Need a little TT advice...

tcrossma
tcrossma Posts: 1,301
edited March 2010 in 2 Channel Audio
I have been thinking about dipping my feet into the world of vinyl for some time now. I found a Realistic Lab 440 direct drive with a Shure R1000 cartridge on my local Craigslist for $50. I know nothing about turntables. Anyone have any thoughts as to whether this would be worth getting involved with?

I also would need a phono pre, which I assume I could hook up to my existing preamp (Adcom GFP-750)? Any recommendations on a phono pre? Would a Jolida JD-9 be a decent fit with my system?

What I'm afraid of doing is not spending enough money to get a decent TT setup, and not realizing the true potential and getting turned off. So if this TT and a Jolida phono pre aren't up to it, I want to know.

Thanks.
Speakers: Polk LSi15
Pre: Adcom GFP-750 with HT Bypass
Amp: Pass Labs X-150
CD/DVD Player: Classe CDP-10
Interconnects: MIT Shortgun S3 Pro XLR
Speaker cables: MIT MH-750 bi-wire
TT:Micro Seiki DD-35
Cartridge:Denon DL-160
Phono Pre:PS Audio GCPH
Post edited by tcrossma on

Comments

  • mhardy6647
    mhardy6647 Posts: 33,804
    edited March 2010
    Not a bad turntable as I recall; easily worth 50 smackers in working condition.
    Assume a new stylus for the cartridge (and/or invest in a new cartridge); the R/S cartridge was a Shure.
    See page 21 of http://www.radioshackcatalogs.com/catalogs/1982/

    Phono preamps are another kettle of fish. I like vacuum tubes and I like to solder, so I am drawn to suppliers like www.bottlehead.com and www.hagtech.com The Hagerman Bugle (solid state) is perhaps the best value phono preamp available.
  • doctorcilantro
    doctorcilantro Posts: 2,028
    edited March 2010
    Heard a lot of great things about Ray Samuels new phono stage, and it's around $650 IIRC; never heard it myself, but it is supposed to be a giant killer.
    For Sale 2019:
    Tortuga Audio LDR passive preamp
    Decware EL34 amp
    Allnic H-1201 phono
    Zu Union Cubes
    iFi iDSD DAC, .5m UBS, iFI Gemini cable, Oyaide Tunami XLR 1.3M, Oyaide Tunami Speaker wire 1.5M, Beyerdynamic DT1990 headphones, PS Audio P3 power center

  • dkg999
    dkg999 Posts: 5,647
    edited March 2010
    You never really have to worry about whether you spent enough money on a vinyl rig :eek:
    DKG999
    HT System: LSi9, LSiCx2, LSiFX, LSi7, SVS 20-39 PC+, B&K 507.s2 AVR, B&K Ref 125.2, Tripplite LCR-2400, Cambridge 650BD, Signal Cable PC/SC, BJC IC, Samsung 55" LED

    Music System: Magnepan 1.6QR, SVS SB12+, ARC pre, Parasound HCA1500 vertically bi-amped, Jolida CDP, Pro-Ject RM5.1SE TT, Pro-Ject TubeBox SE phono pre, SBT, PS Audio DLIII DAC
  • tcrossma
    tcrossma Posts: 1,301
    edited March 2010
    Thanks for the replies guys.
    dkg999 wrote: »
    You never really have to worry about whether you spent enough money on a vinyl rig :eek:

    What do you mean exactly? I'm worried that I will buy something too much on the junk end of the spectrum and not fully appreciate what vinyl can do. Are you saying this isn't the case, and that any TT will be fine?
    Speakers: Polk LSi15
    Pre: Adcom GFP-750 with HT Bypass
    Amp: Pass Labs X-150
    CD/DVD Player: Classe CDP-10
    Interconnects: MIT Shortgun S3 Pro XLR
    Speaker cables: MIT MH-750 bi-wire
    TT:Micro Seiki DD-35
    Cartridge:Denon DL-160
    Phono Pre:PS Audio GCPH
  • HB27
    HB27 Posts: 1,518
    edited March 2010
    Vinyl played properly is a large step above digital in "soul and life" reproduction.
    Played on average or entry level gear it's just another average format.
    The cartridge listed is not a decent quality cartridge. Entry level and lacking in range and sq. A decent/good upgrade cartridge will run you another $60 plus. The turntable will adequately play vinyl but you'll get an audible noise level when playing.
    I guess the question is your budget. $$$
  • tcrossma
    tcrossma Posts: 1,301
    edited March 2010
    My budget is flexible, but I guess I was just looking at grabbing a local deal to see if vinyl was for me, and then jumping in with both feet later. But if buying a table like this is going leave me disappointed, well, I don't want that either.
    Speakers: Polk LSi15
    Pre: Adcom GFP-750 with HT Bypass
    Amp: Pass Labs X-150
    CD/DVD Player: Classe CDP-10
    Interconnects: MIT Shortgun S3 Pro XLR
    Speaker cables: MIT MH-750 bi-wire
    TT:Micro Seiki DD-35
    Cartridge:Denon DL-160
    Phono Pre:PS Audio GCPH
  • dkg999
    dkg999 Posts: 5,647
    edited March 2010
    tcrossma wrote: »
    Thanks for the replies guys.



