an amp makes the biggest difference, not source!

danger boy
danger boy Posts: 15,722
edited November 2008 in Electronics
ok this debate has gone on for longer than I've been a Polkie ;)

I recently added a old Pioneer two ch dual mono block amp and i'm testing it out right now on my computer rig speakers.. just in case it blows up, I don't want it to toast any other speakers. These speakers I could have die and I wouldn't even blink an eye. :p

Anyhow, the only thing I've changed this week is I added a big beefy amp. Let me tell you, even these crappy speakers are sounding decent.

So the old debate of which makes the biggest difference in a stereo rig has finally been settled, it's the amp of course. :D
PolkFest 2012, who's going>?
Vancouver, Canada Sept 30th, 2012 - Madonna concert :cheesygrin:
Post edited by danger boy on
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Comments

  • reeltrouble1
    reeltrouble1 Posts: 9,312
    edited October 2008
    without the signal the amp cannot shine, you cannot be this without that. Everything in balance, therefore a balanced amp would be better, but better than what, well better than that, because we now have this.

    RT1--There was an old lady who swallowed a fly.
  • bikezappa
    bikezappa Posts: 2,463
    edited October 2008
  • Early B.
    Early B. Posts: 7,900
    edited October 2008
    The only thing that matters is the source. Every other component should get the f**k out of the way.

    Ideally, preamps, amps, speakers, cables, etc. should "do no harm." If a component has a "sonic signature," get rid of it.
    HT/2-channel Rig: Sony 50” LCD TV; Toshiba HD-A2 DVD player; Emotiva LMC-1 pre/pro; Rogue Audio M-120 monoblocks (modded); Placette RVC; Emotiva LPA-1 amp; Bada HD-22 tube CDP (modded); VMPS Tower II SE (fronts); DIY Clearwave Dynamic 4CC (center); Wharfedale Opus Tri-Surrounds (rear); and VMPS 215 sub

    "God grooves with tubes."
  • heiney9
    heiney9 Posts: 25,503
    edited October 2008
    Early B. wrote: »
    The only thing that matters is the source. Every other component should get the f**k out of the way.

    Ideally, preamps, amps, speakers, cables, etc. should "do no harm." If a component has a "sonic signature," get rid of it.

    Everything has a "sonic" signature. I guess we can all get rid of our gear and imagine what the music sounds like.

    Sure the end goal should be what goes in goes out. But in reality that is impossible. Even if you could reach that goal who listens in an anechoic chamber. I know I don't nor would I want to. The room and all it's furnishings would then "color" the sound.

    It's lofty to say no sonic signature, but it's an impossible goal to reach and we really don't even come that close.

    H9
    "Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Puritan Audio PSM136 Pwr Condtioner & Classic PC's | Legend L600 | Roon Nucleus 1 w/LPS - Tubes add soul!
  • bikezappa
    bikezappa Posts: 2,463
    edited October 2008
    ok, the source is the most important part in the chain.

    but speakers, imo, can do the most damage or distortion to the sound.
  • unc2701
    unc2701 Posts: 3,587
    edited October 2008
    I'm ok with the "wire with gain" idea, but Early, wires don't move air. Speakers do. So the source may be key, but claiming that the speakers should "get the f**k out of the way" is completely ridiculous.

    Furthermore, I'd bet 95% of people pulled right off the street could hear a difference between any given set of speakers. About 95% could NOT hear a difference between any given CD player (at least without practice or training). 'nough said.
    Gallo Ref 3.1 : Bryston 4b SST : Musical fidelity CD Pre : VPI HW-19
    Gallo Ref AV, Frankengallo Ref 3, LC60i : Bryston 9b SST : Meridian 565
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    Backburner:Krell KAV-300i
  • reeltrouble1
    reeltrouble1 Posts: 9,312
    edited October 2008
    geez guys this is so simple, its a system of interdependant parts, by system definition no part then can be greater than any other to the system's whole, the problems encountered by the system will be systemic so changing any one of them will change the entire system.

