Niles or Outlaw?

Mr. Sharpe
Mr. Sharpe Posts: 1,354
edited August 2011 in 2 Channel Audio
Between a Nile Audio SI-2125 Power Amplifier and a pair of Outlaw Audio Model 2200 Monoblocks which one would you get? which one have you heard or have had experience with?

Who has experience with either of these amps. I am trying to choose between the two. I know NAD makes very nice audio equiptment and I figure NILES is right up there with them.

For a little while there I had my heart completely set on a pair of Mono blocks from Outlaw then decided to give Crutchfield another look over and found the Niles amp.

I was going to get an Adcom Gfa-1A off Ebay but 1: I'm inheriting one and 2: the guy says it works great, they all do, I just don't want to buy something used and it not work at all when I get it. and "no returns excepted" throws up a red flag for me.
Home theater:
43” Westinghouse Displayer
Marantz UD-7007 Player
Emotiva MC-700 Processor
Adcom GFA-5006 Amplifier
Parasound Zamp Amplifier
Ethereal ESO-1 Power Conditioner
Klipsch RC-10 Center
Klipsch R34c Fronts
Klipsch RB-41 Surrounds
Polk audio PSW-505

Stereo:
Polk audio RTA-12c’s fully upgraded crossovers
DIY 12tc braided speaker cables
Denon DVD-5910ci Spinner
Parasound P6 Preamplifer
Parasound HCA -1500a Amplifier
Post edited by Mr. Sharpe on

Comments

  • WilliamM2
    WilliamM2 Posts: 4,775
    edited August 2011
    Niles is more known for whole house, or distributed audio. Impedance matching switches, remote volume controls, etc. I've heard their 6 and 12 channel amps, but only with in-wall speakers, so not much to go on. I don't think they have anything to do with NAD.

    That said, the Outlaw has almost double the power, and more than double the warranty at 5 years.
  • Mr. Sharpe
    Mr. Sharpe Posts: 1,354
    edited August 2011
    I was just saying that I think Niles up there quality wise with NAD. not a part of it. thanks for the link, I'll definitely ask what's up with that.
    Home theater:
    43” Westinghouse Displayer
    Marantz UD-7007 Player
    Emotiva MC-700 Processor
    Adcom GFA-5006 Amplifier
    Parasound Zamp Amplifier
    Ethereal ESO-1 Power Conditioner
    Klipsch RC-10 Center
    Klipsch R34c Fronts
    Klipsch RB-41 Surrounds
    Polk audio PSW-505

    Stereo:
    Polk audio RTA-12c’s fully upgraded crossovers
    DIY 12tc braided speaker cables
    Denon DVD-5910ci Spinner
    Parasound P6 Preamplifer
    Parasound HCA -1500a Amplifier
  • fredg369
    fredg369 Posts: 5
    edited August 2011
    Go with Parasound!
    I have Polk monitor 70s powered by a Parasound HCA-1000 125w,but more important its a high current amp putting out 45amps...The speakers sound unbelievable,highs are crisp and lows are tight...good stuff...and its THX certified...The amp is bridgeable at 400watts mono into 4 or 8 ohms...if you buy used most people that own this type of equipment usually take care of it.So try to be the second owner not the third..lol

    Check out their site for the New Classic line of amps...you wont be sorry.:cool:

    http://www.parasound.com/nc/
  • heiney9
    heiney9 Posts: 25,165
    edited August 2011
    Mr. Sharpe wrote: »
    I was just saying that I think Niles up there quality wise with NAD.

    Not really, two different applications. If you are just considering one or the other, go with Outlaw.
    "Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul!
  • Mr. Sharpe
    Mr. Sharpe Posts: 1,354
    edited August 2011
    I see what you're getting at. I'll look for something used from Parasound, I've always wanted something from them

    so either Parasound or Outlaw now haha
    Home theater:
    43” Westinghouse Displayer
    Marantz UD-7007 Player
    Emotiva MC-700 Processor
    Adcom GFA-5006 Amplifier
    Parasound Zamp Amplifier
    Ethereal ESO-1 Power Conditioner
    Klipsch RC-10 Center
    Klipsch R34c Fronts
    Klipsch RB-41 Surrounds
    Polk audio PSW-505

    Stereo:
    Polk audio RTA-12c’s fully upgraded crossovers
    DIY 12tc braided speaker cables
    Denon DVD-5910ci Spinner
    Parasound P6 Preamplifer
    Parasound HCA -1500a Amplifier
  • Mr. Sharpe
    Mr. Sharpe Posts: 1,354
    edited August 2011
    fredg369 wrote: »
    Go with Parasound!
    I have Polk monitor 70s powered by a Parasound HCA-1000 125w,but more important its a high current amp putting out 45amps..

