SQ difference using Receiver as preamp vs. Pre/pro?
skor
Posts: 19
Currently I am using an HK DPR 2005 as my pre and a Parasound HCA-2003A to drive my Lsi9's and LSIc. The surrounds are being driven by the Receiver's amps. Would I notice a significant improvement in SQ by upgrading the receiver to a pre/pro? What would you recommend?
Post edited by skor on
Comments
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How does this work? When preouts from receiver are used, do they continue to also function within the receiver? I had thought that once the preouts were run to another amp, they lost connection with the receiver's amp section. I guess this is not true?
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NeilGabriel wrote: »How does this work? When preouts from receiver are used, do they continue to also function within the receiver? I had thought that once the preouts were run to another amp, they lost connection with the receiver's amp section. I guess this is not true?
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NeilGabriel wrote: »How does this work? When preouts from receiver are used, do they continue to also function within the receiver? I had thought that once the preouts were run to another amp, they lost connection with the receiver's amp section. I guess this is not true?
You are probably thinking about receivers that had the jumpers connected to its pre-outs when not using an external amp. You had to take them out to connect an external amp..some people lost the jumpers after that..Receiver: harmankardon AVR235
Mains: polk R30
Center: polk CSi3
Rear Surrounds: polk R20
Subwoofer: polk PSW404
DVD: Panasonic DVD-S29 -
Currently I am using an HK DPR 2005 as my pre and a Parasound HCA-2003A to drive my Lsi9's and LSIc. The surrounds are being driven by the Receiver's amps. Would I notice a significant improvement in SQ by upgrading the receiver to a pre/pro? What would you recommend?
Do you mean replacing the reciever with a dedicated pre-amp and seperate processor?
The receiver is pretty much a pre-pro the way you have it now. As for SQ, you may or may not hear a diifference if you add another amp to take on the remaining suround channels. Remember, the surrounds are not as demanding as a front soundstage is..therefore you are less likely to hear a big difference when compared to adding an amp to the fronts..Receiver: harmankardon AVR235
Mains: polk R30
Center: polk CSi3
Rear Surrounds: polk R20
Subwoofer: polk PSW404
DVD: Panasonic DVD-S29 -
Well Scor, you would have to get an amp for your rear channels since you would lose the amplification of the receiver for them.
As for would prepro be an improvement, I keep waiting for a few people to answer this question definitively. Then I could make up my mind if I want to get one!:D
Get the Parasound, 1500A for the surrounds & you certainly will notice a difference. Back speakers like power too. Especially if you like multichannel music!Marantz AV-7705 PrePro, Classé 5 channel 200wpc Amp, Oppo 103 BluRay, Rotel RCD-1072 CDP, Sony XBR-49X800E TV, Polk S60 Main Speakers, Polk ES30 Center Channel, Polk S15 Surround Speakers SVS SB12-NSD x2 -
Neil, it is the receivers internal amps that get bypassed when the preamp outputs are being used. The power then becomes available to whatever speakers are being powered by the receiver.NeilGabriel wrote: »How does this work? When preouts from receiver are used, do they continue to also function within the receiver? I had thought that once the preouts were run to another amp, they lost connection with the receiver's amp section. I guess this is not true?Marantz AV-7705 PrePro, Classé 5 channel 200wpc Amp, Oppo 103 BluRay, Rotel RCD-1072 CDP, Sony XBR-49X800E TV, Polk S60 Main Speakers, Polk ES30 Center Channel, Polk S15 Surround Speakers SVS SB12-NSD x2
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Get the Parasound, 1500A for the surrounds & you certainly will notice a difference. Back speakers like power too. Especially if you like multichannel music!
Good call, I totally forgot about multi ch music...everytime I hear the words rear surrounds I always think of movies.Receiver: harmankardon AVR235
Mains: polk R30
Center: polk CSi3
Rear Surrounds: polk R20
Subwoofer: polk PSW404
DVD: Panasonic DVD-S29 -
That's because the "purists" pooh pooh MC music. But when you put in the SACD of Darkside Of The Moon OOOH YEEEEEEEEEESSSSSSSSSS!Marantz AV-7705 PrePro, Classé 5 channel 200wpc Amp, Oppo 103 BluRay, Rotel RCD-1072 CDP, Sony XBR-49X800E TV, Polk S60 Main Speakers, Polk ES30 Center Channel, Polk S15 Surround Speakers SVS SB12-NSD x2
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Pre pro's aren't made on the scale of receivers. The price / performance is a big one I loved my HK as a pre/receiver. It's a dollar thing to me.Please. Please contact me a ben62670 @ yahoo.com. Make sure to include who you are, and you are from Polk so I don't delete your email. Also I am now physically unable to work on any projects. If you need help let these guys know. There are many people who will help if you let them know where you are.
