active crossover(make or buy one?)
ShinAce
Posts: 1,194
I have my breadboard sitting here with the left channel of a second order L-R crossover ready to go(2-way).
I can whip out another LM1458 and get the right channel going, then I thought I can probably buy an adjustable x-over cheaper than I can build one.
I found:
http://www.partsexpress.com/pe/showdetl.cfm?&Partnumber=245-862
$ 100. Variable 2 way crossover with sub output. I do not need a sub output as my subamp has a built in variable crossover section. This premade xover is 24 dB/oct to boot.
Should I continue building the one I have now(get some connectors), or just buy the ART x-over? Anybody have experience with these or ideas on making an electronic xover adjustable on the cheap(no switches, bi**hes).
I can whip out another LM1458 and get the right channel going, then I thought I can probably buy an adjustable x-over cheaper than I can build one.
I found:
http://www.partsexpress.com/pe/showdetl.cfm?&Partnumber=245-862
$ 100. Variable 2 way crossover with sub output. I do not need a sub output as my subamp has a built in variable crossover section. This premade xover is 24 dB/oct to boot.
Should I continue building the one I have now(get some connectors), or just buy the ART x-over? Anybody have experience with these or ideas on making an electronic xover adjustable on the cheap(no switches, bi**hes).
Post edited by ShinAce on
Comments
-
I seen that Art unit and it looks like a good for the money but I think I would opt for the Behringer CX2310 instead.http://www.behringer.com/CX2310/index.cfm .I have read several good reports about it and its even cheaper.:D
I have built actives on perfboards but by the time you add up the cost of chassis, power supply connectors, etc. it may end up costing more than the Art or CX2310.Testing
Testing
Testing -
Sid is not too keen on most Behringer gear, but I'm interested in his thoughts on the build quality of the CX2310.
Sid?HT/2-channel Rig: Sony 50 LCD TV; Toshiba HD-A2 DVD player; Emotiva LMC-1 pre/pro; Rogue Audio M-120 monoblocks (modded); Placette RVC; Emotiva LPA-1 amp; Bada HD-22 tube CDP (modded); VMPS Tower II SE (fronts); DIY Clearwave Dynamic 4CC (center); Wharfedale Opus Tri-Surrounds (rear); and VMPS 215 sub
"God grooves with tubes." -
Don't forget those Pro Actives are balanced, So don't forget the adapters. I know this isn't going to get much applause from the audience, but you can get a car audio old school Alpine for $50-$80, and have a great XO. Add a 12v wall wart, and you are done. I have done this just to play around to decide where I want to build my passive XO's at, and the performance was stupendously impressive. BTW I know wall warts get a bad rep, but an auto XO is designed to deal with ugly power.Please. Please contact me a ben62670 @ yahoo.com. Make sure to include who you are, and you are from Polk so I don't delete your email. Also I am now physically unable to work on any projects. If you need help let these guys know. There are many people who will help if you let them know where you are.
Thanks
Ben -
Sid is not too keen on most Behringer gear, but I'm interested in his thoughts on the build quality of the CX2310.
Sid?
If you want to get serious buy one of these.http://www.bryston.ca/10b_m.htmlI use one of the 10LR 's.Testing
Testing
Testing -
$89, you say? Wow. Let's build some speakers that use a active crossover. I'll start another thread for it.HT/2-channel Rig: Sony 50 LCD TV; Toshiba HD-A2 DVD player; Emotiva LMC-1 pre/pro; Rogue Audio M-120 monoblocks (modded); Placette RVC; Emotiva LPA-1 amp; Bada HD-22 tube CDP (modded); VMPS Tower II SE (fronts); DIY Clearwave Dynamic 4CC (center); Wharfedale Opus Tri-Surrounds (rear); and VMPS 215 sub
"God grooves with tubes." -
$89, you say? Wow.Let's build some speakers that use a passive crossover.
Im using currently using a DIY pair of active speakers.Testing
Testing
Testing -
I like active. No worries about difficult impedance curves. No worries about which caps, and inductors, and resistors. Independent level adjustment. Only downfall I have had is 2 amps for 2 ways. I do however recommend a cap to protect the tweeters with a 6db slope 250-500 hz below the HP point.Please. Please contact me a ben62670 @ yahoo.com. Make sure to include who you are, and you are from Polk so I don't delete your email. Also I am now physically unable to work on any projects. If you need help let these guys know. There are many people who will help if you let them know where you are.
