8 foot run when it’s still going to have the “bottleneck” where the current hits the traces on the crossover board. Surely a 14 gauge wire is able to pass much, much more than a trace on a crossover board.
If you tried it for yourself, you'd know why.Political Correctness'.........defined
"A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."
President of Club Polk -
+10000000 ^^^^^^^HT SYSTEM-
Sony 850c 4k
Pioneer elite vhx 21
Sony 4k BRP
SVS SB-2000
Polk Sig. 20's
Polk FX500 surrounds
Cables-
Acoustic zen Satori speaker cables
Acoustic zen Matrix 2 IC's
Wireworld eclipse 7 ic's
Audio metallurgy ga-o digital cable
Kitchen
Sonos zp90
Grant Fidelity tube dac
B&k 1420
lsi 9's -
Andohaspolk wrote: »All very good points, but the the question still remains, why use a substantial gauge wire for an 8 foot run when it’s still going to have the “bottleneck” where the current hits the traces on the crossover board. Surely a 14 gauge wire is able to pass much, much more than a trace on a crossover board.
Did you even read and understand the many excellent responses? Either that or you just want to be a contrarian. The signal at the "traces" is different than the signal output to the speakers 8' away.
If you don't like that basic and true explanation, then just move along and stop asking questions you really don't want an answer to.
Also it's been said, gauge isn't really much of an issue for standard runs of cable. There are far more important factors than gauge. Standard Zip cord at 18ga vs. 8ga won't sound much different for an 8' run, if at all.
H9"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul! -
Someone piss in your cornflakes this morning Broch ?HT SYSTEM-
Sony 850c 4k
Pioneer elite vhx 21
Sony 4k BRP
SVS SB-2000
Polk Sig. 20's
Polk FX500 surrounds
Cables-
Acoustic zen Satori speaker cables
Acoustic zen Matrix 2 IC's
Wireworld eclipse 7 ic's
Audio metallurgy ga-o digital cable
Kitchen
Sonos zp90
Grant Fidelity tube dac
B&k 1420
lsi 9's -
No, not yet! Lol, Just tired of people asking questions and then questioning the discussion with the same question. I think it was pretty well explained the difference of wire in a cross-over vs. 8' runs of speaker cable.
Didn't seem like the OP liked the answer, so decided to ask the same question, like somehow the answer would change.
H9"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul! -
Someone piss in your cornflakes this morning Broch ?
I'll do it! What's your address Brock? -
You freak but i still love ya buddyLook at it like water flowing through pipes. You have a main feed coming into a building. Say a 4" line. That has to be distributed throughout the structure at pressure. It goes into a manifold of sorts and dropped down to 3", 2" ...down to half inch at a faucet. That manifold is the crossover in your speaker. You have 1000 gpm being reduced to 3 gpm at the sink (tweeter). 25 gpm (mids).... 150 gpm at the boiler (woofers).
Simple distribution of various pressures.
Great analogy leave it to the electrician to talk about plumbing.