Teac A-6300 R2R For Repair

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Posts: 8,714
edited October 2024 in DIY, Mods & Tweaks
I snagged this pretty nice Teac A-6300 hours after it was posted. 10.5" reel capable. 1975-79 date manufacture. Heads in great condition. Great price. The original owner tried to fix it, failed and sold it. The first buyer tried to fix it and failed, sold it.

Video of issue below. FF to 25 seconds to see/hear issue. Right tension arm chatters in reverse play and the sound is distorted. It plays fine in FWD play.

The other neat thing, the original box with all packing and accessories/box were included. Both boxes needed some hot glue/carboard reinforcement. Sadly, they were careless stuffing the accessories box and cracked the oil bottle cap and some precious TZ-255 oil leaked out. Super/other glues would not work so I did the old thin gauge hook up wire wrap with a rat tail twist and dab of solder. Added a layer of epoxy over that. Doesn't leak now.

https://youtu.be/htdu9K0WCTM?si=bHXsxAzjXbPQlD02

Marketplace pic as I have it disassembled already.
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Box is not in the best condition but better than nothing.
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Salk SoundScape 8's * Audio Research Reference 3 * Bottlehead Eros Phono * Park's Audio Budgie SUT * Krell KSA-250 * Harmonic Technology Pro 9+ * Signature Series Sonore Music Server w/Deux PS * Roon * Gustard R26 DAC / Singxer SU-6 DDC * Heavy Plinth Lenco L75 Idler Drive * AA MG-1 Linear Air Bearing Arm * AT33PTG/II & Denon 103R * Richard Gray 600S * NHT B-12d subs * GIK Acoustic Treatments * Sennheiser HD650 *

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  • Posts: 8,714
    edited October 2024
    Since I've been hanging out in R2R forums while fixing the 4010SU, I've picked up quite a bit of info on other Teac decks. The A-6300 arm oscillation is mostly caused by tape wear on the right tension arm guide pin. The tape drags causing the arm to chatter.

    Fixes can be filing or sanding the entire guide surface (edges and flat surface) then polishing smooth. Since this arm was bent up so badly and the tape guide pin was loose, I opted for a new part. They had the arm and pin so bent out of shape it was forcing the tape out of the head guides in reverse play resulting in tape skewing off the head and distorted sound.

    Ebay had some used arms, but they wanted new prices. Teac Tascam in Canada has some parts available for the old decks and they had a new arm for $33. The old arm doesn't look too bad as I had it out and peened the guide pin and straightened the arm. It sounded better in reverse play, but the arm still chattered a bit.

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    I have to remove the capstan flywheel for clean/service and new belt. Having this out of the way makes changing the arm easier.

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    The right tension arm is drooping. It connects to a cam that closes two micro switches when it is lifted with tape run around the guide. If the switches are open, nothing happens when you press play. The droop is from a broken plastic limit stop. The limit stop prevents damage to the micro switch nubs when the flat part of the cam contacts them. Force it down a bit by accident and you’ll need two micro switches.

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    I have a used limit stop on the way, but I have seen guys fabricate them. I had some 1/8” ABS here and it was within a few thousandths thickness of the broken piece. I wondered if the ABS might be a bit more resilient than 49-year-old plastic, so I made one. I couldn’t locate the broken piece, so I used pictures of a whole part as a guide and snuck up on the final dimension. It fits and does what it’s supposed to.

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    Those pencil lines will allow putting the pinch roller solenoid back where it was.

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    Good fitting snap ring pilers are a must to prevent this ring from becoming a Jesus clip.

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    I have more reassembly before I see if it fixes the problem. If it doesn’t, it could be reel motor torque out of spec which will be checked regardless.


