DVE or Avia for calibration?

packetjones
packetjones Posts: 1,059
edited December 2009 in Electronics
I saw a recent Karma post about DVE and made me curious so i thought i would ask about these calibration disks. I am looking to get one of them for Christmas and was curious as to the opinions on them. I was debating renting or netflixing them but have heard that the come with a film to go over the screen as well, and it probable would not have it from netflix.

What is the difference between these and is one better than that other? I also saw another one but not recall exactly what it was called. Something about spears maybe?? I do not have a BR player at the moment and not really sure when i would get one as i do not watch a lot of movies really. Just want these disks to have something to tweak and play with.

Thanks
Front - RTiA5's
Rear - RTiA3's
Center - CSiA4
Sub - PSW110
Post edited by packetjones on

Comments

  • dorokusai
    dorokusai Posts: 25,577
    edited December 2009
    I always found AVIA to be easier to use.
    CTC BBQ Amplifier, Sonic Frontiers Line3 Pre-Amplifier and Wadia 581 SACD player. Speakers? Always changing but for now, Mission Argonauts I picked up for $50 bucks, mint.
  • steveinaz
    steveinaz Posts: 19,538
    edited December 2009
    I have always used DVE, but Mark is right; DVE menus are kinda hard to navigate thru the first couple times you use it.
    Source: Bluesound Node 2i - Preamp/DAC: Benchmark DAC2 DX - Amp: Parasound Halo A21 - Speakers: MartinLogan Motion 60XTi - Shop Rig: Yamaha A-S501 Integrated - Shop Spkrs: Elac Debut 2.0 B5.2
  • kuntasensei
    kuntasensei Posts: 3,263
    edited December 2009
    DVE is better for digital displays (LCD, DLP, etc.), Avia is better for CRT but has some red leakage in its grayscale patterns so is useless for metered grayscale calibration. Additionally, DVE is absolutely useless for audio calibration since its test tones are all at incorrect levels (verified digitally by me and with ground plane subwoofer testing by Ed Mullen of SVS), whereas Avia has spot-on tones for audio calibration using a C-weighted SPL meter.

    If you're just using it for video, go with DVE. But if you ever think you'll get serious about grayscale calibration, snag GetGray from http://www.calibrate.tv/ instead and buy your own color filters.
    Equipment list:
    Onkyo TX-NR3010 9.2 AVR
    Emotiva XPA-3 amp
    Polk RTi70 mains, CSi40 center, RTi38 surrounds, RTi28 rears and heights
    SVS 20-39CS+ subwoofer powered by Crown XLS1500
    Oppo BDP-93 Blu-ray player
    DarbeeVision DVP5000 video processor
    Epson 8500UB 1080p projector
    Elite Screens Sable 120" CineWhite screen
  • packetjones
    packetjones Posts: 1,059
    edited December 2009
    Thanks for the feedback....

    Another question about these. Do i need a SPL meter for the audio part? I have a HK254 and it uses EZset EQ. i have read that it is not as good as all of the other built in calibration features in other AVR's. I know that SPL meter is the best way but did not know if i needed it for these disks. Couldn't i just use the built in tones with the SPL meter, what makes the disks better.

    I guess i would really only want it for the video part. I dont really understand what the gray scale is but i am not really that picky about it to be honest. i have a DLP i guesss DVE is the better choice.

    thanks again.
    Front - RTiA5's
    Rear - RTiA3's
    Center - CSiA4
    Sub - PSW110
  • dorokusai
    dorokusai Posts: 25,577
    edited December 2009
    (verified digitally by me and with ground plane subwoofer testing by Ed Mullen of SVS)