Thanks
Ben -
I know prepro's are not on the same scale. However, if I could get one that had all the features I wanted, knowing beyond a shadow of a doubt that the expenditure of money would give me the same amazing jump in improvement that adding the Parasound 1500A amplifier did to my system, then it would be well worth the money spent.
Especially since I don't upgrade often.Marantz AV-7705 PrePro, Classé 5 channel 200wpc Amp, Oppo 103 BluRay, Rotel RCD-1072 CDP, Sony XBR-49X800E TV, Polk S60 Main Speakers, Polk ES30 Center Channel, Polk S15 Surround Speakers SVS SB12-NSD x2 -
there are two reasons that i hold the opinion that a dedicated pre/pro will beat a receiver which is used only as a preamp:
1) size - if a designer has a box of a fixed size and has to fit more stuff into it (the case of a reciever), that is going to cause more work and you are going to pay for that. for that reason, if a receiver and a pre/pro cost the same amount, i would assume that the pre/pro would consist of better parts/design.
2) extra functions - looking again at a receiver and a pre/pro at the same price point, the receiver has the added cost of the amplifier, which in this case you are not using at all. the designer of the pre/pro is free to use more of his budget on higher quality parts because he does not have the expense of the amplifier.
now this is a major generalization, and assumes that what the receiver or pre/pro costs is what it is worth. but at least this is what i think allows you to say that a dedicated pre/pro is better than a receiver when using it just as a preamp. -
I've looked at many of the lab tests over at Sound and Vision and I think you will find that many of the better receivers (like Denon) have preamp sections that are every bit as good as (if not better than) your typical high end dedicated pre-pros. Typically, the receivers also have more of the newer surround formats and features like active room setup/with parametric equalizers.For rig details, see my profile. Nothing here anymore...
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Pre Pros can be upgraded without the expense of upgrading the amp. I have had both pres and receivers in my systems and I have always preferred the pre pros. That may be because they tend to come in at a higher quality price point though as well.Sharp Elite 70
Anthem D2V 3D
Parasound 5250
Parasound HCA 1000 A
Parasound HCA 1000
Oppo BDP 95
Von Schweikert VR4 Jr R/L Fronts
Von Schweikert LCR 4 Center
Totem Mask Surrounds X4
Hsu ULS-15 Quad Drive Subwoofers
Sony PS3
Squeezebox Touch
Polk Atrium 7s on the patio just to keep my foot in the door. -
HT receivers tend to have more bells and whistles and more Audio and video inputs. I use my Denon 4802 as a preamp.engtaz
I love how music can brighten up a bad day. -
But what about the sound Darla? Can you say without a doubt that it sounded significantly better than a receiver.
That for me is the most important fact.wingnut4772 wrote: »Pre Pros can be upgraded without the expense of upgrading the amp. I have had both pres and receivers in my systems and I have always preferred the pre pros. That may be because they tend to come in at a higher quality price point though as well.Marantz AV-7705 PrePro, Classé 5 channel 200wpc Amp, Oppo 103 BluRay, Rotel RCD-1072 CDP, Sony XBR-49X800E TV, Polk S60 Main Speakers, Polk ES30 Center Channel, Polk S15 Surround Speakers SVS SB12-NSD x2 -
But what about the sound Darla? Can you say without a doubt that it sounded significantly better than a receiver.
That for me is the most important fact.
Well yes because they were significantly more expensive than any receiver I had. Other than that I don't know. The theory is that there is less interference and noise because the amp is separate from the case but without actually doing an A/B I could not say. It makes sense though.Sharp Elite 70
Anthem D2V 3D
Parasound 5250
Parasound HCA 1000 A
Parasound HCA 1000
Oppo BDP 95
Von Schweikert VR4 Jr R/L Fronts
Von Schweikert LCR 4 Center
Totem Mask Surrounds X4
Hsu ULS-15 Quad Drive Subwoofers
Sony PS3
Squeezebox Touch
Polk Atrium 7s on the patio just to keep my foot in the door. -
So we are right back to the "I paid a lot more therefore..." And theories aren't any real help or proof of anything. Most decent equipment does it's best to minimize noise & interference. So unless you have ears as sharp as a dog's we probably can't hear it any way.
