Sda srs poly switch

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  • Schurkey
    Schurkey Posts: 2,129
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    WHICH resistance? The resistance when new? The resistance after Polk popped 'em once? Or the resistance after the consumer popped 'em repeatedly, and the contacts got progressively more burned?

    When it was MY speakers, the polyswitch was removed and no compensating resistor was installed. And overall, I'd prefer the treble to be a bit louder.
  • F1nut
    F1nut Posts: 52,403
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    The pre-trip resistance, of course.
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  • SeleniumFalcon
    SeleniumFalcon Posts: 4,371
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    I think Polk did some sort of preconditioning of the Polyswitches before installing them. Overall the way they work is there's a temperature sensitive compound that has carbon particles imbedded in it. The material is electrically conductive at normal temperatures. As higher amounts of current flow through it the temperatures increase until the carbon particles become separated and it loses conductivity. Then it cools down and the particles come together and conduction returns. Kind of like gluing two wires to the surface of a balloon. Then hook the wires to an electric pump which slowly inflates the balloon until the wires separate and the pump shuts off and the balloon starts to deflate until the wires can touch.
  • xschop
    xschop Posts: 5,805
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    F1nut wrote: »
    Absolutely, the resistance of the polyswitch was factored in.

    Another vintage Polk non sequitur, as they were factored in to the wonderful SL2000 equation.
    Don't take experimental gene therapies from known eugenicists.
  • SeleniumFalcon
    SeleniumFalcon Posts: 4,371
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    I checked with Stu Lumsden, Polk's retired head of engineering, and he said:

    "Yes, we did trip each Polyswitch PTC device to make sure it would meet our requirements. When new each device would trip at a higher level than the specification, but then after "burn in" it functions correctly. We found that after they sit for a while, say 6 months, they revert back to the higher threshold. I'm not sure how the newer versions of theses devices react."
  • gregmoyers
    gregmoyers Posts: 142
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    It does make sense that the resistance must have been considered as it would have been easy to protect the tweeters with little or no resistance. For the srs with SL2000’s it was good to tame them a bit as I always thought the SL2000’s that came new sounded way too hard. With the 0194’s I really think it sounds nice with the PS out. Depends on amp and source too. I wonder what those with 0198 tweeters do? Those I spoke to about crossover builds seem to go with .5 ohm non inductive resistors. I will reassess when I finish the crossovers.
  • Schurkey
    Schurkey Posts: 2,129
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    I'm seeing two different things that seem to be getting confused. Specifically, voltage required to trip the polyswitch vs. the resistance of the polyswitch before/after tripping.

    1. Yes, Polk at some point was deliberately tripping the polyswitch as part of crossover assembly. I don't know if they did that from the beginning, or if it was adopted some time after polyswitches were being used.
    2. The voltage needed to trip the polyswitch decreases as they're "exercised". I understood that the first trip took more voltage than the second, third, etc. I did not know that the polyswitch "healed" after "say six months" the voltage went back to the higher value. My understanding is (was?) that the more they're tripped, the easier it is to trip them--lower voltage required.
    3. Aside from the voltage level needed to trip a polyswitch, the resistance of the polyswitch increases every time they're tripped. The contacts progressively deteriorate (burn) and thus the resistance progressively increases.

    So it doesn't make a huge amount of sense to "factor in" the resistance of the polyswitch when the resistance is a changing value. The best they can hope for is that the polyswitch is never activated "in the field" and thus remains at a stable resistance from a single tripping...but if the polyswitch is never tripped in the field, why have the thing in the first place?

    Logically, if the thing is needed--it's resistance is a moving target. If it's not needed, the polyswitch is a waste of time, money, effort, and enthusiasm.

    The polyswitch is a cynical response to ignorant and/or careless consumers. I absolutely understand why Polk would include tweeter protection. I would too--who wants to pay the warranty costs for all the tweeter replacements? Especially when a protective device is so easy to obtain and include in the circuit at an extremely low cost AND doesn't require consumer replacement (unlike a fuse) and can't be easily defeated (like installing aluminum foil over a fuse, or installing a higher-value fuse.) MOST consumers wouldn't remove the crossover, identify the polyswitch, and wrap the legs together to take it out of the circuit.