    Salk SoundScape 8's * Audio Research Reference 3 * Bottlehead Eros Phono * Park's Audio Budgie SUT * Krell KSA-250 * Harmonic Technology Pro 9+ * Signature Series Sonore Music Server w/Deux PS * Roon * Gustard R26 DAC / Singxer SU-6 DDC * Heavy Plinth Lenco L75 Idler Drive * AA MG-1 Linear Air Bearing Arm * AT33PTG/II & Denon 103R * Richard Gray 600S * NHT B-12d subs * GIK Acoustic Treatments * Sennheiser HD650 *
  • Posts: 8,714
    edited October 2024
    So duh...falling asleep last night it hit me the limit stop also stops the arm from moving too far to left in reverse play. Fully confident the fix is in. I just need the used part to finalize bottom shape.

    Another issue was capstan end play seemed excessive. The capstan shaft was set too deep into flywheel. You can see marks from the hub in the stop bracket. The capstan has convex end to present smaller contact area.7ox41gtt55w0.jpg
    lf51l9k03ow5.jpg
    Salk SoundScape 8's * Audio Research Reference 3 * Bottlehead Eros Phono * Park's Audio Budgie SUT * Krell KSA-250 * Harmonic Technology Pro 9+ * Signature Series Sonore Music Server w/Deux PS * Roon * Gustard R26 DAC / Singxer SU-6 DDC * Heavy Plinth Lenco L75 Idler Drive * AA MG-1 Linear Air Bearing Arm * AT33PTG/II & Denon 103R * Richard Gray 600S * NHT B-12d subs * GIK Acoustic Treatments * Sennheiser HD650 *
  • Posts: 8,714
    edited October 2024
    Got the used limit stop. I had already looked at videos of A-6300’s playing and filed the second stop on the fabricated one until the arm position clock position matched during play.

    The flywheel had some oil inside the hub. I cleaned it and cut a narrow strip of felt and glued it in. Typically, you find foam or felt on capstan flywheels to catch any oil that may leak from bearing so it doesn’t get to the belt. The design of this one prevented a foam or felt disc around the capstan bearing hub area. The diameter of the bearing hub extends to the holes in flywheel.

    Great results! Plays with no issues now in reverse. Good sounding deck. Now do I flip it and buy a better deck or totally recap it and keep it.

    https://youtube.com/shorts/7aKpvWmfvF0?si=eFdJIivmjuYF-bzm

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    As an example, this is a capstan flywheel from the Teac 4010SU showing deteriorated foam replaced with felt. The 6300 used a rubber seal at the capstan end instead of foam like the 4010.

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    Post edited by SCompRacer on
    Salk SoundScape 8's * Audio Research Reference 3 * Bottlehead Eros Phono * Park's Audio Budgie SUT * Krell KSA-250 * Harmonic Technology Pro 9+ * Signature Series Sonore Music Server w/Deux PS * Roon * Gustard R26 DAC / Singxer SU-6 DDC * Heavy Plinth Lenco L75 Idler Drive * AA MG-1 Linear Air Bearing Arm * AT33PTG/II & Denon 103R * Richard Gray 600S * NHT B-12d subs * GIK Acoustic Treatments * Sennheiser HD650 *
  • Posts: 8,714
    edited October 2024
    OEM manuals scarce as hens' teeth so made one at FedEx Office. The OEM had an 11x17 and 17x22 foldout. Two schematics increased to 11x17.

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    Salk SoundScape 8's * Audio Research Reference 3 * Bottlehead Eros Phono * Park's Audio Budgie SUT * Krell KSA-250 * Harmonic Technology Pro 9+ * Signature Series Sonore Music Server w/Deux PS * Roon * Gustard R26 DAC / Singxer SU-6 DDC * Heavy Plinth Lenco L75 Idler Drive * AA MG-1 Linear Air Bearing Arm * AT33PTG/II & Denon 103R * Richard Gray 600S * NHT B-12d subs * GIK Acoustic Treatments * Sennheiser HD650 *
  • Posts: 1,092
    Did you keep this deck?

