Question: Seperates vs. Reciever

sk1939
Posts: 295
Branching off from another thread, I'm curious as to why everyone favors separates over a good receiver for 2 channel audio. Now by receiver I'm not talking about an AVR here, I'm talking about a good old fashioned classic from the makes of Marantz, Luxman, Onkyo, Pioneer, Sanyo, Harmon Kardon, McIntosh etc....
In my opinion, a solid Luxman receiver will still sound better than comparatively priced separates (amp, preamp, etc), just because of the engineering put into it. Originally, separates were devised because most receivers could only drive about 30-80wpc, and that wasn't enough for some speakers, so they devised separate power amps. Now it turns out there was a solid market for separate components for some reason, be it mix and match (Marantz tuner, Luxman preamp, McIntosh amp) or just because you could get better quality audio out of high ended separate components ( at considerable additional cost), I don't know, but that seemed to be where it ended up.
I don't know, for me it seems like we've begun focusing too much on the gear, rather than what sounds good to us. I don't know, maybe this is a call to go back to basics.
I'm interested in hearing what the veterans of the forum have to say about this...please, feel free to chime in.
In my opinion, a solid Luxman receiver will still sound better than comparatively priced separates (amp, preamp, etc), just because of the engineering put into it. Originally, separates were devised because most receivers could only drive about 30-80wpc, and that wasn't enough for some speakers, so they devised separate power amps. Now it turns out there was a solid market for separate components for some reason, be it mix and match (Marantz tuner, Luxman preamp, McIntosh amp) or just because you could get better quality audio out of high ended separate components ( at considerable additional cost), I don't know, but that seemed to be where it ended up.
I don't know, for me it seems like we've begun focusing too much on the gear, rather than what sounds good to us. I don't know, maybe this is a call to go back to basics.
I'm interested in hearing what the veterans of the forum have to say about this...please, feel free to chime in.
Home:
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Home 2 (Playback):
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College:
JBL LSR 2325P/JBL 2310SP/MOTU UltraLite MKIII
Onkyo TX-6500MKII/Polk LSI 9's (A)Polk TSi 100(B)/Polk PSW 10/Onkyo C-S5VL/Technics SL-QD33
Home 2 (Playback):
Dynaudio BM5A MKII/Dynaudio SUB 250MC/Audigy 2 ZS
College:
JBL LSR 2325P/JBL 2310SP/MOTU UltraLite MKIII
Post edited by sk1939 on
Comments
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Well, not to much of a Vet. here. But I have had some exp. I have borrowed a few Vintage receiver just too "see" what it would do with the SDAs. The best I heard was an older Marantz, The Pio,Kenwood,and sony all sounded worse than MY current AVR The harmon Kardon was between My Denon AVR and the Marantz. None of them could touch the ADCOM separates I had.
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dudeinaroom wrote: »Well, not to much of a Vet. here. But I have had some exp. I have borrowed a few Vintage receiver just too "see" what it would do with the SDAs. The best I heard was an older Marantz, The Pio,Kenwood,and sony all sounded worse than MY current AVR The harmon Kardon was between My Denon AVR and the Marantz. None of them could touch the ADCOM separates I had.
Technology does change after all. I wonder how something like a vintage Luxman or McIntosh would compare though (that kind of gear was super costly back when it was new). I'm curious what others might way in, I think it's an interesting topic :cool:Home:
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Home 2 (Playback):
Dynaudio BM5A MKII/Dynaudio SUB 250MC/Audigy 2 ZS
College:
JBL LSR 2325P/JBL 2310SP/MOTU UltraLite MKIII -
I would say I am always trying to make my system sound better by trying different amps, cd players, preamps, subs and speakers.
I don't think we are ignoring the sound by looking at the equipment we are buying. I think most of us are trying to get the best sound for the money we have to spend.
As for reciever vs seperates I think it all depends on what type of speakers you are trying to power and how you like to listen to music. I like the sound of ribbon speakers but that requires lots of power. Plus I like to play my music pretty loud. Some like efficent speakers and use them as background while they are reading a book or what not.
