What Are You Listening To? (Part Deux)
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Umbra was founded in 1969 and continued to solidify into 1970. Steve describes Umbra as “a progressive, psychedelic, jam group”. I had the privilege of listening to the band’s “garage” recordings from that period and have to say this was a very diverse and talented ensemble. Steve recalled that the tracks were put down on a 4 track and a 2 track recorder and recorded at a band member’s home.
Most of the band members were from local Denver area high schools with the exception of Nick Melliadis who came from New York. Steve attended South High School which wasn’t a good fit for him back then. “I didn’t care much for high school so I dropped out to pursue my music.” It was a decision that worked very well for Steve. He did achieve his GED, but more importantly acquired a rich and deep education in music with his adventures from Umbra up to the present day.
The name “Umbra” was selected by the band while perusing the dictionary – an exercise common with bands back then (and maybe even now). “Umbra translates to “shadow on moon”, stated Steve. “We wanted a name that was short, mysterious, easy to remember, and sounded cool.”
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II Balletto di Bronzo - Sírio 2222
Il Balletto di Bronzo (translation: "The Bronze Ballet") is an Italian progressive rock band from Naples. The band was initially formed as the I Battitori Selvaggi, and played Nato bases in Italy. Early members included Raffaele Cascone, a progressive guitarist and Freddy Cannon on drums. Cannon would later become a very successful record company executive with EMI, Carrere, PWL and join BMI as a senior executive in 1994. They changed their name to Il Balletto di Bronzo in 1969 and released two singles. The singles were Neve Calda / Comincio 'Per Gioco (1969) and Si, Mama Mama / Meditazione (1970). Their albums were Sirio 2222(1970) followed by Ys (1972), before their first break up in 1973.
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Local Stev Jochum on CD;

https://www.youtube.com/watch?v=LE2rMBc98pM&list=RDLE2rMBc98pM&start_radio=1
Speakers: Polk Lsim, ATC SCM19 v2, NHT SuperzeroSpeaker Cables: DH Labs, Transparent, Wireworld, Canare, Monster: Beer budget, Bose ears -

The Rolling Stones - Some Girls
Picked up at an antique mall in near Toledo, OH. I believe this is an original issue with Lucille Ball and others celebrities on the inner sleeve. If I’m correct I got a deal at $21.60
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Pink Floyd 8-tracks CD;


Speakers: Polk Lsim, ATC SCM19 v2, NHT SuperzeroSpeaker Cables: DH Labs, Transparent, Wireworld, Canare, Monster: Beer budget, Bose ears -
Elton John: Captain Fantastic and the Brown Dirt Cowboy

MCA Records MCA-2142
{Vinyl, LP, stereo, gatefold, 1975}
The arc of the moral universe is long, but it bends towards justice.—Martin Luther King Jr. -


Speakers: Polk Lsim, ATC SCM19 v2, NHT SuperzeroSpeaker Cables: DH Labs, Transparent, Wireworld, Canare, Monster: Beer budget, Bose ears -
January 1977 Columbia record plant pressing. 1st pressing adjacent "Demonstration Not For Sale" LP.
Sadly VG. I'll try sonically cleaning it...


This one was given to WUWH?Speakers: Polk Lsim, ATC SCM19 v2, NHT SuperzeroSpeaker Cables: DH Labs, Transparent, Wireworld, Canare, Monster: Beer budget, Bose ears -

A big find for me 😀
The Cheerful Insanity Of Giles, Giles And Fripp
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from the cheapo section; Thrash/Black metal comp from 1988-90, Blasfemia. 2011 re-release


Black/Thrash metal band from Medellín, Antioquia, Colombia.
Band founded in Medellin, Colombia in 1986 by Ramón Restrepo (Ex-Parabellum). This band makes also part of the movement called "Ultra-Metal" or "Metal-Medallo" created in the city of Medellin in 1984.
The 80's were an interesting time for metal
Speakers: Polk Lsim, ATC SCM19 v2, NHT SuperzeroSpeaker Cables: DH Labs, Transparent, Wireworld, Canare, Monster: Beer budget, Bose ears -