    Or as MadMax says--everything matters or as I say you can't have this without that.

    RT1
  • Fongolio
    Fongolio Posts: 3,516
    edited October 2008
    This debate is moot. You can have a fantastic source, a crappy amp, and the world's best speakers and the result can sound horrible. A weak source, great amp, great speakers....crap. Great source, great amp, crappy speakers....crap (sometimes). The point is that every piece in the "chain" makes up the end result. If everything is working well with everything else the result can be crap. In my mind no one golden part makes mediocre equipment shine. But sometimes even pieces that many consider low end can come together and sound great. My very mediocre rig very often sounds better than rigs on display at high end stereo shops when their price tags are many many times higher than what I paid for mine. The source, amp, speakers and room acoustics all play a part. Not to mention clean ac power. My two cents.
    SDA-1C (full mods)
    Carver TFM-55
    NAD 1130 Pre-amp
    Rega Planar 3 TT/Shelter 501 MkII
    The Clamp
    Revox A77 Mk IV Dolby reel to reel
    Thorens TD160/Mission 774 arm/Stanton 881S Shibata
    Nakamichi CR7 Cassette Deck
    Rotel RCD-855 with modified tube output stage
    Cambridge Audio DACmagic Plus
    ADC Soundshaper 3 EQ
    Ben's IC's
    Nitty Gritty 1.5FI RCM
  • bobman1235
    bobman1235 Posts: 10,822
    edited October 2008
    I say the heart is more important than the lungs. Takers? :)
    If you will it, dude, it is no dream.
  • curved
    curved Posts: 664
    edited October 2008
    bikezappa wrote: »
    ok, the source is the most important part in the chain.

    but speakers, imo, can do the most damage or distortion to the sound.

    The amp is what causes a lot of the distortion that you are hearing from the speakers.

    I think it's the source, amp and speakers:eek:
    Living Room:....................[HTML] [/HTML] Zone 2 (Workout Room):
    AVR - Yamaha RX-V757......JBL 4312 Pro Monitors
    Pre - Nak CA-5
    AMP - Adcom 555 (Main)
    Main - Polk RTI8**/RTiA5
    AMP - Adcom 545II (Center)
    Center - Polk CSiA4**
    Sub - Snell Basis 300:p......Zone 3 (Outside)
    CD - Yamaha CDC-555.......Def Tech AW5500
    TV - Pani TH-42PZ80U
    BR - LG BD390
    Monster HTS1600 Power Center
    Dedicated Circuit - (2) 20amp, (1) 15amp
    Ben's IC, Canare 4S11

    **Dayton and Sonicap Caps with Mills Resistors**
  • Early B.
    Early B. Posts: 7,900
    edited October 2008
    The point I'm making is that the source is called the "source" for good reason. Ideally, an amp should merely amplify the sound, not alter it. Of course, everything in the signal path alters the sound to some degree, but the goal should be to minimize these alterations as much as possible.

    The source is the only component that interacts directly with the medium of music, i.e., CD, LP, etc. and initiates its propagation along the signal path to ultimately create sound. Thus, the true role of all other components is to assist the source in relaying the sound to the listener.

    To put it succinctly, the source is the main character; everything else plays a supporting role. In other words, the source is king. All other components are necessary evils.
    HT/2-channel Rig: Sony 50” LCD TV; Toshiba HD-A2 DVD player; Emotiva LMC-1 pre/pro; Rogue Audio M-120 monoblocks (modded); Placette RVC; Emotiva LPA-1 amp; Bada HD-22 tube CDP (modded); VMPS Tower II SE (fronts); DIY Clearwave Dynamic 4CC (center); Wharfedale Opus Tri-Surrounds (rear); and VMPS 215 sub

    "God grooves with tubes."
  • danger boy
    danger boy Posts: 15,722
    edited October 2008
    i believe it's true that all components play a part of the whole listening experience. without a source you have no music, same without an amp... to amplify that music.

