MP3's really stink
Comments
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I stole a Nickelback mp3 and I want my money back!
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afterburnt wrote: »I stole a Nickelback mp3 and I want my money back!
All you'd get is a nickel back.
Political Correctness'.........defined
"A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."
President of Club Polk -
Right. "If" you did... that's nice that you have enough money for all of that expensive equipment but none for the artists that pour their hearts and time into making the music you love to listen to on it.
I spend hundreds of dollars on CDs every month. Just ordered $234 worth last night. -
Repeat after me: There is nothing "hi-fi" about an MP3.Source: Bluesound Node 2i - Preamp/DAC: Benchmark DAC2 DX - Amp: Parasound Halo A21 - Speakers: MartinLogan Motion 60XTi - Shop Rig: Yamaha A-S501 Integrated - Shop Spkrs: Elac Debut 2.0 B5.2
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I listen to 320 MP3's in my car on an SD drive. Home listening is FLAC uncompressed via network streaming.
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Repeat after me: There is nothing "hi-fi" about an MP3.
I think I would have killed for MP3s back in the 70s when I was listening to 8-track tapes in my Chevelle SS396 4-speed with the Panasonic 8-track player and 6x9 Craig PowerPlay speakers.
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Gatecrasher wrote: »
No you wouldn't.....for one the 8 track sounded better than MP3's, and 2....you wish you had that 396 Chevelle back period. Suckers worth some coin today.HT SYSTEM-
Sony 850c 4k
Pioneer elite vhx 21
Sony 4k BRP
SVS SB-2000
Polk Sig. 20's
Polk FX500 surrounds
Cables-
Acoustic zen Satori speaker cables
Acoustic zen Matrix 2 IC's
Wireworld eclipse 7 ic's
Audio metallurgy ga-o digital cable
Kitchen
Sonos zp90
Grant Fidelity tube dac
B&k 1420
lsi 9's -
I'm sorry tony but that 8 track certainly did NOT sound better than a 320 Mbps MP3 ripped from a well recorded digital master. I think other memories from that era are clouding your judgement lol.
As for the car, well that's a different story.Living Room 2.2: Usher BE-718 "tiny dancers"; Dual DIY Dayton audio RSS210HF-4 Subs with Dayton SPA-250 amps; Arcam SA30; Musical Fidelity A308; Sony UBP-x1000es
Game Room 5.1.4: Denon AVR-X4200w; Sony UBP-x700; Definitive Technology Power Monitor 900 mains, CLR-3000 center, StudioMonitor 350 surrounds, ProMonitor 800 atmos x4; Sub - Monoprice Monolith 15in THX Ultra
Bedroom 2.1 Harmon Kardon HK3490; Bluesounds Node N130; Polk RT25i; ACI Titan Subwoofer -
I'm sorry tony but that 8 track certainly did NOT sound better than a 320 Mbps MP3 ripped from a well recorded digital master. I think other memories from that era are clouding your judgement lol.
As for the car, well that's a different story.
I agree. 320kbps Mp3s ripped from CDs (especially from new or more recent remastered releases) sound a lot better. Of course the technology of today's automotive sound systems compared to what we had in the 70's helps too.
As for the car, yeah I wish I still had it. I sold it in 1980 when the price of leaded premium went from 69.9 to $2.00 per gallon overnight during the Iranian hostage crisis. It didn't last long but for about two weeks we had gas rationing where you could only buy 10 gallons every other day. I lived in PA and they went by your vehicle inspection sticker on the windshield. Odd numbers could get gas on odd days and even numbers on even days. The 375 HP 11:1 compression ratio big block Chevelle guzzled 100 octane leaded premium like it was going out of style.
The minimum wage back then was like $2.65 per hour and I could barely afford to drive to work so I ended up selling it with 80,000 miles on it for $1,800. It was nice and was my 1st car. One heck of a first vehicle for a 16 year-old. I worked at a gas station for a couple years and saved just about every cent I made so I could buy a nice car as soon as I turned 16. It came down between the 1970 SS396 Chevelle and a 1968 Plymouth GTX 440 Magnum. It was a tough decision but I went with the Chevy. Been a Chevy man ever since. -
Gatecrasher wrote: »
No you wouldn't.....for one the 8 track sounded better than MP3's, and 2....you wish you had that 396 Chevelle back period. Suckers worth some coin today.