    And yes, the manuals are scarce! After 4 years of fruitless searches for an OEM manual I bought a full color reproduction for my A-6100 off an ebay seller.
    SystemLuxman L-590AXII Integrated Amplifier|KEF Reference 1 Loudspeakers|PS Audio Directream Jr|Sansui TU-9900 Tuner|TEAC A-6100 RtR|REL T/9X SE Sub
  • Posts: 8,714
    edited January 25
    Yes, I still have it. Along with the older Teac 4010SU, and a Pioneer RT-71 hiding in the back. I kept the 6300 in case I couldn't fix one of the three X-1000r's. Ed and Carl would get a functioning one. I have the original boxes for the Pioneer and A-6300. I'll sell the 4010SU one of these days, and maybe the 6300.

    The original operator and service manuals can be pricey, ~$100 or more asking. I got a good pdf and went to FedEx office printing the schematics large, so no magnifying glass needed.

    EDIT: Just checked on ebay and got an original owner's manual for the A-6300 for $25, shipping included. Not bad compared to what some ask for them.

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    Salk SoundScape 8's * Audio Research Reference 3 * Bottlehead Eros Phono * Park's Audio Budgie SUT * Krell KSA-250 * Harmonic Technology Pro 9+ * Signature Series Sonore Music Server w/Deux PS * Roon * Gustard R26 DAC / Singxer SU-6 DDC * Heavy Plinth Lenco L75 Idler Drive * AA MG-1 Linear Air Bearing Arm * AT33PTG/II & Denon 103R * Richard Gray 600S * NHT B-12d subs * GIK Acoustic Treatments * Sennheiser HD650 *
  • Posts: 8,714
    With my old eyes, I'm into 2 x 3 schematics now... 2 feet x 3 feet. :D

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    Salk SoundScape 8's * Audio Research Reference 3 * Bottlehead Eros Phono * Park's Audio Budgie SUT * Krell KSA-250 * Harmonic Technology Pro 9+ * Signature Series Sonore Music Server w/Deux PS * Roon * Gustard R26 DAC / Singxer SU-6 DDC * Heavy Plinth Lenco L75 Idler Drive * AA MG-1 Linear Air Bearing Arm * AT33PTG/II & Denon 103R * Richard Gray 600S * NHT B-12d subs * GIK Acoustic Treatments * Sennheiser HD650 *
  • Posts: 8,714
    edited February 21
    After I repaired the Teac A-6300 reverse play, the three X-1000r’s knocked it off the bench. I wanted to remove some caps to spot test and run through calibration to see if it was a candidate for recapping. (Now that can be a touchy subject with some folks). I kept it in case I couldn’t repair one of the X-1000r’s and may sell it. R2R take up a lot of space and I have four now. The A-6300 was manufactured from 1975 to 1979. It’s an early serial number so I estimate 1975-76 production date which makes it 49-50 years old.

    You have to remove one wood side panel to access the power supply and adjust a pot to 24V. Teac supplied four rubber footers to slip over the rear edge of wood panels if you wanted to position it horizontal, on its back, but I preferred a more robust way to keep it raised off the bench and leave the side panels off. I used some select 1x3” pine x 9” long. I drilled holes for the mount screws and the 3/8” dowel pins.

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    From research I learned the older Teac decks could use some record EQ capacitor tweaking. Record EQ was set up for the tapes available in the day and they required a boost at 7.5KHz. Better quality tape does not need that boost. (I'll bias it for current formulation LPR35 tape).

    The recommendation was to replace the Mylar caps attached to the EQ coil with different values. The suggestion was to drop the 7.5 speed EQ caps C312/C327 from OEM value .015uf to .01uf. The OEM 3.75 caps C313/C328 are.022uf so try a .018uf and fire for effects and be alert for tape saturation at the lower speed. One should test frequency response to see if any value tweaking may be required. I moved them to bottom of board so they will be easier to swap out when the new caps arrive.

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    That board is in a tight spot, so much easier access with EQ caps mounted at bottom. There is plenty of room under board. I'll clean up the big factory solder blobs when the new caps are installed. They were sure generous with solder in some places.