    http://www.parasound.com/nc/

    I've always been a little hazy on the 45 amp peaks and what not, could you explain that to me please? that couldn't mean that it peaks at 5600 watts could it?? or is that exactly what that means?
    Home theater:
    43” Westinghouse Displayer
    Marantz UD-7007 Player
    Emotiva MC-700 Processor
    Adcom GFA-5006 Amplifier
    Parasound Zamp Amplifier
    Ethereal ESO-1 Power Conditioner
    Klipsch RC-10 Center
    Klipsch R34c Fronts
    Klipsch RB-41 Surrounds
    Polk audio PSW-505

    Stereo:
    Polk audio RTA-12c’s fully upgraded crossovers
    DIY 12tc braided speaker cables
    Denon DVD-5910ci Spinner
    Parasound P6 Preamplifer
    Parasound HCA -1500a Amplifier
  • mantis
    mantis Posts: 17,194
    edited August 2011
    I have been using Niles amps for many years now on countless Installs. I have Installed the Si2125 with Martin Logan speakers in a Denon receiver system for the mains. This amp has very nice control and power. It's nicely dynamic and worth every single penny at full retail.
    I always prefer to have a good quality receiver that matches your speaker system before adding an amp. I saw your gear list , what speakers are you trying to power with it and why do you think you need it?
    The money spending on an amp I strongly suggest upgrading your receiver to again something thats better suited to power your entire speaker package. All channels are important and should all be matched.
    In my system If I felt I needed more power or control over what my current receiver could do , I would add a multichannel amp like 5 or 7 channels. This will assure me my dynamic range will remain constant in all channels. I have done systems in the past with a awesome 2 channel amp running the mains which we added for 2 channel music but then theater suffered as the center channel didn't keep up with the mains dynamics due to the better amp. If anything at least get a center channel amp as well perfectly matching the main amp.
    The Niles Si2125 is designed for multi room music where a better pair of speakers like floor standing are going to be used. This is a nice upgrade from their 30 or 60 watt offerings. Honestly I don't care for it in this situation.
    Dan
    My personal quest is to save to world of bad audio, one thread at a time.
  • Mr. Sharpe
    Mr. Sharpe Posts: 1,354
    edited August 2011
    Well I have an Adcom GFP-1a and I'm thinking of using it with and an amp. I want to power my tower speakers with it. but I'm jumping around now, I was looking at outlaw for sure, then I looked at marantz mono blocks, then Parasound now Adcom. My dad has a GFA-1a and it sounds amazing, I'm really starting to lean towards an adcom now since it'll match the preamp. through my headphones the preamp sounds better than my computer and portable Cd player.
    I'm a weirdo and want as much power as I can get and looks like Adcom would be a good amp to get. plus I won't always be powering just these towers with it. some day I hope to get either some Polk SDA speakers or RTI's.
    thank you for the reply.
    Home theater:
    43” Westinghouse Displayer
    Marantz UD-7007 Player
    Emotiva MC-700 Processor
    Adcom GFA-5006 Amplifier
    Parasound Zamp Amplifier
    Ethereal ESO-1 Power Conditioner
    Klipsch RC-10 Center
    Klipsch R34c Fronts
    Klipsch RB-41 Surrounds
    Polk audio PSW-505

    Stereo:
    Polk audio RTA-12c’s fully upgraded crossovers
    DIY 12tc braided speaker cables
    Denon DVD-5910ci Spinner
    Parasound P6 Preamplifer
    Parasound HCA -1500a Amplifier
  • reeltrouble1
    reeltrouble1 Posts: 9,312
    edited August 2011
    Mr. Sharpe wrote: »
    I'm a weirdo

    then you show excellent potential for lifelong membership.

    niles or outlaw...well, depends, would you rather pierce you eardrum with a needle or an ice pick???

    NAD and Polk....good
    Parasound and Polk....good

    Have fun, understand nobody likes their baby called ugly. oh and beware the mp3 people.

    RT1
  • fredg369
    fredg369 Posts: 5
    edited August 2011
    Mr. Sharpe wrote: »
    I've always been a little hazy on the 45 amp peaks and what not, could you explain that to me please? that couldn't mean that it peaks at 5600 watts could it?? or is that exactly what that means?


    I'm not a engineer so this vid from audio advisor & parasound can explane it better.

    http://www.youtube.com/watch?v=Y_22XOakyxM&feature=youtube_gdata_player
  • Mr. Sharpe
    Mr. Sharpe Posts: 1,354
    edited August 2011
    then you show excellent potential for lifelong membership.

    niles or outlaw...well, depends, would you rather pierce you eardrum with a needle or an ice pick???