EXACTLY, as pityful as that reality is.Source: Bluesound Node 2i - Preamp/DAC: Benchmark DAC2 DX - Amp: Parasound Halo A21 - Speakers: MartinLogan Motion 60XTi - Shop Rig: Yamaha A-S501 Integrated - Shop Spkrs: Elac Debut 2.0 B5.2 -
What is sucks more is it is the norm for people these days. This is what they think music sounds like. It's all about quantity not quality. How many songs can I load up?
Not me, I like both,Quantity and Quality. I have both and a library now to die for and it's growing weekly. Yes MP3's are awful. I have compared and A B'd several of my rips (yes I have time on my hands) in 16 bit 44.100Hz 16 bit 48000Hz and 24 bit 96Hz and while the 16bit 44.100Hz got slapped up by the rips in 16 bit 48000hz, the 24/96 sounded exactly the same as the 16 bit 48000Hz but took up way more drive space, so for my modest set up, over 7000 disks are ripped in 16 bit 48000hz. This may differ with real high end gear (which I do not have) but I am quite happy with the quality popping up off my systems. Just say no to MP3's!!!"if it's not fun, it's not worth it & remember folks, "It's All About The Music"!!
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tophatjohnny wrote: »What is sucks more is it is the norm for people these days. This is what they think music sounds like. It's all about quantity not quality. How many songs can I load up?
Not me, I like both,Quantity and Quality. I have both and a library now to die for and it's growing weekly. Yes MP3's are awful. I have compared and A B'd several of my rips (yes I have time on my hands) in 16 bit 44.100Hz 16 bit 48000Hz and 24 bit 96Hz and while the 16bit 44.100Hz got slapped up by the rips in 16 bit 48000hz, the 24/96 sounded exactly the same as the 16 bit 48000Hz but took up way more drive space, so for my modest set up, over 7000 disks are ripped in 16 bit 48000hz.
I'm with you on the Hi-Rez stuff (24/96) not being worth the extra disk space, but you lost me on the 44 kHz vs 48 kHz stuff. Native CD format is 16/44 (not 48), so ripping CDs at the higher frequency just doesn't make sense.
I've got a HDD full of 16/44 FLACs, so I've listened to plenty of MP3 vs CD vs Hi-Rez samples.
Yamaha RX-A2050 AVR (5.0.2); LG OLED77C2 4K TV(4) Polk Monitor 10B's w/SoniCaps, Mills, and RDO-194 tweets (R/L F/R)(2) Polk RC80i (Top Middle)Polk CS300 center channelAnalog: B&O TX2 Turntable, Nakamichi Cassette Deck 1Digital: Pioneer CLD-99 Elite LD, Panasonic DMP-UB900 UHD Blu-RayBedroom: Arylic Up2Stream AMPv3 driving Polk Monitor 4's w/peerless tweets -
Repeat after me: There is nothing "hi-fi" about an MP3.
They don't get it Steve..........mp3's stink period. So many contradictory statements in some of these gentleman's statements.
"I can get better than cd quality with my dac and apple, but the max apple streams at is 256kbps" That one has me scratching my head?
"only poorly recorded masters sound bad on mp3" What? What? is that person talking about?
Or what Gatecrasher said about taking a hi rez source bastardizing it to mp3 and then saying the mp3 sounds better than the redbook version??? What? I say What? Again.
Mp3 is fine for casual listening or car listening, but it has zero, nada, bupkiss, place in a serious hi-fi rig if you care anything at all about the quality and integrity of your source.
PERIOD!
H9
"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul! -
I never said I get better than cd quality with Apple Music. I said To my ears it's close, but obviously not better. I don't believe I read anywhere in this thread that states MP3's are totally awesome and sound amazing.
I almost solely listen to CDs, vinyl, flacs and hi-Rez. I said it sounds pretty good when people come over and want to put a new song on. My friends certainly don't notice, so I leave is at that.
Also maybe some people systems aren't as revealing? I certainly can't tell with ear buds in at the gym.
2 channel:
Bryston 4B3, Bryston BDA3, Cary SLP05, Shanling CDT1000SE with parts conneXion level 2 mods, Nottingham analogue ace space 294, soundsmith Carmen MKii, Zu DL103 MKii, Ortofon MC 20 MKii, Dynavector XX2 MKii, Rogue Audio Ares, Core power technologies balanced power conditioner, Akiko Corelli power conditioner with Akiko Audio HQ power cable, Nordost heimdall 2, Frey 2, interconnects, speaker and power cables, Focal Electra 1028 BE 2, Auralic Aries Femto, Black diamond racing cones, ingress audio level 1 roller blocks, JL Audio E110 with Auralic subdude, Primacoustics room treatments.