So IMO it really depends on your needs. Most recievers will not drive my ALIII's very well but my Sunfire amps would be an overkill for someone who likes to have music in the background.Sunfire TGP, Sunfire Cinema Grand, Sunfire 300~2 (2), Sunfire True Sub (2),Carver ALS Platinum, Carver AL III, TFM-55, C-19, C-9, TX-8, SDA-490t, SDA-390t -
thuffman03 wrote: »I would say I am always trying to make my system sound better by trying different amps, cd players, preamps, subs and speakers.
I don't think we are ignoring the sound by looking at the equipment we are buying. I think most of us are trying to get the best sound for the money we have to spend.
As for reciever vs seperates I think it all depends on what type of speakers you are trying to power and how you like to listen to music. I like the sound of ribbon speakers but that requires lots of power. Plus I like to play my music pretty loud. Some like efficent speakers and use them as background while they are reading a book or what not.
So IMO it really depends on your needs. Most recievers will not drive my ALIII's very well but my Sunfire amps would be an overkill for someone who likes to have music in the background.
Good points all they way around. -
I had a Luxman L-11 integrated back in the day that I am still trying to equal. That thing sounded amazing. Maybe it's just my tastes these days, but listening to music on my Onkyo AVR is just, well... not good enough.
The vintage Marantz, Sansui, Pioneers, and some Yamaha's are a different story. Some of them sounded excellent!-Kevin
HT: Philips 52PFL7432D 52" LCD 1080p / Onkyo TX-SR 606 / Oppo BDP-83 SE / Comcast cable. (all HDMI)B&W 801 - Front, Polk CS350 LS - Center, Polk LS90 - Rear
2 Channel:
Oppo BDP-83 SE
Squeezebox Touch
Muscial Fidelity M1 DAC
VTL 2.5
McIntosh 2205 (refurbed)
B&W 801's
Transparent IC's -
In my opinion, a solid Luxman receiver will still sound better than comparatively priced separates (amp, preamp, etc), just because of the engineering put into it.
Being an engineer, I would be interested in knowing if your opinion has any data to support it. If it does then what, and where, is the data.Lumin X1 file player, Westminster Labs interconnect cable
Sony XA-5400ES SACD; Pass XP-22 pre; X600.5 amps
Magico S5 MKII Mcast Rose speakers; SPOD spikes
Shunyata Triton v3/Typhon QR on source, Denali 2000 (2) on amps
Shunyata Sigma XLR analog ICs, Sigma speaker cables
Shunyata Sigma HC (2), Sigma Analog, Sigma Digital, Z Anaconda (3) power cables
Mapleshade Samson V.3 four shelf solid maple rack, Micropoint brass footers
Three 20 amp circuits. -
Seperates all the way...............hands down, no comparison.
H9"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Puritan Audio PSM136 Pwr Condtioner & Classic PC's | Legend L600 | BlueSound Node3 - Tubes add soul! -
Branching off from another thread, I'm curious as to why everyone favors separates over a good receiver for 2 channel audio. Now by receiver I'm not talking about an AVR here, I'm talking about a good old fashioned classic from the makes of Marantz, Luxman, Onkyo, Pioneer, Sanyo, Harmon Kardon, McIntosh etc....
In my opinion, a solid Luxman receiver will still sound better than comparatively priced separates (amp, preamp, etc), just because of the engineering put into it. Originally, separates were devised because most receivers could only drive about 30-80wpc, and that wasn't enough for some speakers, so they devised separate power amps. Now it turns out there was a solid market for separate components for some reason, be it mix and match (Marantz tuner, Luxman preamp, McIntosh amp) or just because you could get better quality audio out of high ended separate components ( at considerable additional cost), I don't know, but that seemed to be where it ended up.
I don't know, for me it seems like we've begun focusing too much on the gear, rather than what sounds good to us. I don't know, maybe this is a call to go back to basics.
I'm interested in hearing what the veterans of the forum have to say about this...please, feel free to chime in.
To certain extend, your are correct but it depends on which separated pre/amp we are talking abt.
I would prefer you add the "IMO" to your statement since it's all subjective and bias when we are talking abt audio. -
There were some recievers and/or integrateds back in the day that will still blow current model seperates out of the water. We're talking 70's, or early 80's recievers. They don't make 'em like that anymore which is probably why most folks go with seperates these days. Vintage gear isn't as popular as new stuff, although some don't know what they're missing.