Earthforce is a mystical UK acid folk-rock band created by Steve Bayfield. Originally released as a private cassette in 1977, their self-titled album blends English folk, eastern trance, sitar, and synths. It offers a spacey, magical sound similar to Popul Vuh and Gong.Album Highlights. The Sound: A freaky, meditative, and cosmic blend of acoustic and electric fuzz guitars, fretless bass, sitar, tablas, harmonium, and Moog.The Vibe: An out-of-step gem from the punk age. The music maps a journey through the course of a single day, from dawn to moonrise.Genre: Acid folk, UK progressive, and space rock.
Because I am The Pumpkinking
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Jacco Gardner - Cabinet Of Curiosities
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Ten Years After - Undead - 1968
Their second album. Live. -

Tangerine Dream
Live At The Palace Des Arts, Montreal
April 9th, 1977
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Tim Weisberg: Dreamspeaker

A&M Records SP-3045
{Vinyl, LP, stereo, 1973}
thrift store acquisition 75¢
The arc of the moral universe is long, but it bends towards justice.—Martin Luther King Jr. -

Ten Years After - Stonedhenge - 1969
Their third album. -
Hiroshi Suzuki: Cat

Columbia COCB-54118 • Deep Jazz Reality / Dig Deep Columbia
{CD, stereo, released 1975, reissued remastered 2014}
The arc of the moral universe is long, but it bends towards justice.—Martin Luther King Jr. -

Jacco Gardner - Hypnophobia
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Jacco Gardner’s Somnium
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3 from The Dave Clark 5
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New arrival CD
Santa y Su Gente is a Chilean jazz-rock and Latin-funk project led by percussionist Santiago "Santa" Salas. Formed in 1974, the group is celebrated for releasing Urgente, a rare, underground album blending salsa, Afro-Latin rhythms, and funk.
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New arrival CD
Polifemo was a short-lived but highly influential Argentine hard rock and progressive-blues band active between 1975 and 1977. Formed after the breakup of the legendary duo Sui Generis, the band became a staple of the 1970s Buenos Aires rock scene.
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Gil Evans Orchestra featuring Johnny Coles: Great Jazz Standards

World Pacific Records WP-1270 / Blue Note B0034361-01 • Blue Note Tone Poet Series
{Vinyl, LP, released in 1959, reissued in stereo 1923, 180gram}The arc of the moral universe is long, but it bends towards justice.—Martin Luther King Jr. -

Wapassou was a pioneering French progressive, psychedelic, and art-rock band based in Strasbourg. Active from 1972 to 1986, the band is highly regarded for their unique, avant-prog hybrid sound.
Key highlights of their legacy include:
* The Sound: Their early work (like their obscure eponymous 1973 debut) had a heavy psychedelic flavor. Later, they shifted into complex, neo-classical and chamber-rock styles.
* Instrumentation: A signature trait of their trilogy of classical/mystical suites was the complete absence of traditional percussion, relying instead on interlocking guitars, violins, and keyboards.
* Discography: They released six major albums between 1974 and 1986, including the acclaimed large-scale works Salammbô (1977) and Ludwig (Un Roi Pour L'Eternite) (1979).

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New arrival 2 CD set with 22 bonus tracks
Unlike many self-created obscurities rescued from the margins, Michael Angelo (aka The Guinn Album) isn’t the effort of some fanatical, ponderous bedroom wiz delivered with passion in lo-fi, but a fully-fledged pro-studio recording executed by multi-instrumentalist and full-time session man in mid-to-late ‘70s Kansas City, MO, Michael Angelo *****. An enigmatical exemplar of subterranean overachievers, Michael created the album as a labor of economy during studio off-hours when he was given free reign, and since its discovery by fringe-searchers it has been christened a heavy-hitter in the pantheon of “out-of-time” treasures. Self-produced and nearly fully self-created (with drums handled by Frank Gautieri), Michael Angelo is a staggering, hook-filled, inner space hi-fi snapshot of dreamy folk-rock, Anglophile-pop and light psychedelia, filled with contemplative, arresting lyrical imagery and carries little to ally it to its time (spare some shimmering keyboards).
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https://www.youtube.com/watch?v=cSGX3tPvGS8
https://www.youtube.com/watch?v=G1xFNCMuf2g&list=RDG1xFNCMuf2g&start_radio=1
https://www.youtube.com/watch?v=QX1L2JqtFBE&list=RDG1xFNCMuf2g&index=3
https://www.youtube.com/watch?v=fn_dw0JOXRg&list=RDG1xFNCMuf2g&index=7