Theater:
Focal Aria 926,905,CC900, SVS PB ultra x2. Pioneer Elite SC85, Oppo BDP93, Panamax M5400PM, Minix neox6, Nordost Blue heaven LS power cables. -
When I have friends over we listen to a lot of Apple Music, try new artists, introduce each other to new songs, and I get better than cd quality through my DAC running apple. Apple streams a maximum of 256kbps, sounds really good to me. I have even loaded the exact same song on cd and Apple Music and switched back and forth. The cd quality is a touch cleaner. But the difference is quite small.
Perhaps the way you worded it was wrong, but read the highlighted part, that's what I was referring to.
"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul! -
When I have friends over we listen to a lot of Apple Music, try new artists, introduce each other to new songs, and I get better than cd quality through my DAC running apple. Apple streams a maximum of 256kbps, sounds really good to me. I have even loaded the exact same song on cd and Apple Music and switched back and forth. The cd quality is a touch cleaner. But the difference is quite small.
Perhaps the way you worded it was wrong, but read the highlighted part, that's what I was referring to.
Well crap. My bad. I certainly didn't mean that I get better than cd quality.2 channel:
Bryston 4B3, Bryston BDA3, Cary SLP05, Shanling CDT1000SE with parts conneXion level 2 mods, Nottingham analogue ace space 294, soundsmith Carmen MKii, Zu DL103 MKii, Ortofon MC 20 MKii, Dynavector XX2 MKii, Rogue Audio Ares, Core power technologies balanced power conditioner, Akiko Corelli power conditioner with Akiko Audio HQ power cable, Nordost heimdall 2, Frey 2, interconnects, speaker and power cables, Focal Electra 1028 BE 2, Auralic Aries Femto, Black diamond racing cones, ingress audio level 1 roller blocks, JL Audio E110 with Auralic subdude, Primacoustics room treatments.
Theater:
Focal Aria 926,905,CC900, SVS PB ultra x2. Pioneer Elite SC85, Oppo BDP93, Panamax M5400PM, Minix neox6, Nordost Blue heaven LS power cables. -
I figured that.
Anyway, I'm not denying mp3's don't have a place. They are great for convenience and for less than serious listening. I understand we all have our thresholds of what is acceptable. It seems more and more people are succumbing to the mp3 being the standard..........and that's a shame to allow a compromised source to be the common acceptable standard.
To many of us more serious listeners, MP3's have no place in an audio system, they simply aren't a good choice for a source of music if you are looking to get excellent quality out of your rig.
H9"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul! -
I figured that.
Anyway, I'm not denying mp3's don't have a place. They are great for convenience and for less than serious listening. I understand we all have our thresholds of what is acceptable. It seems more and more people are succumbing to the mp3 being the standard..........and that's a shame to allow a compromised source to be the common acceptable standard.
To many of us more serious listeners, MP3's have no place in an audio system, they simply aren't a good choice for a source of music if you are looking to get excellent quality out of your rig.
H9
Very well put. That summed it up nicely.2 channel:
Bryston 4B3, Bryston BDA3, Cary SLP05, Shanling CDT1000SE with parts conneXion level 2 mods, Nottingham analogue ace space 294, soundsmith Carmen MKii, Zu DL103 MKii, Ortofon MC 20 MKii, Dynavector XX2 MKii, Rogue Audio Ares, Core power technologies balanced power conditioner, Akiko Corelli power conditioner with Akiko Audio HQ power cable, Nordost heimdall 2, Frey 2, interconnects, speaker and power cables, Focal Electra 1028 BE 2, Auralic Aries Femto, Black diamond racing cones, ingress audio level 1 roller blocks, JL Audio E110 with Auralic subdude, Primacoustics room treatments.
Theater:
Focal Aria 926,905,CC900, SVS PB ultra x2. Pioneer Elite SC85, Oppo BDP93, Panamax M5400PM, Minix neox6, Nordost Blue heaven LS power cables. -
Nickelback mp3s are just as good as their cds.
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afterburnt wrote: »Nickelback mp3s are just as good as their cds.
Journeys SACD is just as bad as their CD's or MP3's2-channel: Modwright KWI-200 Integrated, Dynaudio C1-II Signatures
Desktop rig: LSi7, Polk 110sub, Dayens Ampino amp, W4S DAC/pre, Sonos, JRiver
Gear on standby: Melody 101 tube pre, Unison Research Simply Italy Integrated
Gone to new homes: (Matt Polk's)Threshold Stasis SA12e monoblocks, Pass XA30.5 amp, Usher MD2 speakers, Dynaudio C4 platinum speakers, Modwright LS100 (voltz), Simaudio 780D DAC
erat interfectorem cesar et **** dictatorem dicere a -
Dont cry, I got physically ill trying to listen to Nickelback.
