Janis W1 sub-woofer

Here's an article that might be of interest to the younger CP folks:
"JOHN MAROVSKIS

In the mid nineteen seventies John Marovskis from the Bronx (New York) designed his extraordinary Janis W-1 and W-2 subwoofers. The story goes that he made some 50 cabinets before he arrived at the excellent sonic performance of his systems which have a flat frequency response from 30 to 100 Hz. (-3dB). He designed an electronic crossover module with a 60 Watt amplifier to go with the handsomely finished cabinet. This unit, the Janis Interphase, filtered the low pass section (Janis W1 or maller W2) and the high pass section (satellites) at 100 Hz. both with slopes of 18 dB per octave.
Another, most important feature was the continuous variable phase adjustment of the subwoofer (0-180º) in order to achieve a seamless and harmonious integration of subwoofer and satellites, independent of the subwoofer's position in the room.
In the nineteen seventies the Dutch importer of the Janis subwoofers in the Netherlands (Jan Endenburg of EngaSound) pointed out to me that optimum phase coherence could be obtained by a 12dB low pass for the Janis W1 and a 6dB high pass filter for the satellites as was achieved by the than cherished and famous Symmetry Electronic Crossover. But I found that the 18 dB slopes were much cleaner.

JANUS INTERPHASE + SUBWOOFER

Once in a while you read a rather negative review about the Janis subs. But these are always written by people who do not know how to use the Janis sub woofers. They make the mistake of using high current amplifiers (NAD, Rotel, Bryston, etc.) that get their power out of the large toroidal transformer instead of large capacitors. Toroidal transformers cannot deliver enough current and are soon exhausted because they need to deliver current directly out of the AC mains. In the past I have tried a Tandberg power amplifier for the satellites. They did not match at all. The sound of the Janis Woofers became realistically impressive only when using amplifiers that really go with the nature of the Janis Interphase. For instance when an Amcron power amplifier was used to furnish the power to the satellites. The Janis worked also perfectly well with mono blocks from French manufacturer Elipson. Just to mention some historical units. If you combine the Janis Interphase with the right amplification then the music will get its impact and slam. Not only when playing Tchaikovsky's 1812, but any record from your collection.
In recording studios in Hilversum (The Netherlands) Janis Subs were used in the nineteen seventies en eighties.
Another favorite bass system from the past was the Hartley sub woofer which was combined with de Decca Ribbon high frequency unit and the Quad electrostatic speakers (ESL). Impressive as well. (See: The Decca London Ribbon Horn Tweeter.)"
Enjoy, Ken