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    Post edited by SCompRacer on
    Salk SoundScape 8's * Audio Research Reference 3 * Bottlehead Eros Phono * Park's Audio Budgie SUT * Krell KSA-250 * Harmonic Technology Pro 9+ * Signature Series Sonore Music Server w/Deux PS * Roon * Gustard R26 DAC / Singxer SU-6 DDC * Heavy Plinth Lenco L75 Idler Drive * AA MG-1 Linear Air Bearing Arm * AT33PTG/II & Denon 103R * Richard Gray 600S * NHT B-12d subs * GIK Acoustic Treatments * Sennheiser HD650 *
  • Posts: 7,351
    edited February 21
    Nice work Richee! The Otari is on it's way to you. Needs love!
    Carl

  • Posts: 8,714
    edited February 26
    That Otari is heavy! Thanks!





    Post edited by SCompRacer on
    Salk SoundScape 8's * Audio Research Reference 3 * Bottlehead Eros Phono * Park's Audio Budgie SUT * Krell KSA-250 * Harmonic Technology Pro 9+ * Signature Series Sonore Music Server w/Deux PS * Roon * Gustard R26 DAC / Singxer SU-6 DDC * Heavy Plinth Lenco L75 Idler Drive * AA MG-1 Linear Air Bearing Arm * AT33PTG/II & Denon 103R * Richard Gray 600S * NHT B-12d subs * GIK Acoustic Treatments * Sennheiser HD650 *
  • Posts: 8,714
    edited February 26
    I removed some caps to test. Some are good, some are at 20% and some over 20% out of spec. I decided to recap it. Teac used Chemi Con caps. The electrolytics are mostly SL's, or general purpose, several LR's or low ESR and four CEKU which are really special. They measure spot on. There are some Tantalum and dipped Tantalum. I removed a couple, and they are well within value spec.

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    I found a source for Panasonic FC caps that will cover all values needed (with exception of a Muse bipolar). So, the general-purpose caps get an upgrade.

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    I was concerned about fakes, but they look real good and test well for value. (Sencore LC-53 Z meter used to test). Several were tested for leakage, and they passed. I test and write values down on tape or separate them in bags and plastic storage boxes. These are 10uf, (I didn't write decimal, 9.8, 9.9uf). It allows me to closely match R and L channels and I can trust the marked value when I install it. I test and record the removed caps as well.

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    First blood, PS done. There are way too many wires to desolder to get the boards completely out. One can cut zip ties, get some slack in wiring and move boards for best access possible. I take pics or notes to make sure polarity is correct. (The markings on the board may not be visible). I powered up and tested PS before continuing. All is well. No smoke or sparks.

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    The lower boards may be slightly easier.

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    Post edited by SCompRacer on
    Salk SoundScape 8's * Audio Research Reference 3 * Bottlehead Eros Phono * Park's Audio Budgie SUT * Krell KSA-250 * Harmonic Technology Pro 9+ * Signature Series Sonore Music Server w/Deux PS * Roon * Gustard R26 DAC / Singxer SU-6 DDC * Heavy Plinth Lenco L75 Idler Drive * AA MG-1 Linear Air Bearing Arm * AT33PTG/II & Denon 103R * Richard Gray 600S * NHT B-12d subs * GIK Acoustic Treatments * Sennheiser HD650 *
  • Posts: 13,064
    I like the way that your brain works!
  • Posts: 8,714
    edited March 1
    Thanks! I like that it still works, except for the occasional misfires. :D

    The Teac A-4010SU I re-capped had no board markings for capacitor polarity. The A-6300 does. The other curve ball was some caps in the 4010SU had the positive lead marked on side of cap instead of negative. So far, all caps on the 6300 are marked for the negative lead, except for one bi-polar. The other good thing about the A-6300 is the caps used on PCB matched the parts list, so easy ordering. The 4010 I had to double check each value due to all the revisions. Some values were different on the parts lists I had.