    NAD and Polk....good
    Parasound and Polk....good

    Have fun, understand nobody likes their baby called ugly. oh and beware the mp3 people.

    RT1

    thank you:) and I don't use mp3's... is that good? lol
    fredg369 wrote: »
    I'm not a engineer so this vid from audio advisor & parasound can explane it better.

    http://www.youtube.com/watch?v=Y_22XOakyxM&feature=youtube_gdata_player

    That makes perfect sense. thanks for that. It is a struggle to life my Onkyo receiver, it is not a struggle to life my RCA lol the Onkyo probably weighs four times as much.
    Home theater:
    43” Westinghouse Displayer
    Marantz UD-7007 Player
    Emotiva MC-700 Processor
    Adcom GFA-5006 Amplifier
    Parasound Zamp Amplifier
    Ethereal ESO-1 Power Conditioner
    Klipsch RC-10 Center
    Klipsch R34c Fronts
    Klipsch RB-41 Surrounds
    Polk audio PSW-505

    Stereo:
    Polk audio RTA-12c’s fully upgraded crossovers
    DIY 12tc braided speaker cables
    Denon DVD-5910ci Spinner
    Parasound P6 Preamplifer
    Parasound HCA -1500a Amplifier
  • reeltrouble1
    reeltrouble1 Posts: 9,312
    edited August 2011
    Mr. Sharpe wrote: »
    thank you:) and I don't use mp3's... is that good? lol

    yes it is good, albiet they have found a niche.

    I did not watch the video as I have done the engineering long ago...you will see some folks just say..trust your ears...ok, still sage advice, if you like it and it gets your toe tapping great, this hobby can grab hold of you and becomes an obsession. How far you want to go in understanding electronic sound reproduction and its seemingly endless paths, pitfalls, and passions is an individual thing.

    An amplifier which has a balanced circuit, few gain stages, discreet circuitry, torodial transfomers, approriate care in deciding feedback issues, quality capacitors, shielding and such goes hand in hand with sound quality..and I just skimmed the surface so to speak...yes the weight of an amp is an indication of quality as far as traditional amplifiers go.

    Listening to so much gear has been one of the most rewarding parts of longtime membership in this club, so enjoy yourself Mr. S.

    RT1
  • Mr. Sharpe
    Mr. Sharpe Posts: 1,354
    edited August 2011
    Thanks a bunch. I've actually sort of just stopped wanting the Niles and outlaws all together and am thinking about getting an Adcom GFA-1a if I can find one. It's a funny amp to me, you'd think you could just pick it up but you really almost need hand trucks even though it's so small. either that or two of those Marantz ma700's. it depends.

    Thanks again Reel
    Home theater:
    43” Westinghouse Displayer
    Marantz UD-7007 Player
    Emotiva MC-700 Processor
    Adcom GFA-5006 Amplifier
    Parasound Zamp Amplifier
    Ethereal ESO-1 Power Conditioner
    Klipsch RC-10 Center
    Klipsch R34c Fronts
    Klipsch RB-41 Surrounds
    Polk audio PSW-505

    Stereo:
    Polk audio RTA-12c’s fully upgraded crossovers
    DIY 12tc braided speaker cables
    Denon DVD-5910ci Spinner
    Parasound P6 Preamplifer
    Parasound HCA -1500a Amplifier
  • heiney9
    heiney9 Posts: 25,165
    edited August 2011
    The Adcom GFA 555 would be a better choice and easier to find. The GFA1's are earlier than the 555 and I think the 555 sounds a little better.

    Just throwing it out there.

    H9
    "Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul!
  • Mr. Sharpe
    Mr. Sharpe Posts: 1,354
    edited August 2011
    well the GFA's pop up on ebay every now and again, and the 555 costs more. I would get a newer one but I grew up listening to the 1a. although I won't go without considering a 555.

    thanks h9
    Home theater:
    43” Westinghouse Displayer
    Marantz UD-7007 Player
    Emotiva MC-700 Processor
    Adcom GFA-5006 Amplifier
    Parasound Zamp Amplifier
    Ethereal ESO-1 Power Conditioner
    Klipsch RC-10 Center
    Klipsch R34c Fronts
    Klipsch RB-41 Surrounds
    Polk audio PSW-505

    Stereo:
    Polk audio RTA-12c’s fully upgraded crossovers
    DIY 12tc braided speaker cables
    Denon DVD-5910ci Spinner
    Parasound P6 Preamplifer
    Parasound HCA -1500a Amplifier