Amp Interconnect Length vs Speaker Cable Length?

skrol
Posts: 3,411
My present receiver is about 30' from my speakers (ie. 30' of 12awg speaker cable / ch). Diving into separates, which is better:
1) short length interconnect between the pre and amp and stick with the longer run of speaker cable?
or
2) longer length between pre and amp and shorten the speaker cable length?
Thanks
Stan
1) short length interconnect between the pre and amp and stick with the longer run of speaker cable?
or
2) longer length between pre and amp and shorten the speaker cable length?
Thanks
Stan
Stan
Main 2ch:
Polk LSi15 (DB840 upgrade), Parasound: P/LD-1100, HCA-1000A; Denon: DVD-2910, DRM-800A; Benchmark DAC1, Monster HTS3600-MKII, Grado SR-225i; Technics SL-J2, Parasound PPH-100.
HT:
Marantz SR7010, Polk: RTA11TL (RDO198-1, XO and Damping Upgrades), S4, CS250, PSW110 , Marantz UD5005, Pioneer PL-530, Panasonic TC-P42S60
Other stuff:
Denon: DRA-835R, AVR-888, DCD-660, DRM-700A, DRR-780; Polk: S8, Monitor 5A, 5B, TSi100, RM7, PSW10 (DXi104 upgrade); Pioneer: CT-6R; Onkyo CP-1046F; Ortofon OM5E, Marantz: PM5004, CD5004, CDR-615; Parasound C/PT-600, HCA-800ii, Sony CDP-650ESD, Technics SA 5070, B&W DM601
Main 2ch:
Polk LSi15 (DB840 upgrade), Parasound: P/LD-1100, HCA-1000A; Denon: DVD-2910, DRM-800A; Benchmark DAC1, Monster HTS3600-MKII, Grado SR-225i; Technics SL-J2, Parasound PPH-100.
HT:
Marantz SR7010, Polk: RTA11TL (RDO198-1, XO and Damping Upgrades), S4, CS250, PSW110 , Marantz UD5005, Pioneer PL-530, Panasonic TC-P42S60
Other stuff:
Denon: DRA-835R, AVR-888, DCD-660, DRM-700A, DRR-780; Polk: S8, Monitor 5A, 5B, TSi100, RM7, PSW10 (DXi104 upgrade); Pioneer: CT-6R; Onkyo CP-1046F; Ortofon OM5E, Marantz: PM5004, CD5004, CDR-615; Parasound C/PT-600, HCA-800ii, Sony CDP-650ESD, Technics SA 5070, B&W DM601
Post edited by skrol on
Comments
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RCA unbalanced interconnects or XLR balanced interconnects?
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No. 1HT SYSTEM-
Sony 850c 4k
Pioneer elite vhx 21
Sony 4k BRP
SVS SB-2000
Polk Sig. 20's
Polk FX500 surrounds
Cables-
Acoustic zen Satori speaker cables
Acoustic zen Matrix 2 IC's
Wireworld eclipse 7 ic's
Audio metallurgy ga-o digital cable
Kitchen
Sonos zp90
Grant Fidelity tube dac
B&k 1420
lsi 9's -
They are RCA unbalanced.Stan
Main 2ch:
Polk LSi15 (DB840 upgrade), Parasound: P/LD-1100, HCA-1000A; Denon: DVD-2910, DRM-800A; Benchmark DAC1, Monster HTS3600-MKII, Grado SR-225i; Technics SL-J2, Parasound PPH-100.
HT:
Marantz SR7010, Polk: RTA11TL (RDO198-1, XO and Damping Upgrades), S4, CS250, PSW110 , Marantz UD5005, Pioneer PL-530, Panasonic TC-P42S60
Other stuff:
Denon: DRA-835R, AVR-888, DCD-660, DRM-700A, DRR-780; Polk: S8, Monitor 5A, 5B, TSi100, RM7, PSW10 (DXi104 upgrade); Pioneer: CT-6R; Onkyo CP-1046F; Ortofon OM5E, Marantz: PM5004, CD5004, CDR-615; Parasound C/PT-600, HCA-800ii, Sony CDP-650ESD, Technics SA 5070, B&W DM601 -
I think a long run of a quality 10ga speaker cable would be the better than a long run of quality interconnect cable. I think of it this way any noise picked up by a cable placed before the amp will get amplified. Therefore a short interconnect is more ideal, speaker cables are not shielded (at least mine), because the larger gauge and voltages are not susceptible to rfi, emi, or ground noise. So a larger gauge speaker cable is all that is needed to eliminate the added impedance.Oh, Listen here mister. We got no way of understandin' this world. But we got as much sense of this bird flyin in the sky. Now there is a lot that bird don't know, but it don't change the fact that the world is happening to him all the same. What I am tryin to say is, is that the course of your life, well its changing, and you don't even see it- Forest Bondurant
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Good point. Sounds like the answer is pretty clear, go with short interconnect and longer speaker cable.