    I do think that speakers color sound more than an other component in a system though.
    PolkFest 2012, who's going>?
    Vancouver, Canada Sept 30th, 2012 - Madonna concert :cheesygrin:
  • George Grand
    George Grand Posts: 12,256
    edited October 2008
    The overwhelming sonic character of anybody's rig is the interaction between the room and the speakers.

    I can't believe you guys, with all your knowledge and background would even begin to argue about this.
  • apphd
    apphd Posts: 1,514
    edited October 2008
    I'm lucky. For me it's what ever parts make up a system that produces a sound I like. Anyone else that listens to my set-up can go pound salt if they do not like it.:p I don't know what some recording engineer was hearing or what he intended the finished results to sound like. So I don't attempt to emulate that, just go for what floats my boat. :eek:
  • cfrizz
    cfrizz Posts: 13,415
    edited October 2008
    You just HAD to go there didn't you Al???:eek:;)

    All that you have discovered is what I have been preaching for close to 4 years.

    Lots of amplification allows ALL speakers to operate to their full potential so that you can HEAR what they can do.

    However, the amp should NOT be changing the sound. So if you put in an old cd & hear things you never heard before (backup vocals, instruments. etc) then you know that the amp is doing it's job.

    But if a cd that you use to love all of a sudden sounds like $hit, then toss out the cd. DO NOT BLAME THE AMP OR OTHER GEAR!

    It is because the cd was $hit to begin with & you are now just hearing how bad it is since your speakers are now operating to their full potential thanks to the increased amplification!

    It is very easy now for me to tell poor recordings versuses good recordings via my mp3 player going through my system. Most of the newer stuff & digitally remastered stuff sounds good.

    Quite a bit of the older recorded stuff that sounded decent pre amplification/receiver, now sounds awful. That is also true of the original cd it came from!

    But all pieces of the equipment are needed to get the end results.
    Marantz AV-7705 PrePro, Classé 5 channel 200wpc Amp, Oppo 103 BluRay, Rotel RCD-1072 CDP, Sony XBR-49X800E TV, Polk S60 Main Speakers, Polk ES30 Center Channel, Polk S15 Surround Speakers SVS SB12-NSD x2
  • Early B.
    Early B. Posts: 7,900
    edited October 2008
    The overwhelming sonic character of anybody's rig is the interaction between the room and the speakers.

    I can't believe you guys, with all your knowledge and background would even begin to argue about this.

    Hey, George -- we're just "arguing" for the fun of it. If anyone is taking me seriously, they're nuts. :p

    Good point about the interaction between room and speakers. The room is important, of course, but we usually don't have lots of options available for changing rooms. Instead, we change gear.

    BTW -- all speakers emerge from the depths of hell and 'eff up the sound. Someday someone will create technology where the walls of the room behave like a transducer, thus making all speakers obsolete. :eek:
    HT/2-channel Rig: Sony 50” LCD TV; Toshiba HD-A2 DVD player; Emotiva LMC-1 pre/pro; Rogue Audio M-120 monoblocks (modded); Placette RVC; Emotiva LPA-1 amp; Bada HD-22 tube CDP (modded); VMPS Tower II SE (fronts); DIY Clearwave Dynamic 4CC (center); Wharfedale Opus Tri-Surrounds (rear); and VMPS 215 sub

    "God grooves with tubes."
  • cfrizz
    cfrizz Posts: 13,415
    edited October 2008
    Ok Brad, whatever you been drinking, you need to back away from before someone gets hurt!:eek:;):D
    Marantz AV-7705 PrePro, Classé 5 channel 200wpc Amp, Oppo 103 BluRay, Rotel RCD-1072 CDP, Sony XBR-49X800E TV, Polk S60 Main Speakers, Polk ES30 Center Channel, Polk S15 Surround Speakers SVS SB12-NSD x2
  • Early B.
    Early B. Posts: 7,900
    edited October 2008
    cfrizz wrote: »
    Ok Brad, whatever you been drinking, you need to back away from before someone gets hurt!:eek:;):D

