Strictly Jazz - Suggestions and a discussion about the music.

Well, I can't really say that this is jazz, but regardless...

Very nice and relaxing....



Tom

Do it......F'n DO IT...

If you don't? Well, you may very well have lost out on one of the greatest pleasures of this genre....and life itself, TBT.

Tom

Cool read and backstory of a jazz band...



A rainy night. An empty pub. A terrible jazz band.
The singer—completely oblivious to the sparse crowd and mediocre performance—announced with pride: "Goodnight and thank you. We are the Sultans of Swing!"
Mark Knopfler watched this moment of pure delusion and thought: that's beautiful.
He went home that night in 1977 and wrote one of the greatest rock songs ever recorded.
About mediocrity.
This is South London, 1977. Mark Knopfler was 28 years old, working as a university lecturer in English, playing guitar in pubs on the side. He'd recently formed a band with his younger brother David and bassist John Illsley—a group that would eventually become Dire Straits.
But that hadn't happened yet. They were just three guys playing music, hoping something would click.
On this particular rainy evening, Knopfler ducked into a nearly empty pub in Deptford. He was soaked. Looking for shelter. Maybe a pint.
On stage, a jazz band was playing. Not well.
There were maybe five people in the audience. The band was struggling—out of tune, out of sync, clearly not professionals. Just enthusiasts. Amateurs doing their best.
But here's what struck Knopfler: they didn't seem to realize how bad they were. Or maybe they did, but they didn't care. They kept playing with complete sincerity. No irony. No self-consciousness. Just pure love of music.
When the set ended, the singer—drenched in unearned confidence—stepped to the microphone and announced with genuine pride:
"Goodnight and thank you. We are the Sultans of Swing!"
The Sultans of Swing.
Not a self-deprecating joke. Not ironic. They genuinely believed they were sultans. Masters. Kings of swing.
In that dingy, empty pub. Playing mediocre jazz to nobody.
Knopfler was transfixed.
Most people would have laughed or cringed. But Knopfler saw something else: there was dignity in that delusion. Beauty in that disconnect between self-perception and reality. Something deeply human about loving what you do even when nobody else cares.
He finished his pint, left the pub, and walked through the rain back to the flat he shared with David and John Illsley in Deptford.
And he started writing.
Illsley remembers hearing the first version that same night. Knopfler sat with his guitar, working out chords, singing fragments of lyrics.
"Check out Guitar George, he knows all the chords..." "A band is blowing Dixie double four time..." "The Sultans... of Swing..."
It was rough. Incomplete. But Illsley knew immediately: "This is different. This is something."
The song Knopfler was writing wasn't mocking the band he'd seen. It was celebrating them. Honoring their sincerity. Their dedication to music despite empty rooms and disinterested crowds.
The narrator in "Sultans of Swing" isn't the band—it's the observer, watching them play. Admiring them. Recognizing that these guys playing "Creole" and "Dixie" in a corner of a neglected pub are somehow more real than the manufactured stars dominating radio.
"You get a shiver in the dark, it's raining in the park but meantime..."
That opening line captured the entire mood: rainy, forgotten, but somehow electric. Magic happening in unlikely places.
But the song went through transformation.
The first version Knopfler wrote was more straightforward. Good, but not the classic it would become.
Then, in 1978, Knopfler bought a Fender Stratocaster—a specific model, a 1961 Strat with a distinctive sound.
He picked up that guitar and suddenly heard "Sultans of Swing" differently. The chord structure changed. The groove deepened. That iconic, clean guitar tone—almost jazz-like despite being rock—emerged.
He told David: "Remember that song I was fiddling with? I've completely changed the chord structure."
The new version was transcendent. The guitar work was intricate but effortless-sounding. The vocals were conversational, almost spoken. The lyrics painted a vivid scene without explaining too much.
It was a song about a moment most people would have forgotten. But Knopfler made it immortal.
Dire Straits recorded "Sultans of Swing" and released it as a single in May 1978.
And... nothing happened.
It barely charted in the UK. Radio largely ignored it. The band was unknown. The song was too different—too subtle, too story-based, too guitar-focused in an era of punk and disco.
They released their self-titled debut album in October 1978. Again, minimal initial impact in Britain.
But then something strange happened: the Netherlands loved it.
Dutch radio started playing "Sultans of Swing" heavily. The album went gold in Holland before it did anywhere else. That success caught attention in other European countries, then gradually built momentum back in the UK.
By 1979, "Sultans of Swing" was climbing charts worldwide. It reached #4 in the U.S., #8 in the UK. The album eventually sold over 7 million copies globally.
That terrible jazz band in a dingy Deptford pub had accidentally inspired a worldwide hit.
Here's the beautiful irony: the real "Sultans of Swing"—whoever they were—probably never knew.
They played that rainy night, announced their name with pride, packed up their instruments, and went home. Maybe they kept playing other pub gigs. Maybe they eventually stopped. But they almost certainly never realized that someone in the audience that night turned them into legends.
Mark Knopfler has never revealed the actual band's name. He's never tracked them down or brought them on stage. The song isn't really about them specifically—it's about the universal experience of artists performing for nobody, believing in themselves despite evidence to the contrary.
It's about the gap between perception and reality. About sincerity surviving disappointment. About art for art's sake, even in the least glamorous circumstances.
John Illsley later said: "I suppose you could say that 'Sultans of Swing' was the song that started it all for us."

CONTINUED...

Lyrics:
You get a shiver in the dark
It's raining in the park but meantime
South of the river, you stop and you hold everything
A band is blowing Dixie, double-four time
You feel alright when you hear the music ring
Well, now you step inside, but you don't see too many faces
Coming in out of the rain, they hear the jazz go down
Competition in other places
Uh, but the horns they blowin' that sound
Way on down south
Way on down south, London town
You check out guitar George, he knows all the chords
Mind, it's strictly rhythm, he doesn't want to make it cry or sing
They said an old guitar is all he can afford
When he gets up under the lights to play his thing
And Harry doesn't mind if he doesn't make the scene
He's got a daytime job, he's doing alright
He can play the honky-tonk like anything
Savin' it up for Friday night
With the Sultans
We're the Sultans of Swing
Then a crowd of young boys, they're foolin' around in the corner
Drunk and dressed in their best, brown baggies and their platform soles
They don't give a damn about any trumpet playin' band
It ain't what they call rock and roll
And the Sultans
Yeah, the Sultans, they play Creole, Creole
And then the man, he steps right up to the microphone
And says at last, just as the time bell rings
"Goodnight, now it's time to go home"
Then he makes it fast with one more thing
"We are the Sultans
We are the Sultans of Swing"

Tom