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    With the mic/playback EQ amp board done, I powered up and tested, ran through a quick calibration and playback to make sure all was well. Now I move on to the line out/phone amp board.

    Removing the daisy chain grounds between boards and a couple of signal wires makes this one easier.

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    Salk SoundScape 8's * Audio Research Reference 3 * Bottlehead Eros Phono * Park's Audio Budgie SUT * Krell KSA-250 * Harmonic Technology Pro 9+ * Signature Series Sonore Music Server w/Deux PS * Roon * Gustard R26 DAC / Singxer SU-6 DDC * Heavy Plinth Lenco L75 Idler Drive * AA MG-1 Linear Air Bearing Arm * AT33PTG/II & Denon 103R * Richard Gray 600S * NHT B-12d subs * GIK Acoustic Treatments * Sennheiser HD650 *
  • Posts: 13,064
    edited March 2
    These are really intricate and complex machines. They certainly didn't think too much about how they'd be serviced in the future.

    Or maybe they did, and they just went with this design anyway because they had to meet a cost/complexity/formfactor etc. limit.

    Either way, fascinating stuff. It reminds me of this one I saw an ad for recently: https://revox.com/en/tape-recorder/285/b77-mk-iii-stereo-tape-recorder
  • Posts: 51,352
    edited March 2
    ^Ouch!^
    Political Correctness'.........defined

    "A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."


    President of Club Polk

  • Posts: 7,351
    A fabulous looking machine when I saw it last week! I have observed Richee's vast technical skills first hand for years. Nice work Richee!
    Carl

  • Posts: 8,714
    edited March 3
    Clipdat wrote: »
    These are really intricate and complex machines. They certainly didn't think too much about how they'd be serviced in the future.

    Or maybe they did, and they just went with this design anyway because they had to meet a cost/complexity/formfactor etc. limit.

    Either way, fascinating stuff. It reminds me of this one I saw an ad for recently: https://revox.com/en/tape-recorder/285/b77-mk-iii-stereo-tape-recorder

    They thought this will make it more challenging! Imagine the assembly line of solder slingers attaching wires. In my limited experience, you find connectors used more in pro decks than semi pro decks. Like Ken once said, they had to keep them pro decks running so they need to be repaired quickly.

    I was loaned an expensive tape to listen to, and even on a semi pro machine, yeah, I get it. I just don't have the budget for them.
    Post edited by SCompRacer on
    Salk SoundScape 8's * Audio Research Reference 3 * Bottlehead Eros Phono * Park's Audio Budgie SUT * Krell KSA-250 * Harmonic Technology Pro 9+ * Signature Series Sonore Music Server w/Deux PS * Roon * Gustard R26 DAC / Singxer SU-6 DDC * Heavy Plinth Lenco L75 Idler Drive * AA MG-1 Linear Air Bearing Arm * AT33PTG/II & Denon 103R * Richard Gray 600S * NHT B-12d subs * GIK Acoustic Treatments * Sennheiser HD650 *
  • Posts: 8,714
    edited March 3
    F1nut wrote: »
    ^Ouch!^

    Check this one out...United Home Audio Apollo, around the same price ($55K). External power supply below the deck.

    https://www.theabsolutesound.com/articles/united-home-audio-apollo-open-reel-tape-machine/

    kdulkmkcp8pb.jpeg
    Salk SoundScape 8's * Audio Research Reference 3 * Bottlehead Eros Phono * Park's Audio Budgie SUT * Krell KSA-250 * Harmonic Technology Pro 9+ * Signature Series Sonore Music Server w/Deux PS * Roon * Gustard R26 DAC / Singxer SU-6 DDC * Heavy Plinth Lenco L75 Idler Drive * AA MG-1 Linear Air Bearing Arm * AT33PTG/II & Denon 103R * Richard Gray 600S * NHT B-12d subs * GIK Acoustic Treatments * Sennheiser HD650 *
  • Posts: 8,714
    edited March 3
    Hey thanks Carl! Jupiter is missing you guys.