I'm relatively young but I remember the stuff my family and friends had back in the day, and it was good. Some of the old timers here will say the same I'm sure. -
Most Vintage receivers are overrated.
Give me a Nak CA5 and Adcom GFA535 and a good set of I/C's and speaker cables for a total used cost of <$350 and I'll take that everyday of the week and twice on Sunday over any vintage receiver or integrated. No contest
H9"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Puritan Audio PSM136 Pwr Condtioner & Classic PC's | Legend L600 | BlueSound Node3 - Tubes add soul! -
Being an engineer, I would be interested in knowing if your opinion has any data to support it. If it does then what, and where, is the data.
I'd compare specs of recievers but they're hard to find, so I'll compare a more vintage like amp with a more modern amp.
Luxman M-117
200X2 @ 8ohms
700X1 @ 8ohms
Dynamic power: 300 @ 8, 550 @ 4, 820 @ 2
THD at rated power: 0.03%
IM distortion (SMPTE) @ 200w: 0.007%
Peak short circuit current: 150 amps
Slew rate: 20v/uSec
Damping factor: 130
>60,000uf capacitance
Marantz SM-11S1
Number of Channels 2
Output Power/Channel (20Hz - 20kHz) Stereo Mode: 110W x2 (8 ohms), 220W x2 (4 ohms), BTL Mode: 420W (8 ohms)
HDAM HDAM-SA3
Power Transformer Very Large Capacity Toroidal w/Shielded Case
Discrete Amplifier Stage Current Feedback Amplifier Stage
Individual Level Adjust Balanced / Unbalanced Individual Gain Setting (-6dB/0dB/+6dB)
THD (20Hz - 20kHz) 0.02% (8 ohms)
Input Sensitivity/Impeance Balanced: 2V/22k ohms, Unbalanced: 2V/22k ohms
Frequency Response 5Hz - 120kHz (1W, 8 ohms)
S/N Ratio Balanced: 101dB, Unbalanced: 101dB (IHF-A network, 1W, 8O)Home:
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Home 2 (Playback):
Dynaudio BM5A MKII/Dynaudio SUB 250MC/Audigy 2 ZS
College:
JBL LSR 2325P/JBL 2310SP/MOTU UltraLite MKIII -
Specs really don't mean a thing relating to how something sounds or the synergy it has with other gear.
If you are relying on specs to make a decision; you're missing a great part of the entire picture. I have never bought a piece based on specs.
H9"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Puritan Audio PSM136 Pwr Condtioner & Classic PC's | Legend L600 | BlueSound Node3 - Tubes add soul! -
Specs really don't mean a thing relating to how something sounds or the synergy it has with other gear.
If you are relying on specs to make a decision; you're missing a great part of the entire picture. I have never bought a piece based on specs.
H9
Thank you for posting what I was thinking as I was reading that post -
Specs really don't mean a thing relating to how something sounds or the synergy it has with other gear.
If you are relying on specs to make a decision; you're missing a great part of the entire picture. I have never bought a piece based on specs.
H9
Thats true. But if your going based solely upon measurable numbers (what BlueFox wanted), this is what you get. Audio does indeed tend to be subjective, and I do agree that some vintage audio is overrated, but there are some, like vintage Luxman, Nakamichi, and McIntosh that will blow modern stuff clean away. Some of the gear, when new, was more than some peoples mortgage payments. Even the low end R-1030 would have cost $1230 according to the CPI.Home:
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Home 2 (Playback):
Dynaudio BM5A MKII/Dynaudio SUB 250MC/Audigy 2 ZS
College:
JBL LSR 2325P/JBL 2310SP/MOTU UltraLite MKIII -
...I do agree that some vintage audio is overrated, but there are some, like vintage Luxman, Nakamichi, and McIntosh that will blow modern stuff clean away. Some of the gear, when new, was more than some peoples mortgage payments. Even the low end R-1030 would have cost $1230 according to the CPI.
Now compare that to the stuff now that would cost more than your mortgage. -
dudeinaroom wrote: »Now compare that to the stuff now that would cost more than your mortgage.
