Common ground amp & SDA's
Bikerduck
Posts: 43
Does anyone know if the Kenwood KA-801 is a common ground amp?
I would like to try out that amp with my SDA's but don't want to blow the speakers
Thanks
I would like to try out that amp with my SDA's but don't want to blow the speakers
Thanks
MAIN:Kenwood M2a,C2,Sansui TU-517,Yamaha CDX-1100,Kenwood GE-1100,Nakamichi BX150,SDA 2a,Kenwood Ka-801,HPM-100
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OFFICE:Kenwood Ka-8300,Technics SL-P770,Nakamichi BX150,Polk Monitor 7b
BEDROOM:Kenwood Ka-7100,KT-6500,KX-1030,Teac Reference 500,Monitor 10b
Yamaha CA 810,CT 810,Yamaha CDX-1060,Monitor M 5b
Kenwood Basic M1a,C1,Yamaha CDX-930,KA-77,KT-313,KA-3500,KA-5700,Technics SU 8600,ST 8600
Post edited by Bikerduck on
Comments
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+1, I have ran a TFM-25 with great results on my SDA-1Cs and currently running a TFM-45 with even better results. I would not pay more for a TFM35 orver a 25 and same for 55 over a 45.
Try to find one recently service with paper work for proof if possible. I highly recommend Rolland at Carveraudio for any service work.Speakers: SDA-1C (most all the goodies)
Preamp: Joule Electra LA-150 MKII SE
Amp: Wright WPA 50-50 EAT KT88s
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Cables: Mits S3 IC and Spk cables| PS Audio PCs -
I see you have a KA901, probably the same design as KA801. If you have the amp already you can use a VOM to measure between the (2) negative speaker terminals (with the amp off of course). This will tell you if the amp has a common ground config.
H9
p.s. Why is it whenever someone asks a specific question about a specific piece of equipment people always chime in "you should get this". It gets old <end rant>"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul! -
I have a kenwood ka8006 top of the line from 1973 that amp sounds great!!!! The one you have is a bit newer then mine but should still sound as good if not better as it is a different design.
Now are you going to use the connect cable on your SDAs'? If not, then you do not have to wory.
If you do though, I thought that one was a dual mono... If people do not know on here, i would post on audiokarma. they have some big kenwood fans there.Klipsch The Nines, Audioquest Thunderbird Interconnect, Innuos Zen MK3 W4S recovery, Revolution Audio Labs USB & Ethernet, Border Patrol SE-I, Audioquest Niagara 5000 & Thunder, Cullen Crossover II PC's. -
I did read that some int. dual mono amps are common ground but the 801 is not one of them.
I am getting tired to the point of selling the SDA's. I got 12 amps and can only use 2 M2a's with them, the rest is either not common ground or don't have enough wattage plus they are a pain to place right.
I like to switch things aroundMAIN:Kenwood M2a,C2,Sansui TU-517,Yamaha CDX-1100,Kenwood GE-1100,Nakamichi BX150,SDA 2a,Kenwood Ka-801,HPM-100
DEN:Kenwood Basic M2,C2,T1,Yamaha CDX-1100,Parasound DHX 600,ADS 1090
OFFICE:Kenwood Ka-8300,Technics SL-P770,Nakamichi BX150,Polk Monitor 7b
BEDROOM:Kenwood Ka-7100,KT-6500,KX-1030,Teac Reference 500,Monitor 10b
Yamaha CA 810,CT 810,Yamaha CDX-1060,Monitor M 5b
Kenwood Basic M1a,C1,Yamaha CDX-930,KA-77,KT-313,KA-3500,KA-5700,Technics SU 8600,ST 8600 -
Simple solution, build yourself an AI-1.
Oops, just noticed that you have 2A's, never mind.Political Correctness'.........defined
"A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."
President of Club Polk -
in that case, your only hope may be a tube amp,,say 40-75 watts of sweetness.JC approves....he told me so. (F-1 nut)
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When I contacted Polk (about 1992) about using an Aragon 4004 with SDA 1B speakers, they suggested building a short jumper wire with appropriate terminations on each end to connect the black (-) speaker connectors together.
As long as the amplifier isn't bridged, you've then guaranteed that it is common ground.
Later, I contacted Aragon and they told me the "Dual Mono" 4004 is in fact separate on the positive side (including separate power transformers and storage capacitors for each channel) but the ground side was common--and so I then removed the jumper wire between the negative speaker posts. -
Correct me if I am wrong but I thought all you had to do to test if an amp is common ground is to take a multi meter and check continuity between the negative (black) speaker posts on the amp?My journey: http://www.1414audio.com/
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When I contacted Polk (about 1992) about using an Aragon 4004 with SDA 1B speakers, they suggested building a short jumper wire with appropriate terminations on each end to connect the black (-) speaker connectors together.