    I thought I had all my caps in one box but found this small stash including Elna Silmic II and some Muse from the DAC build and mod days. I'll replace the small amount of LR and CEKU caps with the Silmic II. There are also a few LR and two CEKU on the line out board.

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    Post edited by SCompRacer on
    Salk SoundScape 8's * Audio Research Reference 3 * Bottlehead Eros Phono * Park's Audio Budgie SUT * Krell KSA-250 * Harmonic Technology Pro 9+ * Signature Series Sonore Music Server w/Deux PS * Roon * Gustard R26 DAC / Singxer SU-6 DDC * Heavy Plinth Lenco L75 Idler Drive * AA MG-1 Linear Air Bearing Arm * AT33PTG/II & Denon 103R * Richard Gray 600S * NHT B-12d subs * GIK Acoustic Treatments * Sennheiser HD650 *
  • Posts: 8,714
    edited March 18
    Getting closer.


    Record meter amp board done. Mostly Panasonic FC for the SL's, Elna Silmic II for the LR and CEKU and a couple Nichicon 1uf PS.

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    Awaiting four 33uf FC's for the line out phone amp. Runned out of canned air to dust the boards off.

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    Snagged an original service and parts manual with schematic. VG condition. No more hard to read pdf copies. $22 bucks shipped. Felt like I stole them. I've seen them get $100 for originals.

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    Keeping close track of what comes out and goes back in. Boards hanging by wires restricts access.

    w8ang43ocums.jpg
    Salk SoundScape 8's * Audio Research Reference 3 * Bottlehead Eros Phono * Park's Audio Budgie SUT * Krell KSA-250 * Harmonic Technology Pro 9+ * Signature Series Sonore Music Server w/Deux PS * Roon * Gustard R26 DAC / Singxer SU-6 DDC * Heavy Plinth Lenco L75 Idler Drive * AA MG-1 Linear Air Bearing Arm * AT33PTG/II & Denon 103R * Richard Gray 600S * NHT B-12d subs * GIK Acoustic Treatments * Sennheiser HD650 *
  • Posts: 8,714
    edited March 20
    Some switches on the 6300 are easy to dribble some DeOxit into, like the meter (high/normal), EQ, bias and record mode.

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    They are open on one end and easily accessed.

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    One needs disassembly to properly clean. It is the play/EQ switch that is attached to the speed switch. If this is dirty you'll have trouble getting proper calibration.

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    This is the one, in middle. You remove switch bank screws in front panel, pull towards rear and bend tangs to remove. Again, just too many wires to unsolder. No holes in PCB like the one at far right.

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    This is a play/EQ switch bank I purchased for a part needed. I practiced on it before messing with the one attached with bunch of wires. Excess DeOxit in that area could wash grease away from the metal to metal actuators/latches making switch operation difficult or cause it to bind or stick.

    sg9eehzevj53.jpg
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    Salk SoundScape 8's * Audio Research Reference 3 * Bottlehead Eros Phono * Park's Audio Budgie SUT * Krell KSA-250 * Harmonic Technology Pro 9+ * Signature Series Sonore Music Server w/Deux PS * Roon * Gustard R26 DAC / Singxer SU-6 DDC * Heavy Plinth Lenco L75 Idler Drive * AA MG-1 Linear Air Bearing Arm * AT33PTG/II & Denon 103R * Richard Gray 600S * NHT B-12d subs * GIK Acoustic Treatments * Sennheiser HD650 *
  • Posts: 13,064
    I feel like after this project is finished you're not going to be touching any more R2R machines for a while.
  • Posts: 8,714
    edited March 21
    Depends on if this one will still work...LOL

    Carl did drop off this Otari MX-5050 BIII-2. IIRC the serial showed it as 1995 manufacture date. It is a semi pro machine that was popular with studios. NAB or IEC operation. Otari had a long run, 1964 to 2017. It is a 1/4" two track, 7.5/15ips speed deck. A switch inside can make it 3.75/7.5ips.