    Nah, just bored at work. Is it five o'clock yet?
    HT/2-channel Rig: Sony 50” LCD TV; Toshiba HD-A2 DVD player; Emotiva LMC-1 pre/pro; Rogue Audio M-120 monoblocks (modded); Placette RVC; Emotiva LPA-1 amp; Bada HD-22 tube CDP (modded); VMPS Tower II SE (fronts); DIY Clearwave Dynamic 4CC (center); Wharfedale Opus Tri-Surrounds (rear); and VMPS 215 sub

    "God grooves with tubes."
  • wingnut4772
    wingnut4772 Posts: 7,519
    edited October 2008
    bikezappa wrote: »
    Speakers

    Yep.
    Sharp Elite 70
    Anthem D2V 3D
    Parasound 5250
    Parasound HCA 1000 A
    Parasound HCA 1000
    Oppo BDP 95
    Von Schweikert VR4 Jr R/L Fronts
    Von Schweikert LCR 4 Center
    Totem Mask Surrounds X4
    Hsu ULS-15 Quad Drive Subwoofers
    Sony PS3
    Squeezebox Touch

    Polk Atrium 7s on the patio just to keep my foot in the door.
  • pearsall001
    pearsall001 Posts: 5,328
    edited October 2008
    The overwhelming sonic character of anybody's rig is the interaction between the room and the speakers.

    I can't believe you guys, with all your knowledge and background would even begin to argue about this.

    You nailed it George!! The room is the most underlooked piece of the puzzle for sure. The best source, amp, speakers in the world can sound like crap in a bad room. On the same note...a mediocore system can really shine in a well balanced room. We spend way toooooo much time swapping out gear, cables, etc. & do absolutely nothing to improve the room.
  • mmadden28
    mmadden28 Posts: 4,283
    edited October 2008
    Early B. wrote: »
    ...Someday someone will create technology where the walls of the room behave like a transducer, thus making all speakers obsolete. :eek:

    You mean like Onsia? (avail at Lowes if you want to hear them) ;)
    ____________________
    This post is a natural product. The slight variations in spelling and grammar enhance its individual character and beauty and in no way are to be considered flaws or defects.

    HT:Onkyo 805, Emotiva XPA-5, Mitsu 52" 1080p DLP / polkaudio RTi12, CSIa6, FXi3, uPro4K
    2-chnl : Pio DV-46AV (SACD), Dodd ELP, Emotiva XPA-1s, XPA-2, Odyssey Khartago, LSi9, SDA-SRS 2 :cool:, SB Duet, MSB & Monarchy DACs, Yamaha PX3 TT, SAE Tuner...
    Pool: Atrium 60's/45's
  • ben62670
    ben62670 Posts: 15,969
    edited October 2008
    The room is very important as is setup. I still have to make some tweaks, but I need to stop chasing my tail and treat my listening area. As for gear the weakest link will be exaggerated by the rest of the gear. Two great pieces, and one bad equal three bad. Unfortunately I have to do one piece at a time. Thankfully my gear is decent, and I will finally get to the room next step. I may even change rooms. I am hating the room I am in now:(
    Ben
    Please. Please contact me a ben62670 @ yahoo.com. Make sure to include who you are, and you are from Polk so I don't delete your email. Also I am now physically unable to work on any projects. If you need help let these guys know. There are many people who will help if you let them know where you are.
    Thanks
    Ben
  • bikezappa
    bikezappa Posts: 2,463
    edited October 2008
    Suppose you have two pails, one with beer and one with piss.

    What do you have if you put one drop of piss into the pail of beer?

    Two pails of piss.
  • George Grand
    George Grand Posts: 12,256
    edited October 2008
    I should modify my response as it was kind of misunderstood.

