KODO drum music
bikezappa
Posts: 2,463
I want to thank the person that recommended the KODO CD. I don't remember who made the recommendation. I have enjoyed the CD for many years. I also play the CD to find/locate things that rattle in my main listening room. Turn the CD up load and walk around the room to hear the rattling, windows, doors, hanging pictures, heating pipes and nick narks.
Comments
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If you like that one, may I suggest two more?
Specifically, songs 1and 2
Specifically, song 10
Is this the KODO you have?
Tom~ In search of accurate reproduction of music. Real sound is my reference and while perfection may not be attainable? If I chase it, I might just catch excellence. ~ -
Yes I have both of those CDs. The drum & track is old. Wonder where I put it?
Not many KODO CDs. -
I want to thank the person that recommended the KODO CD. I don't remember who made the recommendation. I have enjoyed the CD for many years. I also play the CD to find/locate things that rattle in my main listening room. Turn the CD up load and walk around the room to hear the rattling, windows, doors, hanging pictures, heating pipes and nick narks.
If you're using their music as stated, versus critical listening, I might suggest iTunes. By my count, they have 15 Kodo albums available.
I'm going to go on a rattle hunt later today, thanks for the info! -
This is one of my reference percussion DSD's that I use for speed, attack, and decay
https://yarlungrecords.nativedsd.com/albums/smoke-mirrors-vanish-vol-2
SMOKE & MIRRORS VANISH VOL 2 (2013)
TAKEMITSU, RACHMANINOV
SMOKE AND MIRRORS PERCUSSION ENSEMBLE
1. From Me Flows What You Call Time
Takemitsu
This album was recorded to Analog tape. It was then transferred to the DSD
We used two coincident Neumann U47 microphones for the orchestra with two AKG C12 microphones for a small amount of reinforcement for the winds and rear percussion in the Takemitsu concerto. We chose a single stereo AKG C24 microphone for all the other tracks. Jon Fisher from Gearworks Pro Audio lent us these precious microphones. Elliot Midwood designed our microphone preamplification equipment and we recorded directly to RMGI 468 tape using stranded silver Yarlung interconnects and the Yarlung analog tape recorder circuitry designed for us by Len Horowitz. Mastering by SteveHoffman.2-channel: Modwright KWI-200 Integrated, Dynaudio C1-II Signatures
Desktop rig: LSi7, Polk 110sub, Dayens Ampino amp, W4S DAC/pre, Sonos, JRiver
Gear on standby: Melody 101 tube pre, Unison Research Simply Italy Integrated
Gone to new homes: (Matt Polk's)Threshold Stasis SA12e monoblocks, Pass XA30.5 amp, Usher MD2 speakers, Dynaudio C4 platinum speakers, Modwright LS100 (voltz), Simaudio 780D DAC
erat interfectorem cesar et **** dictatorem dicere a -
Do you mind bringing it with you at LSAF?
Tom~ In search of accurate reproduction of music. Real sound is my reference and while perfection may not be attainable? If I chase it, I might just catch excellence. ~ -
2-channel: Modwright KWI-200 Integrated, Dynaudio C1-II Signatures
Desktop rig: LSi7, Polk 110sub, Dayens Ampino amp, W4S DAC/pre, Sonos, JRiver
Gear on standby: Melody 101 tube pre, Unison Research Simply Italy Integrated
Gone to new homes: (Matt Polk's)Threshold Stasis SA12e monoblocks, Pass XA30.5 amp, Usher MD2 speakers, Dynaudio C4 platinum speakers, Modwright LS100 (voltz), Simaudio 780D DAC
erat interfectorem cesar et **** dictatorem dicere a