    Balanced inputs/outputs, AC motors.

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    Nice decks all cleaned up, working properly and they can command some $$.

    58c6j7o1bqxy.jpg

    Salk SoundScape 8's * Audio Research Reference 3 * Bottlehead Eros Phono * Park's Audio Budgie SUT * Krell KSA-250 * Harmonic Technology Pro 9+ * Signature Series Sonore Music Server w/Deux PS * Roon * Gustard R26 DAC / Singxer SU-6 DDC * Heavy Plinth Lenco L75 Idler Drive * AA MG-1 Linear Air Bearing Arm * AT33PTG/II & Denon 103R * Richard Gray 600S * NHT B-12d subs * GIK Acoustic Treatments * Sennheiser HD650 *
  • Posts: 8,714
    Aaron @ALL212 saves the day! Thank you, buddy! I was short four 33uf caps so he sent me some. He dug into his Gold reserves, Nichicon. All fini. Still works!

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    Salk SoundScape 8's * Audio Research Reference 3 * Bottlehead Eros Phono * Park's Audio Budgie SUT * Krell KSA-250 * Harmonic Technology Pro 9+ * Signature Series Sonore Music Server w/Deux PS * Roon * Gustard R26 DAC / Singxer SU-6 DDC * Heavy Plinth Lenco L75 Idler Drive * AA MG-1 Linear Air Bearing Arm * AT33PTG/II & Denon 103R * Richard Gray 600S * NHT B-12d subs * GIK Acoustic Treatments * Sennheiser HD650 *
  • Posts: 26,560
    Hell of a guy!!
  • Posts: 4,179
    Beautiful looking deck, clean lines, simple layout. Good job!
  • Posts: 8,714
    edited March 23
    Thanks for the kind words, Ken! There are many in the Teac camp that stay with the A series and want nothing to do with the gee whiz X series with DC motors and complex control circuitry. (I was like that until I played with an X-1000r). :D

    And, I'm sure you noticed the A-6300 is very easy to mod to 'play head out' to an external amp/EQ. The RCA's attached to the playback/EQ PCB at far right are direct from the FWD REV play head relay* on the head PCB. A separate harness feeds the erase/record heads.

    *(I removed, cleaned and tested that relay with Ohm meter. There are cases where they fail, or contacts are dirty. A seller on ebay offers a reverse engineered sealed replacement relay).

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    Salk SoundScape 8's * Audio Research Reference 3 * Bottlehead Eros Phono * Park's Audio Budgie SUT * Krell KSA-250 * Harmonic Technology Pro 9+ * Signature Series Sonore Music Server w/Deux PS * Roon * Gustard R26 DAC / Singxer SU-6 DDC * Heavy Plinth Lenco L75 Idler Drive * AA MG-1 Linear Air Bearing Arm * AT33PTG/II & Denon 103R * Richard Gray 600S * NHT B-12d subs * GIK Acoustic Treatments * Sennheiser HD650 *
  • Posts: 4,179
    Your next Teac project:

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  • Posts: 8,714
    edited March 23
    25-2? Makes my brain hurt looking at it. Lol I thought Tascam started with that model numbering. Yours? :)
    Salk SoundScape 8's * Audio Research Reference 3 * Bottlehead Eros Phono * Park's Audio Budgie SUT * Krell KSA-250 * Harmonic Technology Pro 9+ * Signature Series Sonore Music Server w/Deux PS * Roon * Gustard R26 DAC / Singxer SU-6 DDC * Heavy Plinth Lenco L75 Idler Drive * AA MG-1 Linear Air Bearing Arm * AT33PTG/II & Denon 103R * Richard Gray 600S * NHT B-12d subs * GIK Acoustic Treatments * Sennheiser HD650 *

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