Thanks
Ben -
What do you do about peaks?"He who fights with monsters should look to it that he himself does not become a monster. And when you gaze long into an abyss the abyss also gazes into you." Friedrich Nietzsche
-
What do you do about peaks?
The best approach is to use drivers that have smooth response to begin with so that you don't have nasty peaks to deal with.Testing
Testing
Testing -
If the peak has a fairly narrow bandwith such as the break up mode in a metal woofer cone ,then you could use an active notch filter tuned to that specific frequency.But this this would only be possibile with a custom DIY active xover as commercial units don't have notch filter options.
Or passive XO such as what Polk uses.The best approach is to use drivers that have smooth response to begin with so that you don't have nasty peaks to deal with.
+1
Ben and I both know why some XO's are so complex. And its not because of a complex system. Its because of cheap drivers. So your best bet, in any DIY design, is to choose good drivers. A good enough driver, wont need but 1 inductor, 1 cap and maybe a resistor or 2.Monitor 7b's front
Monitor 4's surround
Frankinpolk Center (2 mw6503's with peerless tweeter)
M10's back surround
Hafler-200 driving patio Daytons
Tempest-X 15" DIY sub w/ Rythmik 350A plate amp
Dayton 12" DVC w/ Rythmik 350a plate amp
Harman/Kardon AVR-635
Oppo 981hd
Denon upconvert DVD player
Jennings Research (vintage and rare)
Mit RPTV WS-55513
Tosh HD-XA1
B&K AV5000
Dont BAN me Bro!!!!:eek: -
My current speakers have 6 caps, 5 resistors, 2 inductors, and a autoformer per crossover, scratch that idea."He who fights with monsters should look to it that he himself does not become a monster. And when you gaze long into an abyss the abyss also gazes into you." Friedrich Nietzsche
-
My current speakers have 6 caps, 5 resistors, 2 inductors, and a autoformer per crossover, scratch that idea.
It depends on the speaker smart **** I mean Face!!:rolleyes::pMonitor 7b's front
Monitor 4's surround
Frankinpolk Center (2 mw6503's with peerless tweeter)
M10's back surround
Hafler-200 driving patio Daytons
Tempest-X 15" DIY sub w/ Rythmik 350A plate amp
Dayton 12" DVC w/ Rythmik 350a plate amp
Harman/Kardon AVR-635
Oppo 981hd
Denon upconvert DVD player
Jennings Research (vintage and rare)
Mit RPTV WS-55513
Tosh HD-XA1
B&K AV5000
Dont BAN me Bro!!!!:eek: -
The Behringer appears to have balanced inputs only.
To provide more info on the DIY route. I have caps, I have resistors, I can etch the board. I even have a spare chassis and the parts to build a regulated dual rail power supply. The only thing I will need to buy will be RCA jacks and possibly new value caps+resistors. It's the labor that will run me $ 100 worth. -
The Behringer appears to have balanced inputs only.To provide more info on the DIY route. I have caps, I have resistors, I can etch the board. I even have a spare chassis and the parts to build a regulated dual rail power supply. The only thing I will need to buy will be RCA jacks and possibly new value caps+resistors. It's the labor that will run me $ 100 worth.Testing
Testing
Testing -
The test setup I still have not tried out is using 0.1 uF caps and 470 ohm resistors for a crossover frequency just a bit above 3K. It is a 2nd order Linkwitz-Riley.
I will probably proceed with the home-made one and upgrade the opamps to NE5532s if it works well. I already have a 15-0-15 volt transformer (200 mA), 100mA regulators(78l12 and 79l12), chassis and copperclad board.
