so...why are the LSi speakers made 4 instead of 8 ohms?

2»

Comments

  • mightymouse
    mightymouse Posts: 254
    edited April 2008
    There is something to be said about active speakers. The amps match up very well with the speakers.
  • cmy330go
    cmy330go Posts: 2,341
    edited April 2008
    I've only ever heard 1 or 2 powered speakers that I thought sounded right.
    HT
    Mits WD-65737, DirecTV, Oppo DV-970HD, XBOX ONE, Yamaha RX-A1030, Parasound Halo A23, Rotel RB-985, Music Hall MMF-7, Parasound PPH-100, LSi-15, LSi-C, LSi-FX, LSi-7, PSW-1000, Monster HTS2600

    2 CH
    Parasound Halo P3, Parasound Halo A21, Sutherland Ph.D, VPI Classic 3 w/ 3D arm & Soundsmith Aida Cartridge, Arcam CD72T, B&W 802 S3, Monster HTS2500,
  • sucks2beme
    sucks2beme Posts: 5,606
    edited April 2008
    cmy330go wrote: »
    I've only ever heard 1 or 2 powered speakers that I thought sounded right.

    Linn makes activ setups. Their amps and speakers can be made to not use the crossovers.
    They sound good, but for that kind of money, they'd better.
    "The legitimate powers of government extend to such acts only as are injurious to others. But it does me no injury for my neighbour to say there are twenty gods, or no god. It neither picks my pocket nor breaks my leg." --Thomas Jefferson
  • Poee7R
    Poee7R Posts: 904
    edited April 2008
    I thought it was simple myself. A 4ohm load digs into the meaty center of an amp, giving it access to the current and power than an 8 ohm load wouldnt be able to provide as well. Its actually quite cost conscious I believe, you can find a 100 watt @ 8ohm amp pretty easily to get you that "200wpc" @ 4ohms that most seem to rave about.

    And to me the pricing should note the use of an amp, $1850 retail or so should lead people to think that these may not be the best thing to run off of that $400 reciever that they bought on clearance 2 months ago. Yet i have a feeling that Tweeter/Fry's or whoever it was that was blowing lsi's out the door for pennies on the dollar are responsible for the newer onslaught of these questions. But then again who knows, these questions have been asked since the begining of time it seems.

    But I digress, maybe Polk should throw on a label or "warning" in the manual or even on the back of the speaker near the terminals that state's these speaker's were designed for and require an amplifier that can handle a 4 ohm load.

    Thats my story and im sticking to it.


    Dave
    Once again we meet at last.
  • skipf
    skipf Posts: 694
    edited April 2008
    ben62670 wrote: »
    Even the some of the upper crust chain stores that I have seen them at were not properly driving them.

    Now if that isn't an oxymoron, I've never seen one.:D
  • cmy330go
    cmy330go Posts: 2,341
    edited April 2008
    Forget about stores not driving them with good amps. What's even worse...the last time I saw the LSi's displayed at Tweeter the damn things were wired out of phase. Talk about crappy sound.:rolleyes:
    HT
    Mits WD-65737, DirecTV, Oppo DV-970HD, XBOX ONE, Yamaha RX-A1030, Parasound Halo A23, Rotel RB-985, Music Hall MMF-7, Parasound PPH-100, LSi-15, LSi-C, LSi-FX, LSi-7, PSW-1000, Monster HTS2600

    2 CH
    Parasound Halo P3, Parasound Halo A21, Sutherland Ph.D, VPI Classic 3 w/ 3D arm & Soundsmith Aida Cartridge, Arcam CD72T, B&W 802 S3, Monster HTS2500,
  • steveinaz
    steveinaz Posts: 19,538
    edited April 2008
    It's a choice Polk had to make; build a highly "marketable" speaker or build a "good sounding" speaker. The Lsi series are for the serious audiophile, who should understand that a 4 ohm speaker will require a robust amplifier.

    There are terrible driver's that buy Corvettes everyday, it's not Chevrolets fault when they crash them.
    Source: Bluesound Node 2i - Preamp/DAC: Benchmark DAC2 DX - Amp: Parasound Halo A21 - Speakers: MartinLogan Motion 60XTi - Shop Rig: Yamaha A-S501 Integrated - Shop Spkrs: Elac Debut 2.0 B5.2
  • phuz
    phuz Posts: 2,372
    edited April 2008
    I prefer the question:

    "Why don't receiver manufacturers put amplifiers, power supplies, and related compoents in their receivers that can actually do what they say they can do?" (like drive a 4ohm load)

    Or how about:

    "Why are most speakers 4 ohms?"

    To use steve's analogy (I love using cars as metaphors for audio) - even if you made a corvette with a V6 in it, it'd still only have a V6 and wouldn't perform like a true vette. In other words, an Onkyo, Pioneer, Denon receiver, etc are never going to stack up to seperates. Even with speakers rated at 8 ohms, or even 16 ohms.
  • cfrizz
    cfrizz Posts: 13,415
    edited April 2008
    Thank you Steve & Phuz!

    But what's truly mind boggling is when they are given good advice on what it takes to make the LSI's they try to find all kinds of justifications & reasons why the advice just couldn't be right!

    But then again the advice is all over the map with disagreements ending up going on between the "audiophiles" and the rest who are budget conscience & pratical.

    So it ends up being one big disgusting mess.
    Marantz AV-7705 PrePro, Classé 5 channel 200wpc Amp, Oppo 103 BluRay, Rotel RCD-1072 CDP, Sony XBR-49X800E TV, Polk S60 Main Speakers, Polk ES30 Center Channel, Polk S15 Surround Speakers SVS SB12-NSD x2
  • polktiger
    polktiger Posts: 556
    edited April 2008
    steveinaz wrote: »
    It's a choice Polk had to make; build a highly "marketable" speaker or build a "good sounding" speaker. The Lsi series are for the serious audiophile, who should understand that a 4 ohm speaker will require a robust amplifier.

    There are terrible driver's that buy Corvettes everyday, it's not Chevrolets fault when they crash them.

    As I was reading this thread, the exact analogy I was thinking of was the Corvette.

    One other thing to consider, and this may be way off, but a company like polk may develop the LSi line, invest a lot of R&D and come up with a really top flight speaker. Several years from now that technology will filter down into their lower line speakers. One thing I am thinking of would be the dynamic balance drivers that are common in the low level speakers. Seems like 15 or more years ago, these were a big deal and were only in their more expensive speakers. Much like engineering that goes into a corvette will influence what shows up in a "common" cars ten years from now.