    Therefore, my position is that the polyswitches need to be removed--and that's not an unusual attitude around here. Where my opinion differs is in the compensation needed when the polyswitch comes out of the circuit. And that's likely going to vary based on the actual speaker model, listening habits, musical taste, hearing acuity, room acoustics, and probably other factors I can't think of right now. Point is, LISTEN to the treble and assess if it's loud enough.

    The Polk speakers I'm familiar with (SDA 1B, SDA SRS 2 pin-blade) do not have enough treble for me. Not only do I want the resistance of the polyswitch removed, I want lower-value tuning resistors in the treble circuit.

    Be very careful when someone says the polyswitch needs to be compensated with some value of resistor.
  • F1nut
    F1nut Posts: 52,403
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    A study of vintage Polk schematics clearly shows that Polk changed the values of some resistors when they went from using a fuse to using a polyswitch. Therefore, the polyswitch has a definite resistance value that was accounted for in the crossover circuit.
    Political Correctness'.........defined

    "A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."


    President of Club Polk

  • gregmoyers
    gregmoyers Posts: 142
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    2nd Shurkey.
    Exactty
  • xschop
    xschop Posts: 5,805
    edited May 2023
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    Polyswitches are for b*tches.
    Don't take experimental gene therapies from known eugenicists.
  • joebass3
    joebass3 Posts: 311
    edited May 2023
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    Schurkey wrote: »

    Be very careful when someone says the polyswitch needs to be compensated with some value of resistor.

    Of course you can remove the polyswitch and just install a jumper. You only need to compensate for the polyswitch with a resistor if you want the speakers to sound the way Polk intended them to sound. I know the 0.5ohm resistor always comes up as the value to use, but are there schematics out there that back it up?

  • Schurkey
    Schurkey Posts: 2,129
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    joebass3 wrote: »
    Of course you can remove the polyswitch and just install a jumper. You only need to compensate for the polyswitch with a resistor if you want the speakers to sound the way Polk intended them to sound. I know the 0.5ohm resistor always comes up as the value to use, but are there schematics out there that back it up?
    Going by the "090" wouldn't the pre-trip resistance be around 0.25 Ohms (0.31max/0.20min) ?

    https://www.tme.eu/Document/3224e893b8d3a8cb339f75bf0e3d390f/Littelfuse_PTC_Radial_Leaded_RXEF.pdf
    The real questions are "do you want the speakers to sound the way Polk intended", or do you want the speakers to sound RIGHT?

    For me, in my rooms, with my ears and music...MORE TREBLE, please. Which means less resistance in the treble circuit.
  • gregmoyers
    gregmoyers Posts: 142
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    Don’t forget. We hAve all moved to a very different speaker with 0194’s crossovers, sda inductor…
    No PS for me. We all have waaaay better power now as well.
    XS chop hits it again.
    Cheers!
  • F1nut
    F1nut Posts: 52,403
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    Anything less than a .5 ohm resistor is way too much treble for me, but then again, I'm not deaf.
    Political Correctness'.........defined

    "A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."


    President of Club Polk

  • gregmoyers
    gregmoyers Posts: 142
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    After I finish the crossovers I will most likely start with no ps and if it is too much I will try some resistors to get it good. I also have a very very smooth sounding tube like amp. Makes a big difference for me. I’ll have to confess as well that my ears have aged over the years. Try one of those youtube hearing tests and see where your eats quit. Mine now quit ant about 15-16k. But I’m hyper sensitive to mid highs now. But I can say the setup I have now which is RME ADI dac to Threshold S550e power amp is smooth as silk with ZERO ear fatigue. To each his own. Cool that we can fine tune it though I say.
    Cheers
    Go VGK!
  • joebass3
    joebass3 Posts: 311
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    Schurkey wrote: »
    joebass3 wrote: »
    The real questions are "do you want the speakers to sound the way Polk intended", or do you want the speakers to sound RIGHT?

    For me, in my rooms, with my ears and music...MORE TREBLE, please. Which means less resistance in the treble circuit.

    That makes sense. Jumping the polyswitch or using a resistor to get the sound you're after. Making these speakers sound the way we like is the reason we do all these upgrades in the first place.
  • skipshot12
    skipshot12 Posts: 2,146
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    A lot of what’s said above for me.
    Maybe it’s the gen 3 blade/blade sda SRS’s, I found them to be a tad too mellow for me.
    I also feel it depends on the quality of watts you’re feeding them.