I'm also getting a bonus from work in March that I may use to buy a new amp and the crossover. I was planning on using an older stereo receiver to power the tweets for this test. -
I refuse to subject myself to a 4th order xover. If you cant get by with a 2nd order xover, then buy better drivers...:p:DMonitor 7b's front
Monitor 4's surround
Frankinpolk Center (2 mw6503's with peerless tweeter)
M10's back surround
Hafler-200 driving patio Daytons
Tempest-X 15" DIY sub w/ Rythmik 350A plate amp
Dayton 12" DVC w/ Rythmik 350a plate amp
Harman/Kardon AVR-635
Oppo 981hd
Denon upconvert DVD player
Jennings Research (vintage and rare)
Mit RPTV WS-55513
Tosh HD-XA1
B&K AV5000
Dont BAN me Bro!!!!:eek: -
I wouldn't mind using a 4th order, but that's just gonna add parts that I don't need. My goal is to test out the performance difference between the passive crossover and active crossover with all other specs the same. I'd also be a bit paranoid of the 4th order not meeting exactly at the crossover point and causing unwanted dips or peaks. More parts and they have to be precision? Nuts to that.
I'm pretty sure that a 4th order is good for phase response. -
I refuse to subject myself to a 4th order xover. If you cant get by with a 2nd order xover, then buy better drivers...:p:DTesting
Testing
Testing -
My goal is to test out the performance difference between the passive crossover and active crossover with all other specs the same.I'm pretty sure that a 4th order is good for phase response.Testing
Testing
Testing -
Other benifits include reduced lobing and off axis response problems,the tweeter will be afforded higher power handling and less distortion.
To add to this comment, I must point out the fact that an active crossover isolates the drivers. If the woofer amplifier is driven to clipping, no distortion should find its way to the tweeter. This dramatically increases the lifespan of the tweeter. This also means tube amps can be used more freely when combined with active crossovers.
I love active but I must admit, I am afraid. What am I afraid of? I don't know.
Okay, so when I get some time, I'll check the crossover I am building for correct operation(12 dB slope at the correct cutoff fre), harmonic distortion, phase(polarity in this case) and bandwidth. Once that is done, I build the real thing. Once that is built, I will buy the ART xover and compare its 24 dB versus my 12 dB slope.
The woofer is a Pioneer C16LU20-51F. The tweeter is the Audax TM025F1. Resonance of the tweeter is at 1,090 Hz and it handles 60 WRMS. I don't expect to have to baby this tweeter. I will start with the xover at 3-4 KHz and work my way down to 2 KHz if I can.
It's too bad I gave away my scope. I might just have to make one for PC. -
GV, do you know if I need to reverse tweeter polarity on a 2nd order 2 way active?
I no longer have a scope so I can't really test polarity that well. Listening only. -
GV, do you know if I need to reverse tweeter polarity on a 2nd order 2 way active?
How close the crossover point is in relation to the natural rolloff of the tweeter and woofer will affect the phase relationship between the two.As well if drivers are mounted together on a flat baffle(ie not slanted backwards to time align them)then the tweeters acoustic center will be closer to the listener than the woofers.This will also alter the phase relationship between them. So it depends ,try both ways and compare,the wrong polarity should be audible, imparting a hollow sounding character to the midrange.
If you have an SPL meter and some test tones then you could verify it that way.Testing
Testing
Testing -
I have two of the Behringer crossovers for my PA System. I use them in a three way setup. Highs (Compression Drivers) Mids-Midbass(8" Mid Driver or 12" Driver) and Subs (18" Yamaha Sub x 2) It works quite well. And at $89.00 it is pretty darn cheap.
I have found the Behringer stuff to be pretty good overall. Not the sturdiest but decent sound. No it isn't the best stuff out there but for the price it is hard to pass up. I would never use there Amplifiers though. Very thin sounding. Sorry gone off track. -
I tried out the active I built, but it turns out I've got an intermittent connection somewhere.
Once I get it debugged, I'll be back. -
I've had great results with the used Rane AC-22's I've used. Very solidly built, very adjustable. The sound is significantly improved over passives. You can get them for about $70-80 on ebay. Except for the need for a second amp, I can't see why anyone would DIY speakers with passive crossovers.
-
Cost and simplicity. Passives are a one and done.
Actives just seem to be so much more fun and better performing. -
Forgot to mention: make sure you use a high value cap in line with the tweeter to protect against amp thump. I use some 27 uFarad dealies. They don't affect the sound.
-
The amps have a delay mute when turning on, I don't know about turn off though.
-
The amps have a delay mute when turning on, I don't know about turn off though.
At the least, it's cheap insurance against a blown (and expensive) tweeter.