Sometimes all this subjectiveness drives me insane!Marantz AV-7705 PrePro, Classé 5 channel 200wpc Amp, Oppo 103 BluRay, Rotel RCD-1072 CDP, Sony XBR-49X800E TV, Polk S60 Main Speakers, Polk ES30 Center Channel, Polk S15 Surround Speakers SVS SB12-NSD x2 -
First impression. I should have saved the money, and spent it else where. It is clean, no problems. Just not a real step up from the HK as a Pre. I am using unbalanced outs.
Here's a real life quote from ben62670 who "upgraded" his HK AVR-235 (using it as a pre/pro w/ an Adcom GFP-500 amp) to an Outlaw 990. I guess this solidifies what I've thought all along (and others have agreed) unless your spending significantly more on a pre/pro don't expect much improvement in SQ; and even then it's subjective... -
So we are right back to the "I paid a lot more therefore..." And theories aren't any real help or proof of anything. Most decent equipment does it's best to minimize noise & interference. So unless you have ears as sharp as a dog's we probably can't hear it any way.
Sometimes all this subjectiveness drives me insane!
Cathy, my point was that the pre pros were significantly better because they were in a different league than what I owned as a receiver. I have never owned a top end receiver.I don't think that more expensive means better just because it is more expensive.Sharp Elite 70
Anthem D2V 3D
Parasound 5250
Parasound HCA 1000 A
Parasound HCA 1000
Oppo BDP 95
Von Schweikert VR4 Jr R/L Fronts
Von Schweikert LCR 4 Center
Totem Mask Surrounds X4
Hsu ULS-15 Quad Drive Subwoofers
Sony PS3
Squeezebox Touch
Polk Atrium 7s on the patio just to keep my foot in the door. -
Ah....
Receivers and preamps.
I think one of the better sounding Multi-Channel units I've had in my room was the Pioneer Elite VTX 41 or something like that. Dont remember the exact model numbers. The amp section of this unit sucked big hairy monkey nuts. But the preamp sectioned rivaled that of the NAD unit it replaced for 2 channel. Now I will say that the B&K that replaced the NAD and the Odyssey that replaced the B&K are leaps and bounds beyond what the PE could ever do.
Still a pretty impressive unit for the $$$.- Not Tom ::::::: Any system can play Diana Krall. Only the best can play Limp Bizkit. -
wingnut4772 wrote: »Cathy, my point was that the pre pros were significantly better because they were in a different league than what I owned as a receiver. I have never owned a top end receiver.I don't think that more expensive means better just because it is more expensive.
So if I read you right, when you switched to a pre/pro, you bought one that was at a higher price point (higher end equipment) then your receiver?
Has anyone had both a pre/proand a receiver around the same price point to compare?Michael
Samsung 50" HD DLP
Yamaha RX-V2500
(2) Outlaw 200
Adcom GFA 555
Sony BDP300
Denon 2900 DVD
Lsi9's mains
Lsi7's rear
Lsic center
12.1 SVS driver in 4.53 cuft. tube
Harmony 880 -
My B&K (2 Ch) and PE receiver cost the same new - 800 smackers.
B&K easilly took it to the cleaners.- Not Tom ::::::: Any system can play Diana Krall. Only the best can play Limp Bizkit. -
So if I read you right, when you switched to a pre/pro, you bought one that was at a higher price point (higher end equipment) then your receiver?Sharp Elite 70
Anthem D2V 3D
Parasound 5250
Parasound HCA 1000 A
Parasound HCA 1000
Oppo BDP 95
Von Schweikert VR4 Jr R/L Fronts
Von Schweikert LCR 4 Center
Totem Mask Surrounds X4
Hsu ULS-15 Quad Drive Subwoofers
Sony PS3
Squeezebox Touch
Polk Atrium 7s on the patio just to keep my foot in the door. -
Ahh. Ok I gotcha now Darla.Marantz AV-7705 PrePro, Classé 5 channel 200wpc Amp, Oppo 103 BluRay, Rotel RCD-1072 CDP, Sony XBR-49X800E TV, Polk S60 Main Speakers, Polk ES30 Center Channel, Polk S15 Surround Speakers SVS SB12-NSD x2
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Sharp Elite 70
Anthem D2V 3D
Parasound 5250
Parasound HCA 1000 A
Parasound HCA 1000
Oppo BDP 95
Von Schweikert VR4 Jr R/L Fronts
Von Schweikert LCR 4 Center
Totem Mask Surrounds X4
Hsu ULS-15 Quad Drive Subwoofers
Sony PS3
Squeezebox Touch
Polk Atrium 7s on the patio just to keep my foot in the door. -
There is something that you guys are overlooking here. It's called "economies of scale". Many of the companies that make components are very small, and have very low production numbers. On the other hand, a Yamaha, Denon, or h/k receiver, benefits from design and production scales that the little guys couldn't even dream of. The Denon mid-line receivers on up from the XX05 series, and the Yamahas over the past 7 years or so, have had huge improvements to their front ends, and are capable of incredible performance as a pre/pro. Their performance will often equal if not exceed pre/pros that cost significantly more money. Added to that, there will be features that the little companies can't afford to adapt or develop.