Point taken, all things are relative..I guess in the end, it all just depends on what sounds good to you, be it separates, a receiver, or an AVR...Home:
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Home 2 (Playback):
Dynaudio BM5A MKII/Dynaudio SUB 250MC/Audigy 2 ZS
College:
JBL LSR 2325P/JBL 2310SP/MOTU UltraLite MKIII -
I think for 2 channel sound you'd be hard pressed to find almost anyone on this site who will not tell you separates are the way to go..
Then you'd get into arguments about class A solid state amps or amps with a A/A/B step up....and the venerable 'warmth' and power of the TUBE amp.
The construction of a receiver makes it very difficult to achieve SIMPLICITY of signal transmission--you want as lilttle interference between your source and your amplification as possible and that is almost impossible in the construction of most receivers?
cnhCurrently orbiting Bowie's Blackstar.!
Polk Lsi-7s, Def Tech 8" sub, HK 3490, HK HD 990 (CDP/DAC), AKG Q701s
[sig. changed on a monthly basis as I rotate in and out of my stash] -
Vintage gear is hit or miss, even with the venerable lineage of manufacturers like McIntosh, Luxman, Phase Linear, etc. Not every piece was a winner but some of them are extremely nice to listen to in their own right. That being said, some have many more GOOD examples than bad and Luxman had some dogs in the later years....since you mention them in particular. If you know what to look for, it's a used market goldmine for vintage gear.
Blow away modern electronics? I don't know about that unless you're just being general. Is there more junk today than back then? Sure. Is stuff more reliable now? Absolutely.
I enjoy finding really nice examples of vintage gear, checking them out and moving on but I wouldn't say I've ever found something that has actually replaced what gear I run on a permanent basis.CTC BBQ Amplifier, Sonic Frontiers Line3 Pre-Amplifier and Wadia 581 SACD player. Speakers? Always changing but for now, Mission Argonauts I picked up for $50 bucks, mint. -
My personal preference is for seperates. The basic reason, to prevent the high current drain of the main amp from effecting the preamp circuits. But that being said, there were some very good vintage receivers. One of the best I have found is the Sansui G9000. One thing that made it and other Sansuis sound good was the frequency response. The big Sansuis had amp sections rated DC to 300, 400 and in some cases 600khz. Why is this important when you can only hear 20K? Because the higher the frequency response, the better the amp can replicate rapid transient signals. Another spec seldom shown is slew rate. The higher the better. As far as new equipment, none of the retail store stuff is worth bringing home. They just dont have the power supplies to provide adequate power output and the circuits are a comprimize. I recently aquired an NAD T763 and was plesantly surprised in the quality of the sound. Very strong bass and smooth clear highs.
So to answer your question, it is possible to get quality sound from a receiver. But you have more choices with seperates.Dave
In love with SDA since 1984
2CH: SDA SRS (new caps) with NAD 541I, NAD 917 and modded Phase 400 (soon to be NAD 208)
HT: SDA 1C (new caps, SL2500s, bass mod) with NAD T763 and Monitor 4 as surround
Other vintage stuff, Sansui G9000, Pioneer 1980 -
Welcome to Club Polk Turbo.Marantz AV-7705 PrePro, Classé 5 channel 200wpc Amp, Oppo 103 BluRay, Rotel RCD-1072 CDP, Sony XBR-49X800E TV, Polk S60 Main Speakers, Polk ES30 Center Channel, Polk S15 Surround Speakers SVS SB12-NSD x2
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I too prefer separates. I had a good rig set up with the Adcoms, an Outlaw 950 and an the Outlaw ICBM.
When I made the jump to HD-DVD / Blu-ray I needed an HDMI pre/pro, being that those were more then I could justify I went with the Onkyo 805. I played around with it for sometime but never really set-it up, dialed it in without the Adcoms and took the time with it. Doing so now, the quality exceeded my expectations, and for my small theater room, it's more then enough.
At some point, like Doro suggested in my thread is to go with matching Onkyo amps for the fronts and using the avr for the surrounds. This way all the amp technology is matched.If...
Ron dislikes a film = go out and buy it.