As long as the amplifier isn't bridged, you've then guaranteed that it is common ground.
Later, I contacted Aragon and they told me the "Dual Mono" 4004 is in fact separate on the positive side (including separate power transformers and storage capacitors for each channel) but the ground side was common--and so I then removed the jumper wire between the negative speaker posts.
Just to keep this factual.............not all non-common ground amps can have their neg terminals tied together. It's always best to contact the manufacturer to see if this is possible. There are even a few mono bloc's that can have their terminals tied, but ALWAYS check with the manufacturer or someone else with the knowledge that has done it before."Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul! -
You need better than continuity, it needs to be a straight short for it to be common ground.
Adding a jumper could, in some cases, cause trouble. Not something you should try just **** and giggles. -
You need better than continuity, it needs to be a straight short for it to be common ground.Testing
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The other choice is to build a "Dreadnaught" (http://www.polkaudio.com/forums/showthread.php?t=74472&highlight=dreadnaught). A DIY job is 150 or so and to have one built is more. ben62670 on this forum can do it if you want one.
BillMy 2012 HT Room - http://www.avsforum.com/t/1416077/bsoko2-new-ht-june-2012 -
If you have the amp already you can use a VOM to measure between the (2) negative speaker terminals (with the amp off of course). This will tell you if the amp has a common ground config.
H9
p.s. Why is it whenever someone asks a specific question about a specific piece of equipment people always chime in "you should get this". It gets old <end rant>
what kind of settings and what kind of readings will you get on the VOM? I need to find this out also in my amp. I don't know anything about VOM.. so please explain it like you were talking to a 5 yr old.PolkFest 2012, who's going>?
Vancouver, Canada Sept 30th, 2012 - Madonna concert :cheesygrin: -
danger boy wrote: »what kind of settings and what kind of readings will you get on the VOM? I need to find this out also in my amp. I don't know anything about VOM.. so please explain it like you were talking to a 5 yr old.
Use the ohm's setting and place the meters probes on the 2 negative binding posts.If the resistance reads less than say 20ohm's your good.Testing
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The other choice is to build a "Dreadnaught" (http://www.polkaudio.com/forums/showthread.php?t=74472&highlight=dreadnaught). A DIY job is 150 or so and to have one built is more. ben62670 on this forum can do it if you want one.
BillSimple solution, build yourself an AI-1.
Oops, just noticed that you have 2A's, never mind.Testing
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davidfmartin wrote: »Correct me if I am wrong but I thought all you had to do to test if an amp is common ground is to take a multi meter and check continuity between the negative (black) speaker posts on the amp?Just to keep this factual.............not all non-common ground amps can have their neg terminals tied together. It's always best to contact the manufacturer to see if this is possible. There are even a few mono bloc's that can have their terminals tied, but ALWAYS check with the manufacturer or someone else with the knowledge that has done it before.
I'm not saying you're wrong. I just don't understand the problem if the amp isn't bridged. I won't state an opinion about strapping the negative terminals of two non-bridged monoblocks except to say that some folks have done it and not burned their houses down--so you're correct, it must work in at least some instances!
If the amps ARE bridged, there will be hell to pay if the negative terminals are strapped together! -
...but...if the amp is not bridged, how can it be hurt by a jumper wire across the negative terminals?Testing
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Designers and engineers almost always use the metal case as a ground or earth ground. There is the odd chance that this has not been done and the grounds are not common. For this exotic amp, you might be able to jumper the grounds, but do not short them to the case.
I'd guess that over 95% of amps are common ground with another 4% that can be jumpered.
Again, ditch the continuity and read resistance. Touch the probes together and you'll get maybe 0.2 ohms. This is the resistance of the probes. Now read between the negative terminals. If you get 0.2 or 0.3 ohms, it's common ground. -
Correct as far as I know provided "continuity" means "very low resistance". Lower is better. Not everyone has an ohmmeter, though.
I am NOT an electrical engineer...
If the amps ARE bridged, there will be hell to pay if the negative terminals are strapped together!
I'm not either, but I do believe if an amp is truly a balanced design the neg terminals cannot be strapped in all instances. For instance Adcom 55xx series CAN be strapped since they are not common ground; Pass Labs "X" series amps CANNOT be strapped to create a common ground.I won't state an opinion about strapping the negative terminals of two non-bridged monoblocks except to say that some folks have done it and not burned their houses down--so you're correct, it must work in at least some instances!