    I'd lay my money on Ed Mullen since he used to be a Polkie(Dr. Spec) before being hired by SVS.
    CTC BBQ Amplifier, Sonic Frontiers Line3 Pre-Amplifier and Wadia 581 SACD player. Speakers? Always changing but for now, Mission Argonauts I picked up for $50 bucks, mint.
  • beardog03
    beardog03 Posts: 5,550
    edited December 2009
    Agreed...Dr. Speck knows his sheet
    Cary SLP-98L F1 DC Pre Amp (Jag Blue)
    Parasound HCA-3500
    Cary Audio V12 amp (Jag Red)
    Polk Audio Xm Reciever (Autographed by THE MAN Himself) :cool:
    Magnum Dynalab MD-102 Analog Tuna
    Jolida JD-100 CDP
    Polk Audio LSi9 Speaks (ebony)
    SVS PC-Ultra Sub
    AQ Bedrock Speaker Cables (Bi-Wired)
    MIT Shotgun S1 I/C`s
    AQ Black Thunder Sub Cables
    PS Audio Plus Power Cords
    Magnum Dynalab ST-2 FM Antenna
    Sanus Cherry wood Speak Stands
    Adona AV45CS3 / 3 Tier Rack (Black /Gold)


    :cool:
  • kuntasensei
    kuntasensei Posts: 3,263
    edited December 2009
    Another question about these. Do i need a SPL meter for the audio part? I have a HK254 and it uses EZset EQ. i have read that it is not as good as all of the other built in calibration features in other AVR's. I know that SPL meter is the best way but did not know if i needed it for these disks. Couldn't i just use the built in tones with the SPL meter, what makes the disks better.

    You don't "need" a SPL meter... but it's a good tool to have to ensure that all your levels are spot on. As far as the difference between your AVR's internal tones and a test disc, it's mostly that it takes into account the entire signal chain. If things are working correctly in your system, the internal tones should match up to tones on a disc. Well, unless you use DVE, of course.
    Equipment list:
    Onkyo TX-NR3010 9.2 AVR
    Emotiva XPA-3 amp
    Polk RTi70 mains, CSi40 center, RTi38 surrounds, RTi28 rears and heights
    SVS 20-39CS+ subwoofer powered by Crown XLS1500
    Oppo BDP-93 Blu-ray player
    DarbeeVision DVP5000 video processor
    Epson 8500UB 1080p projector
    Elite Screens Sable 120" CineWhite screen
  • kuntasensei
    kuntasensei Posts: 3,263
    edited December 2009
    dorokusai wrote: »
    I'd lay my money on Ed Mullen since he used to be a Polkie(Dr. Spec) before being hired by SVS.

    Yeah, Ed and I did a lot of work analyzing DVE. He dragged his gear out into the yard and tested with a pro SPL meter and RTA. I broke down the DD bitstreams on Avia and DVE into their individual channels and did source-direct frequency charts on them. Avia's tones came out perfect, even with the known correction you have to do on the subwoofer tones for the SPL meter's C-weighting. DVE's tones were not only encoded at the wrong levels, they were not properly band-limited. Once I knew what the actual digital encode was done at, Ed did a fantastic job of confirming it with ground-plane testing. Joe Kane still refuses to acknowledge that he overlooked the +10dBFS boost that the LFE channel gets, thus making his disc read 7dBC wrong for the subwoofer tones.

    Was glad to see Ed got the gig at SVS, considering how much effort he put into testing their products for various sites before that.
    Equipment list:
    Onkyo TX-NR3010 9.2 AVR
    Emotiva XPA-3 amp
    Polk RTi70 mains, CSi40 center, RTi38 surrounds, RTi28 rears and heights
    SVS 20-39CS+ subwoofer powered by Crown XLS1500
    Oppo BDP-93 Blu-ray player
    DarbeeVision DVP5000 video processor
    Epson 8500UB 1080p projector
    Elite Screens Sable 120" CineWhite screen
  • vc69
    vc69 Posts: 2,500
    edited December 2009
    SPL meter is highly recommended.

    I use DVE and the Spears and Munsil disc that came with my Oppo. DVE is a pain, but using it I was able to get my panel so close that the S&M looked awesome without any adjustment.

    I didn't use either for audio. I let Audyssey do the calibration and tweek a little from there.
    -Kevin
    HT: Philips 52PFL7432D 52" LCD 1080p / Onkyo TX-SR 606 / Oppo BDP-83 SE / Comcast cable. (all HDMI)B&W 801 - Front, Polk CS350 LS - Center, Polk LS90 - Rear
    2 Channel:
    Oppo BDP-83 SE
    Squeezebox Touch
    Muscial Fidelity M1 DAC
    VTL 2.5
    McIntosh 2205 (refurbed)
    B&W 801's
    Transparent IC's