Ron loves a film = don't even rent. -
I have three Luxman M-117 amps and love them. I tend to lean to seperates staying in the Luxman family or vintage Yamaha serperates like the MX-1000 amp and a C85 pre amp for music. The only receiver that blew me away was the Luxman R-117 model. It has 160 watts per channel at 8 ohms, the headroom is also huge on this model. I have owned monster receivers like the kenwood KR9600 which is also good with high watt ratings. The tuner on both of these models is outstanding. Very few recievers can match the power of a good power amp like Luxman, Carver, Yamaha and when you are driving SDA SRS 1.2tl's or something similar, the more power the better.Polk HT system 1: LSIC, LSI25 mains, LSI F/X rears, Lsi F/X rear centers,
Yamaha RX-V2500 System, Carver A753 3 channel amp.
Polk HT system 2: , SRT system with f/x 1,000's rear speakers on 7.1 system currently using Onkyo TX-RZ820 receiver, powered by Sunfire Grand Theater amp
Polk Speaker collection: SDA SRS 1.2tl x 2, SRT system, SDA SRS 2 P/B, SDA 2A, SDA 1C Studio, SDA CRS+, Monitor 7B & 4, SRS 3.1tl, RTA 15tl, LS90, LSI 9 -
Yamaha is way over rated as is Luxman and Kenwood.
I've owned and sold at retail level a lot of Yamaha gear during their supposed heydey and I'd be glad to use the stuff for boat anchors. I have not understood the following Yamaha has had because their gear is about as sterile as a Eunuch.
The old Trio Kenwood stuff was alright but again having owned and sold most of their "high end" Basic line..........I'd rate it the same as Yamaha.....boring and sterile.
The Luxman hybrid integrateds were OK for the day and a unique product.
This is all IMHO however, and each likes their own type of sound and performance. Just once I'd like someone to explain to me why Yamaha is so praised when it has never even caused me to give it a second glance and I have tried to like it.
H9
P.s. I'll add I have a good friend on this board who has built a vintage Yammy rig mostly for nostalgia so I'm not trying to "crap" on anyone's gear choice............just stating my view and trying to understand the rabinous like for Yammy."Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Puritan Audio PSM136 Pwr Condtioner & Classic PC's | Legend L600 | BlueSound Node3 - Tubes add soul! -
Separates USUALLY afford you more flexibility in setup.TNRabbit
NO Polk Audio Equipment :eek:
Sunfire TG-IV
Ashly 1001 Active Crossover
Rane PEQ-15 Parametric Equalizers x 2
Sunfire Cinema Grand Signature Seven
Carver AL-III Speakers
Klipsch RT-12d Subwoofer -
I have three Luxman M-117 amps and love them. I tend to lean to seperates staying in the Luxman family or vintage Yamaha serperates like the MX-1000 amp and a C85 pre amp for music. The only receiver that blew me away was the Luxman R-117 model. It has 160 watts per channel at 8 ohms, the headroom is also huge on this model. I have owned monster receivers like the kenwood KR9600 which is also good with high watt ratings. The tuner on both of these models is outstanding. Very few recievers can match the power of a good power amp like Luxman, Carver, Yamaha and when you are driving SDA SRS 1.2tl's or something similar, the more power the better.
I get the power rating thing, although I think current affects the power more than watt rating....a high current amp at 200W will probably be louder at the same level than another amp at 200W.
I just noticed....Jessup huh....that means your close to Scranton if I do recall...Home:
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Home 2 (Playback):
Dynaudio BM5A MKII/Dynaudio SUB 250MC/Audigy 2 ZS
College:
JBL LSR 2325P/JBL 2310SP/MOTU UltraLite MKIII -
All I can say about the vintage Yamaha seperates in the 80's, there was a high end electronic store here in town and we got to try out all of the high end popular brands of the day and a lot of us liked the sound of the Yamaha's the best. I know on this forum alot of guys like Onkyo or Marantz which are very good also but to each his own. I am not going to say I would use Onkyo or Marantz equipment as boat anchors. If your gear makes you smile when you listen to it, I don't care what the brand it is sit back and enjoy. Just my opinion.Polk HT system 1: LSIC, LSI25 mains, LSI F/X rears, Lsi F/X rear centers,
Yamaha RX-V2500 System, Carver A753 3 channel amp.