    However, after I finish the crossovers I’ll be re-evaluating how they sound. After that…
  • F1nut
    F1nut Posts: 52,403
    edited May 2023
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    The SDA SRS has a laid back, kind of thick sound characteristic.
    Political Correctness'.........defined

    "A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."


    President of Club Polk

  • Rowdy
    Rowdy Posts: 3
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    I have owned the SDA SRS 1.2 towers since new in 1987 that still sound awesome and I enjoy pushing them occasionally to their extreme. Unfortunately the polyswitches step in and ruin the experience. Do I replace the switches, by-pass them completely or incorporate a 0.5 ohm resistor in their place? I am using a Parasound NC2250v2 amp as the power source so I believe I am providing good clean power but I am uncomfortable eliminating the tweeter protection the polyswitches provide. Any comments/recommendations/assurances? Definitely don't want to make an expensive mistake but would like to improve the performance.
  • F1nut
    F1nut Posts: 52,403
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    Replace with a 0.5 ohm 12 watt resistor. If you blow the tweeters it'll be an excellent excuse to upgrade those nasty SL2000 tweeters.
    Political Correctness'.........defined

    "A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."


    President of Club Polk

  • Rowdy
    Rowdy Posts: 3
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    Won't the replacement tweeters, I believe they are the RD0194, have the same exposure to failure without the polyswitch?
  • F1nut
    F1nut Posts: 52,403
    edited 5:44PM
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    RD0194-1.

    Well yes, but I presume you are not cranking the volume to insane levels or are you?

    The problem with a thermal reset device such as the polyswitch is once tripped it becomes hypersensitive and will trip sooner and more frequently each time.

    I do not know of anyone that has replaced the polyswitch with a resistor that has then blown their tweeters.
    Political Correctness'.........defined

    "A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."


    President of Club Polk

  • Rowdy
    Rowdy Posts: 3
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    Not sure what qualifies as "insane" levels but friends have commented that "it's like being at a concert " in my listening room. Makes me smile. Anyway awesome advice. I will try the resistor approach hopefully with great success. If not I at least know what the next step will be. Thanks.
  • michaeljhsda2
    michaeljhsda2 Posts: 2,208
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    Rowdy wrote: »
    I have owned the SDA SRS 1.2 towers since new in 1987

    Is your interconnect socket pin/blade or blade/blade? If it's blade/ blade, you have the SDA SRS 1st edition, not 1.2's. No need to read what's typed below as it's not relevant to your speakers. But if the socket is pin/blade, read below.
    What is the position of the red and black binding posts nuts on the back of your speakers? If red is on the right, that's not where it should be. The red nut (positive) is supposed to be on the left and the black nut (negative) on the right for the 1.2 and 1.2 TL versions. To confirm, remove the binding post cup and see if the black (positive) wire is on the left when looking it at it from the front of the cup. If the black wire is on the left that's where it's supposed to be. Reinstall the binding post cup. Now it's just a matter of unscrewing the binding post nuts and moving the red to the left and the black to the right. Connect positive speaker wire from your amp to the red nut and negative to the black nut. Now your speakers will be in correct phase and you'll notice a huge improvement in bass response.

    The reason I'm telling you all of this is because Polk was notorious about using the leftover label (big sticker on the back of the speaker) from the SDA SRS (1st edition) where the positive red nut is on the right and black on the left (where they're supposed to be). The inside wiring is correct for that speaker. However, the above-described debacle has been noted on every pair of 1.2's that I have encountered from people that have the 1.2's here on this forum.
    SDA SRS 2.3TL's
    Silk Audio MS-90-BT integrated tube amp
    Yaqin MS-20L integrated tube amp
    SDA 2B TL's
  • F1nut
    F1nut Posts: 52,403
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    Let's try this, if your volume control knob has numbers with 12 at TDC it's a bad idea to go past 12.

    Other than that, if the sound gets shrill/distorted turn it down as you're into clipping, which will definitely cook tweeters
    Political Correctness'.........defined

    "A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."


    President of Club Polk