Yes this is correct as far as I know......some can some cannot.
If they are stereo amps run in bridged mono they CANNOT.....
Always check with the manufacturer first
H9"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul! -
If the amps ARE bridged, there will be hell to pay if the negative terminals are strapped together!
My prescription must be too strong.
To bridge two channels, you must first short the negative terminals and take your signal from the positive terminals. A bridgeable amp is already common ground. -
My prescription must be too strong.
To bridge two channels, you must first short the negative terminals and take your signal from the positive terminals. A bridgeable amp is already common ground.
It is in stereo mode but certainly isn't as a mono block. How can 2 completely separate "black boxes" share a common ground when they aren't even connected to each other?
If you hook up bridged stereo amps and run them as mono bloc's with SDA's there will be damage to amp, speakers, or both. I guarantee it. I don't know of any bridged mono blocs that can have their negative terminals strapped together between the left and right mono bloc.
H9"Appreciation of audio is a completely subjective human experience. Measurements can provide a measure of insight, but are no substitute for human judgment. Why are we looking to reduce a subjective experience to objective criteria anyway? The subtleties of music and audio reproduction are for those who appreciate it. Differentiation by numbers is for those who do not".--Nelson Pass Pass Labs XA25 | EE Avant Pre | EE Mini Max Supreme DAC | MIT Shotgun S1 | Pangea AC14SE MKII | Legend L600 | BlueSound Node 3 - Tubes add soul! -
Designers and engineers almost always use the metal case as a ground or earth ground. There is the odd chance that this has not been done and the grounds are not common. For this exotic amp, you might be able to jumper the grounds, but do not short them to the case.
Even amps with full time bridged output stages ( not with a switch) can have a conection to chassis ground the difference being that the neg speaker terminal is not connected to the power supply or star ground so there is no problem doing so.Testing
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To bridge two channels, you must first short the negative terminals and take your signal from the positive terminals. A bridgeable amp is already common ground.Testing
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This wil help to visualize the outputs....
The first rule of Fight Club is you don't talk about Fight Club -
The neg terminals will already be connected internally.But when you bridge you use the pos terminals only,so it is no longer common ground as both outputs will be hot.
I guess that's where I go astray, terminology. I would not speak of a bridged amp as common ground, since you're running it without a ground. A monobloc amp might still have a ground. However, I don't consider my bridged stereo amps as monoblocks.
edit: both amps shown above are bridgeable. The limitation within the second layout is that the input signal hasn't been inverted for one channel. -
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I guess that's where I go astray, terminology. I would not speak of a bridged amp as common ground, since you're running it without a ground.
When you bridge it the negative terminals are still common(connected) but the negative half of the waveform is taken from the second channels pos terminal which is not at ground potential.There is a ground just neither of the output terminals are connected to it.
You cannot strap the outputs of two bridged amps together,but you can strap the outputs of two mono blocks that do not have bridged/balanced output stages because when strapped their grounds will all become common.:DTesting
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I measured the resistance today between the 2 neg outputs and it came to 01.6 on the 200 ohm setting. According to some posters here, that would mean it's a common ground. How can that be?
Thanks
DonaldMAIN:Kenwood M2a,C2,Sansui TU-517,Yamaha CDX-1100,Kenwood GE-1100,Nakamichi BX150,SDA 2a,Kenwood Ka-801,HPM-100
DEN:Kenwood Basic M2,C2,T1,Yamaha CDX-1100,Parasound DHX 600,ADS 1090
OFFICE:Kenwood Ka-8300,Technics SL-P770,Nakamichi BX150,Polk Monitor 7b
BEDROOM:Kenwood Ka-7100,KT-6500,KX-1030,Teac Reference 500,Monitor 10b
Yamaha CA 810,CT 810,Yamaha CDX-1060,Monitor M 5b
Kenwood Basic M1a,C1,Yamaha CDX-930,KA-77,KT-313,KA-3500,KA-5700,Technics SU 8600,ST 8600 -
I measured the resistance today between the 2 neg outputs and it came to 01.6 on the 200 ohm setting. According to some posters here, that would mean it's a common ground. How can that be?
Thanks
Donald
So would that be 1.6 ohms or 160 ohms? -
I measured the resistance today between the 2 neg outputs and it came to 01.6 on the 200 ohm setting. According to some posters here, that would mean it's a common ground. How can that be?
Thanks
Donald
As Shinace pointed out earlier the probe leads will have a small amount of resistance as will any wiring that may be used to connect the neg terminals internally.Touching the probes together will tell you how much of that 1.6ohms is in the test leads.Testing
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