Polk HT system 2: , SRT system with f/x 1,000's rear speakers on 7.1 system currently using Onkyo TX-RZ820 receiver, powered by Sunfire Grand Theater amp
Polk Speaker collection: SDA SRS 1.2tl x 2, SRT system, SDA SRS 2 P/B, SDA 2A, SDA 1C Studio, SDA CRS+, Monitor 7B & 4, SRS 3.1tl, RTA 15tl, LS90, LSI 9 -
Separates USUALLY afford you more flexibility in setup.
So I take it that it's not a definite thing....Home:
Onkyo TX-6500MKII/Polk LSI 9's (A)Polk TSi 100(B)/Polk PSW 10/Onkyo C-S5VL/Technics SL-QD33
Home 2 (Playback):
Dynaudio BM5A MKII/Dynaudio SUB 250MC/Audigy 2 ZS
College:
JBL LSR 2325P/JBL 2310SP/MOTU UltraLite MKIII -
turbopantera wrote: »My personal preference is for seperates. The basic reason, to prevent the high current drain of the main amp from effecting the preamp circuits. But that being said, there were some very good vintage receivers. One of the best I have found is the Sansui G9000. One thing that made it and other Sansuis sound good was the frequency response. The big Sansuis had amp sections rated DC to 300, 400 and in some cases 600khz. Why is this important when you can only hear 20K? Because the higher the frequency response, the better the amp can replicate rapid transient signals. Another spec seldom shown is slew rate. The higher the better. As far as new equipment, none of the retail store stuff is worth bringing home. They just dont have the power supplies to provide adequate power output and the circuits are a comprimize. I recently aquired an NAD T763 and was plesantly surprised in the quality of the sound. Very strong bass and smooth clear highs.
So to answer your question, it is possible to get quality sound from a receiver. But you have more choices with seperates.
So how does that apply to some of the now-vintage monster receivers by Sanyo, Onkyo, or even a Nakimichi 2.Home:
Onkyo TX-6500MKII/Polk LSI 9's (A)Polk TSi 100(B)/Polk PSW 10/Onkyo C-S5VL/Technics SL-QD33
Home 2 (Playback):
Dynaudio BM5A MKII/Dynaudio SUB 250MC/Audigy 2 ZS
College:
JBL LSR 2325P/JBL 2310SP/MOTU UltraLite MKIII -
I dont have experience with all brands of receivers. My personal opinion was that Sansui was among the best. Marantz had some good stuff. They had a slightly different sound but did make an amazing 350 wpc receiver model 2700. The Pioneer 1980 with 270 wpc (which I have one of) does not hold a candle to the Sansui. Very dark sounding. The Onkyos were pretty good. I have a TX-8500 MkII and it has a good sound. Kenwoods had a variety of quality.
As for the specs, I only really know the specs of the Sansuis but from listening and measuring various brands with test equipment, I can state that higher slew rate equals better sound. So specs to some extend apply to any brand and can be tested even when not listed.
Most receivers have power supplies that are too weak to handle demanding speakers like the Polk SDAa. My first HT receiver was a sony and it would trip out on a set of SDA 1s. And the sound was muffled even compared to a vintage 45 watt amp. But some of the vintage as well as a few higher end receivers do have adequate power supplies to handle quality sound. As an example, the Onkyo TX-8500 MkII is a dual monoblock amp with tuner and preamp in the same case. Most newer receiver makers might make One model at the upper end that has the quality amp circuits and power supply for true audiophile sound but anything less just doesnt cut it.Dave
In love with SDA since 1984
2CH: SDA SRS (new caps) with NAD 541I, NAD 917 and modded Phase 400 (soon to be NAD 208)
HT: SDA 1C (new caps, SL2500s, bass mod) with NAD T763 and Monitor 4 as surround
Other vintage stuff, Sansui G9000, Pioneer 1980 -
I would agree with heiney9 above on that Kenwood. That unit had lots of power but I never could get it to sound the way I wanted....there was always something 'missing'. To this day I can't put my finger on it.
And BTW this has been a rather tame discussion for CP...Imagine people actually touting receivers? Where have all the tube guys gone? No input from them here?
It's almost unthinkable...but 'civil'?
cnhCurrently orbiting Bowie's Blackstar.!
Polk Lsi-7s, Def Tech 8" sub, HK 3490, HK HD 990 (CDP/DAC), AKG Q701s
[sig. changed on a monthly basis as I rotate in and out of my stash]