Thanks
StanStan
Main 2ch:
Polk LSi15 (DB840 upgrade), Parasound: P/LD-1100, HCA-1000A; Denon: DVD-2910, DRM-800A; Benchmark DAC1, Monster HTS3600-MKII, Grado SR-225i; Technics SL-J2, Parasound PPH-100.
HT:
Marantz SR7010, Polk: RTA11TL (RDO198-1, XO and Damping Upgrades), S4, CS250, PSW110 , Marantz UD5005, Pioneer PL-530, Panasonic TC-P42S60
Other stuff:
Denon: DRA-835R, AVR-888, DCD-660, DRM-700A, DRR-780; Polk: S8, Monitor 5A, 5B, TSi100, RM7, PSW10 (DXi104 upgrade); Pioneer: CT-6R; Onkyo CP-1046F; Ortofon OM5E, Marantz: PM5004, CD5004, CDR-615; Parasound C/PT-600, HCA-800ii, Sony CDP-650ESD, Technics SA 5070, B&W DM601 -
30ft is pushing the margins for unbalanced inconnects, but normally I think long interconnects and short speaker cables are the way to go.
Noise is usually not a problem. Routing is important and a better shielded cable would be called for. But interconnects are a voltage transfer interface. By having greater than a 10:1 difference in impedance, you are safely within the rule of thumb for voltage transfer. The penalty for longer runs is that the capacitive load starts to intrude and you have a decreasing high frequency roll off point. With a low capacitance and well shielded cable you are likely to have no problem with the extreme top end starting to soften.
However with long runs of speaker cable, you are almost certain to have changed things. The amp to speaker interface is a much higher current situation with the speaker being a motor and back EMF also having a great effect on the outcome. Long speaker cable isn't a freq response concern, it more of dynamics, impact, bass control thing. It would also become much greater likely to have the bass notes have effects on the mids via modulating them via the lessed impedance of the long cables.
My personal experiences are that I'd never run longer speaker cables. I'd get the interconnect length as short as physically possible and go that direction. FWIW....
CJA so called science type proudly says... "I do realize that I would fool myself all the time, about listening conclusions and many other observations, if I did listen before buying. That’s why I don’t, I bought all of my current gear based on technical parameters alone, such as specs and measurements."
More amazing Internet Science Pink Panther wisdom..."My DAC has since been upgraded from Mark Levinson to Topping." -
Depending on load of the speaker and the wattage of the amp , usually 10 or 12g wire is not needed. In 30 foot runs, 14g is plenty for most systems.
Looking at your sig, looks like 14g would suit you just fine of high quality wire.
Un balanced cables I do not like to run long. Balanced can be any length you need them and they work excellent.Dan
My personal quest is to save to world of bad audio, one thread at a time. -
No. 1Political Correctness'.........defined
"A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."
President of Club Polk -
My present receiver is about 30' from my speakers (ie. 30' of 12awg speaker cable / ch). Diving into separates, which is better:
1) short length interconnect between the pre and amp and stick with the longer run of speaker cable?
or
2) longer length between pre and amp and shorten the speaker cable length?
Thanks
Stan
Choice #1. The minimum wire size should be 12AWG for 30 foot runs. That is particularly important if the impedance of one's speakers falls well below 4 ohms. I have always needed 25ft speaker cable runs for my main system. I've used cables with aggregate size between 13AWG and 7AWG with no problems.Main System: Denon DP-59L | Audio-Technica AT33EV | Marantz SA-11S2 | Classe DR-10 | Classe CA-300 | Classe RC-1 | PSB Stratus Gold i's | DIY Balanced AC Power Conditioner | Acoustic Zen and NeoTech cables | Oyaide and Furutech power connectors | Dedicated 20A isolated ground line.
Home Theater: Toshiba D-VR5SU | Laptop #1 |Outlaw Audio OAW3 wireless audio system | Marantz SR-19 | Phase Linear 400 Series 2, modified | AudioSource 10.1 EQ (for subs) | Axiom M3 v3’s | Axiom VP150 | Optimus PRO-X55AVs | Dayton 12” powered subs (x2) | Belkin PureAV PF-60 line conditioner.
Party System: Laptop #2 | Audioquest Dragonfly USB DAC | Technics SU-A6 | Acurus A-250 | Radio Shack 15-band EQ | Pioneer SR-9 reverb | Cerwin Vega DX9's | Dayton 100° x 60° horns with titanium HF/MF compression drivers.