    What do you mean exactly? I'm worried that I will buy something too much on the junk end of the spectrum and not fully appreciate what vinyl can do. Are you saying this isn't the case, and that any TT will be fine?

    Vinyl is the gift that keeps giving! It seems there's always one more thing to buy or try! Start wherever you can afford to start!
    DKG999
    HT System: LSi9, LSiCx2, LSiFX, LSi7, SVS 20-39 PC+, B&K 507.s2 AVR, B&K Ref 125.2, Tripplite LCR-2400, Cambridge 650BD, Signal Cable PC/SC, BJC IC, Samsung 55" LED

    Music System: Magnepan 1.6QR, SVS SB12+, ARC pre, Parasound HCA1500 vertically bi-amped, Jolida CDP, Pro-Ject RM5.1SE TT, Pro-Ject TubeBox SE phono pre, SBT, PS Audio DLIII DAC
  • Toolfan66
    Toolfan66 Posts: 17,243
    edited March 2010
    I am running the Adcom GFP-750 with the Jolida JD9A with no problems and great results.
  • hearingimpared
    hearingimpared Posts: 21,137
    edited March 2010
    This might help you out Bud;

    http://www.audiokarma.org/forums/archive/index.php/t-188588.html

    IMHO you could do markedly better on an entry level table for a couple of hundred on the used market.
  • ben62670
    ben62670 Posts: 15,969
    edited March 2010
    I would look for a Technic's 1200 or 1210 on the used market. Put a good cartridge on it, and have a solid table to begin with. Larry gave me a 1210 and I gave Jerry my Project. Check craigslist under instruments too.
    Happy hunting
    Ben
    Please. Please contact me a ben62670 @ yahoo.com. Make sure to include who you are, and you are from Polk so I don't delete your email. Also I am now physically unable to work on any projects. If you need help let these guys know. There are many people who will help if you let them know where you are.
    Thanks
    Ben
  • tcrossma
    tcrossma Posts: 1,301
    edited March 2010
    Ok, so I decided to pass on that old TT and jump into something a bit newer and higher-end. but I'm at a bit of a crossroads and could use some direction.

    I want to get my phono pre situation settled before buying a TT.

    My current preamp is not a phono pre, so the way I see it I have two options:

    1) Buy a stand-alone phono pre
    2) Sell my GFP-750 and buy a new pre that adds phono capabilities

    Now, I'm not against trying a new pre, and have actually been thinking about doing so for a while anyway. But here's what I like about my current pre and don't want to give up:

    - Fully balanced design
    - HT bypass
    - Remote

    If I get a new pre I would love for it to be tube, but I'm not sure a tube phono pre exists within my budget (about $1500) that would be at least a lateral move (and hopefully a step up), with all the features that I have now.

    So I can either buy a dedicated phono pre (in the $300-500 range), or replace my current pre with something equal or better.

    Anybody have any recommendations on what I should do?
    Speakers: Polk LSi15
    Pre: Adcom GFP-750 with HT Bypass
    Amp: Pass Labs X-150
    CD/DVD Player: Classe CDP-10
    Interconnects: MIT Shortgun S3 Pro XLR
    Speaker cables: MIT MH-750 bi-wire
    TT:Micro Seiki DD-35
    Cartridge:Denon DL-160
    Phono Pre:PS Audio GCPH
  • hearingimpared
    hearingimpared Posts: 21,137
    edited March 2010
    Your GFP-750 is supposed to be a gem of a preamp so I would keep that. I would definitely look into a stand alone tube phono pre. They will offer a plethora of loading options both resistive for MC and capacitive for MM and being made just to serve as a phono pre would be a much better choice than a pre amp that has a phono stage in it.