    I feel the selection of loudspeaker is the single biggest component of sonic character in anybody's rig. Almost ANYBODY, neophytes included, will discern a change in loudspeakers. The second biggest component will be the interaction between that particular room and those particular loudspeakers. Again, almost anybody can hear the difference between the sound of a particular speaker in a carpeted, toned down room, and the same speaker in a harsh, highly reflective room. Try getting those same people to hear diffs in cd players, amps, speaker cable, interconnects, power cables, power supplies and just about everything else audio.
  • hoosier21
    hoosier21 Posts: 4,420
    edited October 2008
    the quality of the recording makes the biggest difference, good recording make sh*tty rigs sound great, sh*tty recordings make great systems sound like crap

    Those are the facts Jack
    Dodd - Battery Preamp
    Monarchy Audio SE100 Delux - mono power amps
    Sony DVP-NS999ES - SACD player
    ADS 1230 - Polk SDA 2B
    DIY Stereo Subwoofer towers w/(4) 12 drivers each
    Crown K1 - Subwoofer amp
    Outlaw ICBM - crossover
    Beringher BFD - sub eq

    Where is the remote? Where is the $%#$% remote!

    "I've always been mad, I know I've been mad, like the most of us have...very hard to explain why you're mad, even if you're not mad..."
  • Face
    Face Posts: 14,340
    edited October 2008
    hoosier21 wrote: »
    the quality of the recording makes the biggest difference, good recording make sh*tty rigs sound great, sh*tty recordings make great systems sound like crap

    Those are the facts Jack
    That explains why a lot of modern recordings and remasters sound better in my car. :D
    "He who fights with monsters should look to it that he himself does not become a monster. And when you gaze long into an abyss the abyss also gazes into you." Friedrich Nietzsche
  • ShinAce
    ShinAce Posts: 1,194
    edited October 2008
    I'll go with:
    1 - speakers
    2 - room interactions
    3 - track mastering
    4 - mood/alcohol

    Those are the biggest 4 factors for me.
  • curved
    curved Posts: 664
    edited October 2008
    ShinAce wrote: »
    I'll go with:
    1 - speakers
    2 - room interactions
    3 - track mastering
    4 - mood/alcohol

    Those are the biggest 4 factors for me.

    I think everything looks good - you just need to move #4 up to #1 :D
    Living Room:....................[HTML] [/HTML] Zone 2 (Workout Room):
    AVR - Yamaha RX-V757......JBL 4312 Pro Monitors
    Pre - Nak CA-5
    AMP - Adcom 555 (Main)
    Main - Polk RTI8**/RTiA5
    AMP - Adcom 545II (Center)
    Center - Polk CSiA4**
    Sub - Snell Basis 300:p......Zone 3 (Outside)
    CD - Yamaha CDC-555.......Def Tech AW5500
    TV - Pani TH-42PZ80U
    BR - LG BD390
    Monster HTS1600 Power Center
    Dedicated Circuit - (2) 20amp, (1) 15amp
    Ben's IC, Canare 4S11

    **Dayton and Sonicap Caps with Mills Resistors**
  • Early B.
    Early B. Posts: 7,900
    edited October 2008
    Speakers make the biggest difference if you're defining "difference" as the component that has the biggest variation. For instance, amps and preamps in the same class may have minor differences between one another, but speakers in the same class can vary considerably. Speakers make the biggest "difference" because they are biggest culprits for **** up the sound.
    HT/2-channel Rig: Sony 50” LCD TV; Toshiba HD-A2 DVD player; Emotiva LMC-1 pre/pro; Rogue Audio M-120 monoblocks (modded); Placette RVC; Emotiva LPA-1 amp; Bada HD-22 tube CDP (modded); VMPS Tower II SE (fronts); DIY Clearwave Dynamic 4CC (center); Wharfedale Opus Tri-Surrounds (rear); and VMPS 215 sub

    "God grooves with tubes."
  • Fatbrando
    Fatbrando Posts: 275
    edited October 2008
    I think, therefore I am...


    FB
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