I knew of a guy who replaced a loaded Theta Casablanca a few years back with a top line Yamaha receiver. His comment was that the performance differential was minimal(pluses and minuses), but the features and flexibility were in a whole different league. Another guy locally replaced a high end pre/pro with a Denon 480X late model after a lightning strike toasted his expensive pre/pro. Again, comparable performance, more features.
Another advantage, is that you get the "power supply from hell" on a receiver, all dedicated to powering the front end. Gotta love it.
MarkSystem:
VPI Scout/Benz Ace
Sutherland PH2000
Arcam CD72
Yamaha DVD-CX1 (primarily for CD..26 lbs, all BB D/A)
Audioprism Mantissa w/Reference PS
Parasound HCA750 (temporary)
Audiovector M1 Signatures
Kimber 4TC x 2 -
Skor, unless your present HK was incompetently designed(certainly not the case)or has been damaged and isn't performing as designed, then there should be no audible difference between using it or a separate prepro. The same standard of audibly flat frequency response with inaudibly low noise and distortion applies and spending a lot more money because of some manufacturer's hype can't change anything.
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Anti Audio Hifi Insurgent sighting.
If anyone is buying that pant load from K, I've got a bridge to sell you.Political Correctness'.........defined
"A doctrine fostered by a delusional, illogical minority and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a t-u-r-d by the clean end."
President of Club Polk -
Anti Audio Hifi Insurgent sighting.
If anyone is buying that pant load from K, I've got a bridge to sell you.
Hmmm, spawn of Julian Hirsch and Consumer Reports? Everything sounds the same. CDs sound better than vinyl. In his later years, Hirsch wrote a column where he said that all speakers anymore pretty much sound the same, and he admitted that his favorite demo source was FM. Of course, by then he was older than dirt, and his hearing had failed substantially. He was all about the advertising revenue, and not hacking off advertisers to maximize the take. However, his magazine survived.
I hear differences in most things. Sometimes good, sometimes bad, sometimes a trade-off. Some view that as heresy, since it all "measures well".
MarkSystem:
VPI Scout/Benz Ace
Sutherland PH2000
Arcam CD72
Yamaha DVD-CX1 (primarily for CD..26 lbs, all BB D/A)
Audioprism Mantissa w/Reference PS
Parasound HCA750 (temporary)
Audiovector M1 Signatures
Kimber 4TC x 2 -
Skor, unless your present HK was incompetently designed(certainly not the case)or has been damaged and isn't performing as designed, then there should be no audible difference between using it or a separate prepro. The same standard of audibly flat frequency response with inaudibly low noise and distortion applies and spending a lot more money because of some manufacturer's hype can't change anything.
I can bring an Onkyo 777 AVR that I used to use to Polkfest. It is an excellent "before" piece because I have never heard anything that did not sound better after it. (especially for DTS)
Like most electronics it measures very well but the sound quality is just not that great. (it was a fine match for my rm6600 speakers I used to run on it though)
If you want to believe that everything sounds the same - fine. You will save alot of time, money and flustration. I would love to believe it myself, but I have decided to believe I just won the lottery. It is just as true and keeps a smile on my face.
MichaelMains.............Polk LSi15 (Cherry)
Center............Polk LSiC (Crossover upgraded)
Surrounds.......Polk LSi7 (Gloss Black - wood sides removed and crossovers upgraded)
Subwoofers.....SVS 25-31 CS+ and PC+ (both 20hz tune)
Pre\Pro...........NAD T163 (Modded with LM4562 opamps)
Amplifier.........Cinepro 3k6 (6-channel, 500wpc@4ohms)