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afterburnt wrote: »Nickelback mp3s are just as good as their cds.
Haha. I agree! -
I still have an 8-track player if anyone needs a reality check on how bad they really were. I even have a book of matches you can wedge in the opening to reduce the double-tracking.
lol -
txcoastal1 wrote: »afterburnt wrote: »Nickelback mp3s are just as good as their cds.
Journeys SACD is just as bad as their CD's or MP3's
You noticed that too huh ? Why for Gods sake can't they master a cd that sounds good ?HT SYSTEM-
Sony 850c 4k
Pioneer elite vhx 21
Sony 4k BRP
SVS SB-2000
Polk Sig. 20's
Polk FX500 surrounds
Cables-
Acoustic zen Satori speaker cables
Acoustic zen Matrix 2 IC's
Wireworld eclipse 7 ic's
Audio metallurgy ga-o digital cable
Kitchen
Sonos zp90
Grant Fidelity tube dac
B&k 1420
lsi 9's -
One variable I do not see mentioned:
There is quite a big difference in how MP3 is encoded, and what system it was encoded on.
That may explain a lot of the sound expectations.
Mp3 At 320Kbps, on a new system with the latest codecs, can sound utterly amazing.
A few years ago that was not possible.
I have different computer based sound systems, (In addition to CD and Vinyl )and the older systems that I did not update, (hardware and software) do indeed have a lesser quality to the sound.
So there could be some apples and oranges comparisons being made! -
MP3's, no matter what, have no place in a serious audio system....period!
320kbps with the latest codecs still don't come close to the same material uncompressed.
No matter what anyone says when 80% of the signal is missing, you will hear it and it will NOT sound the same as a full signal.
Perhaps the system you are using is not as capable of detecting the poor MP3 quality.
H9"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul! -
MP3's, no matter what, have no place in a serious audio system....period!
320kbps with the latest codecs still don't come close to the same material uncompressed.
No matter what anyone says when 80% of the signal is missing, you will hear it and it will NOT sound the same as a full signal.
Perhaps the system you are using is not as capable of detecting the poor MP3 quality.
H9
I would have totally agreed with you a few years ago!!
I would have never considered MP3 Comparable to my Vinyl or CD before.
I had assumed it was simply somewhat subpar and was not really accurate enough.
I have a very revealing system so that is not the variable we are chasing.
I could hear the difference, before with the older codecs etc,not only on my good system, but also on my much more mundane systems.
Perhaps there is something else to factor in or another variable we are not allowing for.
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The loss of information is what the issue is. Once it's gone (as in thrown out during compression) it can never be gotten back during playback.
Some people find MP3's to be perfectly acceptable. I don't, and never will when it comes to music for my main rig listening. The quality difference is apparent.
For portables or in the car, fine...........but even that makes no sense today as storage space is cheap, so why use lossy compression at all?
H9"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul! -
The loss of information is what the issue is. Once it's gone (as in thrown out during compression) it can never be gotten back during playback.
Some people find MP3's to be perfectly acceptable. I don't, and never will when it comes to music for my main rig listening. The quality difference is apparent.
For portables or in the car, fine...........but even that makes no sense today as storage space is cheap, so why use lossy compression at all?
H9
Again, too many variables to say for sure what you were hearing.
I would have to hear your system to understand why it came off sounding so poor.
I am inclined to believe (from other more audiophile type forums I frequent) that listeners are hearing widely varying qualities of encoding.
I have seen opinions all over the place from, fantastic to total crap...lol
So not sure all were actually hearing good encoding....and they all had quite decent systems, and their descriptions were all over the place.
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This is just another subject that has been beaten down on all audio forums.
Never goes anywhere and is a subject of opinions....i.e. to each his own2-channel: Modwright KWI-200 Integrated, Dynaudio C1-II Signatures
Desktop rig: LSi7, Polk 110sub, Dayens Ampino amp, W4S DAC/pre, Sonos, JRiver
Gear on standby: Melody 101 tube pre, Unison Research Simply Italy Integrated
Gone to new homes: (Matt Polk's)Threshold Stasis SA12e monoblocks, Pass XA30.5 amp, Usher MD2 speakers, Dynaudio C4 platinum speakers, Modwright LS100 (voltz), Simaudio 780D DAC
erat interfectorem cesar et **** dictatorem dicere a